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	<url>
		<loc>https://blog.smb.museum/botticelli-kommt-nach-berlin/</loc>
		<lastmod>2015-07-24T12:31:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/Thumb-BOT-gro%C3%9F.jpg</image:loc>
			<image:title><![CDATA[Thumb BOT groß]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/01.jpg</image:loc>
			<image:caption><![CDATA[Dieses Gemälde von Sandro Botticelli (1445-1510) zeigt Simonetta Vespucci, eine berühmte Florentiner Dame, die allen Männern den Kopf verdreht hat und Muse namhafter Renaissancekünstler war. So lautet jedenfalls eine These. Andere sehen in dem Portrait vielmehr ein Idealbild weiblicher Schönheit. Der Spot, für den im Stadtbad Neukölln gedreht wurde, nimmt Bezug auf dieses Werk. Welcher Ort in Berlin wäre als Kulisse geeigneter als ein Bad, das im Jahr 1914 nach dem Vorbild römischer Kaiserthermen erbaut worden ist?! Foto: Jörg P. Anders]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/02.jpg</image:loc>
			<image:caption><![CDATA[Der frühe Vogel fängt bekanntlich den Wurm. Treffpunkt 6 Uhr vor dem Stadtbad Neukölln. Der Bezirk schläft noch und man kann für ein Foto mitten auf der Kreuzung stehen, ohne umgefahren zu werden.]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/03.jpg</image:loc>
			<image:caption><![CDATA[Alle sind pünktlich, denn in zwei Stunden öffnet das Stadtbad für die Schwimmer. Bis dahin muss alles im Kasten sein und jede Minute zählt.]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/04.jpg</image:loc>
			<image:caption><![CDATA[So einsam und leer hat das wunderschöne Stadtbad bislang noch keiner von uns genießen können. Ein echtes Privileg. Hier entstanden übrigens auch Szenen für den Tom-Cruise-Film „Operation Walküre“. Wir sind sicher, dass auch unser Spot einen gewissen Hollywood-Glamour haben wird.]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/05.jpg</image:loc>
			<image:caption><![CDATA[In der Damenumkleide bekommt Anastasia Gubareva, Schauspielerin am Maxim Gorki Theater, für ihren großen Auftritt Zöpfe wie Simonetta und wird geschminkt. Damit beim Schwimmen nicht alles zerläuft, wird das Make-up nur sparsam aufgetragen. Zum Botticelli-Gemälde passt ein Natur-Look außerdem viel besser.]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/06.jpg</image:loc>
			<image:caption><![CDATA[Während die Damen sich um die Schönheit kümmern, bereiten die Herren die Technik vor und nehmen den Drehort in Augenschein, um nachher die schönsten Lichtspiele und Stimmungen einfangen zu können.]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/07.jpg</image:loc>
			<image:caption><![CDATA[Bis alle bereit sind, bleibt Zeit für ein paar Detailfotos in der Kleinen Schwimmhalle. Als leidenschaftliche Schwimmerin, die Chlorgeruch mit Wohlbefinden und Vertrautheit assoziiert, bin ich hingerissen von der Gelegenheit, das Bad ein paar Minuten einmal ganz für mich allein zu haben.]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/08.jpg</image:loc>
			<image:caption><![CDATA[In einer Ecke steht eine Haspel mit Leinen, deren Rot-Weiß den perfekten Kontrast zu den pastellfarbenen Umgebungsfarben bildet. Dass das ein starkes Bild ist, finde offenbar nicht nur ich, denn die Haspel wird später auch in unserem fertigen Spot zu sehen sein.]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/09.jpg</image:loc>
			<image:caption><![CDATA[Sind an diese Rollen damals die Damen gehängt worden, die Schwimmen lernen wollten? Die Kleine Schwimmhalle war früher den Frauen vorbehalten. Die Herren gingen nebenan in der Großen Schwimmhalle ihren Leibesübungen nach. Dann]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/10.jpg</image:loc>
			<image:caption><![CDATA[Dann geht es los. Doch mit Straßenschuhen kommt niemand ins Bad. Eine zuvorkommende Mitarbeiterin der Berliner Bäder-Betriebe verteilt beherzt blaue Plastiküberzieher, die sich alle über die Schuhe stülpen müssen.]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/11.jpg</image:loc>
			<image:caption><![CDATA[Das Bad ist gut geheizt und Anastasia Gubareva ist die Einzige, die ins Wasser darf. Alle anderen schwitzen in stiller Demut vor sich hin.]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/12.jpg</image:loc>
			<image:caption><![CDATA[Dafür muss sie jedoch mehrmals in diese und in jene Richtung schwimmen und öfter die Treppe rauf und runter.]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/13.jpg</image:loc>
			<image:caption><![CDATA[Geduldig kommt die junge Schauspielerin den Wünschen der Regie nach und verhält sich ganz und gar nicht divenhaft. Ob Simonetta Vespucci, deren Schönheit legendär war, wohl auch so unprätentiös war?]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/14.jpg</image:loc>
			<image:caption><![CDATA[Wir sind gut in der Zeit und haben Glück mit dem Licht. Kurz vor 8 Uhr verschwindet das weiche Morgenlicht. Aber wie man sieht: Die Bilder sind im Kasten!]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/15.jpg</image:loc>
			<image:caption><![CDATA[Gleich kommen die ersten Badegäste und wir packen ein. Ich bin gespannt auf den Spot. Ein herzliches Dankeschön an bboxx, das Ensemble des Maxim Gorki Theaters, die Berliner Bäder-Betriebe und alle Beteiligte!]]></image:caption>
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	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-das-norris-fragment/</loc>
		<lastmod>2016-01-11T12:26:09+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Titel_Norris-Fragment_gr.jpg</image:loc>
			<image:title><![CDATA[Titel_Norris-Fragment_gr]]></image:title>
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	</url>
	<url>
		<loc>https://blog.smb.museum/advent-advent-ein-kiez-kalender-fuer-dahlem/</loc>
		<lastmod>2016-01-11T12:26:24+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Adventskalender4_komplett.jpg</image:loc>
			<image:title><![CDATA[Adventskalender4_komplett]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Adventskalender4_komplett1.jpg</image:loc>
			<image:caption><![CDATA[So sieht der Kiez-Kalender aus. Foto: Museum Europäischer Kulturen]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Frau-Hackbeil.jpg</image:loc>
			<image:caption><![CDATA[Die Künstlerin Juliane Hackbeil bei der Arbeit. Foto: privat]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Adventskalender1.jpg</image:loc>
			<image:caption><![CDATA[Detail aus dem Kiez-Kalender mit Musem Europäischer Kulturen, Siegessäule und Hamburger Bahnhof. Foto: Museum Europäischer Kulturen]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Adventskalender2.jpg</image:loc>
			<image:caption><![CDATA[Detail aus dem Kiez-Kalender: Auch der Fernsehturm und der obligatorische Baustellenkran dürfen nicht fehlen. Foto: Museum Europäischer Kulturen]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Adventskalender3.jpg</image:loc>
			<image:caption><![CDATA[Detail aus dem Kiez-Kalender mit Reichstag und Brandenburger Tor. Foto: Museum Europäischer Kulturen]]></image:caption>
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	</url>
	<url>
		<loc>https://blog.smb.museum/streit-um-nikolaus-helfer-der-zwarte-piet/</loc>
		<lastmod>2016-01-11T12:27:21+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/N-27-I-323-2014.jpg</image:loc>
			<image:title><![CDATA[N; 27 I; 323-2014]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/N-27-I-323-2014.jpg</image:loc>
			<image:caption><![CDATA[Schwarze Stirn, schwarze Bäckchen: Nach heftigen, anhaltenden gesellschaftlichen Kontroversen wird heute das schwarze Gesicht beim "Zwarte Piet" oft nur noch angedeutet. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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	</url>
	<url>
		<loc>https://blog.smb.museum/advent-advent-weihnachtsbaum-im-museum/</loc>
		<lastmod>2016-01-11T12:27:40+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1570.jpg</image:loc>
			<image:title><![CDATA[_DSC1570]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1471.jpg</image:loc>
			<image:caption><![CDATA[Der Weihnachtsbaum wird im Foyer des Museum Europäischer Kulturen aufgestellt. Es ist mit ca. vier Metern Höhe der bisher größte Weihnachstbaum, der je in Dahlem stand! © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1485.jpg</image:loc>
			<image:caption><![CDATA[Direkt nach dem Aufstellen beginnen Mitarbeiter des Museums, den Baum zu schmücken. Das Motto in diesem Jahr lautet "Papierschmuck". © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1494.jpg</image:loc>
			<image:caption><![CDATA[Die Lichterkette ist natürlich das Wichtigste an einem ordentlichen Weihnachtsbaum. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1517.jpg</image:loc>
			<image:caption><![CDATA[Wenn sie angebracht ist, folgen Christbaumkugeln und der Schmuck. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1524.jpg</image:loc>
			<image:caption><![CDATA[Der Weihnachstbaumschmuck stammt, wie jedes Jahr, aus der eigenen Sammlung des Museum Europäischer Kulturen. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1542.jpg</image:loc>
			<image:caption><![CDATA[Der Weihnachstbaumschmuck stammt, wie jedes Jahr, aus der eigenen Sammlung des Museum Europäischer Kulturen. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1543.jpg</image:loc>
			<image:caption><![CDATA[Der Weihnachstbaumschmuck stammt, wie jedes Jahr, aus der eigenen Sammlung des Museum Europäischer Kulturen. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1547.jpg</image:loc>
			<image:caption><![CDATA[Dieser Papierschmuck ist nach originalen historischen und modernen Vorlagen aus der Sammlung des Museum Europäischer Kulturen gefertigt. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1549.jpg</image:loc>
			<image:caption><![CDATA[Auch Kinderschmuck ist dabei. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1570.jpg</image:loc>
			<image:caption><![CDATA[Historischer und regionaler europäischer Weihnachtsschmuck ziert den Baum. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1576.jpg</image:loc>
			<image:caption><![CDATA[Historischer und regionaler europäischer Weihnachtsschmuck ziert den Baum. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1579.jpg</image:loc>
			<image:caption><![CDATA[Historischer und regionaler europäischer Weihnachtsschmuck ziert den Baum. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1582.jpg</image:loc>
			<image:caption><![CDATA[Historischer und regionaler europäischer Weihnachtsschmuck ziert den Baum. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1583.jpg</image:loc>
			<image:caption><![CDATA[Historischer und regionaler europäischer Weihnachtsschmuck ziert den Baum. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1585.jpg</image:loc>
			<image:caption><![CDATA[Historischer und regionaler europäischer Weihnachtsschmuck ziert den Baum. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1597.jpg</image:loc>
			<image:caption><![CDATA[Historischer und regionaler europäischer Weihnachtsschmuck ziert den Baum. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/DSC1561.jpg</image:loc>
			<image:caption><![CDATA[Und so sieht der fertig geschmückte Weihnachtsbaum im Foyer des Museum Europäischer Kulturen dieses Jahr aus. Ein prächtiger weihnachtlicher Anblick, oder? © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/advent-advent-historische-weihnachten-in-berlin/</loc>
		<lastmod>2016-01-11T12:28:44+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_50132252.jpg</image:loc>
			<image:title><![CDATA[Ein Kind trägt den Tannenbaum nach Hause]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20043499.jpg</image:loc>
			<image:caption><![CDATA["Heimkehrende Landser kaufen auf dem Weihnachtsmarkt Geschenke für die Familie ein" (1918). (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20043191.jpg</image:loc>
			<image:caption><![CDATA["Im Berliner Lustgarten brannte ein großer Lichterbaum und eine Musikkapelle spielte Weihnachtslieder (24.12.1918)." (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20042151.jpg</image:loc>
			<image:caption><![CDATA["Weihnachten bei den Ärmsten, den alten Leuten. Es gab ein Teller warme Roggensuppe mit einem Kanten Brot. Große Gasöfen sorgten für Wärme und der Weihnachtsbaum brannte" (1919). (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_50132252.jpg</image:loc>
			<image:caption><![CDATA["Ein Kind trägt den Tannenbaum nach Hause." (Berlin, 1920) (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20038563.jpg</image:loc>
			<image:caption><![CDATA["Schüler beim Bemalen des Weihnachtsbäumchens" (1921). (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20038587.jpg</image:loc>
			<image:caption><![CDATA["Beim Schnitzen der Figuren für die Weihnachtskrippe" (1921). (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20040306.jpg</image:loc>
			<image:caption><![CDATA["Am 5. Januar fand in Anwesenheit des Dänischen Reichstagsabgeordneten Nielsen/Kopenhagen eine Weihnachtsbescherung für die Kinder statt, die im vergangenen Jahr Erholungsaufenthalt in Dänemark genossen hatten (05.01.1923)." (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20042393.jpg</image:loc>
			<image:caption><![CDATA["Räuchermännchen sind seine Spezialität" (1924). (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20038542.jpg</image:loc>
			<image:caption><![CDATA["Beim Bau der kleinen Weihnachtspyramiden" (1925). (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20038555.jpg</image:loc>
			<image:caption><![CDATA["Schüler beim Schnitzen der Tierfiguren" (1925). (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20039103.jpg</image:loc>
			<image:caption><![CDATA["Weihnachtsmann auf dem Motorrad", 1920er Jahre. (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20041159.jpg</image:loc>
			<image:caption><![CDATA[Tochter von Willy Römer, Ursula Römer, unter dem heimischen Weihnachtsbaum (1930). (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_20041163.jpg</image:loc>
			<image:caption><![CDATA["Weihnachtsgeschenke" (1930) (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_30042355.jpg</image:loc>
			<image:caption><![CDATA[Weihnachten unterm Hakenkreuz: "Die bei der Ortsgruppe Gneisenau der NS-Volkswohlfahrt eingegangenen Pfundspenden werden zu Weihnachtspaketen für Bedürftige zusammengestellt (20.12.1933)." (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_30042351.jpg</image:loc>
			<image:caption><![CDATA[Weihnachten unterm Hakenkreuz: "SA-Mann in Begleitung einer Frau mit Weihnachtsbaum und Geschenkpaketen in der Vorweihnachtszeit auf der Straße" (1935). (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/advent-advent-gruesse-vom-weihnachtsberg/</loc>
		<lastmod>2016-01-11T12:30:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Bildschirmfoto-2015-12-24-um-12.44.06.png</image:loc>
			<image:title><![CDATA[Bildschirmfoto 2015-12-24 um 12.44.06]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/gipsformerei-ein-analoger-weg-ins-zeitalter-der-digitalisierung/</loc>
		<lastmod>2016-01-11T13:42:32+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_6940.jpg</image:loc>
			<image:title><![CDATA[_MG_6940]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_6940.jpg</image:loc>
			<image:caption><![CDATA[Christina Haak, Stellvertretende Generaldirektorin der Staatlichen Museen zu Berlin, und Miguel Helfrich, Leiter der Gipsformerei, in einer Halle der Gipsformerei in Charlottenburg. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_6949.jpg</image:loc>
			<image:caption><![CDATA[Eine Mitarbeiterin der Gipsformerei arbeitet an einem Abguss der Reiterstatue des großen Kurfürsten von Andreas Schlüter. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_6760.jpg</image:loc>
			<image:caption><![CDATA[Ein Abguss einer Donatello-Skulptur des Heiligen Franziskus wartet auf Auslieferung. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_6747.jpg</image:loc>
			<image:caption><![CDATA[Repliken einer antiken Ägyptischen Skulptur werden coloriert. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_6751.jpg</image:loc>
			<image:caption><![CDATA[Farben in der Malerwerkstatt der Gipsformerei, wo die Abgüsse ihren finalen Look bekommen. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_6769.jpg</image:loc>
			<image:caption><![CDATA[Repliken warten darauf, in alle Welt verschickt zu werden. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_6953.jpg</image:loc>
			<image:caption><![CDATA[In der Werkstatt der Gipsformerei hängen überall Formen, Abgüsse und Modelle der zahlreichen Kunstwerke, die hier reproduziert werden. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_6957.jpg</image:loc>
			<image:caption><![CDATA[Ein einzelnes Pferdebein ist nichts ungewöhnliches in der Werkstatt der Gipsformerei - dieses hier gehört zu einer Replik des  Reiterstandbilds des großen Kurfürsten von Andreas Schlüter. Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/graphic-recordings-gipsformerei-zwischen-tradition-und-zukunft/</loc>
		<lastmod>2016-01-11T13:42:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Titel.jpg</image:loc>
			<image:title><![CDATA[Titel]]></image:title>
			<image:caption><![CDATA[Es geht los: Die Titelillustration zum Symposium „Casting – Ein analoger Weg ins Zeitalter der Digitalisierung?“ der Gipsformerei.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/gf_0134.jpg</image:loc>
			<image:caption><![CDATA[Vorträge bis in den frühen Abend: Das Symposium zur Gipsformerei fand in der Remise der Sammlung Scharf-Gerstenberg in Charlottenburg statt. Foto: Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/gf_0092.jpg</image:loc>
			<image:caption><![CDATA[Alle Vorträge und Podiumsdiskussionen wurden simultan mitgezeichnet: Gabriele Schlimpf bei der Arbeit. Foto: Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Titel.jpg</image:loc>
			<image:caption><![CDATA[Es geht los: Die Titelillustration zum Symposium „Casting – Ein analoger Weg ins Zeitalter der Digitalisierung?“ der Gipsformerei. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/historisch.jpg</image:loc>
			<image:caption><![CDATA[Illustration zum Panel „Gipse &amp; Gipsabguss-Sammlungen im historischen Kontext / Instrumente von Wissenschaft und Forschung: Museum, Universität, Kulturpolitik“]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/spread_plaster-cast.jpg</image:loc>
			<image:caption><![CDATA[Illustration zum Panel „Gipse &amp; Gipsabgusssammlungen im historischen Kontext / Zeugnisse kultureller Austauschbeziehungen“]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/blosser-abklatsch.jpg</image:loc>
			<image:caption><![CDATA[Illustration zum Panel „Gipse &amp; Gipsabguss-Sammlungen im historischen Kontext / Zeugnisse kultureller Austauschbeziehungen“]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/3D-gedaechtnis.jpg</image:loc>
			<image:caption><![CDATA[Illustration zum Panel „Gipse &amp; Gipsabguss-Sammlungen im 21. Jahrhundert / Kontrovers: Gipsabgüsse im Museum“]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/analog-and-digital.jpg</image:loc>
			<image:caption><![CDATA[Illustration zum Panel „Gipse &amp; Gipsabguss-Sammlungen im 21. Jahrhundert / Analoges und digitales Bildgedächtnis“]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/akademische_Sammlungen.jpg</image:loc>
			<image:caption><![CDATA[Illustration zum Panel „Gipse &amp; Gipsabguss-Sammlungen im 21. Jahrhundert  / Wege akademischer Abgusssammlungen ins 21. Jahrhundert“]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/abschlussdiksussion.jpg</image:loc>
			<image:caption><![CDATA[Illustration zur Schlussdiskussion]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/gf_0137.jpg</image:loc>
			<image:caption><![CDATA[Schlussdiskussion. Auf dem Podium: Julien Chapuis  (Skulpturensammlung und Museum für Byzantinische Kunst, Staatliche Museen zu Berlin), Daniel Graepler (Sammlung der Gipsabgüsse, Archäologisches Institut, Universität Göttingen), Christina Haak (Generaldirektion, Staatliche Museen zu Berlin), Miguel Helfrich (Gipsformerei, Staatliche Museen zu Berlin),  Charlotte Schreiter (LVR-Archäologischer Park Xanten / LVR-RömerMuseum), Holly Trusted (Victoria &amp; Albert Museum). Foto: Achim Kleuker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-ein-aquarell-mit-tiefgang/</loc>
		<lastmod>2016-01-11T13:42:50+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_00072229.jpg</image:loc>
			<image:title><![CDATA[h_00072229]]></image:title>
			<image:caption><![CDATA[František Kupka: ohne Titel, um 1907. © bpk/Nationalgalerie SMB, Sammlung Scharf-Gerstenberg. Foto: Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_00072229.jpg</image:loc>
			<image:caption><![CDATA[František Kupka: ohne Titel, um 1907. © bpk/Nationalgalerie SMB, Sammlung Scharf-Gerstenberg. Foto: Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Kalabscha-Tor.jpg</image:loc>
			<image:caption><![CDATA[Das ägyptische Kalabscha-Tor in der Sammlung Scharf-Gerstenberg © bpk/Nationalgalerie SMB, Sammlung Scharf-Gerstenberg. Foto: Hans-Christian Krass]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_00045433.jpg</image:loc>
			<image:caption><![CDATA[Odilon Redon: Fleur illuminée, um 1900  © bpk/Nationalgalerie SMB, Sammlung Scharf-Gerstenberg. Foto: Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_00072249.jpg</image:loc>
			<image:caption><![CDATA[Edvard  Munch: Vampyr, 1894 © bpk/Nationalgalerie SMB, Sammlung Scharf-Gerstenberg. Foto: Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_00072172.jpg</image:loc>
			<image:caption><![CDATA[Max Ernst: Illustrationsvorlage zu Hans Arps "Weißt du schwarzt du", 1929 © bpk/Nationalgalerie SMB, Sammlung Scharf-Gerstenberg. Foto: Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/h_00072178.jpg</image:loc>
			<image:caption><![CDATA[Georges Hugnet : Le mystère est exempt de pudeur, 1935 © bpk/Nationalgalerie SMB, Sammlung Scharf-Gerstenberg. Foto: Volker-H. Schneider]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/familie-auf-der-flucht-fluchtbilder-im-kupferstichkabinett/</loc>
		<lastmod>2016-02-16T09:50:31+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/foto_flucht-familie_KK.jpg</image:loc>
			<image:title><![CDATA[foto_flucht+familie_KK]]></image:title>
			<image:caption><![CDATA[Giandomenico Tiepolo: Die Heilige Familie passiert einen Torbogen © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/foto_flucht-familie_KK.jpg</image:loc>
			<image:caption><![CDATA[Giandomenico Tiepolo: Die Heilige Familie passiert einen Torbogen © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/Portr%C3%A4t-Korbacher.jpg</image:loc>
			<image:caption><![CDATA[Dagmar Korbacher. Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-fuchs-kehrt-zurueck-in-die-kunstbibliothek/</loc>
		<lastmod>2016-02-19T09:59:45+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002236.jpg</image:loc>
			<image:title><![CDATA[k_002236]]></image:title>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002236.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002237.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002238.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002239.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002240.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002241.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002242.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002243.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002244.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/k_002245.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Kunstbibliothek / Ottomar Anschütz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/das-berliner-kulturforum-als-wiege-des-20-jahrhunderts/</loc>
		<lastmod>2016-02-26T15:56:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/MG_0269_Quadrat.jpg</image:loc>
			<image:title><![CDATA[_MG_0269_Quadrat]]></image:title>
			<image:caption><![CDATA[Blick auf die Piazetta des Kulturforums. Foto: Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/MG_0269_Quadrat.jpg</image:loc>
			<image:caption><![CDATA[Blick auf die Piazetta des Kulturforums. Foto: Achim Kleuker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/inklusion-nichts-spezielles-fuer-ganz-spezielle-zielgruppen-im-alten-museum/</loc>
		<lastmod>2016-03-07T10:44:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/KirstenBroussardinderAustellung_FotoybyMatthew-Schoenfelder.jpg</image:loc>
			<image:title><![CDATA[KirstenBroussardinderAustellung_FotoybyMatthew Schoenfelder]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/KirstenBroussardinderAustellung_FotoybyMatthew-Schoenfelder.jpg</image:loc>
			<image:caption><![CDATA[Die Künstlerin und Kunstvermittlerin Kirstin Broussard leitete den Workshop im Alten Museum. Foto: Matthew Schoenfelder]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/JovanaKomnenicundDirkSorge_FotobxMathhewSchoenfelder.jpg</image:loc>
			<image:caption><![CDATA[Moderatorin Jovana Komnenic (rechts), die den Workshop im Alten Museum konzipiert hat und Dirk Sorge (links), der ebenfalls Workshops für das Projekt konzipiert und durchgeführt hat. Foto: Matthew Schoenfelder]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/StefanieWiensmitHaarkranzbeimDiskutierenderErgebnisse_FotobyMatthewSchoenfelder.jpg</image:loc>
			<image:caption><![CDATA[Stefanie Wiens (mit Haarkranz) und weitere Workshop-Teilnehmer diskutieren Ergebnisse. Foto: Matthew Schoenfelder]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/faulige-birnen-und-wuchernde-installationen-prozesskunst-und-das-museum-im-hamburger-bahnhof/</loc>
		<lastmod>2016-03-11T11:29:55+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/12744573_10153250716231459_4687904677011984285_n.jpg</image:loc>
			<image:title><![CDATA[12744573_10153250716231459_4687904677011984285_n]]></image:title>
			<image:caption><![CDATA[Urs Fischer, Ohne Titel, 2000, Friedrich Christian Flick Collection Courtesy: Galerie Eva Presenhuber, Zürich © Urs Fischer Fotograf: Stefan Altenburger, Zürich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/12744573_10153250716231459_4687904677011984285_n.jpg</image:loc>
			<image:caption><![CDATA[Urs Fischer, Ohne Titel, 2000, Friedrich Christian Flick Collection  Courtesy: Galerie Eva Presenhuber, Zürich © Urs Fischer Fotograf: Stefan Altenburger, Zürich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/h_00083904.jpg</image:loc>
			<image:caption><![CDATA[Dieter Roth / Björn Roth: Gartenskulptur, 1968 ff., 2008 Schenkung der Friedrich Christian Flick Collection Courtesy: Staatliche Museen zu Berlin, Nationalgalerie, 2008 Schenkung der Friedrich Christian Flick Collection / Dieter Roth Estate Foto: bpk / Nationalgalerie im Hamburger Bahnhof - Museum für Gegenwart, Berlin SMB / Fotograf: Thomas Bruns ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/IMG_1511.jpg</image:loc>
			<image:caption><![CDATA[Diskussionsrunde, Foto: Ida Havemann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/IMG_7533.jpg</image:loc>
			<image:caption><![CDATA[Patrick Peternader. Foto: Lina Rehork]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/IMG_1428.jpg</image:loc>
			<image:caption><![CDATA[Carolin Bohlmann bei der Eröffnungsrede. Foto: Ida Havemann ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-auferstehung-von-erigone-und-hebe/</loc>
		<lastmod>2016-03-17T11:40:34+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0041.jpg</image:loc>
			<image:title><![CDATA[W-1961,11_0041]]></image:title>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0003.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0013.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0017.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0011.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0028.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0032.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0037.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0041.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/W-196111_0044.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Franziska Kierzek]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/spiel-mit-der-kamera/</loc>
		<lastmod>2016-03-22T15:33:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin3.jpg</image:loc>
			<image:title><![CDATA[Faustin3]]></image:title>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin1.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin2.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin3.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin4.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin5.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin6.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin7.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin8.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin9.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Faustin10.jpg</image:loc>
			<image:caption><![CDATA[Josef Faustin: Selbstporträt (1921-1938)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/fruehlingsgruesse-von-merian-und-flegel/</loc>
		<lastmod>2016-03-29T11:14:48+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/7.jpg</image:loc>
			<image:title><![CDATA[7]]></image:title>
			<image:caption><![CDATA[Johann Bartholomaeus Braun: Tulpe (c) bpk / Kupferstichkabinett, SMB / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/1.jpg</image:loc>
			<image:caption><![CDATA[Georg Flegel: Jonquilla-Narzisse, Gelbliche Schwertlilie, Schachblume und Hornisse, um 1630  (c) bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/2.jpg</image:loc>
			<image:caption><![CDATA[Georg Flegel: Kronen- und Strahlen-Anemone, um 1630  (c) bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/3.jpg</image:loc>
			<image:caption><![CDATA[Georg Flegel: Alpen-Schachblume, Trompeten-Narzisse, Träubelhyazinthe, um 1630  (c) bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Zwischenablage01.jpg</image:loc>
			<image:caption><![CDATA[Maria Sibylla Merian: Raupen und Insekten, im Queroval, mit einer goldenen Linie eingefaßt, miniaturartig fein ausgeführt (c) bpk / Kupferstichkabinett, SMB / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/4.jpg</image:loc>
			<image:caption><![CDATA[Georg Flegel: Englische Schwertlilie, um 1630  (c) bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/5.jpg</image:loc>
			<image:caption><![CDATA[Georg Flegel: Hyazinthe, Gartenaurikel und Italienisches Hasenglöckchen, um 1630  (c) bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/6.jpg</image:loc>
			<image:caption><![CDATA[Johann Bartholomaeus Braun: Tulpe (c) bpk / Kupferstichkabinett, SMB / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/7.jpg</image:loc>
			<image:caption><![CDATA[Johann Bartholomaeus Braun: Tulpe (c) bpk / Kupferstichkabinett, SMB / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/8.jpg</image:loc>
			<image:caption><![CDATA[Johann Bartholomaeus Braun: Tulpe, Narzissen und Schmetterlinge (c) bpk / Kupferstichkabinett, SMB / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/10.jpg</image:loc>
			<image:caption><![CDATA[Maria Sibylla Merian: Chinesische Vase mit Lilien und Nelken, Schmetterling, Maikäfer, um 1670-1680 (c) bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/bestandskatalog-der-gemaeldegalerie-ganz-genau-geschaut/</loc>
		<lastmod>2016-03-29T11:15:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/6_Petrus_Christus.jpg</image:loc>
			<image:title><![CDATA[6_Petrus_Christus]]></image:title>
			<image:caption><![CDATA[Petrus Christus: Bildnis einer jungen Frau, um 1470 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/1_PetrusChristus_detail.jpg</image:loc>
			<image:caption><![CDATA[Petrus Christus: Bildnis einer jungen Frau, um 1470, Detail © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/2_malouel.jpg</image:loc>
			<image:caption><![CDATA[Johan Maelwael zugeschrieben: Madonna mit den Schmetterlingen, um 1415, © Staatliche Museen zu Berlin, Gemäldegalerie / Volker Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/3_malouel_back.jpg</image:loc>
			<image:caption><![CDATA[Madonna mit den Schmetterlingen: Rückseite © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/4_malouel_back_detail.jpg</image:loc>
			<image:caption><![CDATA[Madonna mit den Schmetterlingen: Rückseite, Detail der Abklebung am unteren Rand © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/5_IRR.jpg</image:loc>
			<image:caption><![CDATA[Madonna mit den Schmetterlingen: Infrarot-Reflektogramm, Detail: Engel in der rechten Bildhälfte © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/6_Petrus_Christus.jpg</image:loc>
			<image:caption><![CDATA[Petrus Christus: Bildnis einer jungen Frau, um 1470 © Staatliche Museen zu  Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/beuys-im-hamburger-bahnhof-grenz-ueberschreitungen/</loc>
		<lastmod>2016-04-15T14:48:36+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1324.jpg</image:loc>
			<image:title><![CDATA[HN8C1324]]></image:title>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1338.jpg</image:loc>
			<image:caption><![CDATA[Eugen Blume im Gespräch (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1344.jpg</image:loc>
			<image:caption><![CDATA[Eugen Blume im Gespräch (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1358.jpg</image:loc>
			<image:caption><![CDATA[Eugen Blume im Gespräch (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1324.jpg</image:loc>
			<image:caption><![CDATA[(c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1348.jpg</image:loc>
			<image:caption><![CDATA[Büro von Eugen Blume (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1349.jpg</image:loc>
			<image:caption><![CDATA[Kunst an der Wand (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1354.jpg</image:loc>
			<image:caption><![CDATA[Eugen Blume im Gespräch (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1361.jpg</image:loc>
			<image:caption><![CDATA[Im Büro von Eugen Blume, Hamburger Bahnhof - Museum für Gegenwart - Berlin (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/HN8C1412.jpg</image:loc>
			<image:caption><![CDATA[Eugen Blume (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-foto-kommt-selten-allein-fotografische-paare-reihen-und-serien/</loc>
		<lastmod>2016-04-19T11:09:25+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Windstosser1.jpg</image:loc>
			<image:title><![CDATA[Windstosser1]]></image:title>
			<image:caption><![CDATA[Ludwig Windstosser (1921-1983) Aral, Benzin-Raffinerie, 1967 Farbpapier, Schenkung Peter Windstosser 2007 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Appelt1.jpg</image:loc>
			<image:caption><![CDATA[Dieter Appelt (*1935) Canto Nr. 1-2, 1987  Silbergelatinepapier, Schenkung Wolf-Dieter Dube 1990 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Appelt2.jpg</image:loc>
			<image:caption><![CDATA[Dieter Appelt (*1935) Canto Nr. 1-2, 1987  Silbergelatinepapier, Schenkung Wolf-Dieter Dube 1990 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Badekow1.jpg</image:loc>
			<image:caption><![CDATA[Martin Badekow (1892-1961)  Marlene Dietrich, 1926-1927  Silbergelatinepapier, Schenkung 2006 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Badekow2.jpg</image:loc>
			<image:caption><![CDATA[Martin Badekow (1892-1961)  Marlene Dietrich, 1926-1927  Silbergelatinepapier, Schenkung 2006 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/F-%C3%B1hrenkemper1.jpg</image:loc>
			<image:caption><![CDATA[Claudia Fährenkemper (*1959) Armor N 02-13-3, 2013  Silbergelatinepapier, Schenkung der Fotografin 2015 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/F-%C3%B1hrenkemper2.jpg</image:loc>
			<image:caption><![CDATA[Claudia Fährenkemper (*1959)  Imago 64-98-8, 1998 |  Silbergelatinepapier, Schenkung der Fotografin 2015   (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Ibbeken1.jpg</image:loc>
			<image:caption><![CDATA[Hillert Ibbeken (*1935)  Friedrichswerdersche Kirche, 1999  Silbergelatinepapier, Schenkung des Fotografen 2012   (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Ibbeken2.jpg</image:loc>
			<image:caption><![CDATA[Hillert Ibbeken (*1935)  Friedrichswerdersche Kirche, 1999  Silbergelatinepapier, Schenkung des Fotografen 2012   (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Ibbeken3.jpg</image:loc>
			<image:caption><![CDATA[Hillert Ibbeken (*1935)  Friedrichswerdersche Kirche, 1999  Silbergelatinepapier, Schenkung des Fotografen 2012   (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Klitzing1.jpg</image:loc>
			<image:caption><![CDATA[Brigitte von Klitzing (*1914) Pola Negri, 1937-1938  Silbergelatinepapier, Schenkung der Fotografin 2010 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Klitzing4.jpg</image:loc>
			<image:caption><![CDATA[Brigitte von Klitzing (*1914) Pola Negri, 1937-1938  Silbergelatinepapier, Schenkung der Fotografin 2010 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Klitzing6.jpg</image:loc>
			<image:caption><![CDATA[Brigitte von Klitzing (*1914) Pola Negri, 1937-1938  Silbergelatinepapier, Schenkung der Fotografin 2010 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Klitzing2.jpg</image:loc>
			<image:caption><![CDATA[Brigitte von Klitzing (*1914) Karl Ludwig Diehl, 1937-1938  Silbergelatinepapier, Schenkung der Fotografin 2010 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Klitzing3.jpg</image:loc>
			<image:caption><![CDATA[Brigitte von Klitzing (*1914) Karl Ludwig Diehl, 1937-1938  Silbergelatinepapier, Schenkung der Fotografin 2010 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Klitzing5.jpg</image:loc>
			<image:caption><![CDATA[Brigitte von Klitzing (*1914) Karl Ludwig Diehl, 1937-1938  Silbergelatinepapier, Schenkung der Fotografin 2010 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Paris2.jpg</image:loc>
			<image:caption><![CDATA[Helga Paris (*1938)  Berliner Kneipen, 1975  Silbergelatinepapier, Kauf 2013 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Paris3.jpg</image:loc>
			<image:caption><![CDATA[Helga Paris (*1938)  Berliner Kneipen, 1975  Silbergelatinepapier, Kauf 2013 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Paris4.jpg</image:loc>
			<image:caption><![CDATA[Helga Paris (*1938)  Berliner Kneipen, 1975  Silbergelatinepapier, Kauf 2013 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Paris5.jpg</image:loc>
			<image:caption><![CDATA[Helga Paris (*1938)  Berliner Kneipen, 1975  Silbergelatinepapier, Kauf 2013 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Paris6.jpg</image:loc>
			<image:caption><![CDATA[Helga Paris (*1938)  Berliner Kneipen, 1975  Silbergelatinepapier, Kauf 2013 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Windstosser1.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Windstosser (1921-1983)  Aral, Benzin-Raffinerie, 1967  Farbpapier, Schenkung Peter Windstosser 2007 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Windstosser2.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Windstosser (1921-1983)  Aral, Benzin-Raffinerie, 1967  Farbpapier, Schenkung Peter Windstosser 2007 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Windstosser3.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Windstosser (1921-1983)  Aral, Benzin-Raffinerie, 1967  Farbpapier, Schenkung Peter Windstosser 2007 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Windstosser4.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Windstosser (1921-1983)  Aral, Benzin-Raffinerie, 1967  Farbpapier, Schenkung Peter Windstosser 2007 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Windstosser5.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Windstosser (1921-1983)  Aral, Benzin-Raffinerie, 1967  Farbpapier, Schenkung Peter Windstosser 2007 (c) Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/traumhaeuser-rumaenischer-migranten-fotoausstellung-im-museum-europaeischer-kulturen/</loc>
		<lastmod>2016-04-22T14:53:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Milisauti.-Bukowina-2013.-c-Studienprojekt-Universit%C3%A4t-Suceava.jpg</image:loc>
			<image:title><![CDATA[Milisauti. Bukowina, 2013. (c) Studienprojekt Universität Suceava]]></image:title>
			<image:caption><![CDATA[Milișǎuƫi. Bukowina, 2013. (c) Studienprojekt Universität Suceava]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Certeze.-Oascher-Land-2005.-c-Daniela-Moisa.jpg</image:loc>
			<image:caption><![CDATA[Certeze. Oascher Land, 2005. (c) Daniela Moisa]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Certeze.-Oascher-Land-2015.-c-Claudia-Betea.jpg</image:loc>
			<image:caption><![CDATA[Certeze. Oascher Land, 2015. (c) Claudia Betea]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Marginea.-Bukowina-2008.-c-Pietro-Cingolani.jpg</image:loc>
			<image:caption><![CDATA[Marginea. Bukowina, 2008. (c) Pietro Cingolani]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Marginea.-Bukowina-2009.-c-Andra-Jacob-Larionescu.jpg</image:loc>
			<image:caption><![CDATA[Marginea. Bukowina, 2009. (c) Andra Jacob Larionescu]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Milisauti.-Bukowina-2013.-c-Studienprojekt-Universit%C3%A4t-Suceava.jpg</image:loc>
			<image:caption><![CDATA[Milișǎuƫi. Bukowina, 2013. (c) Studienprojekt Universität Suceava]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/06_Marginea_2009.jpg</image:loc>
			<image:caption><![CDATA[Marginea. Bukowina 2009. © Andra Jacob Larionescu]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/inszenierung-in-der-gemaeldegalerie-neue-wege-zwischen-alten-italienern/</loc>
		<lastmod>2016-05-09T10:28:31+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig2.jpg</image:loc>
			<image:title><![CDATA[fig2]]></image:title>
			<image:caption><![CDATA[Architektonische Vedute. Eigentum des Kaiser Friedrich Museumsvereins © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig1.jpg</image:loc>
			<image:caption><![CDATA[Blick in Raum Nr. XVIII © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz: Autor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig2.jpg</image:loc>
			<image:caption><![CDATA[Architektonische Vedute. Eigentum des Kaiser Friedrich Museumsvereins © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig3.jpg</image:loc>
			<image:caption><![CDATA[Streiflichtaufnahmen in Schwarz-Weiß: Detail des rechten Mittelgrundes und Detail des linken Gebäudes mit Spuren geritzter Rundbögen © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig4.jpg</image:loc>
			<image:caption><![CDATA[Streiflichtaufnahmen in Schwarz-Weiß: Detail des rechten Mittelgrundes und Detail des linken Gebäudes mit Spuren geritzter Rundbögen © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig5_Pfeile.jpg</image:loc>
			<image:caption><![CDATA[Detail der übermalten Figuren in der linken Bildhälfte © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz: Autor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig6.jpg</image:loc>
			<image:caption><![CDATA[Wandelhalle in der Gemäldegalerie © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz: Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig7.jpg</image:loc>
			<image:caption><![CDATA[Domenico Ghirlandaio und Werkstatt, Auferstehung Christi (Rückseite der Pala Tornabuoni aus Santa Maria Novella) © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig8.jpg</image:loc>
			<image:caption><![CDATA[Domenico Ghirlandaio und Werkstatt, der hl. Antonius und der hl. Vinzenz Ferrer (Flügel der Pala Tornabuoni aus Santa Maria Novella, seit 1945 verschollen) © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig9.jpg</image:loc>
			<image:caption><![CDATA[Domenico Ghirlandaio und Werkstatt, der hl. Antonius und der hl. Vinzenz Ferrer (Flügel der Pala Tornabuoni aus Santa Maria Novella, seit 1945 verschollen) © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig10.jpg</image:loc>
			<image:caption><![CDATA[Nicola di Maestro Antonio d’Ancona, Der heilige Sebastian zwischen den Heiligen Hieronymus und Rochus © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Foto: Autor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig11.jpg</image:loc>
			<image:caption><![CDATA[Piero della Francesca, Landschaft mit dem büßenden heiligen Hieronymus, 1450 © Foto: Gemäldegalerie der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/fig12.jpg</image:loc>
			<image:caption><![CDATA[Nicola di Maestro Antonio d’Ancona, Landschaft mit dem büßenden heiligen Hieronymus, Turin, Gallery Sabauda (Artwork in the public domain)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/tuer-in-die-vergangenheit-ein-spanisches-kleinod-in-der-gemaeldegalerie/</loc>
		<lastmod>2016-05-12T09:52:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030275.jpg</image:loc>
			<image:title><![CDATA[P1030275]]></image:title>
			<image:caption><![CDATA[Babette Hartwieg, Leitende Restauratorin der Gemäldegalerie. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/22_Escalante_Engel_erweckt_Propheten_Elias_in_der_Wueste.jpg</image:loc>
			<image:caption><![CDATA[Juan Antonio de Frias y Escalante: Der Engel erweckt den Propheten Elias in der Wüste, um 1650/60, © Staatliche Museen zu Berlin, Gemäldegalerie, Foto: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030259.jpg</image:loc>
			<image:caption><![CDATA[Babette Hartwieg, die Leiterin der Restaurierungswerkstatt, berichtet von der Untersuchung des Gemäldes. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030257.jpg</image:loc>
			<image:caption><![CDATA[Kurator Sven Jakstat vor „Der Engel weckt den Propheten Elias in der Wüste“ (ca. 1650/60) von Juan Antonio Escalante in der Restaurierungswerkstatt der Gemäldegalerie. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030247.jpg</image:loc>
			<image:caption><![CDATA[Das Gemälde „Der Engel weckt den Propheten Elias in der Wüste“ (ca. 1650/60) von Juan Antonio Escalante in der Restaurierungswerkstatt der Gemäldegalerie. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030250.jpg</image:loc>
			<image:caption><![CDATA[Roberto Contini, Wissenschaftlicher Mitarbeiter in der Gemäldegalerie, vor dem Gemälde „Der Engel weckt den Propheten Elias in der Wüste“ (ca. 1650/60). Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030258.jpg</image:loc>
			<image:caption><![CDATA[Kurator Sven Jakstat vor „Der Engel weckt den Propheten Elias in der Wüste“ (ca. 1650/60) von Juan Antonio Escalante in der Restaurierungswerkstatt der Gemäldegalerie. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030261.jpg</image:loc>
			<image:caption><![CDATA[Babette Hartwieg, die Leiterin der Restaurierungswerkstatt, berichtet von der Untersuchung des Gemäldes. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030263.jpg</image:loc>
			<image:caption><![CDATA[Babette Hartwieg, die Leiterin der Restaurierungswerkstatt, berichtet von der Untersuchung des Gemäldes. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030266.jpg</image:loc>
			<image:caption><![CDATA[„Bei der Überprüfung einer Röntgenaufnahme des Bildes entdeckten wir eine Fehlstelle“, erklärt die Leiterin der Restaurierungswerkstatt, Babette Hartwieg, „dabei handelte es sich um ein Schlüsselloch.“  Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030270.jpg</image:loc>
			<image:caption><![CDATA[„Bei der Überprüfung einer Röntgenaufnahme des Bildes entdeckten wir eine Fehlstelle“, erklärt die Leiterin der Restaurierungswerkstatt, Babette Hartwieg, „dabei handelte es sich um ein Schlüsselloch.“  Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030273.jpg</image:loc>
			<image:caption><![CDATA[„Bei der Überprüfung einer Röntgenaufnahme des Bildes entdeckten wir eine Fehlstelle“, erklärt die Leiterin der Restaurierungswerkstatt, Babette Hartwieg, „dabei handelte es sich um ein Schlüsselloch.“  Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030275.jpg</image:loc>
			<image:caption><![CDATA[Babette Hartwieg, Leitende Restauratorin der Gemäldegalerie. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030276.jpg</image:loc>
			<image:caption><![CDATA[Um interessante Indizien auf der Rückseite zu zeigen, wird das Gemälde umgedreht. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030278.jpg</image:loc>
			<image:caption><![CDATA[Die Rückseite offenbarte laut Babette Hartwieg, dass es sich beim Bildträger wahrscheinlich um eine Tür handelte. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030280.jpg</image:loc>
			<image:caption><![CDATA[Die Rückseite offenbarte laut Babette Hartwieg, dass es sich beim Bildträger wahrscheinlich um eine Tür handelte. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030282.jpg</image:loc>
			<image:caption><![CDATA[Die Rückseite offenbarte laut Babette Hartwieg, dass es sich beim Bildträger wahrscheinlich um eine Tür handelte. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/P1030284.jpg</image:loc>
			<image:caption><![CDATA[Die Röntgenaufnahme des Gemäldes offenbart bisher Verborgenes. Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hannes-und-die-versuchung-von-valladolid/</loc>
		<lastmod>2016-05-19T14:18:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/14_Easter-Valladolid_Collado.jpg</image:loc>
			<image:title><![CDATA[14_Easter Valladolid_Collado]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/01_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Cofrades from the Cofradía Penitencial de Nuestra Señora de las Angustias at the entrance of the Church with the same name, carrying the paso Nuestra Señora de las Angustias (Juan de Juni, after 1561). Welcoming the paso Nuestro Padre Jesús Nazareno and the Santísimo Cristo de la Agonía. VIA CRUCIS Wednesday 23rd March. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/02_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Paso La Quinta Angustia (Gregorio Fernández, 1625) leaving the San Martin Church with the Cofradia Nuestra Señora de la Piedad. Wednesday 23rd March - Piedad Procession.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/03_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Cofrades from the Cofradía del Santísimo Cristo Despojado, inside San Martin Church before starting the procession-Tuesday 22nd March.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/04_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Stmo. Cristo del Perdón (Bernardo del Rincón, 1656), San Quirce Convent. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/05_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Left: "Ntro. Padre Jesús con la Cruz a cuestas" (author unknown, S.XVII), Right:“Dolorosa de la Vera-Cruz” (Gregorio Fernández, 1623)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/06_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Paso Camino del Calvariio at the National Museum of Sculpture of Valladolid]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/07_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Cofrades  pushing the Paso Camino del Calvario in the direction of the Plaza Mayor. General Procession of Holy Friday.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/08_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Cofrades from the Cofradía Penitencial Santísimo Cristo Despojado carrying "en andas" (on their shoulders) the paso Cristo Camino del Calvario (Miguel A. González y Jose A. Saavedra, 2009). Tuesday 22nd, Procession of the Encounter between the Virgin with her Son, at Amargura street. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/09_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[General Procession of Holy Friday. The Paso Camino del Calvario marching in processión across Valladolid from San Andrés Church to Plaza Mayor and the surroundings of the Cathedral. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/10_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Young cofrades pushing the Paso Camino del Calvario in the direction of the Plaza Mayor. General Procession of Holy Friday. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/11_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Young cofrades from the Cofradia Penitencial Santísimo Cristo Despojado  in front of the Calderón Theater. General Procession of Holy Friday]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/12_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Young female cofrade from the Cofradía Penitencial Santísimo Cristo Despojado carrying together with other cofrades the paso Cristo Camino del Calvario (Miguel A. González y Jose A. Saavedra, 2009). Tuesday 22nd, Procession of the encounter between the Virgin with her Son, at Amargura street. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/13_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Cofrades from the Cofradía Nuestra Señora de la Piedad playing music during procesion-Wedneday 23rd March]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/14_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Cofrade penance walking barefoot from the Cofradía de Nuestro Padre Jesús Atado a la Columna, Wednesday dawn]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/das-universalmuseum-im-netz/</loc>
		<lastmod>2016-06-06T13:48:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/fabian_froehlich.jpg</image:loc>
			<image:title><![CDATA[fabian_froehlich]]></image:title>
			<image:caption><![CDATA[Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/smb-website-alt-startseite.jpg</image:loc>
			<image:caption><![CDATA[Screenshot der alten Homepage der Staatlichen Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/smb-website-neu-startseite-2.jpg</image:loc>
			<image:caption><![CDATA[Screenshot der neuen Homepage der Staatlichen Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/smb-website-alt-mek-startseite.jpg</image:loc>
			<image:caption><![CDATA[Screenshot der alten Homepage des Museums Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/smb-website-neu-mek-startseite.jpg</image:loc>
			<image:caption><![CDATA[Screenshot der neuen Homepage des Museums Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/smb-website-museumsgebaeude.jpg</image:loc>
			<image:caption><![CDATA[Screenshot der Seite Museumsgebäude]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/instawalk-im-kunstgewerbemuseum-neue-perspektiven/</loc>
		<lastmod>2016-06-28T11:38:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/IMG_20160613_185012.jpg</image:loc>
			<image:title><![CDATA[IMG_20160613_185012]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/eine-station-vor-berlin-die-skulpturen-aus-valladolid-in-der-ausstellung-el-siglo-de-oro/</loc>
		<lastmod>2016-07-05T09:13:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_by-Carlos-Collado_02.jpg</image:loc>
			<image:title><![CDATA[Eine Station vor Berlin_by Carlos Collado_02]]></image:title>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_by-Carlos-Collado_01.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_by-Carlos-Collado_02.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_by-Carlos-Collado_03.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_by-Carlos-Collado_04.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_by-Carlos-Collado_05.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_by-Carlos-Collado_06.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_07.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_08.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_09.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_10.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_11.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_12.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_13.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_14.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_15.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_16.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_17.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/Eine-Station-vor-Berlin_von-Carlos-Collado_18.jpg</image:loc>
			<image:caption><![CDATA[Eine Station vor Berlin - A Project by Carlos Collado in collaboration with the Gemäldegalerie and the Instituto Cervantes Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/el-siglo-de-oro-spaniens-bluete-in-berlin/</loc>
		<lastmod>2016-07-12T13:27:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/20160615_SMB_Eissenhauer_Lindemann_018_Druckdatei_final_highres.jpg</image:loc>
			<image:title><![CDATA[20160615_SMB_Eissenhauer_Lindemann_018_Druckdatei_final_highres]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/20160615_SMB_Eissenhauer_Lindemann_018_Druckdatei_final_highres.jpg</image:loc>
			<image:caption><![CDATA[Michael Eissenhauer, Generaldirektor der Staatlichen Museen zu Berlin (rechts), und Bernd Lindemann, Direktor der Gemäldegalerie, verfolgen das Hängen eines Bildes für die Ausstellung "El Siglo de Oro. Die Ära Velázquez" in der Gemäldegalerie. (c) Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/20160615_SMB_Eissenhauer_Lindemann_199_Druckdatei_final_highres.jpg</image:loc>
			<image:caption><![CDATA[Michael Eissenhauer, Generaldirektor der Staatlichen Museen zu Berlin (links), und Bernd Lindemann, Direktor der Gemäldegalerie im Gespräch. (c) Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/02_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Die Skulpturengruppe aus Valladolid von Gregorio Fernández (1625) wird einmal im Jahr zu Ostern in einer Prozession durch den Ort geführt. Nun ist sie vorübergehend in der Ausstellung „El Siglo de Oro. Die Ära Velázquez“ in der Gemäldegalerie zu sehen. (c) Carlos Collado]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/20160615_SMB_Eissenhauer_Lindemann_223_Druckdatei_final_highres.jpg</image:loc>
			<image:caption><![CDATA[Michael Eissenhauer, Generaldirektor der Staatlichen Museen zu Berlin (links), und Bernd Lindemann, Direktor der Gemäldegalerie, gemeinsam mit einer Restauratorin vor einem der werke in der Ausstellung „El Siglo de Oro. Die Ära Velázquez“ in der Gemäldegalerie. (c) Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/20160615_SMB_Eissenhauer_Lindemann_062_Druckdatei_final_highres.jpg</image:loc>
			<image:caption><![CDATA[Michael Eissenhauer und Bernd Lindemann in der Gemäldegalerie. (c) Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-lange-weg-nach-spandau/</loc>
		<lastmod>2016-08-03T10:30:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYEL_Spandau_IN_21.jpg</image:loc>
			<image:title><![CDATA[KUNSTASYEL_Spandau_IN_21]]></image:title>
			<image:caption><![CDATA[Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYL_Spandau_104_joh.jpg</image:loc>
			<image:caption><![CDATA[Jasim aus Afghanistan mit Barbara Caveng, der Initiatorin von KUNSTASYL. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYEL_Spandau_IN_120.jpg</image:loc>
			<image:caption><![CDATA[Genormtes Warten: Wohnheim in Spandau. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYEL_Spandau_IN_139.jpg</image:loc>
			<image:caption><![CDATA[Gute Aussichten in Deutschland? Im Spandauer Wohnheim. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYEL_Dahlem_IN_46.jpg</image:loc>
			<image:caption><![CDATA[Viel Platz für Ideen: Das Projekt KUNSTASYL will Lebensraum verändern. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYL_Dahlem_18_joh.jpg</image:loc>
			<image:caption><![CDATA[Dachil, Teil des KUNSTASYL-Teams, hat das Logo des Projekts entworfen. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYEL_Spandau_IN_89.jpg</image:loc>
			<image:caption><![CDATA[Yasir aus dem Irak will mit Farbe die Geister der Vergangenheit vertreiben. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYEL_Dahlem_IN_24.jpg</image:loc>
			<image:caption><![CDATA[Kunst: Arbeit und Hoffnung zugleich. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYEL_Dahlem_IN_30.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung im Museum Europäischer Kulturen. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYEL_Dahlem_IN_33.jpg</image:loc>
			<image:caption><![CDATA[Die ikonischen Welle des japanischen Holzschnittmeisters Hokusai zieht sich durch den ganzen Ausstellungsbereich. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/KUNSTASYEL_Spandau_IN_21.jpg</image:loc>
			<image:caption><![CDATA["Flüchtling" - ein Etikett, das den Menschen dahinter verschwinden lässt. Foto: SPK / Ina Niehoff]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lackkunst-im-schloss-koepenick-teil-1-die-wiedergeburt-eines-moebels/</loc>
		<lastmod>2016-08-15T09:49:38+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.1_M%C3%BCnzschrank-Dagly.jpg</image:loc>
			<image:title><![CDATA[Abb.1_Münzschrank Dagly]]></image:title>
			<image:caption><![CDATA[Münzschrank aus dem Antikenkabinett der Brandenburg-Preußischen Kunstkammer im Berliner Schloss, Gérard Dagly, Berlin 1690/95, © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Tomasz Samek, Münster]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.1_M%C3%BCnzschrank-Dagly.jpg</image:loc>
			<image:caption><![CDATA[Münzschrank aus dem Antikenkabinett der Brandenburg-Preußischen Kunstkammer im Berliner Schloss, Gérard Dagly, Berlin 1690/95, © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Tomasz Samek, Münster]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.2_M%C3%BCnzschrank-Dagly.jpg</image:loc>
			<image:caption><![CDATA[Detail vom Münzschrank: Gesims mit Weinranken und Vögeln © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Tomasz Samek, Münster]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.3_M%C3%BCnzschrank-Dagly.jpg</image:loc>
			<image:caption><![CDATA[Detail vom Münzschrank: Seeufer mit Felsen © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Achim Stiegel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.4_M%C3%BCnzschrank-Dagly.jpg</image:loc>
			<image:caption><![CDATA[Detail vom Münzschrank: Rahmen des Tischgestells mit einem Schichtenpaket des modernen Lacküberzugs © Kunstgewerbemuseum, Staatliche Museen zu Berlin / Christian Fischer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.5_M%C3%BCnzschrank-Dagly.jpg</image:loc>
			<image:caption><![CDATA[Detail vom Münzschrank: Lackpaneel der linken Tür © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Tomasz Samek, Münster]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lackkunst-im-schloss-koepenick-teil-2-lob-der-guten-herrschaft/</loc>
		<lastmod>2016-08-15T10:04:17+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/31.jpg</image:loc>
			<image:title><![CDATA[3]]></image:title>
			<image:caption><![CDATA[Detail vom Münzschrank: Lackpaneel der rechten Seite © Staatliche Museen zu Berlin, Kunstgewerbemuseum; Foto: Tomasz Samek, Münster]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/11.jpg</image:loc>
			<image:caption><![CDATA[Detail vom Münzschrank: Lackpaneel der rechten Tür © Staatliche Museen zu Berlin, Kunstgewerbemuseum; Foto: Tomasz Samek, Münster]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/21.jpg</image:loc>
			<image:caption><![CDATA[Details aus beiden Bildtafeln der Front: © Staatliche Museen zu Berlin, Kunstgewerbemuseum; Foto: Achim Stiegel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/2b.jpg</image:loc>
			<image:caption><![CDATA[Details aus beiden Bildtafeln der Front: © Staatliche Museen zu Berlin, Kunstgewerbemuseum; Foto: Achim Stiegel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/31.jpg</image:loc>
			<image:caption><![CDATA[Detail vom Münzschrank: Lackpaneel der rechten Seite © Staatliche Museen zu Berlin, Kunstgewerbemuseum; Foto: Tomasz Samek, Münster]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/41.jpg</image:loc>
			<image:caption><![CDATA[Detail vom Münzschrank © Staatliche Museen zu Berlin, Kunstgewerbemuseum; Foto: Achim Stiegel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/51.jpg</image:loc>
			<image:caption><![CDATA[Silbertaler, Magdeburg 1681 © Staatliche Museen zu Berlin, Münzkabinett, Inv. Nr. 18215122, Foto: Reinhard Saczewski]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/61.jpg</image:loc>
			<image:caption><![CDATA[Detail vom Münzschrank: zentraler Beschlag mit Chrysanthemen und zweifachem Radmonogramm (auf der Schlagleiste) © Staatliche Museen zu Berlin, Kunstgewerbemuseum; Foto: Tomasz Samek, Münster]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/71.jpg</image:loc>
			<image:caption><![CDATA[Detail vom Münzschrank: zentraler Beschlag mit kurfürstlichem Radmonogramm © Staatliche Museen zu Berlin, Kunstgewerbemuseum; Foto: Christian Fischer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/81.jpg</image:loc>
			<image:caption><![CDATA[Kupferstich, Idealisierte Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1695 (Detail), Samuel Blesendorf, aus: Thesaurus Brandenburgicus selectus, Band 1, Berlin 1696 © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lackkunst-in-schloss-koepenick-teil-3-lob-und-legitimation/</loc>
		<lastmod>2016-08-23T10:18:55+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/12.jpg</image:loc>
			<image:title><![CDATA[1]]></image:title>
			<image:caption><![CDATA[Kupferstich, Idealisierte Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1695, Samuel Blesendorf, aus: Thesaurus Brandenburgicus selectus, Band 1, Berlin 1696 © Staatliche Museen zu Berlin, Kunstbibliothek Ornamentstichsammlung]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/12.jpg</image:loc>
			<image:caption><![CDATA[Kupferstich, Idealisierte Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1695, Samuel Blesendorf, aus: Thesaurus Brandenburgicus selectus, Band 1, Berlin 1696 © Staatliche Museen zu Berlin, Kunstbibliothek Ornamentstichsammlung]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/22.jpg</image:loc>
			<image:caption><![CDATA[Die drei Bände des Thesaurus Brandenburgicus selectus, Berlin 1696, 1698 und 1701 der Humboldt-Universität zu Berlin (Historische Sammlungen; Signatur 72508:1:F2/Rara). Foto: Achim Stiegel]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/32.jpg</image:loc>
			<image:caption><![CDATA[Zinnmedaille zum Umbau des Berliner Schlosses. Rückseite: Das Berliner Schloss in perspektivischer Ansicht, sign. Christian Wermuth, Berlin 1704 © Staatliche Museen zu Berlin, Münzkabinett/ Reinhard Saczewski]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/42.jpg</image:loc>
			<image:caption><![CDATA[Kupferstich (Detail), Idealisierte Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1695, Samuel Blesendorf, aus: Thesaurus Brandenburgicus selectus, Band 1, Berlin 1696 © Staatliche Museen zu Berlin, Kunstbibliothek Ornamentstichsammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/52.jpg</image:loc>
			<image:caption><![CDATA[Goldmünze Marc Aurels. Rückseite: Sitzende Aequitas mit Waage und Füllhorn, Rom, 168 n. Chr. © Staatliche Museen zu Berlin, Münzkabinett / Reinhard Saczewski]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/63.jpg</image:loc>
			<image:caption><![CDATA[Raimund Faltz: Krönung Friedrich I., Berlin 1701. Rückseite: Borussia krönt sich mit der Rechten selbst. Sie hält in der Linken Schwert und Zepter und lehnt sich an eine Säule mit Reichsapfel. Am Fuß der Säule die Medailleursignatur R F. © Staatliche Museen zu Berlin, Münzkabinett / Foto: Lutz-Jürgen Lübke]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/7a1.jpg</image:loc>
			<image:caption><![CDATA[Kupferstich (Details ), Idealisierte Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1695 mit Verkörperung der Aequitas, Samuel Blesendorf, aus: Thesaurus Brandenburgicus selectus, Band 1, Berlin 1696 © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/7b1.jpg</image:loc>
			<image:caption><![CDATA[Kupferstich (Details ), Idealisierte Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1695 mit Verkörperung der Aequitas, Samuel Blesendorf, aus: Thesaurus Brandenburgicus selectus, Band 1, Berlin 1696 © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/fuehrungen-im-pergamonmuseum-abtauchen-in-eine-andere-welt/</loc>
		<lastmod>2016-08-25T10:30:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Bild-2_MG_7911.jpg</image:loc>
			<image:title><![CDATA[Bild 2_MG_7911]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Bild-2_MG_7911.jpg</image:loc>
			<image:caption><![CDATA[Das berühmte Ischtar-Tor im Pergamonmuseum. (c) Staatliche Museen zu Berlin, Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/markttor-milet.jpg</image:loc>
			<image:caption><![CDATA[Blick auf das Markttor von Milet]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Bild-9_BGW0140.jpg</image:loc>
			<image:caption><![CDATA[Die Mschatta-Fassade im Pergamonmuseum. (c) Staatliche Museen zu Berlin, Achim Kleuker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/koffer-packen-fuer-los-angeles-interview-zur-grossen-reformations-ausstellung-der-gemaeldegalerie/</loc>
		<lastmod>2016-08-29T14:09:55+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/image_00008.jpg</image:loc>
			<image:title><![CDATA[image_00008]]></image:title>
			<image:caption><![CDATA[der Vergoldermeisterin und Restauratorin Sabine Friedrich, Mitarbeiterin der Gemäldegalerie, bei der Arbeit. (c) Staatliche Museen zu Berlin, Nadine Söll]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/image_00008.jpg</image:loc>
			<image:caption><![CDATA[Vergoldermeisterin und Restauratorin Sabine Friedrich, Mitarbeiterin der Gemäldegalerie, bei der Arbeit. (c) Staatliche Museen zu Berlin, Nadine Söll]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/image_00001.jpg</image:loc>
			<image:caption><![CDATA[Die Arbeitsmaterialien der Restauratorin. (c) Staatliche Museen zu Berlin, Nadine Söll]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/image_00017.jpg</image:loc>
			<image:caption><![CDATA[Vergoldermeisterin und Restauratorin Sabine Friedrich. (c) Staatliche Museen zu Berlin, Nadine Söll]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/image_00004.jpg</image:loc>
			<image:caption><![CDATA[Arbeit am historischen Rahmen. (c) Staatliche Museen zu Berlin, Nadine Söll]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lackkunst-in-schloss-koepenick-teil-4-das-antikenkabinett-im-berliner-schloss/</loc>
		<lastmod>2016-09-22T16:07:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/5.jpg</image:loc>
			<image:title><![CDATA[5]]></image:title>
			<image:caption><![CDATA[Mumienmaske, Ptolemäisch, 323-30 v. Chr., Kartonage, Stuck, Textil, grundiert, bemalt und vergoldet. © Ägyptisches Museum und Papyrussammlung SMB (Inv. Nr. ÄM 813)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/1.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung © Kunstgewerbemuseum SMB; Foto: Achim Stiegel, Bearbeitung Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/2.jpg</image:loc>
			<image:caption><![CDATA[Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1703. Kupferstich, aus: Lorenz Beger, Numismata Pontificum Romanorum, Berlin 1704. © Staatsbibliothek zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/3.jpg</image:loc>
			<image:caption><![CDATA[Detail aus der Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1703. Kupferstich, aus: Lorenz Beger, Numismata Pontificum Romanorum, Berlin 1704. © Staatsbibliothek zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/4.jpg</image:loc>
			<image:caption><![CDATA[Detail aus der Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1703. Kupferstich, aus: Lorenz Beger, Numismata Pontificum Romanorum, Berlin 1704. © Staatsbibliothek zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/5.jpg</image:loc>
			<image:caption><![CDATA[Mumienmaske, Ptolemäisch, 323-30 v. Chr., Kartonage, Stuck, Textil, grundiert, bemalt und vergoldet. © Ägyptisches Museum und Papyrussammlung SMB  (Inv. Nr. ÄM 813)]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/6.jpg</image:loc>
			<image:caption><![CDATA[Thesauri Regii et Electoralis Brandenburgici Volumen Tertium: Continens Antiquorum Numismatum Et Gemmarum, Quae Cimeliarchio Regio-Electorali Brandenbrugico nuper accesere, Rariora …. Berlin 1701 [Band III des Thesaurus Brandenburgicus selectus mit griechischen und römischen Münzen und geschnittenen Steinen, Skulpturen, Kleinbronzen, Terrakotten, Aegyptiaca, Tonlampen, Ton- und Glasgefäßen], S. 402]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/7.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung © Kunstgewerbemuseum SMB; Foto: Achim Stiegel, Bearbeitung Stephan Klonk]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-herbst-ist-da-reiche-ernte-in-historischen-stillleben/</loc>
		<lastmod>2016-09-28T13:11:48+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/8.jpg</image:loc>
			<image:title><![CDATA[8]]></image:title>
			<image:caption><![CDATA[Georg Flegel: Stilleben mit Blaumeise, Muscheln, Früchten und Insekten (1629) (c) bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/9.jpg</image:loc>
			<image:caption><![CDATA[Maria Sibylla Merian: Stillleben mit Früchten, einer Heuschrecke und einem Schmetterling (1670-1680);  (c) Kupferstichkabinett, SMB]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00016375.jpg</image:loc>
			<image:caption><![CDATA[Carl Schuch: Stillleben mit Äpfeln (1876);  (c) bpk / Nationalgalerie, SMB / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00018782.jpg</image:loc>
			<image:caption><![CDATA[Unbekannter Künstler: "Stillleben mit Obst, Gemüse und Kalbskeule" (17. Jahrhundert, Niederlande);  (c) bpk / Gemäldegalerie, SMB]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00020693.jpg</image:loc>
			<image:caption><![CDATA[Balthasar van der Ast: "Stillleben mit Fruchtkorb" (17. Jahrhundert);  (c) bpk / Gemäldegalerie, SMB]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00027158.jpg</image:loc>
			<image:caption><![CDATA[Jan Davidsz. de Heem: Früchte- und Blumenkartusche mit Weinglas (17. Jahrhundert); (c) bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/8.jpg</image:loc>
			<image:caption><![CDATA[Georg Flegel: Stilleben mit Blaumeise, Muscheln, Früchten und Insekten (1629);  (c) bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00027992.jpg</image:loc>
			<image:caption><![CDATA[Drei Mandarinen und Persimone aus der "Zehnbambushalle" (Ming-Dynastie);  (c) bpk / Museum für Asiatische Kunst, SMB / Jürgen Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00029560.jpg</image:loc>
			<image:caption><![CDATA[Jean Siméon Chardin: "Stillleben mit totem Fasan und Jagdtasche" (1760);  (c) bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00044771.jpg</image:loc>
			<image:caption><![CDATA[Johann Amandus Winck: "Stillleben mit Früchten, Blumen und Tieren (u.a. ein Dompfaff)" (ca. 1800);  (c) bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00078653.jpg</image:loc>
			<image:caption><![CDATA[Willem van Aelst: Stilleben mit Vögeln und Jagdgeräten (1660);  (c) bpk / Gemäldegalerie, SMB, Eigentum des Kaiser Friedrich Museumsvereins / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00082913.jpg</image:loc>
			<image:caption><![CDATA[Pieter Claesz und Roelof Claesz Koets: Stillleben mit Trinkgefäßen und Früchten (17. Jahrhundert);  (c) bpk / Gemäldegalerie, SMB / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00086104.jpg</image:loc>
			<image:caption><![CDATA[Cornelis de Heem:  Stillleben mit Früchten (17. Jahrhundert); (c)  bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00090605.jpg</image:loc>
			<image:caption><![CDATA[Johann Wilhelm Preyer:  Dessertfrüchte mit Elfenbeinhumpen (1838); (c)  bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/h_00091592.jpg</image:loc>
			<image:caption><![CDATA[Johann Wilhelm Preyer: Früchte auf einer Porzellanschale&lt;br /&gt; (1832);  (c) bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/museen-sind-keine-neutralen-orte-zum-wechsel-von-leontine-meijer-van-mensch/</loc>
		<lastmod>2016-09-29T13:06:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/leontine-meijer-van-mensch-311.jpg</image:loc>
			<image:title><![CDATA[Léontine Meijer-van Mensch]]></image:title>
			<image:caption><![CDATA[Léontine Meijer-van Mensch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/leontine-meijer-van-mensch-2000.jpg</image:loc>
			<image:caption><![CDATA[Léontine Meijer-van Mensch]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/curt-glaser-leben-und-wirken-eines-berliner-museumsdirektors/</loc>
		<lastmod>2016-10-04T15:08:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/04_Berliner-Salon.jpg</image:loc>
			<image:title><![CDATA[04_Berliner Salon]]></image:title>
			<image:caption><![CDATA[- Ausschnitt aus der Fotoreportage im Weltspiegel des Berliner Tageblatts vom 31. März 1929.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/04_Berliner-Salon.jpg</image:loc>
			<image:caption><![CDATA[-	Ausschnitt aus der Fotoreportage im Weltspiegel des Berliner Tageblatts vom 31. März 1929. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/03_Huth_Bibliothek.jpg</image:loc>
			<image:caption><![CDATA[-	Bibliothek, Wohnung Curt und Elsa Glaser, Prinz-Albrecht-Straße 8. Ca. 1930. Landesarchiv Berlin / Fotografin: Marta Huth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/49_Huth_Wohnung-Curt-Glaser.jpg</image:loc>
			<image:caption><![CDATA[-	Arbeitszimmer mit Gemälden von Edvard Munch, Wohnung Curt und Elsa Glaser, Prinz-Albrecht-Straße 8. Ca. 1930. Landesarchiv Berlin / Fotografin: Marta Huth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Matisse.jpg</image:loc>
			<image:caption><![CDATA[Brief von Matisse an Glaser.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alte-kunst-in-neuen-medien-wie-geht-das/</loc>
		<lastmod>2016-10-05T08:48:20+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Blog-2.jpg</image:loc>
			<image:title><![CDATA[Blog 2]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lektion-in-propaganda-eindruecke-vom-social-media-event-alte-kunst-in-neuen-medien/</loc>
		<lastmod>2016-10-11T11:24:32+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0605.jpg</image:loc>
			<image:caption><![CDATA[Die Gäste des Abends sind eingetroffen © Staatliche Museen zu Berlin, Gemäldegalerie / Ji-Hun Kim]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/14409892_1212661628754682_4172054087350698490_o.png</image:loc>
			<image:caption><![CDATA[Das Smartphone muss natürlich mit © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hashtags-und-heiligenschein-bilder-des-social-media-events/</loc>
		<lastmod>2016-10-13T10:46:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/14409450_1212661492088029_3790945410517962568_o.png</image:loc>
			<image:caption><![CDATA[Ab 18 Uhr trudelten die eingeladenen Social-Media-Experten, (Kunst-)Blogger, Berliner Instagrammer und andere Kunstinteressierte in die Gemäldegalerie ein. Es gab leckere spanische Snacks, Tapas und ebenfalls aus Spanien stammenden Wein. Man kommt ins Gespräch. Alle Gäste aber beschäftigt die Frage: Was wird uns wohl erwarten?]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0608.jpg</image:loc>
			<image:caption><![CDATA[Gebanntes Zuhören. Der Abend wird erklärt. Es gibt zwei Blöcke mit Talks und Diskussionen über unterschiedliche Themen. Ob Kuration, die Rolle des Porträts, Networking oder auch Storytelling. Aus acht überaus interessanten Bereichen zwei auszuwählen, fiel nicht leicht.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0616.jpg</image:loc>
			<image:caption><![CDATA[Smartphone muss mit. Ein Teilnehmer versucht den Startschuss festzuhalten. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0631.jpg</image:loc>
			<image:caption><![CDATA[Die wissenschaftliche Museumsassistentin Catalina Heroven spricht über die Inszenierung von Personen im Goldenen Zeitalter der spanischen Kunst. Was soll ein Porträt aussagen? Wie haben Künstler an so einem Werk gearbeitet? Und welchen Nutzen und Zweck hatten die Personengemälde aus der Zeit?]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0633.jpg</image:loc>
			<image:caption><![CDATA[Die Fotografin Sylvie Gagelmann sprach ebenfalls über Porträts. Und fand unter anderem heraus, dass es zwischen klassischen Ölgemälden und digitalen Fotografien durchaus Ähnlichkeiten gibt, vor allem was die Inszenierung der Abgebildeten anbetrifft. Dabei zeigte sie auch einige ihrer Fotos. Zeitgemäß auf einem Tablet – künstlerisch gehalten wie eine Palette. Wie passend.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/14435292_1212661605421351_1227716838327810946_o.png</image:loc>
			<image:caption><![CDATA[Zwischendrin wird fleißig fotografiert.  Hier: Jusepe de Ribera Brustbild eines Mannes, um 1613-1615 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/14480758_1212661715421340_1756316105520315048_o.png</image:loc>
			<image:caption><![CDATA[Hier: Francisco de Zurbarán: Das Schweißtuch der Heiligen Veronika,1658 © Museo Nacional de Escultura]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/14481831_1212661725421339_6179617633874518898_o.png</image:loc>
			<image:caption><![CDATA[Hier: Diego Velázquez: Mars, nach 1641 © Museo Nacional del Prado]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0635.jpg</image:loc>
			<image:caption><![CDATA[Gregorio Fernández: Gang zum Kalvarienberg, nach 1610 © Museo National de Escultura]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0663.jpg</image:loc>
			<image:caption><![CDATA[Eigentlich nur ein Teil einer raumfüllenden Skulptur, die die Kreuzigung von Jesus Christus darstellt. Dieser Kreuzträger sieht aber in seiner Pose sehr wie ein harter Bassist einer nicht minder harten modernen Rockband aus. Wie sehr der Kontext die Betrachtung eines Kunstwerks doch ausmacht. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/14468298_1212661738754671_502020081896002217_o.png</image:loc>
			<image:caption><![CDATA[Die Kuratorin der Ausstellung María López-Fanjul setzte sich in ihrem Talk „Hintergrundinformationen“ hauptsächlich mit zwei zentralen Gemälden auseinander. Eines davon war dieses Porträt Martínez Montañés' von Diego Velázquez. Im Hintergrund spiegeln sich Gemälde, darunter ein Tizian. Alle Details verweisen auf die Royalität des Bildes und seines Subjekts. Der schwere Vorhang wie auch das düstere Interieur. Eine propagandistische Machtrepräsentation mit nackten, Schwäche offenbarenden, menschlichen Zügen. (Foto: David von Becker)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0674.jpg</image:loc>
			<image:caption><![CDATA[Diese schwarze, wie ein alter Guckkasten aussehende Kiste macht aus Handybildern ein richtiges Polaroid-Foto. Die Mitarbeiterinnen des Impossible Project kamen den Anfragen kaum hinterher. Denn es wurden wohl hunderte Fotos von der Ausstellung geschossen. Jeder musste sich für zwei Motive entscheiden. Die wurden kurz darauf im Impossible Project Laboratory ausgestellt und von den Anwesenden bewertet. Es winkte ein Gewinn: eine Jahreskarte für die Staatlichen Museen zu Berlin. Der Konkurrenzdruck stieg kontinuierlich.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0680.jpg</image:loc>
			<image:caption><![CDATA[Angekommen im Impossible Project Laboratory gab es DJs, angeregte Gespräche und ganz wichtig: Bier. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0687.jpg</image:loc>
			<image:caption><![CDATA[Ein digitales Smartphone-Foto von einer 400 Jahre alten Holzskulptur wiederum als analoges Sofortbild belichtet als Exponat in in einer hippen Start-up-Location. Ziemlich meta. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0689.jpg</image:loc>
			<image:caption><![CDATA[Das Impossible Project Laboratory]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0690.jpg</image:loc>
			<image:caption><![CDATA[Der Berliner Instagrammer Stephan Pless beim analogen Hashtaggen seines Wettbewerbsbeitrags. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0696.jpg</image:loc>
			<image:caption><![CDATA[Risiko alter Techniken. Ob aus einem Polaroid auch was geworden ist, zeigt erst die Zeit. Aufgeregtes Warten. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_0698.jpg</image:loc>
			<image:caption><![CDATA[Harte Jury. Kritisch wurden die ausgestellten Fotos begutachtet. Bei Gefallen konnte ein schwarzer Punkt unters Bild geklebt werden. Wie man sieht, ging man gemeinhin sparsam und gewissenhaft mit der Verteilung der wenigen Punkte um. Man war sich der Tragweite seiner Entscheidung bewusst. Man munkelt, der Gewinner hätte seinen Coworking-Tisch fürs nächste Jahr bereits im Museum fix aufgebaut. ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/romantik-und-moderne-im-kupferstichkabinett/</loc>
		<lastmod>2016-10-20T13:35:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/20160914_SMB_Schulze_Altcappenberg_067_highres.jpg</image:loc>
			<image:title><![CDATA[20160914_SMB_Schulze_Altcappenberg_067_highres]]></image:title>
			<image:caption><![CDATA[Direktor Heinrich Schulze Altcappenberg führt während des Aufbaus durch die Ausstellung "Romantik und Moderne" im Kupferstichkabinett. Foto: Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/20160914_SMB_Schulze_Altcappenberg_067_highres.jpg</image:loc>
			<image:caption><![CDATA[Direktor Heinrich Schulze Altcappenberg führt während des Aufbaus durch die Ausstellung "Romantik und Moderne" im Kupferstichkabinett. Foto: Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/20160914_SMB_Schulze_Altcappenberg_054_highres.jpg</image:loc>
			<image:caption><![CDATA[Direktor Heinrich Schulze Altcappenberg führt während des Aufbaus durch die Ausstellung "Romantik und Moderne" im Kupferstichkabinett. Foto: Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/20160914_SMB_Schulze_Altcappenberg_056_highres.jpg</image:loc>
			<image:caption><![CDATA[Direktor Heinrich Schulze Altcappenberg führt während des Aufbaus durch die Ausstellung "Romantik und Moderne" im Kupferstichkabinett. Foto: Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/20160914_SMB_Schulze_Altcappenberg_072_highres.jpg</image:loc>
			<image:caption><![CDATA[Die Ausstellung "Romantik und Moderne" im Kupferstichkabinett wird aufgebaut. Foto: Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/20160914_SMB_Schulze_Altcappenberg_141_highres.jpg</image:loc>
			<image:caption><![CDATA[Die Ausstellung "Romantik und Moderne" im Kupferstichkabinett wird aufgebaut. Foto: Daniel Hofer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-der-engel-von-escalante/</loc>
		<lastmod>2016-10-25T13:29:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/thumbnail_escalante_komplett.jpg</image:loc>
			<image:title><![CDATA[thumbnail_escalante_komplett]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/aufbau-einer-ausstellung-ernst-ludwig-kirchner/</loc>
		<lastmod>2016-12-01T10:58:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.9.jpg</image:loc>
			<image:title><![CDATA[Abb.9]]></image:title>
			<image:caption><![CDATA[Praktikantin Theresa Weidt bei der Arbeit. Foto: Marie Förster, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.1.jpg</image:loc>
			<image:caption><![CDATA[Die verpackten Kirchner-Arbeiten warten auf ihren Transport. Foto: Marie Förster, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.2.jpg</image:loc>
			<image:caption><![CDATA[Rudolf Stingels Werk auf der Transportrolle. Foto: Marie Förster, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.3.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Hana Streicher und Praktikantin Theresa Weidt markieren die Ecken des Gemäldes für die Positionierung des Rahmens. Foto: Marie Förster, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.4.jpg</image:loc>
			<image:caption><![CDATA[Positionierung des Rahmens durch die Restauratorin Hana Streicher und die Firma Lutz Bertram Ausstellungstechnik und Objektbetreuung. Foto: Marie Förster, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.5.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Hana Streicher bespannt zusammen mit Praktikantin Theresa Weidt den Keilrahmen mit dem Gemälde von Rudolf Stingel. Foto: Marie Förster, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.6.jpg</image:loc>
			<image:caption><![CDATA[Rudolf Stingel, Untitled (nach E. L. Kirchner), (2008), © Courtesy of the Artist]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.7.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner, Porträt Erna Schilling (1913)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.8.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner, Stehende (1912), im Hintergrund Sitzender Akt mit erhobenen Armen (1910/1926)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.9.jpg</image:loc>
			<image:caption><![CDATA[Praktikantin Theresa Weidt bei der Arbeit. Foto: Marie Förster, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Abb.10.jpg</image:loc>
			<image:caption><![CDATA[Die Firma Lutz Bertram Ausstellungstechnik und Objektbetreuung bei der Arbeit. Foto: Marie Förster, Nationalgalerie]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hieronymus-bosch-das-feld-hat-augen-der-wald-hat-ohren/</loc>
		<lastmod>2016-12-02T12:48:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/KdZ-549_K.jpg</image:loc>
			<image:title><![CDATA[Das Feld hat Augen, der Wald hat Ohren]]></image:title>
			<image:caption><![CDATA[Hieronymus Bosch, Das Feld hat Augen, der Wald hat Ohren, um 1500–05 © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/KdZ-549_K.jpg</image:loc>
			<image:caption><![CDATA[Hieronymus Bosch, Das Feld hat Augen, der Wald hat Ohren, um 1500–05 © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/145-1896_K.jpg</image:loc>
			<image:caption><![CDATA[Niederländisch, Das Feld hat Augen, der Wald hat Ohren, 1546 © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/KdZ-549-verso_K.jpg</image:loc>
			<image:caption><![CDATA[Hieronymus Bosch und Werkstatt, Das Feld hat Augen, der Wald hat Ohren (Rückseite), um 1500–05 © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/spaete-rettung-fuer-einen-erben-des-hieronymus-bosch/</loc>
		<lastmod>2016-12-05T13:53:15+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/1m.Bei-der-Retusche.jpg</image:loc>
			<image:title><![CDATA[1m.Bei der Retusche]]></image:title>
			<image:caption><![CDATA[Bertram Lorenz bei der Retusche. Foto: Bertram Lorenz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/1b.Abnahme-Wachs-berzug-mit-Wattest-%C3%B1bchen.jpg</image:loc>
			<image:caption><![CDATA[Abnahme des Wachsüberzugs mit Wattestäbchen. Foto: Bertram Lorenz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/1g.Erstes-Fenster-bei-der-Firnisabnahme-02.16.04.jpg</image:loc>
			<image:caption><![CDATA[Erstes Fenster bei der Firnisabnahme. Foto: Bertram Lorenz ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/1m.Bei-der-Retusche.jpg</image:loc>
			<image:caption><![CDATA[Bertram Lorenz bei der Retusche. Foto: Bertram Lorenz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/3f.Mitteltafel-nach-Restaurierung-mit-neuem-Rahmen-nach-Pieter-Huys.jpg</image:loc>
			<image:caption><![CDATA[Mitteltafel nach Restaurierung mit neuem Rahmen nach Pieter Huys. Foto: Bertram Lorenz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/2b.Zustand-vor-der-Restaurierung.jpg</image:loc>
			<image:caption><![CDATA[Das Triptychon der "Versuchung des hl. Antonius" vor der Restaurierung. Foto: Bertram Lorenz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/3d.Nach-der-Restaurierung_Digitale-Visualisierung-des-Triptychon-mit-Rahmen.jpg</image:loc>
			<image:caption><![CDATA[Das Triptychon der "Versuchung des hl. Antonius" nach der Restaurierung. Foto: Bertram Lorenz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-uebergrosse-kurfuerst-aus-der-gipsformerei/</loc>
		<lastmod>2016-12-05T14:57:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-7.jpg</image:loc>
			<image:title><![CDATA[gipsformerei-2016-7]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-8.jpg</image:loc>
			<image:caption><![CDATA[Sandro di Michele und Nina Röwer von der Gipsformerei arbeiten an der Feinretusche eines Teiles der Skulptur. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-5.jpg</image:loc>
			<image:caption><![CDATA[Nähte zwischen den Formstücken müssen nach dem Guss sorgsam entfernt werden. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-2.jpg</image:loc>
			<image:caption><![CDATA[Aus mehreren tausend solcher Einzelteile besteht die Figur. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-4.jpg</image:loc>
			<image:caption><![CDATA[Mitarbeiter Jan Bürgel unter einem Teil des Pferdekörpers - das Bild verdeutlich die enorme Größe der Skulptur. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-71.jpg</image:loc>
			<image:caption><![CDATA[Ein massives Stahlgerüst sorgt im Innern der Gipsfigur für Stabilität. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-9.jpg</image:loc>
			<image:caption><![CDATA[Der Kopf der monumentalen Reiterstatue des Großen Kurfürsten. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-1.jpg</image:loc>
			<image:caption><![CDATA[Anna Mosig und Miguel Helfrich, Leiter der Gipsformerei, im Gespräch. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/mode-fuer-alle-im-neuen-mode-atelier-im-kunstgewerbemuseum/</loc>
		<lastmod>2016-12-20T09:43:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/j.e._KGM_16_8685-24.jpg</image:loc>
			<image:title><![CDATA[_j.e._KGM_16_8685-24]]></image:title>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Juliane Eirich, 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/j.e._KGM_16_8399-5.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Juliane Eirich, 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/j.e._KGM_16_8464-12.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Juliane Eirich, 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/j.e._KGM_16_8530-17.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Juliane Eirich, 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/j.e._KGM_16_8685-24.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Juliane Eirich, 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/j.e._KGM_16_8688-25.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Juliane Eirich, 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/j.e._KGM_16_8746-27.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Juliane Eirich, 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/j.e._KGM_16_8877-33.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Juliane Eirich, 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/j.e._KGM_16_8955-35.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Juliane Eirich, 2016]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/architektur-der-seidenstrasse-als-die-wueste-bunt-war/</loc>
		<lastmod>2016-12-30T11:01:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/Holzfliese_aus_Ruine_Alpha-311x311.jpg</image:loc>
			<image:title><![CDATA[Holzfliese aus Ruine Alpha, Kočo, Xinjiang, China, 11. Jh.]]></image:title>
			<image:caption><![CDATA[Holzfliese aus Ruine Alpha, Kočo, Xinjiang, China, 11. Jh.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/03_Geschnitztes-Holzkapitell.jpg</image:loc>
			<image:caption><![CDATA[Geschnitztes Holzkapitell aus Ruine K, Kočo, Xinjiang, China, 8. Jh. © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Jürgen Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/01_Kloster-Beta-in-der-Ruinenstadt.jpg</image:loc>
			<image:caption><![CDATA[Kloster Beta in der Ruinenstadt Kočo, Foto: Anfang 20. Jh. © Staatliche Museen zu Berlin, Museum für Asiatische Kunst]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/02_Kloster-Beta-in-der-Ruinenstadt.jpg</image:loc>
			<image:caption><![CDATA[Kloster Beta in der Ruinenstadt Kočo Xinjiang, China im Jahr 2015, Foto: Lilla Russell-Smith]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/Holzfliese_aus_Ruine_Alpha-1200.jpg</image:loc>
			<image:caption><![CDATA[Holzfliese aus Ruine Alpha, Kočo, Xinjiang, China, 11. Jh.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-schloss-fuers-leben-das-kunstgewerbemuseum-im-schloss-koepenick/</loc>
		<lastmod>2017-01-11T15:34:52+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/titelbild_SK.jpg</image:loc>
			<image:title><![CDATA[titelbild_SK]]></image:title>
			<image:caption><![CDATA[Schloss Köpenick. (c) Staatliche Museen zu Berlin, Kunstgewerbemuseum / Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/ansicht-alt.jpg</image:loc>
			<image:caption><![CDATA[Wilhelm Barth: Berlin. Ansicht von Köpenick mit Schloss und Schlossbrücke (um 1832). Copyright bpk / Kupferstichkabinett, SMB / Christa Begall]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/Stuck_Seminarraum.jpg</image:loc>
			<image:caption><![CDATA[Kunstvolle Stuckdecken im Schloss Köpenick. Foto: Regina Oelsner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/RIMG2366.jpg</image:loc>
			<image:caption><![CDATA[Blick durch Glasscheibe auf das jahrhundertealte Gebälk im Schloss Köpenick. Foto: Regina Oelsner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/20160712_104017.jpg</image:loc>
			<image:caption><![CDATA[Der "Hühnerdieb" im Garten des Schloss Köpenick. Foto: Regina Oelsner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/handy-941.jpg</image:loc>
			<image:caption><![CDATA[Skulptur von Kindern mit Schildkröte im Park des Schloss Köpenick. Foto: Regina Oelsner]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-jahresrueckblick-2016-10-highlights-aus-der-blog-redaktion/</loc>
		<lastmod>2017-01-17T13:34:36+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Bild_S.4-5-oben.jpg</image:loc>
			<image:title><![CDATA[Bild_S.4-5 oben]]></image:title>
			<image:caption><![CDATA[Blick in den geräumten Bereich "Nordamerika" im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_058_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:caption><![CDATA[Antinius Dionysos; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/932-8.jpg</image:loc>
			<image:caption><![CDATA[932-8]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/08_Easter-Valladolid_Collado.jpg</image:loc>
			<image:caption><![CDATA[Cofrade from the Cofradia Penitencial Santísimo Cristo Despojado carrying "en andas" (on their shoulders) the paso “Cristo Camino del Calvario” (Miguel A. González y Jose A. Saavedra, 2009). Tuesday 22nd, Procession of the Encounter between the Virgin with her Son, at Amargura street.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0016_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Bild_S.4-5-oben.jpg</image:loc>
			<image:caption><![CDATA[Blick in den geräumten Bereich "Nordamerika" im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.1_M%C3%BCnzschrank-Dagly.jpg</image:loc>
			<image:caption><![CDATA[Münzschrank aus dem Antikenkabinett der Brandenburg-Preußischen Kunstkammer im Berliner Schloss, Gérard Dagly, Berlin 1690/95, © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Tomasz Samek, Münster]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/MG_1186.jpg</image:loc>
			<image:caption><![CDATA[In solchen Kisten kamen die Papyri von der Nilinsel Elephantine zwischen 1906 und 1908 nach Berlin. (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.9_DSCF0164.jpg</image:loc>
			<image:caption><![CDATA[Restaurierungsatelier in der Alten Nationalgalerie während der Firnisabnahme am Gemälde "Mönch am Meer" von Caspar David Friedrich. (c) Staatliche Museen zu Berlin, Nationalgalerie / Foto: Ramona Roth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Titelbild_Instawalk_Dahlem.jpg</image:loc>
			<image:caption><![CDATA[Segelboot, Santa Cruz-Inseln, 1960 (c) Staatliche Museen zu Berlin, Ethnologisches Museum / Dietrich Graf]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2674.jpg</image:loc>
			<image:caption><![CDATA[DSCF2674]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/berlin-im-schnee-21-historische-winteraufnahmen-aus-der-kunstbibliothek/</loc>
		<lastmod>2017-01-19T14:59:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70144809.jpg</image:loc>
			<image:title><![CDATA[Mann auf Skiern im verschneiten Berlin]]></image:title>
			<image:caption><![CDATA[Mann auf Skiern im verschneiten Berlin, um 1900 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20043628.jpg</image:loc>
			<image:caption><![CDATA[Autobus Lehnin - Werder - und zurück am Potsdamer Bahnhof, ca.1919 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20043646.jpg</image:loc>
			<image:caption><![CDATA[Eisenbahngelände am Görlitzer Bahnhof, 1920er Jahre © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20045137.jpg</image:loc>
			<image:caption><![CDATA["Die Anwesenheit Ch. Ch.'s benutzten zwei Köche der Konditorei Moritz Dobrin im Tiergarten, um im Garten einen Schneemann zu errichten, der die Züge Charlie Chaplins trägt.", 1931 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20045537.jpg</image:loc>
			<image:caption><![CDATA[Eissegeln auf dem Müggelsee, um 1905 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20045563.jpg</image:loc>
			<image:caption><![CDATA[Wintervergnügen auf dem zugefrorenen Luisenkanal (Engelbecken), 1920  © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20045564.jpg</image:loc>
			<image:caption><![CDATA[Schneefegen am Brandenburger Tor, rechts die Amerikanische Botschaft, 1925 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20045573.jpg</image:loc>
			<image:caption><![CDATA[Königsplatz mit Kroll-Oper, Siegessäule, Bismarck-Nationaldenkmal im Winter, 1912 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20045660.jpg</image:loc>
			<image:caption><![CDATA[Künstliche Skibahn im Berliner Schneepalast am Kaiserdamm, 1927 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20045662.jpg</image:loc>
			<image:caption><![CDATA[Eis-Girls bei ihren Eissport-Vorführungen im Berliner Schneepalast am Kaiserdamm, 1927 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_20045774.jpg</image:loc>
			<image:caption><![CDATA[Schlitten mit Kindern am Gendarmenmarkt, um 1906 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_50132309.jpg</image:loc>
			<image:caption><![CDATA[Althergebrachte Leierkastenmusik beim Schlittschuhlaufen, 1912 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70140971.jpg</image:loc>
			<image:caption><![CDATA[Wintersport: Kinder gehen zum Rodeln, 1929 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70140973.jpg</image:loc>
			<image:caption><![CDATA[Wintersport im Stadtpark Berlin Steglitz: Eltern und Kinder beim Rodeln, 1929 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70141023.jpg</image:loc>
			<image:caption><![CDATA["Drei Skifahrer fahren direkt vom U-Bahnhof Krumme Lanke in das Skigebiet im Grunewald", 1931 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70142682.jpg</image:loc>
			<image:caption><![CDATA[Schutzpolizei - Verkehrspolizist in Berlin am Halleschen Tor, 1927 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70142727.jpg</image:loc>
			<image:caption><![CDATA[Skikurs für Militärangehörige, um 1930 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70142918.jpg</image:loc>
			<image:caption><![CDATA["An der Beusselbrücke; Hochzeitspaar und Hochzeitsgesellschaft mit Pfarrer Friedrich Lindenmeyer", 1929 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70143327.jpg</image:loc>
			<image:caption><![CDATA[Berlin: Rundfunk auf dem Wasser: Die Antenne auf dem Dach des Spreedampfers "Wintermärchen", 1924 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70144441.jpg</image:loc>
			<image:caption><![CDATA[Gedränge auf der Rodelbahn am Kreuzberg in Berlin, 1922 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70144608.jpg</image:loc>
			<image:caption><![CDATA["Nach der Währungsreform: Geldausgabestelle der Rentenbank in Berlin im Schneetreiben", 1923 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70144809.jpg</image:loc>
			<image:caption><![CDATA[Mann auf Skiern im verschneiten Berlin, um 1900 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/eine-logistische-meisterleistung-das-ethnologische-museum-zieht-ins-humboldt-forum/</loc>
		<lastmod>2017-01-24T14:09:36+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Bild_S.4-5-oben.jpg</image:loc>
			<image:title><![CDATA[Bild_S.4-5 oben]]></image:title>
			<image:caption><![CDATA[Blick in den geräumten Bereich "Nordamerika" im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Bild_S.4-5-oben.jpg</image:loc>
			<image:caption><![CDATA[Blick in den geräumten Bereich "Nordamerika" im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0021_preview.jpg</image:loc>
			<image:caption><![CDATA[Objekte werden für den Umzug ins Humboldt Forum vorbereitet. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0083_preview.jpg</image:loc>
			<image:caption><![CDATA[Viola König (re.) und Monika Zessnik mit einer amerikanischen Holzskulptur. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0132_preview.jpg</image:loc>
			<image:caption><![CDATA[Restaurierungsleiter Matthias Farke (re.) im Gespräch mit Viola König, Direktorin des Ethnologischen Museums. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0377_preview.jpg</image:loc>
			<image:caption><![CDATA[Der "Lienzo Seler II", ein mexikanischer Baumwoll-Teppich, wird derzeit umfassend untersucht und fotografisch dokumentiert. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0225_preview.jpg</image:loc>
			<image:caption><![CDATA[Die berühmten Südsee-Boote aus dem Ethnologischen Museum ziehen auch mit ins Humboldt Forum. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/instawalk-in-dahlem-abschied-von-den-suedsee-booten/</loc>
		<lastmod>2017-01-24T14:10:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Titelbild_Instawalk_Dahlem.jpg</image:loc>
			<image:title><![CDATA[Titelbild_Instawalk_Dahlem]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-tandem-in-der-forschung-oder-der-geschmack-der-ant/</loc>
		<lastmod>2017-01-27T15:21:48+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/Auslage-verschiedener-Foto-Objekte-von-Pergamon_Foto-Petra-Wodtke.jpg</image:loc>
			<image:title><![CDATA[Auslage verschiedener Foto-Objekte von Pergamon_Foto Petra Wodtke]]></image:title>
			<image:caption><![CDATA[Auslage verschiedener Foto-Objekte von Pergamon. Foto Petra Wodtke]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/Schrank-im-Fotoarchivraum_Foto-Petra-Wodtke.jpg</image:loc>
			<image:caption><![CDATA[Schrank im Fotoarchivraum. Foto Petra Wodtke]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/Boxen-im-Archivraum_Foto-Petra-Wodtke.jpg</image:loc>
			<image:caption><![CDATA[Boxen im Archivraum. Foto Petra Wodtke]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/Karteikarte-vom-Findsystem_Foto-Franka-Schneider.jpg</image:loc>
			<image:caption><![CDATA[Karteikarte vom Findsystem. Foto Franka Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/Auslage-verschiedener-Foto-Objekte-von-Pergamon_Foto-Petra-Wodtke.jpg</image:loc>
			<image:caption><![CDATA[Auslage verschiedener Foto-Objekte von Pergamon. Foto Petra Wodtke]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/das-ethnologische-museum-zieht-um-vorbereitung-der-suedsee-ahnenpfaehle/</loc>
		<lastmod>2017-02-02T14:13:18+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSC_0112.jpg</image:loc>
			<image:title><![CDATA[DSC_0112]]></image:title>
			<image:caption><![CDATA[Restauratorin Leonie Gärtner im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSC_0082.jpg</image:loc>
			<image:caption><![CDATA[Mit vereinten Kräften werden die Ahnenpfähle eingepackt. Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/P1040259.jpg</image:loc>
			<image:caption><![CDATA[Teils über sieben Meter hoch sind die Ahnenpfähle - logistisch eine Herausforderung. Foto: Staatliche Museen zu Berlin, Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/OBR1325.jpg</image:loc>
			<image:caption><![CDATA[Die Ahnenpfähle aus der Südsee lagern nun vorübergehend im ehemaligen Ausstellungsraum des Ethnologischen Museums. Foto: Staatliche Museen zu Berlin, Claudia Obrocki]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/OBR1355.jpg</image:loc>
			<image:caption><![CDATA[Die Ahnenpfähle aus der Südsee lagern nun vorübergehend im ehemaligen Ausstellungsraum des Ethnologischen Museums. Foto: Staatliche Museen zu Berlin, Claudia Obrocki]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/behind-the-scenes-ein-museum-zieht-um/</loc>
		<lastmod>2017-02-06T14:11:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0225_preview.jpg</image:loc>
			<image:title><![CDATA[20160510_SMB_Ethnologisches_Museum_(C)_Daniel_Hofer_0225_preview]]></image:title>
			<image:caption><![CDATA[Die berühmten Südsee-Boote aus dem Ethnologischen Museum ziehen auch mit ins Humboldt Forum. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/happy-valentinstag-liebe-aus-jahrtausenden/</loc>
		<lastmod>2017-02-17T10:17:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_000061031.jpg</image:loc>
			<image:title><![CDATA["Die Umarmung"]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00000232.jpg</image:loc>
			<image:caption><![CDATA[Carl Spitzweg: Der Liebesbrief (1845-46). © bpk / Staatliche Museen zu Berlin, Nationalgalerie; Foto: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00001130.jpg</image:loc>
			<image:caption><![CDATA[In einem chinesischen Freudenhaus - Beischlaf unter Zeugen, nach Liu Sung-nien (2. Hälfte 19. Jh.). © bpk / Staatliche Museen zu Berlin, Kunstbibliothek; Foto: Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00002500.jpg</image:loc>
			<image:caption><![CDATA[Erotische Szene auf einer Attischen Vase: Frau besteigt Mann; Schuwalow-Maler (3. Viertel 5. Jh.v.Chr.) © bpk / Staatliche Museen zu Berlin, Antikensammlung; Foto: Johannes Laurentius]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00003991.jpg</image:loc>
			<image:caption><![CDATA[Augustin Claude Simon Legrand: Der zudringliche Liebhaber (um 1780). © bpk / Staatliche Museen zu Berlin, Kunstbibliothek; Foto: Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00006103.jpg</image:loc>
			<image:caption><![CDATA[Paul Ballurian: Plakatentwurf (1899). © bpk / Staatliche Museen zu Berlin, Kunstbibliothek; Foto: Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00013084.jpg</image:loc>
			<image:caption><![CDATA[Rendezvous im Bois de Bologne", Kupferstich nach einer Zeichnung von Jean Michel Moreau d. J. (1784). © bpk / Staatliche Museen zu Berlin, Kunstbibliothek; Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00018401.jpg</image:loc>
			<image:caption><![CDATA[Liebespaar, Indische Miniatur (Spätmoghulzeit). © bpk / Staatliche Museen zu Berlin, Museum für Islamische Kunst ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00025313.jpg</image:loc>
			<image:caption><![CDATA["Le jaloux / Robe du soir Paul Poiret" - nach einer Zeichnung von Georges Lepape (April 1913). © bpk / Staatliche Museen zu Berlin, Kunstbibliothek; Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00073621.jpg</image:loc>
			<image:caption><![CDATA[Johann Joachim Kändler: Liebespaar in spanischem Kostüm (1740). © bpk / Staatliche Museen zu Berlin, Kunstgewerbemuseum; Foto: Arne Psille]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00102564.jpg</image:loc>
			<image:caption><![CDATA[Edvard Munch: Der Kuss IV (1902). © bpk / Staatliche Museen zu Berlin, Kupferstichkabinett; Foto: Volker H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00108849.jpg</image:loc>
			<image:caption><![CDATA["Zeugung Alexanders", Pergament (1300-1325). © bpk / Staatliche Museen zu Berlin, Kupferstichkabinett; Foto: Volker H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_70122973.jpg</image:loc>
			<image:caption><![CDATA[Liebespaar auf Kline liegend (Antike). © bpk / Staatliche Museen zu Berlin, Antikensammlung; Foto: Johannes Laurentius]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ich-weiss-was-du-getan-hast-ueberwachung-damals-und-heute/</loc>
		<lastmod>2017-02-21T09:53:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/3.jpg</image:loc>
			<image:title><![CDATA[3]]></image:title>
			<image:caption><![CDATA[Claude-Nicolas Ledoux, Coup-d’œil du Theatre de Besançon (Das Auge des Architekten), Tafel 113 aus: Ledoux, L'Architecture considérée […], Paris 1804. © Kunstbibliothek, Staatliche Museen zu Berlin / Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/1_Mari-Bastashevski.jpg</image:loc>
			<image:caption><![CDATA[Mari Bastashevski &amp; Privacy International, Detail from It’s Nothing Personal, 2014. © Mari Bastashevski]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/2_Hasan-Elahi.jpg</image:loc>
			<image:caption><![CDATA[Hasan Elahi, Detail from Thousand Little Brothers, 2014. © Hasan Elahi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/6_Julian-Roeder.jpg</image:loc>
			<image:caption><![CDATA[Julian Roeder, Thermal Imaging Camera, 2012. From the series, Mission and Task.  © Julian Roeder]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/1.jpg</image:loc>
			<image:caption><![CDATA[Unbekannter Stecher (Niederländisch), Das Feld hat Augen, der Wald hat Ohren, 1546, Holzschnitt, koloriert. © Kupferstichkabinett, Staatliche Museen zu Berlin / Foto: Jörg Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/4.jpg</image:loc>
			<image:caption><![CDATA[Jacques Callot, Le Ciel veille pour toy (Der Himmel wacht für Dich), 1628, Kupferstich. © Kupferstichkabinett, Staatliche Museen zu Berlin / Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/3.jpg</image:loc>
			<image:caption><![CDATA[Claude-Nicolas Ledoux, Coup-d’œil du Theatre de Besançon (Das Auge des Architekten), Tafel 113 aus: Ledoux, L'Architecture considérée […], Paris 1804. © Kunstbibliothek, Staatliche Museen zu Berlin / Foto: Dietmar Katz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/palau-haus-im-ethnologischen-museum-die-dachabdecker-kommen/</loc>
		<lastmod>2017-02-28T15:54:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/IMG_5123.jpg</image:loc>
			<image:title><![CDATA[IMG_5123]]></image:title>
			<image:caption><![CDATA[Abdeckung des Dachs des Palau-Haus im Ethnologischen Museum. Foto: SPK / Stefan Müchler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/IMG_5093.jpg</image:loc>
			<image:caption><![CDATA[Das halb abgedeckte Palau Haus im Ethnologischen Museum. Foto: SPK / Stefan Müchler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/IMG_5087.jpg</image:loc>
			<image:caption><![CDATA[Die alten Dach_Elemente des Palau Hauses werden entsorgt. Foto: SPK / Stefan Müchler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/IMG_5123.jpg</image:loc>
			<image:caption><![CDATA[Abdeckung des Dachs des Palau-Haus im Ethnologischen Museum. Foto: SPK / Stefan Müchler]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/geheimnisse-der-buchkunst-erforschung-des-stundenbuchs-der-maria-von-geldern/</loc>
		<lastmod>2017-03-21T14:38:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/4.jpg</image:loc>
			<image:title><![CDATA[4]]></image:title>
			<image:caption><![CDATA[Erkennbare Schrift unter der blauen Malschicht: „paus “ (links) und „coninc ” (rechts). Es handelt sich, um eine Malanweisung für die Miniaturmaler, die an dieser Stelle einen Papst auf der linken Seite und einen König auf der rechten Seite, jeweils mit einem Schwert, zeichnen sollten (© Staatsbibliothek zu Berlin – Preußischer Kulturbesitz).]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/1.jpg</image:loc>
			<image:caption><![CDATA[Die Umwandlung von Saint Paul (Miniatur) – Vorderseite des Blattes 161 mit farbigem Zierrahmen, Blatt-Ornament und Drolerie (© Staatsbibliothek zu Berlin – Preußischer Kulturbesitz).]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/2.jpg</image:loc>
			<image:caption><![CDATA[2]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/3.jpg</image:loc>
			<image:caption><![CDATA[Chemische Merkmale zur Unterscheidung der verschiedenen Meister (© Rathgen-Forschungslabor – Preußischer Kulturbesitz).]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/4.jpg</image:loc>
			<image:caption><![CDATA[Erkennbare Schrift unter der blauen Malschicht: „paus  “ (links) und „coninc  ” (rechts). Es handelt sich, um eine Malanweisung für die Miniaturmaler, die an dieser Stelle einen Papst auf der linken Seite und einen König auf der rechten Seite, jeweils mit einem Schwert, zeichnen sollten (© Staatsbibliothek zu Berlin – Preußischer Kulturbesitz). ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/5a.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopische Bilder mit Beispielen von Schadensbildern (© Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, M. Hundertmark).]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/5b.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopische Bilder mit Beispielen von Schadensbildern (© Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, M. Hundertmark).]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/EvSK_positiv_4c_300dpi1.jpg</image:loc>
			<image:caption><![CDATA[EvSK_positiv_4c_300dpi]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/forschungsprojekt-die-handschrift-der-maria-von-geldern/</loc>
		<lastmod>2017-03-21T14:39:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/41.jpg</image:loc>
			<image:title><![CDATA[4]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/31.jpg</image:loc>
			<image:caption><![CDATA[Darstellung Maria von Geldern aus der illuminierten Handschrift S. 19 © Staatsbibliothek zu Berlin, M. Hundertmark]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/11.jpg</image:loc>
			<image:caption><![CDATA[Handschrift in klimatisierter Kammer unter dem FT-IR Mikroskop © BESSY II, HZB, U. Schade]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/6.jpg</image:loc>
			<image:caption><![CDATA[Röntgenfluoreszenzanalyse durch die Mitarbeiterinnen des Rathgen-Forschungslabors ©Deutsche Digitale Bibliothek Foto: Jürgen Keiper]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/EvSK_positiv_4c_300dpi1.jpg</image:loc>
			<image:caption><![CDATA[EvSK_positiv_4c_300dpi]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/abenteuer-in-der-gipsformerei-die-geburt-des-grossen-kurfuersten/</loc>
		<lastmod>2017-03-28T11:21:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/VB_4776_klein.jpg</image:loc>
			<image:title><![CDATA[_VB_4776_klein]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/P1040414.jpg</image:loc>
			<image:caption><![CDATA[Als letzten Schliff bekommt die Replik des "Großen Kurfürsten" eine Bronzefassung © Staatliche Museen zu Berlin, Gipsformerei / Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/VB_4776_klein.jpg</image:loc>
			<image:caption><![CDATA[Die Teile der monumentalen Skulptur werden für den Transport einzeln verpackt © Staatliche Museen zu Berlin, Gipsformerei / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-8.jpg</image:loc>
			<image:caption><![CDATA[Sandro di Michele und Praktikantin Nina von der Gipsformerei arbeiten an der Feinretusche des Rockes des Kurfürsten © Staatliche Museen zu Berlin, Gipsformerei / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/VB_5605_klein.jpg</image:loc>
			<image:caption><![CDATA[Ein letzter Blick - der "Große Kurfürst" darf erst im Museo Internacional del Barroco wieder auf sein Pferd steigen © Staatliche Museen zu Berlin, Gipsformerei / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/VB_5184_klein.jpg</image:loc>
			<image:caption><![CDATA[Der Kopf des Pferdes wird für den Transport separat verpackt © Staatliche Museen zu Berlin, Gipsformerei / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/P1040583.jpg</image:loc>
			<image:caption><![CDATA[Der Rumpf des Pferdes in der Holzkiste © Staatliche Museen zu Berlin, Gipsformerei / Anna Mosig]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/moving-is-in-every-direction-instawalk-im-hamburger-bahnhof/</loc>
		<lastmod>2017-03-31T09:48:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/04_Thomas_Schuette_The_Laundry_1_Thomas_Bruns.jpg</image:loc>
			<image:title><![CDATA[04_Thomas_Schuette_The_Laundry_1_Thomas_Bruns]]></image:title>
			<image:caption><![CDATA[Thomas Schütte: The Laundry, 1988. 2014 Schenkung der Friedrich Christian Flick Collection © Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns VG Bild-Kunst, Bonn 2016]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-museum-ist-kein-mausoleum-zum-10-todestag-von-heinz-berggruen/</loc>
		<lastmod>2017-04-03T08:37:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/Berggruen_01_h_00021964.jpg</image:loc>
			<image:title><![CDATA[Heinz Berggruen im Stülerbau]]></image:title>
			<image:caption><![CDATA[Heinz Berggruen im Stülerbau, aufgenommen 1997 © bpk / Jens Ziehe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/Berggruen_01_h_00021964.jpg</image:loc>
			<image:caption><![CDATA[Heinz Berggruen im Stülerbau, aufgenommen 1997 © bpk / Jens Ziehe]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/humboldt-forum-die-letzte-reise-von-maunga-nefu/</loc>
		<lastmod>2017-07-03T08:54:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_9078.jpg</image:loc>
			<image:title><![CDATA[© Foto: David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_9294.jpg</image:loc>
			<image:caption><![CDATA[Abbau der Südseeboote im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_9078.jpg</image:loc>
			<image:caption><![CDATA[Abbau der Südseeboote im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_9233.jpg</image:loc>
			<image:caption><![CDATA[Abbau der Südseeboote im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_9388.jpg</image:loc>
			<image:caption><![CDATA[Abbau der Südseeboote im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_2168.jpg</image:loc>
			<image:caption><![CDATA[Abbau der Südseeboote im Ethnologischen Museum. Foto: Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/pracht-im-massstab-150-der-angkor-wat-auf-dem-weg-ins-humboldt-forum/</loc>
		<lastmod>2017-08-01T09:31:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/angkor-AM_gro%C3%9F.jpg</image:loc>
			<image:title><![CDATA[Das Holzmodell von Angkor Wat. Foto: Staatliche Museen zu Berlin]]></image:title>
			<image:caption><![CDATA[Das Holzmodell von Angkor Wat. Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Angkor_Wat_W-Seite.jpg</image:loc>
			<image:caption><![CDATA[Angkor Wat, Foto: Manfred Werner, 2001]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Modell_AM1.jpg</image:loc>
			<image:caption><![CDATA[Modell der Tempelanlage Angkor Wat im Maßstab 1:50. Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Ausstellung-Berlin-I-C-DLG-39.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsansicht des Modells in Berlin. Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lehren-aus-peru-das-bauhaus-und-das-ethnologische-museum/</loc>
		<lastmod>2017-08-11T13:33:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Helen-M-Post-portrait-CC.jpg</image:loc>
			<image:title><![CDATA[Anni Albers in ihrer Webstube im Black Mountain Collage, 1937, Foto: Helen Post © Courtesy of the Western Regional Archives, State Archives of North Carolina]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/MuseumfuerVoelkerkunde.jpg</image:loc>
			<image:caption><![CDATA[Lichthof des Museums für Völkerkunde © Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Amazonen.jpg</image:loc>
			<image:caption><![CDATA[Schrank mit Exponaten aus Amazonien in der Ausstellung im Königlichen Museum für Völkerkunde © Staatliche Museen zu Berlin, Ethnologisches Museum ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/ba9b10e77787e65b577ee3b40ada18ea.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung „Handwerk wird modern. Vom Herstellen am Bauhaus“, Bauhausgebäude Dessau, 2017 / Stiftung Bauhaus Dessau, Foto: Thomas Meyer/ OSTKREUZ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/eMuseumPlus-11.jpg</image:loc>
			<image:caption><![CDATA[Männerhemd (Uncu), Huari (Wari) 500 - 800, Peru © Staatliche Museen zu Berlin, Ethnologisches Museum, Foto: Dietrich Graf]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-die-wuerfelfigur-des-aegyptischen-baumeisters/</loc>
		<lastmod>2017-09-04T10:18:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/Bild_03.jpg</image:loc>
			<image:title><![CDATA[Bild_03]]></image:title>
			<image:caption><![CDATA[Würfelfigur des Baumeisters Senenmut mit der Prinzessin Nefrura. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / Friederike Grosinksi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/Bild_02.jpg</image:loc>
			<image:caption><![CDATA[Würfelfigur des Baumeisters Senenmut mit der Prinzessin Nefrura. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / Friederike Grosinksi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/Bild_01.jpg</image:loc>
			<image:caption><![CDATA[Würfelfigur des Baumeisters Senenmut mit der Prinzessin Nefrura. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / Friederike Grosinksi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/Bild_03.jpg</image:loc>
			<image:caption><![CDATA[Würfelfigur des Baumeisters Senenmut mit der Prinzessin Nefrura. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / Friederike Grosinksi]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ich-erzwinge-nichts-stefan-draschan-und-peoplematchingart/</loc>
		<lastmod>2017-09-07T14:23:47+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/Monbijou_kl.jpg</image:loc>
			<image:title><![CDATA[Monbijou_kl]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/instagram-takeover-mit-stefan-draschan-leute-treffen-werke/</loc>
		<lastmod>2017-09-21T13:19:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/tiotelbild_IG-takeover_gr.jpg</image:loc>
			<image:title><![CDATA[tiotelbild_IG-takeover_gr]]></image:title>
			<image:caption><![CDATA[© Stefan Draschan]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-mystisch-realer-blick-in-die-welt-der-friesen-die-ausstellung-inselwesen-inselalltag-im-mek/</loc>
		<lastmod>2017-09-29T10:27:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/thumbnail_Inselwesen_gr.jpg</image:loc>
			<image:title><![CDATA[thumbnail_Inselwesen_gr]]></image:title>
			<image:caption><![CDATA[Mila Teshaieva: Magnus at Vogelkoje, 2014, © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/InselWesen_InselAlltag_Pressebild_02.jpg</image:loc>
			<image:caption><![CDATA[Mila Teshaieva: The hat is off, 2015, © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/InselWesen_Inselalltag_Pressebild_01.jpg</image:loc>
			<image:caption><![CDATA[Mila Teshaieva: Frisian Grace, 2014, © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/InselWesen_InselAlltag_Pressebild_05.jpg</image:loc>
			<image:caption><![CDATA[Mila Teshaieva: Elisabeth at home, 2014, © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/InselWesen_InselAlltag_Pressebild_07.jpg</image:loc>
			<image:caption><![CDATA[Nationaltracht auf der Insel Föhr, kolorierte Lithografie, um 1850, © Museum Europäischer Kulturen – Staatliche Museen zu Berlin / Dietmar Katz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/reformation/</loc>
		<lastmod>2017-11-07T14:57:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/6a_titel_klein.jpg</image:loc>
			<image:title><![CDATA[Bildnis Luthers, aus dem sogenannten Stammbuch (?) von Cranach von 1543]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/1a2-742x1024.jpg</image:loc>
			<image:caption><![CDATA["Lucas]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/1b2-735x1024.jpg</image:loc>
			<image:caption><![CDATA["Hans]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/2a2-729x1024.jpg</image:loc>
			<image:caption><![CDATA["Lucas]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/2b2-1024x1003.jpg</image:loc>
			<image:caption><![CDATA["Monogrammist]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/32.jpg</image:loc>
			<image:caption><![CDATA[Nach Cranach: Luther als Junker Jörg, 1522, Holzschnitt © Staatliche Museen zu Berlin, Kupferstichkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/4a1-615x1024.jpg</image:loc>
			<image:caption><![CDATA["Lucas]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/4b1-683x1024.jpg</image:loc>
			<image:caption><![CDATA["Lucas]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/5a1.jpg</image:loc>
			<image:caption><![CDATA[Melchior Lorichs: Porträt des Martin Luther, 1548, Kupferstich © Staatliche Museen zu Berlin, Kupferstichkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/5b2.jpg</image:loc>
			<image:caption><![CDATA[Unbekannt: Porträt des Martin Luther, um 1546, Holzschnitt © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/6a2.jpg</image:loc>
			<image:caption><![CDATA[Lucas Cranach d. J.: Bildnis Luthers, aus dem sogenannten Stammbuch (?) von Cranach, 1543, Pinsel in Aquarellfarben auf Pergament © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/6b2.jpg</image:loc>
			<image:caption><![CDATA[Karl Friedrich Schinkel: Bildnis Martin Luthers, 1816, Gouache auf Papier © Staatliche Museen zu Berlin, Kupferstichkabinett / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/72.jpg</image:loc>
			<image:caption><![CDATA[Johann Michael Püchler: Martin Luther, Mikrographie, Radierung © Staatliche Museen zu Berlin, Kupferstichkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/82.jpg</image:loc>
			<image:caption><![CDATA[Lucas Cranach (der Ältere): Medaillon mit Porträt Martin Luthers, Holzschnitt © Staatliche Museen zu Berlin, Kupferstichkabinett / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/92.jpg</image:loc>
			<image:caption><![CDATA[Lucas Furtenagel: Kopf des toten Martin Luther, um 1546, Pinsel in Braun, weiß gehöht © Staatliche Museen zu Berlin, Kupferstichkabinett / Volker-H. Schneider]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/150-jahre-kunstgewerbemuseum-und-kunstbibliothek-nie-mehr-stilunsicher-gegenueber-frankreich/</loc>
		<lastmod>2017-11-10T11:17:20+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/csm_Gropiusbau_Lichthof_1881_sw_xl_1ecdbd1e0e.jpg</image:loc>
			<image:title><![CDATA[csm_Gropiusbau_Lichthof_1881_sw_xl_1ecdbd1e0e]]></image:title>
			<image:caption><![CDATA[Der Lichthof des Kunstgewerbemuseums im Martin-Gropius-Bau, Lorenz Ritter, 1881, Radierung © Staatliche Museen zu Berlin, Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/23_Eingang-Kunstgewerbemuseum-Kulturforum_Achim-Kleuker_1500.jpg</image:loc>
			<image:caption><![CDATA[Eingang zum Kunstgewerbemuseum am Kulturforum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/22_Kunstbibliothek_Kupferstichkabinett_2008_Maximilien-Meisse_1500.jpg</image:loc>
			<image:caption><![CDATA[Gebäude der Kunstbibliothek und des Kupferstichkabinetts am Kulturforum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/KGM_150-blog.png</image:loc>
			<image:caption><![CDATA[Wortmarke 150 Jahre Kunstgewerbemuseum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/darf-man-den-gleichen-kunstgeschmack-haben-wie-hitler-bei-boecklin-schon/</loc>
		<lastmod>2017-11-16T11:20:57+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/1-B-%C3%82cklin.jpg</image:loc>
			<image:title><![CDATA[1 B+Âcklin]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/2-Besucherb-cher.jpg</image:loc>
			<image:caption><![CDATA[Besucherbücher zur Ausstellung, Foto: Maria Obenaus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/7-Besucherstimme.jpg</image:loc>
			<image:caption><![CDATA[Foto: Maria Obenaus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/3-Besucherstimme.jpg</image:loc>
			<image:caption><![CDATA[ Foto: Maria Obenaus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Zeichnung-Trommler-von-Hofer.jpg</image:loc>
			<image:caption><![CDATA[Ein japanischer Besucher hinterließ eine Zeichnung des Trommlers aus dem titelgebenden Gemälde „Die schwarzen Zimmer (2. Fassung)“ von Karl Hofer, Foto: Maria Obenaus]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-das-diptychon-von-melun/</loc>
		<lastmod>2017-12-01T11:04:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/TB_kl4.jpg</image:loc>
			<image:title><![CDATA[TB_kl]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/unter-dem-mikroskop-maltechnische-untersuchungen-des-diptychons-von-melun/</loc>
		<lastmod>2017-12-13T10:52:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/titelbild_kl.jpg</image:loc>
			<image:title><![CDATA[titelbild_kl]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/2.jpg</image:loc>
			<image:caption><![CDATA[Diptychon des Etienne Chevalier, linker Flügel: Etienne Chevalier und hl. Stephanus © Staatliche Museen zu Berlin, Gemäldegalerie / Chr. Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/11.jpg</image:loc>
			<image:caption><![CDATA[Jean Fouquet. Das Diptychon von Melun © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/4.jpg</image:loc>
			<image:caption><![CDATA[Infrarotreflektographie  © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/5.jpg</image:loc>
			<image:caption><![CDATA[Röntgenaufnahme  © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/6.jpg</image:loc>
			<image:caption><![CDATA[UV-Fluoreszenz-Untersuchung  © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/7.jpg</image:loc>
			<image:caption><![CDATA[Erkenntnisse über den Farbschichtaufbau  © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/9.jpg</image:loc>
			<image:caption><![CDATA[Im Stereomikroskop wird die Pinselführung sichtbar © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/10.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/8.jpg</image:loc>
			<image:caption><![CDATA[Die Gemälderückseite © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-angesicht-zu-angesicht-gesichter-chinas-am-kulturforum/</loc>
		<lastmod>2017-12-19T09:05:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/05_K07-GU_00006381.jpg</image:loc>
			<image:title><![CDATA[05_K07-GU_00006381]]></image:title>
			<image:caption><![CDATA[Unbekannter Hofmaler, Porträt der Kaiserinwitwe Xiaozhuangwen in informeller Kleidung (Brustbild en face), 佚名 孝莊文皇后半身便装像, Qing-Dynastie, Kangxi-Ära (1662–1722), Albumblatt, Tusche und Farben auf Papier, Palastmuseum Beijing, GU 6381, © The Palace Museum, Foto: Yu Ningchuan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/03_K68-ROM_921.1.150_1.jpg</image:loc>
			<image:caption><![CDATA[Unbekannter Maler, Porträt des Yang Maolin, 佚名 楊茂林神像, Ming-Dynastie, 16th – frühes 17. Jh., Hängerolle, Tusche und Farben auf Seide, Royal Ontario Museum, Toronto, George Crofts Collection, 921.1.150, Courtesy of the Royal Ontario Museum, © ROM, Foto: Brian Boyle, MPA, FPPO]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/05_K07-GU_00006381.jpg</image:loc>
			<image:caption><![CDATA[Unbekannter Hofmaler, Porträt der Kaiserinwitwe Xiaozhuangwen in informeller Kleidung (Brustbild en face), 佚名 孝莊文皇后半身便装像, Qing-Dynastie, Kangxi-Ära (1662–1722), Albumblatt, Tusche und Farben auf Papier, Palastmuseum Beijing, GU 6381, © The Palace Museum, Foto: Yu Ningchuan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/01_K19-EM-I_D_22242.jpg</image:loc>
			<image:caption><![CDATA[Unbekannter Maler, Porträt des Dawaci, 佚名 達瓦斉像, Qing-Dynastie, Qianlong-Ära (1736–1795), ca. 1756, Öl auf Koreapapier, Ethnologisches Museum – Staatliche Museen zu Berlin, I D 22242, © Ethnologisches Museum – Staatliche Museen zu Berlin / Waltraut Schneider-Schütz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ick-muss-heulen-der-schoenste-weihnachtsbaum-von-ganz-berlin/</loc>
		<lastmod>2017-12-20T14:40:46+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_25317176_1729009890464225_1753176740_o.jpg</image:loc>
			<image:title><![CDATA[historischer Weihnachtsbaumschmuck © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_P1050395.jpg</image:loc>
			<image:caption><![CDATA[Lauscha-Schrank im Depot des Museum Europäischer Kulturen © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_25346478_1729009957130885_914376708_o.jpg</image:loc>
			<image:caption><![CDATA[Eine Christbaumkugel gemschmückt mit "Leonische Drähten" und eingedrücktem Muster © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_h_30042863.jpg</image:loc>
			<image:caption><![CDATA[Aufbau des Weihnachtsmarktes im Berliner Lustgarten, ehemals: Marx-Engels-Platz © Staatliche Museen zu Berlin, Kunstbibliothek / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_25271052_1729010057130875_783496977_o.jpg</image:loc>
			<image:caption><![CDATA[Gläserne Vögel als Christbaumschmuck © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_IMG_0876.jpg</image:loc>
			<image:caption><![CDATA[Die gläserne Weihnachtsbaumspite © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_N-53-Y-Weihnachtsbaum-2014-Nacht.jpg</image:loc>
			<image:caption><![CDATA[Der historische Weihnachtsschmuck dekorierte 2014 den Weihnachtsbaum im Foyer des Museum Europäischer Kulturen © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/historischer-christbaumschmuck-aus-dem-mek/</loc>
		<lastmod>2017-12-21T15:38:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_IMG_0899.jpg</image:loc>
			<image:title><![CDATA[Christbaumschmuck  © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Anna Mosig]]></image:title>
			<image:caption><![CDATA[Christbaumschmuck © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_25346230_1729009133797634_848881397_o.jpg</image:loc>
			<image:caption><![CDATA[Engel Baumspitze aus Glas mit Flügeln, in die Form geblasen, verspiegelt, Gesicht und Hände gemalt, Glimmer auf dem Gewand sowie Flügel und Wolke aus Glasfasern, Stern und Aufschrift aus der Luxuspapierproduktion, Höhe ca. 15 cm © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_IMG_0914.jpg</image:loc>
			<image:caption><![CDATA[Lyra als Blumenkörbchen, Glas, in die Form geblasen, verspiegelt, mit unterschiedlichen Fraben besprüht, Auszier: Chenillebügel mit Draht, leonische Drähte am Körbchenrand, mit Engeloblate beklebt © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_IMG_0883.jpg</image:loc>
			<image:caption><![CDATA[Zapfen, Glas, frei geblasen, mit Stäbchen geformt, verspiegelt, von Hand bemalt und beglimmert, Höhe: ca. 11 cm © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_25346392_1729009933797554_768148732_o.jpg</image:loc>
			<image:caption><![CDATA[Glocken, Glas, frei geblasen, mit Holzstempeln Vertiefungen erzeugt und Glockenschwengel (Metallbügel und Glasperle) eingebracht; gestaltung durch Sprühfarben, Bemalung und Glimmer, Höhe ca. 6 cm © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_25271052_1729010057130875_783496977_o.jpg</image:loc>
			<image:caption><![CDATA[Kraniche, Glas, in die Form geblasen, verspiegelt, mit Belalung und aufgesprühten Farben gestaltet, Montur: Flügel und Schwanz Glasfaser, Höhe ca. 13 cm © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_IMG_0899.jpg</image:loc>
			<image:caption><![CDATA[Rotkäppchen, Glas, in die Form geblasen, verspiegelt und bemalt, Höhe: ca. 7 cm © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_25317317_1729009230464291_569430531_o.jpg</image:loc>
			<image:caption><![CDATA[Rokoko-Dame, Glas, in die Form geblasen, verspiegelt, bemalt, Kleid aus versponnener Glasfaser, Höhe ca. 13 cm © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_IMG_0906.jpg</image:loc>
			<image:caption><![CDATA[Obst (Birne, Orange, Zitrone, Trauben, Paprika), Glas, in die Form geblasen, dann in Farbe getaucht, Höhe: ca. 5 cm © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_IMG_0931.jpg</image:loc>
			<image:caption><![CDATA[Kuckucksuhren, Glas, in die Form geblasen, verspiegelt, getaucht sowie beglimmert (Glimmer: winzige Glaskügelchen, die auf Leimanstrich haften), Drahtmontur für Glaszapfen, Höhe ca. 10 cm © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/neu_25344334_1729009113797636_300936655_o.jpg</image:loc>
			<image:caption><![CDATA[Große Baumspitze, Glas, frei geblasen, dabei geformt u.a. mit Holzstempeln, um reflektierende Vertiefungen im Glaskorpus einzubringen, verspiegelt, Dekor bemalt, Höhe ca. 27 cm © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Maxie Kiwitter]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-weihnachtsgeschichte-in-der-gemaeldegalerie/</loc>
		<lastmod>2018-01-09T08:26:24+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/6_K%C3%B6nige-1.jpg</image:loc>
			<image:title><![CDATA[Antonio Vivarini: Die Anbetung der Könige, um 1441-45 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:title>
			<image:caption><![CDATA[Antonio Vivarini: Die Anbetung der Könige, um 1441-45 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/1_Ankunft.jpg</image:loc>
			<image:caption><![CDATA[Joseph von Führich: Ankunft der Heiligen Familie vor der Herberge in Bethlehem, 1838 © Staatliche Museen zu Berlin, Alte Nationalgalerie / Klaus Göken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/2_Gebuat.jpg</image:loc>
			<image:caption><![CDATA[Österreichisch-böhmische Schule: Die Geburt Christi, um 1350 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/5_Verk%C3%BCndung_Hirten.jpg</image:loc>
			<image:caption><![CDATA[Verkündigung an die Hirten, um 1465 © Staatliche Museen zu Berlin, Kupferstichkabinett / Volker H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/3_Anbetung_Hirten.jpg</image:loc>
			<image:caption><![CDATA[Martin Schongauer: Die Anbetung der Hirten, um 1480 © Staatliche Museen zu Berlin, Gemäldegalerie / Eigentum des Kaiser Friedrich Museumsvereins / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/4_Stern.jpg</image:loc>
			<image:caption><![CDATA[Rogier van der Weyden: Der Stern erscheint den Heiligen Drei Königen, rechte Tafel des Middelburger Altar, um 1445 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/6_K%C3%B6nige-1.jpg</image:loc>
			<image:caption><![CDATA[Antonio Vivarini: Die Anbetung der Könige, um 1441-45 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/7_Flucht.jpg</image:loc>
			<image:caption><![CDATA[Joachim Patinier: Die Ruhe auf der Flucht nach Ägypten, um 1520 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wikipedia-zu-gast-im-museum/</loc>
		<lastmod>2018-01-11T09:50:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/1280px-Berlin_Museum_Europ%C3%A4ischer_Kulturen_Fleckelteppich_NIK_0586.jpg</image:loc>
			<image:title><![CDATA[Objekte werden für das „GLAM-on-Tour-Event“ vorbereitet]]></image:title>
			<image:caption><![CDATA[Objekte werden für das „GLAM-on-Tour-Event“ vorbereitet]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/IMG_0751.jpg</image:loc>
			<image:caption><![CDATA[Ein Objekt wurde für das "Wiki goes MEK!" Event vorübergehend aus dem Depotschrank entfernt © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/1280px-MEK_2017_Aug_1st_c.jpg</image:loc>
			<image:caption><![CDATA[Wikipedianer beim MEKern - gemeinsamer Rundgang mit Wikipedianern im Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/Berlin_Museum_europ%C3%A4ischer_Kulturen_MEK_Blick_ins_Depot_NIK_0569.jpg</image:loc>
			<image:caption><![CDATA[Besuch im Depot des Museums Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/1280px-20171125_MEK_021.jpg</image:loc>
			<image:caption><![CDATA[Wikipedianer bei der Arbeit im Museum Europäischer Kulturen ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/vermittlungsprojekt-gefragte-fragen-museum-auf-dem-pruefstand/</loc>
		<lastmod>2018-02-02T11:55:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/2016_KML_NM_Gefragte-Fragen_Nina-Hansch_1.jpg</image:loc>
			<image:title><![CDATA[2016_KML_NM_Gefragte Fragen_Nina-Hansch_1]]></image:title>
			<image:caption><![CDATA[Drei Blicke, eine Frage? Das Vermittlungsformat „Gefragte Fragen“, Neues Museum, Dezember 2016. Foto: Nina Hansch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/2016_KML_NM_Gefragte-Fragen_Nina-Hansch_1.jpg</image:loc>
			<image:caption><![CDATA[Drei Blicke, eine Frage? Das Vermittlungsformat „Gefragte Fragen“, Neues Museum, Dezember 2016. Foto: Nina Hansch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/2017_KML_AN_Gefragte-Fragen_Valerie-Schmidt_1.jpg</image:loc>
			<image:caption><![CDATA[Der Beginn eines Dialogs im Treppenhaus: Die Aufsteller leiten das Publikum zu den Vermittelnden. (c) Staatliche Museen zu Berlin, Valerie Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/2017_KML_AN_Gefragte-Fragen_Valerie-Schmidt_5.jpg</image:loc>
			<image:caption><![CDATA[Aktiver Austausch in der Alten Nationlgalerie im Rahmen der Veranstaltung MEETING, Juli 2017. (c) Staatliche Museen zu Berlin, Valerie Schmidt]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/industrie-und-geschmack-ein-kunstgewerbemuseum-fuer-berlin/</loc>
		<lastmod>2019-07-02T12:42:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/Victoria_Princess_Royal.jpg</image:loc>
			<image:caption><![CDATA[Franz Xaver Winterhalter: Victoria, die älteste Tochter der britischen Königin Victoria und ihres Gemahls Albert von Sachsen-Coburg und Gotha, 1867 als preußische Kronprinzessin. 1867. royalcollection.org.uk/]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_40009518.jpg</image:loc>
			<image:caption><![CDATA[Das Gebäude für das Kunstgewerbemuseum in der Prinz- Albrecht-Straße (heute Niederkirchner-Straße 7) in Berlin; Lithographie von Martin Gropius, 1881]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20004940.jpg</image:loc>
			<image:caption><![CDATA[Wien, Weltausstellung 1873 - Bauten im "deutschen Hofe"; Copyright bpk / Kunstbibliothek, SMB]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042726.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Kunstgewerbeschule Berlin, Tierstudien im Freien, am Pferd: Prof. Max Friedrich Koch (1859 - 1930); 1920er Jahre. Copyright bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hexenhaeuser-und-himmelsscheiben-jahresrueckblick-2018-aus-der-blogredaktion/</loc>
		<lastmod>2019-07-05T13:30:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/umzug_luf_boot_humboldt_forum_3.jpg</image:loc>
			<image:title><![CDATA[umzug_luf_boot_humboldt_forum_3]]></image:title>
			<image:caption><![CDATA[Der Transport der Südsee-Boote vom ehem. Ethnologischen Museum in Dahlem ins neue Berliner Schloss. © SHF / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/1_Poecking_Riefenstahl_Schreibtisch.jpg</image:loc>
			<image:caption><![CDATA[Der Schreibtisch von Leni Riefenstahl, Pöcking am Starnberger See. November 2017]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00045403.jpg</image:loc>
			<image:caption><![CDATA[Aert van der Neer: Winterlandschaft mit Schlittschuhläufern bei Sonnenuntergang (17. Jh.); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/umzug_luf_boot_humboldt_forum_3.jpg</image:loc>
			<image:caption><![CDATA[Der Transport der Südsee-Boote vom ehem. Ethnologischen Museum in Dahlem ins neue Berliner Schloss. © SHF / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/03-Begas_R-Susanna-5.jpg</image:loc>
			<image:caption><![CDATA[Reinhold Begas: Susanna, 1869 © Nationalgalerie der Staatlichen Museen zu Berlin / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/13_Kramskoi_Schischkin.jpg</image:loc>
			<image:caption><![CDATA[Iwan Nikolajewitsch KramskoiPortrait Iwan Schischkin, 1873Öl auf Leinwand, 112 x 80 cmStaatliche Tretjakow-Galerie, Moskau© Staatliche Tretjakow-Galerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/GIPS2.jpg</image:loc>
			<image:caption><![CDATA[Werkstatt in der Gipsformerei in Berlin-Charlottenburg. (c) Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/h_00004488.jpg</image:loc>
			<image:caption><![CDATA["Der Pferdedieb von Berlin" - Karikatur auf Napoleons Raub der Quadriga vom Brandenburger Tor. Radierung (um 1813) © Staatliche Museen zu Berlin , Kunstbibliothek / Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/1970JazzintheGarden_1.jpg</image:loc>
			<image:caption><![CDATA[BU: Musikfestivals wie Jazz in the Garden erfreuten sich großer Beliebtheit. Foto: Ludwig Windstosser/Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/22A3673.jpg</image:loc>
			<image:caption><![CDATA[Matthias Wemhoff, Direktor des Berliner Museums für Vor- und Frühgeschichte in der Ausstellung "Bewegte Zeiten" im Martin-Gropius-Bau.  © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/paris-1937-jean-fouquet-zwischen-albert-speer-und-guernica/</loc>
		<lastmod>2019-07-08T09:33:46+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/KDabb_01.jpg</image:loc>
			<image:title><![CDATA[KDabb_01]]></image:title>
			<image:caption><![CDATA[Geo Ham, Impression des Pavillons der Luftfahrt, Aquarell in L’Illustration, Sonderausgabe August 1937]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/KDabb_02.jpg</image:loc>
			<image:caption><![CDATA[Postkarte der Pariser Weltausstellung mit dem Deutschen Haus und dem sowjetischen Pavillon]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/KDabb_03.jpg</image:loc>
			<image:caption><![CDATA[Eingangshalle des spanischen Pavillons mit Pablo Picassos Guernica und Alexander Calders Quecksilberbrunnen, Seite aus den Cahiers d’Art 12, 1937, S. 289]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/KDabb_04.jpg</image:loc>
			<image:caption><![CDATA[Plakatmotiv für die Ausstellung „Chefs-d’Œuvre de l’Art français“ ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/fouquet-re-li.jpg</image:loc>
			<image:caption><![CDATA[Jean Fouquet, Diptychon des Etienne Chevalier, um 1455. © Gemäldegalerie – Staatliche Museen zu Berlin / Jörg P. Anders / © Antwerpen, Koninklijk Museum voor Schone Kunsten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/KDabb_01.jpg</image:loc>
			<image:caption><![CDATA[Geo Ham, Impression des Pavillons der Luftfahrt, Aquarell in L’Illustration, Sonderausgabe August 1937]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/innige-rivalen-mantegna-und-bellini-in-der-gemaeldegalerie/</loc>
		<lastmod>2019-07-08T10:14:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/01/22A2025-scaled.jpg</image:loc>
			<image:title><![CDATA[Dagmar Korbacher und Neville Rowley.Foto: David von Becker]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/adidas-oder-medici-kupferstichkabinett-goes-instagram/</loc>
		<lastmod>2019-07-08T10:17:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/11/3CC4D9E7-F535-4FCA-9A48-098A32BE9E4A-637x507.jpg</image:loc>
			<image:title><![CDATA[Uwa 2000 und Dagmar Korbacher im Kupferstichkabinett. (c) Uwa Scholz]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kunstkammer-revisited-die-keimzelle-der-berliner-museen-im-21-jahrhundert/</loc>
		<lastmod>2019-07-08T10:23:57+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/2-637x401.jpg</image:loc>
			<image:title><![CDATA[Kupferstich, Idealisierte Ansicht des Münz- und Antikenkabinetts im Berliner Schloss um 1695, Samuel Blesendorf, aus: Thesaurus Brandenburgicus selectus, Band 1, Berlin 1696 © Staatliche Museen zu Berlin, Kunstbibliothek]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/gib-uns-deine-heimat-wie-das-museum-europaeischer-kulturen-heimaten-sammelt/</loc>
		<lastmod>2019-07-08T12:12:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/mek_heimat.jpg</image:loc>
			<image:title><![CDATA[mek_heimat]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/Abb-2-D-58-I-87-591-1973.jpg</image:loc>
			<image:caption><![CDATA[Trachtendarstellungen wie diese kolorierte Lithografie „Vierländer Bauern. Volkstrachten der Deutschen. Gegend von Bergedorf.“ (Georg Emanuel Opiz, um 1820) zeigen das Bewusstsein ländlicher Heimaten im 19. Jahrhundert © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz Scarciglia ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/2018_04_13_12_24_230036.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/2018_06_22_11_29_08_011.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/2018_06_22_11_19_02_012.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/2018_04_13_12_24_230014.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/2018_04_13_12_24_230027.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/2018_04_13_12_24_230049.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/2018_06_22_11_19_03_013.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wollen-sie-in-einer-essbaren-stadt-leben-food-revolution-im-kunstgewerbemuseum/</loc>
		<lastmod>2019-07-08T12:17:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/titelbild_food_kl.jpg</image:loc>
			<image:title><![CDATA[titelbild_food_kl]]></image:title>
			<image:caption><![CDATA[Prinzessinnengärten in Berlin Kreuzberg (c) Marco Clausen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/Design_Talk_Essbare_Stadt_Kunstgewerbemusem_Food_Revolution_1.jpg</image:loc>
			<image:caption><![CDATA[Wollen sie in einer Essbaren Stadt leben? Der Moderator Wilfried Bommert und Katrin Bohn sind wie fast alle Anwesenden dafür. © Staatliche Museen zu Berlin/Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/Design_Talk_Essbare_Stadt_Kunstgewerbemusem_Food_Revolution_2.jpg</image:loc>
			<image:caption><![CDATA[Volkmar Keuter vom Fraunhofer-Institut UMSICHT und Hendrik Monsees vom Leibniz-Institut für Gewässerökologie und Binnenfischerei stellen die Indoor-Farming-Systeme vor, die ihre Institute entwickeln. © Staatliche Museen zu Berlin/Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/Design_Talk_Essbare_Stadt_Kunstgewerbemusem_Food_Revolution_3.jpg</image:loc>
			<image:caption><![CDATA[Selbst etwas vom Baum zu pflücken, rührt an unser Jäger-und-Sammler-Gen, meint Kai Gildhorn. © Staatliche Museen zu Berlin/Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/Design_Talk_Essbare_Stadt_Kunstgewerbemusem_Food_Revolution_4.jpg</image:loc>
			<image:caption><![CDATA[Svenja Nette von den Berliner Prinzessinnengärten und Bernhard Watzl vom Max Rubner-Institut sprechen sich aus unterschiedlichen Gründen für den Urbanen Gemüseanbau aus. © Staatliche Museen zu Berlin/Kunstgewerbemuseum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/dagmar-korbacher-wird-direktorin-des-kupferstichkabinetts/</loc>
		<lastmod>2019-07-08T12:19:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/csm_KK_Neue_Leitung_Dagmar_Korbacher_DvB_web_xl_78d8973803.jpg</image:loc>
			<image:title><![CDATA[csm_KK_Neue_Leitung_Dagmar_Korbacher_DvB_web_xl_78d8973803]]></image:title>
			<image:caption><![CDATA[Dagmar Korbacher, ab 1. November 2018 Direktorin des Kupferstichkabinetts – Staatliche Museen zu Berlin © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/architekturdenkmal-goerlitz-auferstanden-aus-ruinen/</loc>
		<lastmod>2019-07-08T12:29:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/titelbild_g%C3%B6rlitz_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_görlitz_gr]]></image:title>
			<image:caption><![CDATA[Hotherstraße 11 Grenzgebiet zur VR Polen, zum Abbruch vorgesehen, das Portal wurde ausgebaut und gerettet, 1982 © Jörg Schöner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/01_KB_Goerlitz_Peterstrasse7_1983_kl.jpg</image:loc>
			<image:caption><![CDATA[Peterstraße 7 während Rekonstruktionsarbeiten, 1983 © Jörg Schöner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/02_KB_Goerlitz_Peterstrasse7_2015_gr.jpg</image:loc>
			<image:caption><![CDATA[Peterstraße 7 nach erneuter Rekonstruktion 2015 © Jörg Schöner]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-der-seidenstrasse-ins-stadtschloss-die-geschichte-der-hoehle-der-ringtragenden-tauben/</loc>
		<lastmod>2019-07-08T12:35:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/klein_Transport-Kuppel_DvB-55.jpg</image:loc>
			<image:title><![CDATA[Die Kuppel der Höhle im Aufzug des Humboldt Forums © Staatliche Museen zu Berlin / David von Becker]]></image:title>
			<image:caption><![CDATA[Die Kuppel der Höhle im Aufzug des Humboldt Forums © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Historische-Aufnahme.jpg</image:loc>
			<image:caption><![CDATA[Albert Grünwedel bei der Dokumentation der Wandmalereien in einer Kizil-Höhle, 1906  © Staatlichen Museen zu Berlin, Museum für Asiatische Kunst]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Kuratorin-Lilla-Russell-Smith.jpg</image:loc>
			<image:caption><![CDATA[Kuratorin Lilla Russell-Smith vor einem Teil der abgebauten Höhle ©Staatliche Museen zu Berlin / Korthase]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/klein_Transport-Kuppel_DvB-55.jpg</image:loc>
			<image:caption><![CDATA[Die Kuppel der Höhle im Aufzug des Humboldt Forums © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Ruitenbeek_%C2%A9-Museum-f%C3%BCr-Asiatische-Kunst-der-Staatlichen-Museen-zu-Berlin.jpg</image:loc>
			<image:caption><![CDATA[Die "Höhle der ringtragenden Tauben" im Museum für Asiatische Kunst © Staatlichen Museen zu Berlin, Museum für Asiatische Kunst / Jürgen Liepe]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-20-jahre-gemaeldegalerie/</loc>
		<lastmod>2019-07-08T12:36:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/08_Rubensaal_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:title><![CDATA[Der Rubenssaal im Neubau der Gemäldegalerie. ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:title>
			<image:caption><![CDATA[Der Rubenssaal im Neubau der Gemäldegalerie. ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/03_Gemaeldegalerie_Dahlem_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Die letzten Gemälde in der Galerie in Dahlem, 1997 ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/02_Altdeutscher_Raum_Dahlem_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Der ehemalige altdeutsche Raum in der Dahlemer Gemäldegalerie, 1997 © Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/04_Umzug_Gemaeldegalerie_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Umzugsvorbereitungen in Dahlem im Jahr 1997 ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/05_Umzug_Gemaeldegalerie_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Fertig gepackte Transportkisten in Dahlem am  11.11.1997 ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/06_Umzug_Gemaeldegalerie_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[11.12.1997, der erste LKW wird mit Objekten der Gemäldegalerie in Dahlem beladen ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/07_Umzug_Gemaeldegalerie_ins_Kulturforum_Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Umzug der Gemäldegalerie in den  Neubau am Kulturforum. Der Stellvertretende Direktor Herr Michaelis beim Auspacken im Depot, 1997 ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/01_Gem%C3%A4ldegalerie_1957_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Die Gemäldegalerie im Jahr 1957©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/08_Rubensaal_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Der Rubenssaal im Neubau der Gemäldegalerie. ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/10_Flaemischer_Raum_mit_Haengeplan_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Flämischer Raum in der Gemäldegalerie mit Hängeplan in der Mitte ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/09_Rembrandt-Saal_Foto_Erik-Jan-Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Hängung der ersten Gemälde im Rembrandt-Saal im Neubau der Gemäldegalerie am Kulturforum ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/gemaeldegalerie-20-jahre-am-kulturforum/</loc>
		<lastmod>2019-07-08T12:37:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Rubensaal_gr.jpg</image:loc>
			<image:title><![CDATA[Rubenssaal im Neubau der Gemäldegalerie. ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:title>
			<image:caption><![CDATA[Rubenssaal im Neubau der Gemäldegalerie. ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/04_Umzug_Gemaeldegalerie_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Umzugsvorbereitungen in Dahlem im Jahr 1997 ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/08_Rubensaal_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Rubenssaal im Neubau der Gemäldegalerie. ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/07_Umzug_Gemaeldegalerie_ins_Kulturforum_Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Umzug der Gemäldegalerie in den  Neubau am Kulturforum. Herr Michaelis beim Auspacken im Depot 1997]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/10_Flaemischer_Raum_mit_Haengeplan_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Flämischer Raum in der Gemäldegalerie mit Hängeplan in der Mitte ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/schwebetanz-eines-schwergewichts-das-erste-suedsee-boot-auf-dem-weg-ins-humboldt-forum/</loc>
		<lastmod>2019-07-08T12:42:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/umzug_luf_boot_humboldt_forum_5.jpg</image:loc>
			<image:title><![CDATA[umzug_luf_boot_humboldt_forum_5]]></image:title>
			<image:caption><![CDATA[Mit 30 Km/h durch berlin: Umzug der Südsee-Boote vom ehem. Ethnologischen Museum in Dahlem ins neue Berliner Schloss. © SHF / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/umzug_luf_boot_humboldt_forum_2.jpg</image:loc>
			<image:caption><![CDATA[Das erste der Südsee-Boote vom ehem. Ethnologischen Museum in Dahlem kommt erstmals seit 50 Jahren aus dem Ausstellungsraum. © SHF / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/umzug_luf_boot_humboldt_forum_3.jpg</image:loc>
			<image:caption><![CDATA[Der Transport der Südsee-Boote vom ehem. Ethnologischen Museum in Dahlem ins neue Berliner Schloss. © SHF / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/umzug_luf_boot_humboldt_forum_5.jpg</image:loc>
			<image:caption><![CDATA[Mit 30 Km/h durch berlin: Umzug der Südsee-Boote vom ehem. Ethnologischen Museum in Dahlem ins neue Berliner Schloss. © SHF / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/umzug_luf_boot_humboldt_forum_9.jpg</image:loc>
			<image:caption><![CDATA[Die Einbringung der Südsee-Boote vom ehem. Ethnologischen Museum in Dahlem ins neue Berliner Schloss. © SHF / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-der-insel-luf-ins-humboldt-forum-die-geschichte-eines-suedseebootes/</loc>
		<lastmod>2019-07-08T12:44:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/h_00013376.jpg</image:loc>
			<image:title><![CDATA[Piroge - Hochsee-Segelboot mit Ausleger]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/VIII-B-1804-Luf-Boot-in-Matupi.jpg</image:loc>
			<image:caption><![CDATA[Luf-Boot vor Matupi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/KL-IMG_2912-Luf-Boot-c-Stefan-M%C3%BCchler.jpg</image:loc>
			<image:caption><![CDATA[Ehem. Ausstellungsbereich Südsee vor dem Beginn des Umzugs der Großobjekte  ©  Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Ethnologisches Museum/ Stefan Müchler.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/100-Jahre-MfV_S151a.jpg</image:loc>
			<image:caption><![CDATA[ Aufstellung des Luf-Bootes in der „Schifffahrtsausstellung“ im Bruno-Paul-Bau, Dahlem, 1949-1955. ©  Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Ethnologisches Museum.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/100-Jahre-MfV_S151b.jpg</image:loc>
			<image:caption><![CDATA[Transport des Luf-Bootes in die Gardeschützen-Kaserne, 1958. ©  Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Ethnologisches Museum. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Entwesungsanlage-in-der-ehemaligenSSA.jpg</image:loc>
			<image:caption><![CDATA[Entwesungsanlage in der ehemaligen Südseeabteilung. ©  Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Ethnologisches Museum/ Stefan Müchler.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/171206_KSPK_PHT015.jpg</image:loc>
			<image:caption><![CDATA[Verlegung des Hochsee Segelboots. ©SPK/photothek.net/Thomas Koehler.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Die-Boote-in-ihren-Kisten.jpg</image:loc>
			<image:caption><![CDATA[Die Südseeboote in ihren Transportkisten ©  Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Ethnologisches Museum / Stefan Müchler]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/farben-schaffen-formen-der-farbtondruck-im-kupferstichkabinett/</loc>
		<lastmod>2019-07-08T14:20:50+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/Jacob-Fugger.jpg</image:loc>
			<image:title><![CDATA[Jacob Fugger]]></image:title>
			<image:caption><![CDATA[Hans Burgkmair und Jost de Negker: Profilbild von Jacob Fugger, Holzschnitt, gedruckt von zwei Platten (Schwarz, Hellbraun), von Hand koloriert (vermutlich 1512) © Staatliche Museen zu Berlin, Kupferstichkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/Jacob-Fugger.jpg</image:loc>
			<image:caption><![CDATA[Hans Burgkmair und Jost de Negker: Profilbild von Jacob Fugger, Holzschnitt, gedruckt von zwei Platten (Schwarz, Hellbraun), von Hand koloriert (vermutlich 1512) © Staatliche  Museen zu Berlin, Kupferstichkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/h_70162938.jpg</image:loc>
			<image:caption><![CDATA[Die Schutzheiligen von Passau, Hans Burgkmair zugeschrieben; Missale Pataviense, Augsburg, Erhard Ratdolt, 21. Januar 1494, Holzschnitt, gedruckt von vier Platten (Schwarz, Rot, Gelb, Oliv, Blau) © Staatliche Museen zu Berlin, Kupferstichkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/h_70162941.jpg</image:loc>
			<image:caption><![CDATA[Die Schutzheiligen von Konstanz, Hans Burgkmair zugeschrieben; Ursprünglich in: Missale Constantiense, Augsburg, Erhard Ratdolt, 8. Oktober 1505, Holzschnitt, koloriert © Staatliche Museen zu Berlin, Kupferstichkabinett]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-trauriger-gluecksfall-die-archaeologische-sicherungsgrabung-qubbet-el-hawa-nord/</loc>
		<lastmod>2019-07-08T14:22:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/10_QHN_2_R1_005.jpg</image:loc>
			<image:title><![CDATA[10_QHN_2_R1_005]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/A0B0325.jpg</image:loc>
			<image:caption><![CDATA[Aufnahme des Vorhofes  des  Grabes QHN 6/7 mit Hilfe eines Fotokrans (Foto: S. Steiß)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/3_Grabung_2016_035.jpg</image:loc>
			<image:caption><![CDATA[Arbeit im Scherbengarten (Foto: F. Seyfried)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/7_IMG_2141-e1520606320917.jpg</image:loc>
			<image:caption><![CDATA[Konservierungsarbeiten ägyptischer Restauratoren an den Papyrusfragmenten aus dem Grab des User (QHN 2)unter Anleitung von Myriam Krutzsch im Magazin von Assuan im Herbst 2017 (Foto: F. Seyfried)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/9_Papyrus_Scan_016.jpg</image:loc>
			<image:caption><![CDATA[Papyrusfragmente vor der Glättung (Aufnahme im Magazin: S. Steiß und F. Seyfried)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/10_QHN_2_R1_005.jpg</image:loc>
			<image:caption><![CDATA[Wandmalereien im Grab des User (QHN 2), Bürgermeister von Elephantine, aus der Zeit Amenophis III. (um 1360 v. Chr.)( Foto: S. Steiß)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-des-generaldirektors-die-verkuendigung-an-maria/</loc>
		<lastmod>2019-07-08T14:22:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/23_Pollaiuolo_B.jpg</image:loc>
			<image:title><![CDATA[Piero del Pollaiuolo: Die Verkündigung an Maria, um 1470 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:title>
			<image:caption><![CDATA[Piero del Pollaiuolo: Die Verkündigung an Maria, um 1470 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Engel_23_Pollaiuolo_B.jpg</image:loc>
			<image:caption><![CDATA[Detail: Die prächtigen Kleider © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Florenz_23_Pollaiuolo_B3.jpg</image:loc>
			<image:caption><![CDATA[Detail: Die Stadtansicht Folrenz © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/23_Pollaiuolo_B1.jpg</image:loc>
			<image:caption><![CDATA[Piero del Pollaiuolo: Die Verkündigung an Maria, um 1470 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-des-generaldirektors-leda-mit-dem-schwan/</loc>
		<lastmod>2019-07-08T14:23:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/27_Correggio_1531-32.jpg</image:loc>
			<image:title><![CDATA[Correggio: Leda mit dem Schwan, um 1532 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:title>
			<image:caption><![CDATA[Correggio: Leda mit dem Schwan, um 1532 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Kopf_27_Correggio_1531-32.jpg</image:loc>
			<image:caption><![CDATA[Detail: Ledas Kopf © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Schwan_27_Correggio_1531-32.jpg</image:loc>
			<image:caption><![CDATA[Detail: Leda und der Schwan © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/27_Correggio_1531-32.jpg</image:loc>
			<image:caption><![CDATA[Correggio: Leda mit dem Schwan, um 1532 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-kaiser-hat-abgedankt-er-und-seine-freunde-sind-verschwunden-revolution-in-berlin/</loc>
		<lastmod>2019-07-08T14:35:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/11/h_20042163.jpg</image:loc>
			<image:title><![CDATA[h_20042163]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alltagsbilder-die-berliner-kunstgewerbeschule-in-den-1920er-jahren/</loc>
		<lastmod>2019-07-08T14:36:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/TB_kl.jpg</image:loc>
			<image:title><![CDATA[TB_kl]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042710.jpg</image:loc>
			<image:caption><![CDATA[Bildhauer-Werkstatt in der Unterrichtsanstalt des Kunstgewerbemuseums Berlin, Mitte: Prof. Max Friedrich Koch (1859-1930) © bpk/Kunstbibliothek, SMB, Photothek Willy Römer/Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042725.jpg</image:loc>
			<image:caption><![CDATA[Tierstudien im Freien, Unterrichtsanstalt des Kunstgewerbemuseums Berlin ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer/Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042711.jpg</image:loc>
			<image:caption><![CDATA[Bildhauer-Werkstatt in der Unterrichtsanstalt des Kunstgewerbemuseums Berlin; Mitte, letzte Reihe: Prof. Martin Körte (1857-1929) ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer/Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042721.jpg</image:loc>
			<image:caption><![CDATA[In der Abteilung für Erzplastik der Unterrichtsanstalt des Kunstgewerbemuseums Berlin ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer/Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042719.jpg</image:loc>
			<image:caption><![CDATA[Beim Erzguss, Unterrichtsanstalt des Kunstgewerbemuseums Berlin ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042714.jpg</image:loc>
			<image:caption><![CDATA[Zeichenschule in der Unterrichtsanstalt des Kunstgewerbemuseums Berlin ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042720.jpg</image:loc>
			<image:caption><![CDATA[In der Abteilung für Erzplastik der Unterrichtsanstalt des Kunstgewerbemuseums Berlin ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042734.jpg</image:loc>
			<image:caption><![CDATA[Kantine der Unterrichtsanstalt des Kunstgewerbemuseums Berlin ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042728.jpg</image:loc>
			<image:caption><![CDATA[Bibliothek der Unterrichtsanstalt des Kunstgewerbemuseums Berlin ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042715.jpg</image:loc>
			<image:caption><![CDATA[Malmaterial-Kunde, Unterrichtsanstalt des Kunstgewerbemuseums Berlin ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/tolle-knolle-dinner-performance-mit-ingwer-bei-food-revolution/</loc>
		<lastmod>2019-07-08T15:03:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-Titel.jpg</image:loc>
			<image:title><![CDATA[Kunstgewerbemuseum-Food Revolution-chmara rosinke-Mobile Gastfreundschaft-Titel]]></image:title>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-1.jpg</image:loc>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-2.jpg</image:loc>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-3.jpg</image:loc>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-5.jpg</image:loc>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-6.jpg</image:loc>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-7.jpg</image:loc>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-8.jpg</image:loc>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-9.jpg</image:loc>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-Titel.jpg</image:loc>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-ueberheblichkeit-des-heute-erschuettern-archaeologe-matthias-wemhoff-im-interview/</loc>
		<lastmod>2019-07-08T15:40:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/180123_FSPK_PHT072-scaled.jpg</image:loc>
			<image:title><![CDATA[Jahresempfang]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/22A3673.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/22A1886-Kopie.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/22A2058.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/22A1595.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-gut-behuetet-in-die-ehe/</loc>
		<lastmod>2019-07-09T07:32:18+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/01/Abb-9-VI_7-Kopfbedeckungen-II-B-7004-a-b-637x426.jpg</image:loc>
			<image:title><![CDATA[Hochzeitshaube, Piešťany/Slowakei, Anfang 20. Jh.  © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/brandenburger-tor-in-der-gipsformerei/</loc>
		<lastmod>2019-07-10T13:43:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/titelbild_quadriga_brandenburger_tor_kl.jpg</image:loc>
			<image:title><![CDATA[titelbild_quadriga_brandenburger_tor_kl]]></image:title>
			<image:caption><![CDATA[Quadriga von Schadow auf dem Brandenburger Tor (c) Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/20180611_084358_HDR.jpg</image:loc>
			<image:caption><![CDATA[Das Attika-Relief in 20 Metern Höhe auf dem Brandenburger Tor (c) Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/20180611_082546.jpg</image:loc>
			<image:caption><![CDATA[Das Attika-Relief auf dem Brandenburger Tor wird in situ gescannt (c) Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/20180611_125400.jpg</image:loc>
			<image:caption><![CDATA[Das Attika-Relief auf dem Brandenburger Tor wird in situ gescannt (c) Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/20180611_1255110.jpg</image:loc>
			<image:caption><![CDATA[Das Attika-Relief auf dem Brandenburger Tor wird in situ gescannt (c) Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/IMG_8963.jpg</image:loc>
			<image:caption><![CDATA[Stefan Kramer in der Gipsformerei der Staatlichen Museen zu Berlin. (c) Staatliche Museen zu Berlin / Karolin Korthase]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/geheimnisse-eines-grabes-verwobene-familienbande-im-fruehmitteltalter/</loc>
		<lastmod>2019-07-10T13:48:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/6-637x425.jpg</image:loc>
			<image:title><![CDATA[Jessica Rothe, DNA-Analystin vom Team der Forensischen Genetik untersucht mittelalterliche Knochenfragmente ; fotografiert im Institut für Rechtsmedizin der Charité Campus Virchow-Klinikum in Berlin-Wedding.Text dazu von Jens Mühling. Foto: Thilo Rückeis]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/1-Skelett-bearb-430x637.jpg</image:loc>
			<image:caption><![CDATA[Berlin-Britz, 28. März 1951: Freilegung einer Bestattung aus dem 6. Jahrhundert.  © Bürgerverein Britz e. V. Foto: Erich Moebus. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/2-Britzer-GR%C3%A4ber-481x637.jpg</image:loc>
			<image:caption><![CDATA[Die geborgenen Skelettteile und Grabbeigaben aus Britz. © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/3-Anh%C3%A4nger-If-16212_Foto-Klaus-G%C3%B6ken-623x637.jpg</image:loc>
			<image:caption><![CDATA[Der Goldbrakteat lag im Mund der „Britzer Prinzessin“, als Fährgeld für die Überfahrt ins Totenreich gedacht.  © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte. Foto: Klaus Göken.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/6-637x425.jpg</image:loc>
			<image:caption><![CDATA[Jessica Rothe, DNA-Analystin vom Team der Forensischen Genetik untersucht mittelalterliche Knochenfragmente ; fotografiert im Institut für Rechtsmedizin der Charité Campus Virchow-Klinikum in Berlin-Wedding.Text dazu von Jens Mühling. Foto: Thilo Rückeis]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hinter-den-tueren-des-kunstgewerbemuseums/</loc>
		<lastmod>2019-07-10T14:46:22+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/0-kunstgewerbemuseum.jpg</image:loc>
			<image:title><![CDATA[0-kunstgewerbemuseum]]></image:title>
			<image:caption><![CDATA[Montage des Banners zum Tag der offenen Türen an der Fassade des Kunstgewerbemuseums. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/1-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Eingang des Kunstgewerbemuseums . Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/2-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Eingang zur Modegalerie mit Leitsystem von Double Standards. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/3-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Kleider der 1920er-Jahre in der Modegalerie. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/4-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Stahlreifenkrinoline, Thomson’s favorite for the Empress, England, 1860-63. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/5-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Abendkleider von Gérard Pipart für Nina Ricci, Paris, um 1980; Abendkleid von Madame Grès, Paris, nach 1973; Cocktailkleid von Yves Saint Laurent, Paris, 1988; Abendrock von Madame Grès, Paris, nach 1973. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/6-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Cocktailkleid von Yves Saint Laurent für Christian Dior, Paris, 1958; Nachmittagskleid von Gérard Pipart für Jaques Faith, Paris, 1955; Abendkleid „Artemise“ von Yves Saint Laurent, paris, 1959. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/7-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Figur aus dem Tafelaufsatz „Schärpentanz“ von Agathon Léonard van Weydeveldt / Manufacture National de Sèvres, 1900. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/8-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Leuchter von Egide Rombaux / Frans Hoosemans, Brüssel, vor 1900. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/9-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Porzellan der 1920er-Jahre. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/10-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Brustschmuck „Weibliche Maske mit Pfau“ von René Lalique, Paris, 1898-1900. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/11-kunstgwerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Hochzeitszug von Adolph Amberg / Königliche Porzellanmanufaktur Berlin, 1910-20. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/12-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Faunsweibchen mit Trinkhorn von Gerhard Janensch/Hugo Schaper, um 1900. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/13-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Amor und Psyche, Modell von Johann von Schadow (?), um 1791. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/15-kunstgwerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Schachfiguren aus dem Pommerschen Kunstschrank von Christoph Angermeier, 1610-16. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/14-kunstgwerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Totenkopf von Johann Christian Ludwig Lücke, Dresden (?), 1737. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/16-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Figürliches Henkelmodell, Nürnberg, um 1580. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/18-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Gießgefäß in Form eines Kriegselefanten von Christoph Jamnitzer, Nürnberg, um 1600. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/17-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Trinkhorn mit Jonas im Walfischrachen, Nordost- oder Mitteldeutschland (?), 15. Jh. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/20-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Gießgefäß in Form eines Greifen, Nürnberg, um 1500. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/19-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Großer Gießlöwe aus dem Lüneburger Ratssilber, Joachim Worm, Lüneburg, um 1540. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/21-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Armreliquiar des hl. Sigismund aus dem Welfenschatz, Ende 11. Jh. /1. Hälfte 13. Jh. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/22-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Heinrichskreuz aus dem Münsterschatz in Basel, Westdeutschland, 1. Viertel 11. Jh. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/23-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Stuhlgalerie. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/24-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Paravant von Egon Eiermann aus dem Bonner Abgeordnetenhaus, 1968. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/25-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Spine Chair von André Dubreuil, 1988 /Ausführung 1995, und Chair One von Konstantin Grcic, 2003. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/27-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Reiseschreibmaschine Valentine von Ettore Sottsass und Perry King für Olivetti, 1969. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/26-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Möbel von Charles &amp; Ray Eames und Isamo Noguchi, WANN. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-touchscreen-bellini/</loc>
		<lastmod>2019-07-10T14:48:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/Titelbild-Bellini.jpg</image:loc>
			<image:title><![CDATA[Titelbild Bellini]]></image:title>
			<image:caption><![CDATA[Giovanni Bellini: Der Heilige Markus heilt die Hand des Schusters Anianus. Federzeichnung in Braun (um 1490)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/kdz-1357_bellini.jpg</image:loc>
			<image:caption><![CDATA[Der Heilige Markus heilt die Hand des Schusters Anianus]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-sabine-dettmann-grafikerin-in-der-generaldirektion/</loc>
		<lastmod>2019-07-10T14:50:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/DSCN2168-2.jpg</image:loc>
			<image:title><![CDATA[DSCN2168 -2]]></image:title>
			<image:caption><![CDATA[Sabine Dettmann. Foto: Sabine Dettmann]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-bill-landsberger-entomologe-und-schaedlingsbekaempfer/</loc>
		<lastmod>2019-07-10T14:51:14+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/03/Titelbild-WME-Bill-Landsberger.jpg</image:loc>
			<image:title><![CDATA[Bill Landsberger]]></image:title>
			<image:caption><![CDATA[Der Entomologe Bill Landsberger in seinem Labor im Rathgen-Forschungslabor. Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-folge-1-die-gondel-im-museum-europaeischer-kulturen/</loc>
		<lastmod>2019-07-10T14:52:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/Titelbild-Gondel.png</image:loc>
			<image:title><![CDATA[Titelbild Gondel]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kiek-ma-hier/</loc>
		<lastmod>2019-07-10T14:54:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/07_Tanz-und-Abendkleider-1920er-und-1930-Jahre.jpg</image:loc>
			<image:title><![CDATA[07_Tanz- und Abendkleider 1920er- und 1930-Jahre]]></image:title>
			<image:caption><![CDATA[Tanz- und Abendkleider 1920er- und 1930-Jahre in der Modegalerie des Kunstgewerbemuseums. Foto: Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/07_Tanz-und-Abendkleider-1920er-und-1930-Jahre.jpg</image:loc>
			<image:caption><![CDATA[Tanz- und Abendkleider 1920er- und 1930-Jahre in der Modegalerie des Kunstgewerbemuseums. Foto: Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/06_Sommerkost%C3%BCme-und-Promenadenkleid.jpg</image:loc>
			<image:caption><![CDATA[Sommerkostüme und ein Promenadenkleid in der Modegalerie des Kunstgewerbemuseums. Foto: Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/08_Kleider-der-1960er-Jahre.jpg</image:loc>
			<image:caption><![CDATA[Kleider der 1960er-Jahre in der Modegalerie des Kunstgewerbemuseums. Foto: Achim Kleuker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-comics-des-barock/</loc>
		<lastmod>2019-07-10T14:55:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/Titelbild-Dettmann-Votiv.jpg</image:loc>
			<image:title><![CDATA[Titelbild Dettmann Votiv]]></image:title>
			<image:caption><![CDATA[Ein Blitz schlägt in ein Haus am Waldrand ein, Maria mit Kind wacht über der Szene, Votivbild, 1859, Salzburg © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/Blitzschlag.jpg</image:loc>
			<image:caption><![CDATA[Ein Blitz schlägt in ein Haus am Waldrand ein, Maria mit Kind wacht über der Szene]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/Pferdewagenungl%C3%BCcks.jpg</image:loc>
			<image:caption><![CDATA[Ein Kutscher gerät unter die Räder seines Fuhrwerks, während die Hl Notburga und die Mutter Gottes ihn schützen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/Schuss.jpg</image:loc>
			<image:caption><![CDATA[Ein Mann schießt auf eine Frau, die Heiligen wachen über die Szene]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/Feuersbrunst.jpg</image:loc>
			<image:caption><![CDATA[Ein Feuer wütet in einem Bauernhof, die Maria mit Kind wacht über der Szene]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/Fenstersturz.jpg</image:loc>
			<image:caption><![CDATA[Ein Kind stürzt kopfüber aus dem Fenster, Maria mit Kind wacht über der Szene]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/willkommen/</loc>
		<lastmod>2019-07-10T14:58:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/01/Nofretete_Willkommen_2.jpg</image:loc>
			<image:title><![CDATA[Nofretete_Willkommen_2]]></image:title>
			<image:caption><![CDATA[Bemalung der neuen Sonderedition der Nofretete © Gipsformerei, Staatliche Museen zu Berlin. Foto: Juergen Hohmuth/Zeitort.de]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/besuch-aus-smaland-papier-fallschirme/</loc>
		<lastmod>2019-07-10T15:03:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Fallschirm_RGB_300dpi_web.jpg</image:loc>
			<image:title><![CDATA[Fallschirm_RGB_300dpi_web]]></image:title>
			<image:caption><![CDATA[Einwegfallschirm aus Gislaved/Schweden, 1940er Jahre © Industrimuseet Gislaved/Schweden. Foto: Christina Glanz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Fallschirm_RGB_300dpi_web.jpg</image:loc>
			<image:caption><![CDATA[Einwegfallschirm aus Gislaved/Schweden, 1940er Jahre © Industrimuseet Gislaved/Schweden. Foto: Christina Glanz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/besuch-aus-smaland-streichhoelzer-made-in-sweden/</loc>
		<lastmod>2019-07-10T15:04:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Image-5588.jpg</image:loc>
			<image:title><![CDATA[Bild_Smaland_Streichholz]]></image:title>
			<image:caption><![CDATA[Verschiedene Etikettenmotive für die Streichholzschachteln der Firma Jönköpings Tändstickfabrik, ca. 1890 – 1960. © Tändsticksmuseet Jonköping. Foto: Ute Franz-Scarciglia]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Image-5588.jpg</image:loc>
			<image:caption><![CDATA[Verschiedene Etikettenmotive für die Streichholzschachteln der Firma Jönköpings Tändstickfabrik, ca. 1890 – 1960. © Tändsticksmuseet Jonköping. Foto: Ute Franz-Scarciglia]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alter-cranach-in-neuem-glanz/</loc>
		<lastmod>2019-07-10T15:06:47+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.4-DSC_0475_kl.jpg</image:loc>
			<image:title><![CDATA[barbara_4_kl]]></image:title>
			<image:caption><![CDATA[Restauratorin bei der Arbeit. Foto: Babette Hartwieg/Karin Kosicki]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.-5-Fl%C3%BCgel-beim-Auspacken-in-Erfurt_kl.jpg</image:loc>
			<image:caption><![CDATA[Flügel des Retabels beim Auspacken in Erfurt. Foto: Babette Hartwieg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.-6-Szenen-BarbaraLegende-in-Erfurt_kl.jpg</image:loc>
			<image:caption><![CDATA[Szenen der Barbara-Legende in Erfurt. Foto: Babette Hartwieg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.4-DSC_0475_kl.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Dörte Busch bei der Arbeit. Foto: Dörte Busch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.1-636Bre.Fl_.-au%C3%9Fen_kl.jpg</image:loc>
			<image:caption><![CDATA[Außenflügel des Barbara-Retabels. Foto: Dörte Busch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.2-DSC_0323_kl.jpg</image:loc>
			<image:caption><![CDATA[Detail des Barbara-Retabels während der Firnis-Abnahme. Foto: Dörte Busch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.3-DSC_0418_kl.jpg</image:loc>
			<image:caption><![CDATA[Tafel des Barbara-Retabels. Foto: Dörte Busch]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/besuch-aus-smaland-pippi-langstrumpf/</loc>
		<lastmod>2019-07-10T15:12:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/pippi_titelbild_mek.jpg</image:loc>
			<image:title><![CDATA[pippi_titelbild_mek]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Pippi-1.-Auflage-1949-3d.jpg</image:loc>
			<image:caption><![CDATA[Cover der deutschen Erstausgabe von Pippi Langstrumpf © Verlagsgruppe Oetinger]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/besuch-aus-smaland-billy-von-ikea/</loc>
		<lastmod>2019-07-10T15:13:48+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/billy.jpg</image:loc>
			<image:title><![CDATA[billy]]></image:title>
			<image:caption><![CDATA["I love the slender ones. We move around a lot and we have several places we call home. In one Billy we always put books related to the specific spatial context that the apartment / house is located in, in this case the borough Berlin Pankow. I like to combine Ikea with more antique and personal objects. The lady next to Billy is my great grandmother." (Léontine Meijer-van Mensch, Stellvertretende Direktorin des Museums Europäischer Kulturen) Foto: © Léontine Meijer-van Mensch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/billy.jpg</image:loc>
			<image:caption><![CDATA["I love the slender ones. We move around a lot and we have several places we call home. In one Billy we always put books related to the specific spatial context that the apartment / house is located in, in this case the borough Berlin Pankow. I like to combine Ikea with more antique and personal objects. The lady next to Billy is my great grandmother." (Léontine Meijer-van Mensch, Stellvertretende Direktorin des Museums Europäischer Kulturen) Foto: © Léontine Meijer-van Mensch]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/auf-den-hund-gekommen/</loc>
		<lastmod>2019-07-10T15:31:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/DSC8298.jpg</image:loc>
			<image:title><![CDATA[_DSC8298]]></image:title>
			<image:caption><![CDATA[Foto: Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/002.jpg</image:loc>
			<image:caption><![CDATA[Prof. Dr. Schulze Altcappenberg ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-sven-stienen-redakteur-in-der-generaldirektion/</loc>
		<lastmod>2019-07-10T15:32:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/Foto-ST-1.jpg</image:loc>
			<image:title><![CDATA[Foto ST 1]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-die-decke-aus-dem-fluechtlingslager/</loc>
		<lastmod>2019-07-10T15:34:14+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/N-17-E-12-2002.jpg</image:loc>
			<image:title><![CDATA[Strickdecke Tietmeyer MEK]]></image:title>
			<image:caption><![CDATA[Direktorin Elisabeth Tietmeyer mit einer Strickdecke aus dem Museum Europäischer Kulturen. Foto: Ute Franz-Scarciglia]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/N-17-E-12-2002.jpg</image:loc>
			<image:caption><![CDATA[Strickdecke aus dem Museum Europäischer Kulturen.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/02/Strickdecke-mit-E.-Tietmeyer1.jpg</image:loc>
			<image:caption><![CDATA[Elisabeth Tietmeyer, Direktorin des Museums Europäischer Kulturen, mit der Strickdecke]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-miguel-helfrich-leiter-der-gipsformerei/</loc>
		<lastmod>2019-07-10T15:35:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/Miguel_GF-L2_klein.jpg</image:loc>
			<image:title><![CDATA[Miguel Helfrich, Leiter der Gipsformerei. Foto: Thomas Schelper]]></image:title>
			<image:caption><![CDATA[Miguel Helfrich, Leiter der Gipsformerei. Foto: Thomas Schelper]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/archaeologie-hautnah-grabungsalltag-in-rumaenien/</loc>
		<lastmod>2019-07-15T12:31:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/DSC_0506.jpg</image:loc>
			<image:title><![CDATA[DSC_0506]]></image:title>
			<image:caption><![CDATA[Eine Archäologin bei der Arbeit. Foto: Bernhard S. Heeb]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Tasse.jpg</image:loc>
			<image:caption><![CDATA[Auch in der Vorzeit gab es Tassen, so wie diese hier. Foto: Bernhard Heeb]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Grubenprofil.jpg</image:loc>
			<image:caption><![CDATA[Oft sind prähistorische Bauten, Pfostenlöcher oder Anlagen nur noch als Verfärbungen des Erdreichs erkennbar, so wie in diesem Grubenprofil. Foto: Bernhard Heeb]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/suesses-oder-saures-die-geschichte-des-halloween/</loc>
		<lastmod>2019-07-15T13:44:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/1383668_10151655564981459_891388529_n.jpg</image:loc>
			<image:title><![CDATA[1383668_10151655564981459_891388529_n]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/1383668_10151655564981459_891388529_n.jpg</image:loc>
			<image:caption><![CDATA[Kürbislaternen zu Halloween. Foto: Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Katalog-Brauch-Halloween-Abb.-3-b.wilheim-kiezundkneipe.jpg</image:loc>
			<image:caption><![CDATA[Partygäste in typischer Halloween-Verkleidung. Foto: B. Wilheim, Kiez und Kneipe]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/humboldt-lab-dahlem-rhetorik-der-leichtigkeit/</loc>
		<lastmod>2019-07-16T10:52:51+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/humboldt-lab_2015.jpg</image:loc>
			<image:title><![CDATA[humboldt-lab_2015]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/20131016-2348.jpg</image:loc>
			<image:caption><![CDATA[Agnes Wegner ( 2.v.R.) bei der Eröffnung der Probebühne 3. Foto: Sebastian Bolesch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/File191_kl.jpg</image:loc>
			<image:caption><![CDATA[Agnes Wegner im Gespräch in Dahlem. Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/david-lachapelle-trifft-sandro-botticelli/</loc>
		<lastmod>2019-07-16T11:18:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-11.jpg</image:loc>
			<image:title><![CDATA[botticelli-lachapelle-11]]></image:title>
			<image:caption><![CDATA[Alles in Ordnung: Die wiedergeborene Venus hat die Reise bestens überstanden und darf sich noch ein wenig akklimatisieren. An die Wand kommt sie erst in den nächsten Tagen. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-2.jpg</image:loc>
			<image:caption><![CDATA[Gerade haben die Ausstellungskuratoren – hier Ruben Rebmann, wissenschaftlicher Mitarbeiter der Gemäldegalerie – die erste Leihgabe in Empfang genommen: „Rebirth of Venus“ von David LaChapelle. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-3.jpg</image:loc>
			<image:caption><![CDATA[Die großformatige Fotoarbeit wird zusammen mit anderen zeitgenössischen Werken im Botticelli-Saal, dem Entrée der Ausstellung gezeigt. Die meisten der üblicherweise hier gezeigten Originalwerke Botticellis aus dem Bestand der Gemäldegalerie – rechts sein Heiliger Sebastian – ziehen in die umgebaute Wandelhalle um. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-4.jpg</image:loc>
			<image:caption><![CDATA[Aber zunächst muss die Leihgabe ausgepackt und einem „condition check“ unterzogen werde. Hat sie den Transport auch wirklich unbeschadet überstanden? Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-5.jpg</image:loc>
			<image:caption><![CDATA[Die Mitarbeiter der Kunstspedition Hasenkamp behandeln den gerahmten C-Print genauso wie einen Alten Meister: sehr, sehr vorsichtig. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-6.jpg</image:loc>
			<image:caption><![CDATA[Die Venus wird enthüllt. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-7.jpg</image:loc>
			<image:caption><![CDATA[Auf den ersten Blick sieht sie aus wie neu. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-8.jpg</image:loc>
			<image:caption><![CDATA[Aber damit die Leihgabe auch wirklich von der Verantwortung der Spedition in die des Leihnehmers übergehen kann, bedarf es einer professionellen Prüfung durch die Foto-Restauratorin Stefanie Pfeifer. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-9.jpg</image:loc>
			<image:caption><![CDATA[Sind da auch keine Kratzer am Rahmen? Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-10.jpg</image:loc>
			<image:caption><![CDATA[Im Streiflicht der Taschenlampe kann die Restauratorin am besten sehen, ob das Papier hinter dem Glas glatt aufliegt und nicht durch zu hohe Luftfeuchtigkeit gewellt ist. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-11.jpg</image:loc>
			<image:caption><![CDATA[Alles in Ordnung: Die wiedergeborene Venus hat die Reise bestens überstanden und darf sich noch ein wenig akklimatisieren. An die Wand kommt sie erst in den nächsten Tagen. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-12.jpg</image:loc>
			<image:caption><![CDATA[Ein kurzer Blick noch in die Ausstellungsarchitektur der benachbarten Wandelhalle. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-der-botticelli-coup/</loc>
		<lastmod>2019-07-16T11:26:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/BOT_Thumb_gro%C3%9F1-1.jpg</image:loc>
			<image:title><![CDATA[BOT_Thumb_groß1]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/emil-nolde-im-hamburger-bahnhof-deutsch-stark-herb-und-innig/</loc>
		<lastmod>2019-07-16T14:01:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/04/titelbild_nolde_NEU.jpg</image:loc>
			<image:title><![CDATA[titelbild_nolde_NEU]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/04/EN_Presse_Die-S%C3%BCnderin_klein-637x528.jpg</image:loc>
			<image:caption><![CDATA[Emil Nolde, Die Sünderin, 1926 Öl auf Leinwand, 86 × 106 cm Staatliche Museen zu Berlin, Nationalgalerie, erworben 1999 mit Unterstützung des Vereins der Freunde der Nationalgalerie und des Landes Berlin © Nolde Stiftung Seebüll Foto: bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/04/EN_Presse_Foto_EntarteteKunst-Goebbels_klein-637x469.jpg</image:loc>
			<image:caption><![CDATA[Joseph Goebbels auf der Ausstellung Entartete Kunst in Berlin, Februar 1938. Links Die Sünderin. Zentralarchiv der Staatlichen Museen zu Berlin© Für die Werke von Emil Nolde bei Nolde Stiftung Seebüll © Für die Werke von Emil Nolde bei Nolde Stiftung Seebüll]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/04/EN_Presse_Herrin-und-Fremdling_klein-637x498.jpg</image:loc>
			<image:caption><![CDATA[Emil Nolde Herrin und Fremdling, o. D. (wahrscheinlich Vorlage für das Gemälde Nordische Menschen, 1938) Aquarell, 17,1 × 22,5 cm Nolde Stiftung Seebüll © Nolde Stiftung Seebüll Foto: Dirk Dunkelberg, Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/04/EN_Presse_Emil-Nolde_1937_klein-455x637.jpg</image:loc>
			<image:caption><![CDATA[Emil Nolde in München, Januar/Februar 1937. Foto von Helga Fietz, der Ehefrau von Noldes Münchner Kunsthändler Günther Franke. Nolde Stiftung Seebüll © Nolde Stiftung Seebüll]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/das-geheimnis-der-dame-mit-kind-entdeckung-in-der-alten-nationalgalerie/</loc>
		<lastmod>2019-07-16T14:52:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/fritz_rhein_dame-sofa_gr.jpg</image:loc>
			<image:title><![CDATA[fritz_rhein_dame-sofa_gr]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Rhein_F-DameKind_AIII235_001.jpg</image:loc>
			<image:caption><![CDATA[Fritz Rhein: Dame mit Kind, 1910 © Staatliche Museen zu Berlin, Alte Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Rhein_F-DameSofa_AIII876_001.jpg</image:loc>
			<image:caption><![CDATA[Fritz Rhein: Dame auf dem Sofa, ca. 1905 © Staatliche Museen zu Berlin, Alte Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alltagsgestaltung-auf-gepolsterten-luftsaeulen-sitzen/</loc>
		<lastmod>2019-07-16T15:09:46+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/5-1.jpg</image:loc>
			<image:title><![CDATA[kgm_designworkshop_5]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/3-1.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ich-traue-dem-design-nicht-ton-matton-im-kunstgewerbemuseum/</loc>
		<lastmod>2019-07-16T15:10:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/2.jpg</image:loc>
			<image:title><![CDATA[kgm_designworkshop_2]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alltagsgestaltung-die-sichtbarmachung-der-routine/</loc>
		<lastmod>2019-07-16T15:11:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/1.jpg</image:loc>
			<image:title><![CDATA[kgm_designworkshop_1]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/original-mit-geschichte-francesco-squarciones-maria-mit-kind/</loc>
		<lastmod>2019-07-16T15:13:24+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/22A41891.jpg</image:loc>
			<image:title><![CDATA[22A41891]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/maria.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/F_6_w%C3%A4rend_Firnis-_-_%C3%9Cbermalungsabnahme1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/%C3%BCbermalungen.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/22A42771.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/tracking-talents-design-meets-technologie/</loc>
		<lastmod>2019-07-16T15:14:32+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Foto_Heike_Overberg_DSC4348.jpg</image:loc>
			<image:title><![CDATA[Foto_Heike_Overberg_DSC4348]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/antike-in-bunt-eine-spurensuche-im-pergamonmuseum/</loc>
		<lastmod>2019-07-16T15:14:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/3.jpg</image:loc>
			<image:title><![CDATA[Vermittlungsprojekt pergamonmuseum 1]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/4.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/4-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/10.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/6.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/5.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/u-cant-touch-this-warum-beruehrung-kunst-zerstoert/</loc>
		<lastmod>2019-07-17T13:40:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/SMB_CDF-7078.jpg</image:loc>
			<image:title><![CDATA[SMB_CDF-7078]]></image:title>
			<image:caption><![CDATA[Restauratorin Kristina Mösl in der Alten Nationalgalerie während der dreijährigen Restaurierung von Caspar David Friedrichs Gemälden „Mönch am Meer“ und „Abtei im Eichwald“. Foto: Staatliche Museen zu Berlin, Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/museum-trifft-lexikon-wikipedia-zu-gast-im-mek/</loc>
		<lastmod>2019-07-17T13:42:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/Abb8a-1200px-Gruppenbild_MEK_GLAM-Tour_20181117_39-637x424.jpg</image:loc>
			<image:title><![CDATA[Wikipedianer*innen und Mitarbeiter*innen des MEK vor dem Verwaltungsgebäude. Foto von Ansgar Wernst – Eigenes Werk, CC BY-SA 4.0]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/Abb-12018_BPB_Herbst_05-637x425.jpg</image:loc>
			<image:caption><![CDATA[Das MEK im Herbst 2018 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen/Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/Abb3-I-9-A-309-1981-637x423.jpg</image:loc>
			<image:caption><![CDATA[Federwischer in Gestalt eines Fuchses mit Bürste zum Abstreichen der Schreibfedern, Leipzig, um 1900. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen/Michael Mohr]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/Abb4-D-62-K-599-823-1989-427x637.jpg</image:loc>
			<image:caption><![CDATA[Musterkatalog für Festartikel der Firma Chrestensen, Erfurt, 1927.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/Abb5-999px-MEK_II-274-637x574.jpg</image:loc>
			<image:caption><![CDATA[Pelota-Schläger mit Ball, Spanien, 1. Hälfte 20. Jh. Foto von GodeNehler - Eigenes Werk, CC BY-SA 4.0 ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/Abb7-N-10-F-1-19949818a-c-637x423.jpg</image:loc>
			<image:caption><![CDATA[Mixbecher, Deutschland, 1950er-Jahre. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/essen-und-markt-design-talk-im-kunstgewerbemuseum/</loc>
		<lastmod>2019-07-17T13:46:45+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum_Food-Revolution_Design-Talk_Essen-Markt-Wirtschaft-Talk-637x425.jpg</image:loc>
			<image:title><![CDATA[Klaus Heider vom Bundesministerium für Ernährung und Landwirtschaft hat selbst Städtebau studiert und sich mit der Bedeutung des Kleingartenwesens in Deutschland befasst. Er ist zuversichtlich, dass auch in der Bundespolitik ein Perspektivwandel rund um das Thema Ernährung einstellen wird. © Staatliche Museen zu Berlin, Kunstgewerbemuseum/Kai von Kotze]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zwischen-sein-und-design-fishbowl-diskussion-zu-food-design-im-kunstgewerbemuseum/</loc>
		<lastmod>2019-07-17T13:47:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-Design-Talk-Forkes-Hermsen-Schmeer-637x425.jpg</image:loc>
			<image:title><![CDATA[Experten im Bereich des Food Designs: Andrew Forkes, Stefan Hermsen und Johanna Schmeer beim Design Talk im Kunstgewerbemuseum © Staatliche Museen zu Berlin, Kunstgewerbemuseum/Kai von Kotze]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/holy-ginger-dinner-performance-zur-food-revolution-5-0/</loc>
		<lastmod>2019-07-17T13:50:17+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-Titel.jpg</image:loc>
			<image:title><![CDATA[Kunstgewerbemuseum-Food Revolution-chmara rosinke-Mobile Gastfreundschaft-Titel]]></image:title>
			<image:caption><![CDATA[Performance „Mobile Gastfreundschaft“ von chmara.rosinke zur Ausstellung „Food Revolution 5.0“ im Kunstgewerbemuseum © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/spannender-fall-in-der-gemaeldegalerie-die-restaurierung-eines-bissolo/</loc>
		<lastmod>2019-07-17T13:55:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/22A4120.jpg</image:loc>
			<image:title><![CDATA[_22A4120]]></image:title>
			<image:caption><![CDATA[Restaurierung von Francesco Bissolos „Auferstehung Christi“ (1475-79) in den Restaurierungswerkstätten der Gemäldegalerie Berlin. © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/1.jpg</image:loc>
			<image:caption><![CDATA[Francesco Bissolo: Die Auferstehung Christi, Zwischenzustand  © Staatliche Museen zu Berlin, Gemäldegalerie / Foto: B. Hartwieg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/3.jpg</image:loc>
			<image:caption><![CDATA[Francesco Bissolo: Die Auferstehung Christi, UV Aufnahme  2017 © Staatliche Museen zu Berlin, Gemäldegalerie / Foto: C. Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/2.jpg</image:loc>
			<image:caption><![CDATA[Francesco Bissolo: Die Auferstehung Christi, Vorzustand 2017 © Staatliche Museen zu Berlin, Gemäldegalerie / Foto: C. Schmidt]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zwischen-festmahl-und-festplatte-design-talk-zur-kueche-der-zukunft/</loc>
		<lastmod>2019-07-17T13:58:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Kunstgewerbemuseum_Food-Revolution_Design-Talk_Zukunft_Hamerle_Lohmann.jpg</image:loc>
			<image:title><![CDATA[Kunstgewerbemuseum_Food Revolution_Design Talk_Zukunft_Hamerle_Lohmann]]></image:title>
			<image:caption><![CDATA[Design Talk zum Thema "Küche der Zuklunft" im Kunstgewerbemuseum. © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Neila Kemmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Kunstgewerbemuseum_Food-Revolution_Design-Talk_Zukunft_1.jpg</image:loc>
			<image:caption><![CDATA[Design Talk "Küche der Zukunft" © Staatliche Museen zu Berlin, Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Kunstgewerbemuseum_Food-Revolution_Design-Talk_Zukunft_3.jpg</image:loc>
			<image:caption><![CDATA[Design Talk "Küche der Zukunft" © Staatliche Museen zu Berlin, Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Kunstgewerbemuseum_Food-Revolution_Design-Talk_Zukunft_Hamerle_Lohmann1.jpg</image:loc>
			<image:caption><![CDATA[Design Talk "Küche der Zukunft" © Staatliche Museen zu Berlin, Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Kunstgewerbemuseum_Food-Revolution_Design-Talk_Zukunft_Montalti_Marel.jpg</image:loc>
			<image:caption><![CDATA[Design Talk "Küche der Zukunft" © Staatliche Museen zu Berlin, Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Kunstgewerbemuseum_Food-Revolution_Design-Talk_Zukunft_Schulze.jpg</image:loc>
			<image:caption><![CDATA[Design Talk "Küche der Zukunft" © Staatliche Museen zu Berlin, Kunstgewerbemuseum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/food-revolution-die-zukunft-des-fleisches/</loc>
		<lastmod>2019-07-17T14:00:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Kunstgewerbemuseum-Food-Revolution-Andrea-Staudacher-Titel.jpg</image:loc>
			<image:title><![CDATA[Kunstgewerbemuseum-Food Revolution-Andrea Staudacher-Titel]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Kunstgewerbemuseum-Food-Revolution-Andrea-Staudacher-1.jpg</image:loc>
			<image:caption><![CDATA[Andrea Staudacher erklärt, wie in vitro Fleisch produziert wird. © Staatliche Museen zu Berlin, Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Kunstgewerbemuseum-Food-Revolution-Andrea-Staudacher-2.jpg</image:loc>
			<image:caption><![CDATA[Die Trendforscherin Anna Kunz aus Frankfurt a. M. interessiert sich für die Innovation In-vitro-Fleisch als Alternative zum Vegetarismus. © Staatliche Museen zu Berlin, Kunstgewerbemuseum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/food-revolution-im-kunstgewerbemuseum-design-zwischen-gebrauch-und-diskurs/</loc>
		<lastmod>2019-07-17T14:03:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/bioplastic2-1024x724.jpg</image:loc>
			<image:title><![CDATA[bioplastic2-1024x724]]></image:title>
			<image:caption><![CDATA[Johanna Schmeer, Bioplastic Fantastic, 2014, © Johanna Schmeer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/KGM_FoodRevolution5.0_Schmeer_BioplasticFantastic.jpg</image:loc>
			<image:caption><![CDATA[Johanna Schmeer, Bioplastic Fantastic, 2014, © Johanna Schmeer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/giulia-soldati-contatto-food-performance-im-kunstgewerbemuseum/</loc>
		<lastmod>2019-07-17T14:07:25+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/Kunstgewerbemuseum_Food_Revolution_Performance_Giulia_Soldati_Contatto_TITELBILD.jpg</image:loc>
			<image:title><![CDATA[©Staatliche Museen zu Berlin, Kunstgewerbemuseum/ Kai von Kotze]]></image:title>
			<image:caption><![CDATA[©Staatliche Museen zu Berlin, Kunstgewerbemuseum/ Kai von Kotze]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-nackte-kutscher-da-oben-die-quadriga-des-brandenburger-tors/</loc>
		<lastmod>2019-07-17T14:11:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/h_00004488.jpg</image:loc>
			<image:title><![CDATA["Der Pferdedieb von Berlin" - Karikatur auf Napoleons Raub der Quadriga vom Brandenburger Tor. Radierung (um 1813)]]></image:title>
			<image:caption><![CDATA["Der Pferdedieb von Berlin" - Karikatur auf Napoleons Raub der Quadriga vom Brandenburger Tor. Radierung (um 1813) © Staatliche Museen zu Berlin , Kunstbibliothek / Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/Zwischenablage01.jpg</image:loc>
			<image:caption><![CDATA[Leopold Ludwig Müller: Zeichnung des Brandenburger Tors, um 1792  © Staatliche Museen zu Berlin, Kupferstichkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/Aquarell.jpg</image:loc>
			<image:caption><![CDATA[Johann Karl Jakob Gerst: Das Brandenburger Tor mit Baugerüsten bei Morgenlicht in Berlin © Staatliche Museen zu Berlin, Kupferstichkabinett/ Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/h_00003031.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Wolf: "Einzug Napoleons I. durch das Brandenburger Tor in Berlin am 27. Oktober 1806", 1806 © Staatliche Museen zu Berlin, Kupferstichkabinett/ Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/h_20043582.jpg</image:loc>
			<image:caption><![CDATA[Während der Weimarer Republik kam es immer wieder zu gewaltsamen Auseinandersetzungen zwischen politischen Gruppen. Das Brandenburger Tor wurde dabei oftmals  Schauplatz von Kämpfen und trug einigen Schaden davon. (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/h_40017736.jpg</image:loc>
			<image:caption><![CDATA[Die Friedensgöttin mit dem Relief "Zug des Friedens", von Bildhauer: Johann Gottfried Schadow, Aufnahme um 1930 © Staatliche Museen zu Berlin , Kunstbibliothek / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/h_70130582.jpg</image:loc>
			<image:caption><![CDATA[Zerstörtes Brandenburger Tor. Das rechte Torhaus ist restlos von den Bomben vernichtet. Aufnahme nach 1945 © Staatliche Museen zu Berlin , Kunstbibliothek / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/20180611_1305240.jpg</image:loc>
			<image:caption><![CDATA[Quadriga von Schadow auf dem Brandenburger Tor © Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wir-sind-goerlitz-fotoausstellung-in-der-kunstbibliothek/</loc>
		<lastmod>2019-07-17T14:14:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/Zwischenablage01-1.jpg</image:loc>
			<image:title><![CDATA[Zwischenablage01]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/02_KB_Goerlitz_Peterstrasse7_2015.jpg</image:loc>
			<image:caption><![CDATA[Peterstraße 7 nach erneuter Rekonstruktion 2015 © Jörg Schöner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/01_KB_Goerlitz_Peterstrasse7_1983.jpg</image:loc>
			<image:caption><![CDATA[Peterstraße 7 während Rekonstruktionsarbeiten, 1983 © Jörg Schöner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/GB-zen.jpg</image:loc>
			<image:caption><![CDATA[Einträge aus dem Gästebuch der Ausstellung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/GB-zen-2.jpg</image:loc>
			<image:caption><![CDATA[Eine weitere Seite aus dem Gästebuch der Ausstellung]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-geschmack-unserer-traenen-food-design-im-kunstgewerbemuseum/</loc>
		<lastmod>2019-07-17T14:18:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/Kunstgewerbemuseum_Performance_Genomic-Gastronomy_5.jpg</image:loc>
			<image:title><![CDATA[Kunstgewerbemuseum_Performance_Genomic-Gastronomy_5]]></image:title>
			<image:caption><![CDATA[Nachdem alle Gäste kontemplativ über den Menükarten gebrütet haben, unterhält sich Zack mit einzelnen, welche Gedanken und Fragen sich einstellen. © Staatliche Museen zu Berlin/Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/DSC0973.jpg</image:loc>
			<image:caption><![CDATA[Der Restaurantkomplex von To Flavour Our Tears böte verschiedenste Möglichkeiten, den eigenen Körper wieder in den Zyklus des Nahrungssystems einzubinden, vom VR-Erlebnis, über die Moth Bar und das Saprophytic Supper bis zum Rooftop Burial Ground. © The Center for Genomic Gastronomy]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/rettet-die-bienen-food-revolution-mit-robin-van-hontem-und-bee-collective/</loc>
		<lastmod>2019-07-18T12:28:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/IMG_1403.jpg</image:loc>
			<image:title><![CDATA[Bee Collective, Sky Hive Solar during Milano design week 2015, © Bee Collective]]></image:title>
			<image:caption><![CDATA[Bee Collective, Sky Hive Solar during Milano design week 2015, © Bee Collective]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/Milaan-design-week-2015.jpg</image:loc>
			<image:caption><![CDATA[Bee Collective, Sky Hive Solar während der Mailänder Design Week 2015, © Bee Collective]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/IMG_1403.jpg</image:loc>
			<image:caption><![CDATA[Bee Collective, Sky Hive Solar während der Mailänder Design Week 2015, © Bee Collective]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/20160623_192507.jpg</image:loc>
			<image:caption><![CDATA[Bee Collective, Imker des Bee Collective kümmern sich um die Bienen im Frontenpark Maastricht (NL), © Bee Collective]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/Robin-van-Hontem-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Robin van Hontem, Designer und einer der Initiatoren des Bee Collectives, © Lidiya Dineva]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/blick-ins-archiv-das-historische-gedaechtnis-des-aegyptischen-museums/</loc>
		<lastmod>2019-07-22T14:30:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Abb.-2_AEMP_Archivalie_0065_028.jpg</image:loc>
			<image:title><![CDATA[Abb. 2_AEMP_Archivalie_0065_028]]></image:title>
			<image:caption><![CDATA[Grabungs-Tagebuch der D.O.G.-Kampagne in Tell el-Amarna, 1913/14, S. 28: Grundriss und Erläuterung des Hauses P 47,18 © Staatliche Museen zu Berlin – PK, Ägyptisches Museum und Papyrussammlung, Dokumentenarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Abb.-1_AEM_00009_Z006.jpg</image:loc>
			<image:caption><![CDATA[Abb. 1 Originalzeichnung (um 1827) von Joseph Passalacqua: Funde im Grab des Mentuhotep. Das linke Bootsmodell und die Frauenstatuette gelten seit dem Zweiten Weltkrieg als Kriegsverlust.  © Staatliche Museen zu Berlin – PK, Ägyptisches Museum und Papyrussammlung, Dokumentenarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Abb.-2_AEMP_Archivalie_0065_028.jpg</image:loc>
			<image:caption><![CDATA[Grabungs-Tagebuch der D.O.G.-Kampagne in Tell el-Amarna, 1913/14, S. 28: Grundriss und Erläuterung des Hauses P 47,18  © Staatliche Museen zu Berlin – PK, Ägyptisches Museum und Papyrussammlung, Dokumentenarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Abb.-3.jpg</image:loc>
			<image:caption><![CDATA[Abb. 3  Laufzettelverzeichnis 1912, S. 531 und 532 © Staatliche Museen zu Berlin – PK, Ägyptisches Museum und Papyrussammlung, Dokumentenarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Abb.4_AEMP_Archivalie_07221_Bothmer_01.jpg</image:loc>
			<image:caption><![CDATA[Abb. 4 + 5  „Topfkatalog Krönig-Bothmer 1932–34“ mit Zeichnung des Gefäßes ÄM 7221 (im Zweiten Weltkrieg nach Schloss Sophienhof ausgelagert, gilt als vermisst).  © Staatliche Museen zu Berlin – PK, Ägyptisches Museum und Papyrussammlung, Dokumentenarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Abb.5_AEMP_Archivalie_07221_Bothmer_02.jpg</image:loc>
			<image:caption><![CDATA[Abb. 4 + 5  „Topfkatalog Krönig-Bothmer 1932–34“ mit Zeichnung des Gefäßes ÄM 7221 (im Zweiten Weltkrieg nach Schloss Sophienhof ausgelagert, gilt als vermisst).  © Staatliche Museen zu Berlin – PK, Ägyptisches Museum und Papyrussammlung, Dokumentenarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Abb.6.jpg</image:loc>
			<image:caption><![CDATA[Abb. 6:  Historische Fotografie (um 1920): Blick über der Kupfergraben auf die Museumsinsel und auf das Neue Museum mit Verbindungstrakt zum Alten Museum.  © Staatliche Museen zu Berlin – PK, Zentralarchiv, Foto: Hermann Rückwardt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/Abb.7_%C3%84M-20600.jpg</image:loc>
			<image:caption><![CDATA[Abb. 7:  Modelltafel eines Amuelttfabrikanten ÄM 20600 (Holz, Blattgold, verschiedene Halbedelsteine). Im Zweiten Weltkrieg nach Schloss Sophienhof ausgelagert, gilt heute als vermisst.  © Staatliche Museen zu Berlin – PK, Ägyptisches Museum und Papyrussammlung, Fotoarchiv]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/den-kokon-durchbrechen-hello-world-und-die-nationalgalerie-im-hamburger-bahnhof/</loc>
		<lastmod>2019-07-22T14:33:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/22A3569_kl.jpg</image:loc>
			<image:title><![CDATA[_22A3569_kl]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/22A3382_kl.jpg</image:loc>
			<image:caption><![CDATA[Aufbau der Ausstellung "Hello World - Revision einer Sammlung" im Hamburger Bahnhof: Hängung der Arbeiten „Between You, Me &amp; The Bedpost“ #1 und #2 (2014) des indonesischen Künstlers Gede Mahendra Yasa. © Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/22A3505_kl.jpg</image:loc>
			<image:caption><![CDATA[Aufbau der Ausstellung "Hello World - Revision einer Sammlung" im Hamburger Bahnhof: Hängung von I Ketut Parsa: Ohne Titel (Reislandschaft, Sawah, Alltagsleben in Bali, Entenhirt), 1990 © Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/22A3170_kl.jpg</image:loc>
			<image:caption><![CDATA[Aufbau der Ausstellung "Hello World - Revision einer Sammlung" im Hamburger Bahnhof: Zwei Werke des balinesischen Künstlers I Gusti Nyoman Lempad werden ausgepackt. © Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/hello_world_ole_township_wall.jpg</image:loc>
			<image:caption><![CDATA[Die Arbeit "Township Wall" des angolanischen Künstlers Antonio Ole wird in der Ausstellung "Hello World" im Hamburger Bahnhof zu sehen sein. © Staatliche Museen zu Berlin / Jens Ziehe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/22A3569_kl.jpg</image:loc>
			<image:caption><![CDATA[Gabriele Knapstein, Udo Kittelmann und Anna-Catharina Gebbers während der Aufbauarbeiten zu „Hello World. Revision einer Sammlung“ im Hamburger Bahnhof. © Foto: David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-des-generaldirektors-die-mutter/</loc>
		<lastmod>2019-07-22T14:34:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/15_Hooch_1661-63.jpg</image:loc>
			<image:title><![CDATA[Pieter de Hooch: Die Mutter, um 1661/63 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:title>
			<image:caption><![CDATA[Pieter de Hooch: Die Mutter, um 1661/63 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Mieder_15_Hooch_1661-63.jpg</image:loc>
			<image:caption><![CDATA[Detail: Die Mutter schließt ihr Mieder © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Licht_15_Hooch_1661-63.jpg</image:loc>
			<image:caption><![CDATA[Detail: Die Lichtkomposition © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/15_Hooch_1661-63.jpg</image:loc>
			<image:caption><![CDATA[Pieter de Hooch: Die Mutter, um 1661/63 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-des-generaldirektors-die-madonna-in-der-kirche/</loc>
		<lastmod>2019-07-22T14:42:34+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/3_van-Eyck_1440.jpg</image:loc>
			<image:title><![CDATA[Jan van Eyck: Die Madonna in der Kirche, um 1425 © Staatliche Museen zu Berlin]]></image:title>
			<image:caption><![CDATA[Jan van Eyck: Die Madonna in der Kirche, um 1425 © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Licht_3_van-Eyck_1440.jpg</image:loc>
			<image:caption><![CDATA[Detail: Das aus Norden kommende göttliche Licht © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Kruzifix_u_Marienstatue_3_van-Eyck_1440.jpg</image:loc>
			<image:caption><![CDATA[Detail: Das Kuruzifix in der oberen rechten Ecke und die Marienskulptur in der unteren linken Ecke © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Kruzifix_u_Marienstatue3_van-Eyck_1440.jpg</image:loc>
			<image:caption><![CDATA[Detail: Das Kuruzifix in der oberen rechten Ecke und die Marienskulptur in der unteren linken Ecke © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/3_van-Eyck_1440.jpg</image:loc>
			<image:caption><![CDATA[Jan van Eyck: Die Madonna in der Kirche, um 1425 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/gigant-des-stillen-ozeans-ein-beruehmtes-suedsee-boot-in-dahlem-wird-abgebaut/</loc>
		<lastmod>2019-07-22T14:44:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/171206_KSPK_PHT017.jpg</image:loc>
			<image:title><![CDATA[Verlegung LUF Hochsee Segelboots]]></image:title>
			<image:caption><![CDATA[Verlegung des Rumpfs eines LUF Hochsee Segelboots im Ethnologischen Museum. © Stiftung Preußischer Kulturbesitz, Foto: Thomas Köhler/photothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/171206_KSPK_PHT005.jpg</image:loc>
			<image:caption><![CDATA[Verlegung des Rumpfs eines LUF Hochsee Segelboots im Ethnologischen Museum. © Stiftung Preußischer Kulturbesitz, Foto: Thomas Köhler/photothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/171206_KSPK_PHT007.jpg</image:loc>
			<image:caption><![CDATA[Mittels zweier Portalkräne wird der empfindliche hölzerne Rumpf des Luf-Bootes langsam angehoben. © Stiftung Preußischer Kulturbesitz, Foto: Thomas Köhler/photothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/171206_KSPK_PHT017.jpg</image:loc>
			<image:caption><![CDATA[Der Bootsrumpf schwebt über dem Boden der maßangefertigten Transportkiste. © Stiftung Preußischer Kulturbesitz, Foto: Thomas Köhler/photothek]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/spiritualitaet-und-macht-kooperationsprojekt-zur-amazonas-region-in-dahlem/</loc>
		<lastmod>2019-07-25T11:52:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/11/181008_JSPK_PHT002.jpg</image:loc>
			<image:title><![CDATA[Andrea Scholz vom Ethnologischen Museum mit Wissenschatflern aus dem Amazonas-Gebiet im Depot des Museums. © SPK / Photothek / Inga Kjer]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wir-haben-uns-immer-wieder-neu-erfunden/</loc>
		<lastmod>2019-07-29T14:43:15+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/22A4640_kl.jpg</image:loc>
			<image:title><![CDATA[_22A4640_kl]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/image.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/22A4812_kl.jpg</image:loc>
			<image:caption><![CDATA[Iris Edenheiser und Elisabeth Tietmeyer im Museum Europäischer Kulturen. (c) Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/den-aktuellen-design-diskurs-ins-haus-holen-claudia-banz-im-interview/</loc>
		<lastmod>2020-10-30T15:38:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/Portr%C3%A4t-CB-scaled.jpg</image:loc>
			<image:title><![CDATA[Porträt CB]]></image:title>
			<image:caption><![CDATA[Claudia Banz, Kuratorin im Kunstgewerbemuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/image.gif</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hoert-wie-es-summt-und-brummt-auf-entdeckungsreise-durch-die-altaegyptische-welt-der-insekten/</loc>
		<lastmod>2020-10-30T15:39:48+00:00</lastmod>
	</url>
	<url>
		<loc>https://blog.smb.museum/bis-in-die-haarspitzen-die-kunst-des-braidings-im-kunstgewerbemuseum/</loc>
		<lastmod>2020-10-30T16:06:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/CAF-Opening-Braiding-photo-by-Fashion-Africa-Now-10.jpg</image:loc>
			<image:title><![CDATA[CAF-Opening-Braiding-photo-by-Fashion-Africa-Now-10]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/image-1.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/CAF-Opening-Braiding-photo-by-Fashion-Africa-Now-27.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/CAF-Opening-Braiding-photo-by-Fashion-Africa-Now-47.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/Hairbraiding_36-photo-by-Tatjana-Junker.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/schaetze-der-moderne-heben-symposium-zur-triennale-der-moderne/</loc>
		<lastmod>2020-11-02T15:13:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/titelbild_kb_moderne_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_kb_moderne_gr]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/image-1.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Abb-4.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/2473675.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/laszlo-moholy-nagy-und-die-neue-typografie-rekonstruktion-einer-ausstellung-berlin-1929/</loc>
		<lastmod>2020-11-02T15:21:17+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_06.jpg</image:loc>
			<image:title><![CDATA[Lászaló_Moholy_Nagy_06]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_05.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_07.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_10.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_14.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_15.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_18.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_21.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_22.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/L%C3%A1szal%C3%B3_Moholy_Nagy_23.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/afro-futures-im-kunstgewerbemuseum-highlights-des-fashion-africa-modekalenders/</loc>
		<lastmod>2020-11-02T16:05:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Clan-Foto-Lagos-Fashion-Week.jpg</image:loc>
			<image:title><![CDATA[Clan-Foto-Lagos-Fashion-Week]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/MaXhosa-Africa-Foto-African-Fashion-International.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/3-Foto-Kampala-Fashion-Week.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/barkcloth-aus-uganda-im-kunstgewerbmuseum/</loc>
		<lastmod>2020-11-02T16:13:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Eco-fashion-1080x675.png</image:loc>
			<image:title><![CDATA[Eco-fashion-1080x675]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Ausstellung_Drinnen_43-photo-by-Tatjana-Junker.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Eco-fashion-1080x675.png</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Ausstellung_Drinnen_3-photo-by-Tatjana-Junker.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/afro-hair-district-im-kunstgewerbemuseum-rebel-roots/</loc>
		<lastmod>2020-11-02T16:17:17+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/c-Rebel-Roots-8.jpg</image:loc>
			<image:title><![CDATA[c-Rebel-Roots-8]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/image-7.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/c-Rebel-Roots-7.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zurueck-in-die-afrozukunft-interview-mit-ken-aicha-sy-von-wakhart/</loc>
		<lastmod>2020-11-02T16:20:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Ken-A%C3%AFcha-Sy-Baadaye-Awa-photo-by-Yannik-Ntap.jpg</image:loc>
			<image:title><![CDATA[Ken-Aïcha-Sy-Baadaye-Awa-photo-by-Yannik-Ntap]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/image-8.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Ken-A%C3%AFcha-Sy-Baadaye-Djessene-photo-by-Yannik-Ntap.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/afro-futures-im-kunstgewerbemuseum-rima-sium-von-afrosisters-im-interview/</loc>
		<lastmod>2020-11-02T16:24:45+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Kemi-c-Rima-Sium.jpg</image:loc>
			<image:title><![CDATA[Kemi-c-Rima-Sium]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/image-9.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Karlin-c-Rima-Sium.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Marlondo-c-Rima-Sium.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/raffael-in-der-gemaeldegalerie-ein-unbekannter-bekannter/</loc>
		<lastmod>2020-11-02T17:08:36+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/01_GG_Raffael_Madonna_dei_Garofani.jpg</image:loc>
			<image:title><![CDATA[01_GG_Raffael_Madonna_dei_Garofani]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/image-14.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/01_GG_Raffael_Madonna_dei_Garofani.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/raffael-Saal.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-dokument-der-geschichte/</loc>
		<lastmod>2020-11-02T17:21:46+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/1.jpg</image:loc>
			<image:title><![CDATA[1]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/image-16.gif</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/2.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/3.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/4.jpg</image:loc>
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			<image:caption><![CDATA[Dr. Gabriele Knapstein © Staatliche Museen zu Berlin, Hamburger Bahnhof – Museum für Gegenwart – Berlin]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/Titelbild-WME-Beate-Wild.jpg</image:loc>
			<image:title><![CDATA[Titelbild WME Beate Wild]]></image:title>
			<image:caption><![CDATA[Beate Wild, wissenschaftliche Mitarbeiterin im Museum Europäischer Kulturen. © Velid Agović, Sarajevo 2015]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/Titelbild-WME-Beate-Wild.jpg</image:loc>
			<image:caption><![CDATA[Beate Wild, wissenschaftliche Mitarbeiterin im Museum Europäischer Kulturen. © Velid Agović, Sarajevo 2015]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-christina-haak-stellvertretende-generaldirektorin/</loc>
		<lastmod>2021-03-12T10:33:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Foto_Haak.jpg</image:loc>
			<image:title><![CDATA[Foto_Haak]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-winter-tales/</loc>
		<lastmod>2021-03-12T10:44:57+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild1_Zugeschnitten.jpg</image:loc>
			<image:title><![CDATA[Winterlandschaft mit Schlittschuhläufern]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild1_Zugeschnitten.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild3_Zugeschnitten-min.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild5_zugeschnitten.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild6_zugeschnitten.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild7_zugeschnitten.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild9_zugeschnitten.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild10_Zugeschnitten.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-daheim-allein/</loc>
		<lastmod>2021-03-12T10:47:17+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/h_00048762.jpg</image:loc>
			<image:title><![CDATA[h_00048762]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/10-kuenstlerische-vorschlaege-fuer-zu-hause/</loc>
		<lastmod>2021-03-12T10:47:51+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_20037748.jpg</image:loc>
			<image:title><![CDATA[Radio im Badezimmer]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_70269221.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_00108091.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_00104996.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_00009507.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_00015163.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_00029152.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_70111290.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_70129650.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_70390632.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_20037748.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/h_00087532.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/altaegyptische-insekten/</loc>
		<lastmod>2021-03-12T10:48:20+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/3_VAEGM_1988_110.jpg</image:loc>
			<image:title><![CDATA[Geflügelter Skarabäus]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/1_AEM_01741.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/2_AEM_23723.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/3_VAEGM_1988_110.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/4_AEM_07715.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/5_AEM_01756.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/6_AEM_09611.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/7_AEM_03194.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/8_AEM_20987.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/9_AEM_01820_001.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/10_AEM_18491.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/10-sammlungshighlights-aus-20-jahren-mek/</loc>
		<lastmod>2021-03-12T10:49:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/02_Gondel-detail.jpg</image:loc>
			<image:title><![CDATA[02_Gondel-detail]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/01_MEK_Karren_21.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/03_Doenerspiess-Werbefigur__Berlin__2002.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/05_Perchtenmaske_-Salzburger-Land_-18_Jh.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/06_Bauernschrank_-Dalarna_-Schweden_-19_-Jh.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/09_Lindhorster-Tracht_-Schaumburg-Lippe_-1.H.20.-Jh..jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/22_Aids_Quilt_MEK.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/23_Paravent_MEK.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/MEK_Mechanischer_Weihnachtsberg_web.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/N_31_L__326-2014_1.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-geschichte-des-1-mai/</loc>
		<lastmod>2021-03-12T10:50:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/11/h_70248231-637x455.jpg</image:loc>
			<image:title><![CDATA[Revolutionäre Demonstration mit roter Flagge vor dem Brandenburger Tor am 8.12.1918 © Staatliche Museen zu Berlin, Kunstbibliothek, Photothek Willy Römer / Willy Römer]]></image:title>
		</image:image>
		<image:image>
			<image:loc>http://blog.smb.museum/wp-content/uploads/2019/04/h_20043624.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Gespenstischer Anblick: Barrikaden in Neukölln am 1. Mai 1929; © bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>http://blog.smb.museum/wp-content/uploads/2019/04/h_30042725.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Adolf Hitler spricht auf der Jugendkundgebung im Lustgarten am 1. Mai 1934. Im Hintergrund: Schlossbrücke, Unter den Linden und Zeughaus (rechts); Aufnahmedatum: 01.05.1934 © bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>http://blog.smb.museum/wp-content/uploads/2019/04/h_30042119.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Maikundgebung 1933 in Berlin. Eine Marschkolonne passiert auf dem Weg zum Tempelhofer Feld das Brandenburger Tor. An deren Spitze: Angehörige der "NSBO Vereinigte Friedhöfe Seestraße" © bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>http://blog.smb.museum/wp-content/uploads/2019/04/h_30042025.jpg</image:loc>
			<image:caption><![CDATA[Jochen Moll: Straßenkämpfe zwischen autonomen Gruppen und der Polizei in Kreuzberg; brennende Autos (in der Görlitzer Straße?), 01.05.1989 © bpk / Jochen Moll]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>http://blog.smb.museum/wp-content/uploads/2019/04/h_30042027.jpg</image:loc>
			<image:caption><![CDATA[Jochen Moll: Straßenkämpfe zwischen autonomen Gruppen und der Polizei in Kreuzberg (in der Manteuffelstraße ?), 01.05.1989 © bpk / Jochen Moll]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-100-jahre-weimarer-republik/</loc>
		<lastmod>2021-03-12T10:50:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/11/h_70144839-637x476.jpg</image:loc>
			<image:title><![CDATA[Karl Liebknecht spricht Ende 1918 vor dem Ministerium des Innern in Berlin. Gemeinsam mit Rosa Luxemburg führte er den linken]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/h_20045410-637x466.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Potsdamer Platz bei Nacht, Blick zum Pschorr-Haus, 1929  © Staatliche Museen zu Berlin, Kunstbibliothek, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-10-design-ikonen-des-20-jahrhunderts/</loc>
		<lastmod>2021-03-12T10:51:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/08__Lettera22_Nizzoli.jpg</image:loc>
			<image:title><![CDATA[Schreibmaschine „Lettera 22“ von Marcello Nizzoli,1950 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:title>
			<image:caption><![CDATA[Schreibmaschine „Lettera 22“ von Marcello Nizzoli,1950 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/01_Teekessel_Behrens.jpg</image:loc>
			<image:caption><![CDATA[Elektrischer Tee- und Wasserkessel von Peter Behrens, 1909 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/02_Teekanne_Bogler.jpg</image:loc>
			<image:caption><![CDATA[Kombinationsteekanne von Theodor Bogler, 1923 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/03_Freischwinger_Mies.jpg</image:loc>
			<image:caption><![CDATA[Freischwingersessel MR 20 von Ludwig Mies van der Rohe, 1927 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/04_PH_Hennigsen.jpg</image:loc>
			<image:caption><![CDATA[PH-Tischleuchte von Poul Henningsen, 1927 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/05_Lounge_Chair_Eames.jpg</image:loc>
			<image:caption><![CDATA[Lounge Chair mit Ottoman von Charles und Ray Eames, 1956 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/06_Sessel_Diamond_Bertoia.jpg</image:loc>
			<image:caption><![CDATA[Sessel „Diamond“ 421 von Harry Bertoia, 1951  ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/07__Schwan_Jacobsen.jpg</image:loc>
			<image:caption><![CDATA[Sessel „Schwan“ von Arne Jacobsen, 1957 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/08__Lettera22_Nizzoli.jpg</image:loc>
			<image:caption><![CDATA[Schreibmaschine „Lettera 22“ von Marcello Nizzoli,1950 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/09__TV_Hirche.jpg</image:loc>
			<image:caption><![CDATA[Fernsehgerät HF 1 von Herbert Hirche, 1958 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/10_PantonChair_Panton.jpg</image:loc>
			<image:caption><![CDATA[Stapelstuhl  Panton-Chair von Verner Panton, 1959/60 ©Staatliche Museen zu Berlin, Kunstgewerbemuseum / Stephan Klonk]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-10-plakate-eine-runde-sache/</loc>
		<lastmod>2021-03-12T10:52:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/titelbild_100-beste-plakate-2018_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_100-beste-plakate-2018_gr]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_11659.jpg</image:loc>
			<image:caption><![CDATA[©Robert Radziejewski / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_11833.jpg</image:loc>
			<image:caption><![CDATA[©Niklaus Troxler / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_12156.jpg</image:loc>
			<image:caption><![CDATA[©PARAT.cc / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_12181.jpg</image:loc>
			<image:caption><![CDATA[©Cal Delalic / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_12303.jpg</image:loc>
			<image:caption><![CDATA[©Julia Flitta, Isabel Kiefaber, Theresia Uhrlau, Timo Wrage, Lukas Siemoneit, Pia Schröer / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_12423.jpg</image:loc>
			<image:caption><![CDATA[©it’s mee – Büro für visuelle Kommunikation Marina Gärtner, Ephraim Ebertshäuser / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_13254.jpg</image:loc>
			<image:caption><![CDATA[©Studio Tillack Knöll und Studio Mark Bohle / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_13261.jpg</image:loc>
			<image:caption><![CDATA[©Studio Tillack Knöll und Studio Terhedebrügge / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_13263.jpg</image:loc>
			<image:caption><![CDATA[©Hubertus Design / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/100bp17_13485.jpg</image:loc>
			<image:caption><![CDATA[©Phil Zumbruch, Jannis Zell / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-die-kleine-eiszeit/</loc>
		<lastmod>2021-03-12T10:52:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00045403.jpg</image:loc>
			<image:title><![CDATA[h_00045403]]></image:title>
			<image:caption><![CDATA[Aert van der Neer: Winterlandschaft mit Schlittschuhläufern bei Sonnenuntergang (17. Jh.); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00024677.jpg</image:loc>
			<image:caption><![CDATA[Anthonie Beerstraten: Zugefrorener Fluss mit Schlittschuhläufern und Spaziergängern (17. Jh.); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00024678.jpg</image:loc>
			<image:caption><![CDATA[ Philips Wouwerman:  "Winterlandschaft mit Holzsteg" (17. Jh.); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00024680.jpg</image:loc>
			<image:caption><![CDATA[Hendrick Avercamp: Leben auf dem Eis bei Sonnenuntergang bei Amsterdam (17. Jh.); © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00045403.jpg</image:loc>
			<image:caption><![CDATA[Aert van der Neer: Winterlandschaft mit Schlittschuhläufern bei Sonnenuntergang (17. Jh.); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00045833.jpg</image:loc>
			<image:caption><![CDATA[ Johannes Beerstraaten: Schlittschuhläufer auf dem Y vor dem Paalhuis in Amsterdam (um 1660); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00075019.jpg</image:loc>
			<image:caption><![CDATA[Isaac van Ostade: Eislandschaft mit Schlitten und eingefrorenen Schiffen (um 1645); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00075020.jpg</image:loc>
			<image:caption><![CDATA[Barent Avercamp: Winterlandschaft mit zugefrorenem Fluss (17. Jh.); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00075022.jpg</image:loc>
			<image:caption><![CDATA[Jan van Goyen: Eisvergnügen vor einem Wirtshaus (17. Jh.); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00075023.jpg</image:loc>
			<image:caption><![CDATA[Adam van Breen: Wintervergnügen (17. Jh.); © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00087353.jpg</image:loc>
			<image:caption><![CDATA[Gerrit Battem:  Winter: Vergnügen auf dem Eise (24.10.1684); © Staatliche Museen zu Berlin, Kupferstichkabinett/ Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/elferpack-ein-grimmiges-helau-aus-preussen/</loc>
		<lastmod>2021-03-12T10:53:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/TB_kl2.jpg</image:loc>
			<image:title><![CDATA[TB_kl]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_ohne.jpg</image:loc>
			<image:caption><![CDATA[Pietro Longhi - Venezianischer Herr mit Dreispitz und Maske © bpk / Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/1_Voelker.jpg</image:loc>
			<image:caption><![CDATA[Karl Völker: Stillleben mit Masken (Maskenstillleben mit Zunge), Gemälde / Öl und Tempera auf Leinwand und Pappe, 1928, © Nationalgalerie, Staatliche Museen zu Berlin / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20038854.jpg</image:loc>
			<image:caption><![CDATA[Metallisches Fest. Bauhaus-Fasching im Bauhaus zu Dessau © bpk/ Staatliche Museen zu Berlin, Kunstbibliothek, Photothek Willy Römer / Walter Obschonka]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042747.jpg</image:loc>
			<image:caption><![CDATA[Maskenproduktion © bpk / Staatliche Museen zu Berlin, Kunstbibliothek, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_00107274ohne.jpg</image:loc>
			<image:caption><![CDATA[Georg Melchior Kraus - Das Römische Carneval - Illustration zu Goethes gleichnamiger Abhandlumg © bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20039021.jpg</image:loc>
			<image:caption><![CDATA[Eine Berliner Zeitungshändlerin mit einem Faschingshütchen und einem Reklameschirm für eine Faschingszeitung vor ihrem Zeitungsstand. © bpk / Staatliche Museen zu Berlin, Kunstbibliothek, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_00070978ohne.jpg</image:loc>
			<image:caption><![CDATA[Narrenzepter © bpk/ Staatliche Museen zu Berlin, Kunstgewerbemuseum / Irmgard Mues-Funke]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/2_Duyster.jpg</image:loc>
			<image:caption><![CDATA[Willem Cornelisz Duyster: Fastnachtsnarren, Gemälde / Öl auf Eichenholz, um 1630, © Gemäldegalerie, Staatliche Museen zu Berlin / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042750.jpg</image:loc>
			<image:caption><![CDATA[Heimarbeiterinnen bei der Anfertigung von Radau-Trompeten © bpk, Staatliche Museen zu Berlin, Kunstbibliothek, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20038853.jpg</image:loc>
			<image:caption><![CDATA[Metallisches Fest. Bauhaus-Fasching im Bauhaus zu Dessau © bpk / Staatliche Museen zu Berlin, Kunstbibliothek, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/3_Menzel.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Aschermittwochmorgen in der Hildebrandschen Privatstrasse zu Berlin, Gouache und Wasserfarben auf graubraunem Papier, 1885, © Kupferstichkabinett, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-stuermische-kunstwerke/</loc>
		<lastmod>2021-03-12T10:53:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00000031.jpg</image:loc>
			<image:title><![CDATA["Stürmische See an bergiger Küste"]]></image:title>
			<image:caption><![CDATA[Ludolf Backhuysen: Stürmische See an bergiger Küste, 17. Jh.; Copyright: bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00000031.jpg</image:loc>
			<image:caption><![CDATA[Ludolf Backhuysen: Stürmische See an bergiger Küste, 17. Jh.; Copyright: bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00007332.jpg</image:loc>
			<image:caption><![CDATA[Jean Henri Marlet: Der Windstoß, 1821; Copyright: bpk / Kunstbibliothek, SMB / Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00016411.jpg</image:loc>
			<image:caption><![CDATA[Theodor de Bry: "Ein schreckliches und unerhörtes Gewitter"; Spanier und Indianer flüchten vor einem gewaltigen Sturm aus "Americae", Band IV, 1594; Copyright:  bpk / Kunstbibliothek, SMB / Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00024868.jpg</image:loc>
			<image:caption><![CDATA[Willem van de Velde d. J.: "Holländische Kaag vor stürmischem Wind", 17. Jh.; Copyright: bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00040270.jpg</image:loc>
			<image:caption><![CDATA[Pol Cassel: Sturm auf Hiddensee, 1928; Copyright:  bpk / Nationalgalerie, SMB]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00047860.jpg</image:loc>
			<image:caption><![CDATA[ Jean Antoine Théodore Gudin:  Leuchtturm an der Bretonischen Küste, 1845; Copyright:  bpk / Nationalgalerie, SMB / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00076032.jpg</image:loc>
			<image:caption><![CDATA[Emil Orlik: "Der Windstoß", 1901; Copyright: bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00087357.jpg</image:loc>
			<image:caption><![CDATA[ Hendrick Avercamp:  Seeufer bei Sturm mit Staffage, 17. Jh.; Copyright:  bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00111397.jpg</image:loc>
			<image:caption><![CDATA[Louis Haghe: "Sphinx und Pyramide von Giza" oder "Erinnerung an die Wüste von Giza bei aufziehendem Wüstensturm", 1849; Copyright:  bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/h_00098132.jpg</image:loc>
			<image:caption><![CDATA[Johann Moritz Rugendas:  Amozoque. Unwetter vor einer Kirche während einer Prozession, ab 1831; Copyright:  bpk / Kupferstichkabinett, SMB / Volker-H. Schneider]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hoch-die-tassen-10-bilder-zum-internationalen-tag-des-bieres/</loc>
		<lastmod>2021-03-12T10:54:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/2.jpg</image:loc>
			<image:title><![CDATA[2]]></image:title>
			<image:caption><![CDATA[Bauer aus Tegernsee in Oberbayern (um 1855) von Michael nach einer Zeichnung von Eugen von Stieler © bpk / Kunstbibliothek, Staatliche Museen zu Berlin / Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/1.jpg</image:loc>
			<image:caption><![CDATA[Preußische Soldaten mit ihrer Standarte, in den Jahren 1843-45, Lithografie. © bpk / Kunstbibliothek, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/2.jpg</image:loc>
			<image:caption><![CDATA[Bauer aus Tegernsee in Oberbayern  (um 1855) von Michael nach einer Zeichnung von Eugen von Stieler © bpk / Kunstbibliothek, Staatliche Museen zu Berlin / Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/3.jpg</image:loc>
			<image:caption><![CDATA["Eine Bierpreuin" (Bierbrauerin) Kupferstich, koloriert, (um 1730) von  Martin Engelbrecht  © bpk / Kunstbibliothek, Staatliche Museen zu Berlin / Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/4.jpg</image:loc>
			<image:caption><![CDATA[Pieter de Hooch "Der vergnügte Zecher" (um 1650)  © bpk / Gemäldegalerie, Staatliche Museen zu Berlin / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/10.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Blick in die Brauerei des Klosters Ursberg (1930) © bpk / Kunstbibliothek, Staatliche Museen zu Berlin, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/13.jpg</image:loc>
			<image:caption><![CDATA[Biergarten in Brannenburg bei Rosenheim (1895) © bpk / Kupferstichkabinett, Staatliche Museen zu Berlin / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/8.jpg</image:loc>
			<image:caption><![CDATA[Bernard Larsson: Moabit 23 Uhr, Westberlin, 1964 © bpk / Kunstbibliothek, Staatliche Museen zu Berlin / Bernard Larsson]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/16.jpg</image:loc>
			<image:caption><![CDATA[Frans Hals: Malle Babbe (1633/1635) © bpk / Gemäldegalerie, Staatliche Museen zu Berlin / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/h_00077123.jpg</image:loc>
			<image:caption><![CDATA[Stele mit Darstellung eines syrischen Söldners beim Biertrinken (1351 - 1334 v.Chr.) © bpk / Ägyptisches Museum und Papyrussammlung, Staatliche Museen zu Berlin / Sandra Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/Zwischenablage01.jpg</image:loc>
			<image:caption><![CDATA[Paul Scheurich:  Broyhan lüttje Lagenbier (1911) © bpk / Kunstbibliothek, SMB / Knud Petersen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-plakatkunst-mal-10/</loc>
		<lastmod>2021-03-12T10:54:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_09507.jpg</image:loc>
			<image:title><![CDATA[Anaëlle Clot (Lausanne): "Monstre Festival 2016" © 100 Beste Plakate e. V.]]></image:title>
			<image:caption><![CDATA[Anaëlle Clot (Lausanne): "Monstre Festival 2016" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_09247.jpg</image:loc>
			<image:caption><![CDATA[Erich Brechbühl (Luzern): "Swiss Graphic Design in China" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_09355.jpg</image:loc>
			<image:caption><![CDATA[Martin Denker und Klaudia Brawanski (Münster): "Goethe – Faust (Eine Tragödie)" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_09358.jpg</image:loc>
			<image:caption><![CDATA[Thierry Bongard (Lyss): "Rigi" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_09507.jpg</image:loc>
			<image:caption><![CDATA[Anaëlle Clot (Lausanne): "Monstre Festival 2016" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_09516.jpg</image:loc>
			<image:caption><![CDATA[Pierre Maite (Berlin): "Beyond Welcome" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_10240.jpg</image:loc>
			<image:caption><![CDATA[Lukas Eggert (Stuttgart): "Diplom 2016" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_10329.jpg</image:loc>
			<image:caption><![CDATA[Stephan Bundi (Boll): "Weisse Rose" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_10536.jpg</image:loc>
			<image:caption><![CDATA[Daniela Haufe und Detlef Fiedler (Berlin): "das kapital. schuld – territorium – utopie" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_11078.jpg</image:loc>
			<image:caption><![CDATA[berger + stadel + walsh (Basel): "Musikmaschinen – Maschinenmusik" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/100bp16_11255.jpg</image:loc>
			<image:caption><![CDATA[Silvan Zurbriggen (Bern): "20 Jahre RaBe 95,6 MHz" © 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-fruehling-in-der-kunst/</loc>
		<lastmod>2021-03-12T10:55:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00093544.jpg</image:loc>
			<image:title><![CDATA[h_00093544]]></image:title>
			<image:caption><![CDATA[Ludwig Julius Christian Dettmann: Frühling im Grunewald, 1892 © bpk / Kupferstichkabinett, SMB / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00016706.jpg</image:loc>
			<image:caption><![CDATA[Paul Baum: Weiden am Bach, um 1900; © bpk / Nationalgalerie, SMB / Klaus Göken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00017711.jpg</image:loc>
			<image:caption><![CDATA[ Arnold Böcklin: Ackerfluren im Vorfrühling (unvollendet), 1884 ©  bpk / Nationalgalerie, SMB / Klaus Göken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00022287.jpg</image:loc>
			<image:caption><![CDATA[Charles-François Daubigny: Frühlingslandschaft, 1862 ©  bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00045568.jpg</image:loc>
			<image:caption><![CDATA[ Caspar David Friedrich: Der Frühling - Der Morgen - Die Kindheit, 1803 ©  bpk / Kupferstichkabinett, SMB]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00045634.jpg</image:loc>
			<image:caption><![CDATA[Karl Buchholz: Frühling in Oberweimar, 1868 ©  bpk / Nationalgalerie, SMB / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00046067.jpg</image:loc>
			<image:caption><![CDATA[ Anselm Feuerbach: Frühlingsbild, 1868 ©  bpk / Nationalgalerie, SMB / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00076113.jpg</image:loc>
			<image:caption><![CDATA[ Louis Lejeune: Bevor der Frühling kommt, vor 1915 ©  bpk / Nationalgalerie, SMB / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00083459.jpg</image:loc>
			<image:caption><![CDATA[ Ulrich Hübner: Landhaus in Travemünde, 1906 ©  bpk / Nationalgalerie, SMB / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00093544.jpg</image:loc>
			<image:caption><![CDATA[ Ludwig Julius Christian Dettmann:  Frühling im Grunewald, 1892 ©  bpk / Kupferstichkabinett, SMB / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_00108660.jpg</image:loc>
			<image:caption><![CDATA[Martin Brandenburg: Tanz, 20. Jh. ©  bpk / Kupferstichkabinett, SMB / Schneider]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-10-mode-ikonen-des-20-jahrhunderts/</loc>
		<lastmod>2021-03-12T10:55:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/titelbild_mode-ikonen_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_mode-ikonen_gr]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2003KR-340-ab_0001.jpg</image:loc>
			<image:caption><![CDATA[Ein Sommerkostüm mit Keulenärmeln, USA/Europa um 1895 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2003KR-440-ab_0002.jpg</image:loc>
			<image:caption><![CDATA[Abendkleid „Delphos“, Mariano Fortuny, Italien um 1920 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2003KR-523_0001.jpg</image:loc>
			<image:caption><![CDATA[Tanzkleid „Sorrente“, Jeanne Lanvin, Paris 1927/28 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2003KR-515-ab_0004.jpg</image:loc>
			<image:caption><![CDATA[Kleid mit Zackenmotiv Coco Chanel, Paris 1925/26 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2003KR-659_0002.jpg</image:loc>
			<image:caption><![CDATA[Abendkleid mit Sicherheitsnadeln Gianni Versace, Italien 1994 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2003KR-480_0001.jpg</image:loc>
			<image:caption><![CDATA[Abendkleid mit schwarzem Spitzenbesatz Cristóbal Balenciaga, Paris um 1949 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2003KR-613_0001.jpg</image:loc>
			<image:caption><![CDATA[Mantelkleid im Stil des "New Look" Christian Dior, Paris 1948 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2003KR-627-a-c_0001.jpg</image:loc>
			<image:caption><![CDATA[Cocktailkleid „New York“ Yves Saint Laurent für Christian Dior, Paris 1958 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2005UR-595-a-c_0001.jpg</image:loc>
			<image:caption><![CDATA[Blaues Kostüm mit Bluse Coco Chanel, Paris um 1965 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/2003KR-600_0001.jpg</image:loc>
			<image:caption><![CDATA[Cocktailkleid „Rib Cage“ Pierre Cardin, Paris 1969 © Kunstgewerbemuseum der Staatlichen Museen zu Berlin / Stephan Klonk]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-10-weihnachts-geschenkideen-aus-dem-museum/</loc>
		<lastmod>2021-03-12T10:55:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/IMG_4175-1538424.jpg</image:loc>
			<image:title><![CDATA[IMG_4175-1538424]]></image:title>
			<image:caption><![CDATA[Büste der Königin Nofretete, Neues Reich, um 1340 v. Chr. © Staatliche Museen zu Berlin, Ägyptisches Museum / Sandra Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/IMG_5578.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich: Der Mönch am Meer, 1808/10 © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/IMG_41731538187.jpg</image:loc>
			<image:caption><![CDATA[Anhänger mit Lotusblüte, aus dem Grabschatz von Meroe © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/IMG_4139-1538588.jpg</image:loc>
			<image:caption><![CDATA[Karl Friedrich Schinkel: Die Sternenhalle der Königin der Nacht. Bühnenbild zur „Zauberflöte“ von Wolfgang Amadeus Mozart, um 1815 © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/IMG_5615-1551984.jpg</image:loc>
			<image:caption><![CDATA[Viergespann des Zeus von einem Grabgefäß mit Kampf zwischen Göttern und Giganten, ca. 340-320 v. Chr. © Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/IMG_4088-1538628.jpg</image:loc>
			<image:caption><![CDATA[Osmanisches Fliesenfeld aus Istanbul/Iznik (Türkei), Ende 16./Anfang 17. Jh. © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Georg Niedermeiser]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/MG_3824-1527553555f5b202f428.jpg</image:loc>
			<image:caption><![CDATA[Paul Signac: Stillleben mit einem Buch und Orangen, 1883 © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/IMG_4175-1538424.jpg</image:loc>
			<image:caption><![CDATA[Büste der Königin Nofretete, Neues Reich, um 1340 v. Chr. © Staatliche Museen zu Berlin, Ägyptisches Museum / Sandra Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/IMG_5631-1553887.jpg</image:loc>
			<image:caption><![CDATA[Antonio Canova: Tänzerin, 1809/12 © Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Antje Voigt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/IMG_5403-1532667.jpg</image:loc>
			<image:caption><![CDATA[Sandro Botticelli (und Werkstatt): Venus, um 1490 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/MG_3842.jpg</image:loc>
			<image:caption><![CDATA[Nilpferd: Mittleres Reich, 12. Dynastie, um 1800 v. Chr. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-10-gipsmodelle-die-kunstgeschichte-erzaehlen/</loc>
		<lastmod>2021-03-12T10:56:15+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_183_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:title><![CDATA[20160610_SMB_Gipsformerei_(C)_Daniel_Hofer_183_Voransicht_unbearbeitet_V2]]></image:title>
			<image:caption><![CDATA[David von Donatello; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_036_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:caption><![CDATA[Mastermodell der Laokoon-Gruppe; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_263_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:caption><![CDATA[Nofretete nach 3D-Scan; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_058_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:caption><![CDATA[Antinous Dionysos; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Denker_kl.jpg</image:loc>
			<image:caption><![CDATA[Rodin: "Der Denker"; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_205_Voransicht_unbearbeitet.jpg</image:loc>
			<image:caption><![CDATA[Achill; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_183_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:caption><![CDATA[David von Donatello; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_218_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:caption><![CDATA[Fragment der Marc-Aurel-Säule; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_081_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:caption><![CDATA["Borghesischer Fechter"; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_131_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:caption><![CDATA[Totenmaske Friedrich II. von  Preußen; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/20160610_SMB_Gipsformerei_C_Daniel_Hofer_116_Voransicht_unbearbeitet_V2.jpg</image:loc>
			<image:caption><![CDATA[Lebendmaske Johann Wolfgang von Goethe; © Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/halloween-zehnerpack-10-bizarre-horror-szenen-aus-der-welt-von-hieronymus-bosch/</loc>
		<lastmod>2021-03-12T10:56:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/9.jpg</image:loc>
			<image:title><![CDATA[9]]></image:title>
			<image:caption><![CDATA[Detail aus Tryptichon der Versuchung des Heiligen Antonius (Kopie nach Hieronymus Bosch), um 1560 © Staatliche Museen zu Berlin, Gemäldegalerie, Hannah Prinz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/12.jpg</image:loc>
			<image:caption><![CDATA[Detail aus Lucas Cranach d. Ä.: Das Weltgerichtstryptichon, ca. 1520 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/21.jpg</image:loc>
			<image:caption><![CDATA[Detail aus Lucas Cranach d. Ä.: Das Weltgerichtstryptichon, ca. 1520 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/32.jpg</image:loc>
			<image:caption><![CDATA[Detail aus Lucas Cranach d. Ä.: Das Weltgerichtstryptichon, ca. 1520 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/9.jpg</image:loc>
			<image:caption><![CDATA[Detail aus Tryptichon der Versuchung des Heiligen Antonius (Kopie nach Hieronymus Bosch), um 1560 © Staatliche Museen zu Berlin, Gemäldegalerie, Hannah Prinz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/13.jpg</image:loc>
			<image:caption><![CDATA[Detail aus Adriaen Brouwer: Die Versuchung des Heiligen Antonius © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/17.jpg</image:loc>
			<image:caption><![CDATA[Detail aus Lucas Cranach d. Ä.: Das Weltgerichtstryptichon, ca. 1520 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/19.jpg</image:loc>
			<image:caption><![CDATA[Detail aus Lucas Cranach d. Ä.: Das Weltgerichtstryptichon, ca. 1520 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/20.jpg</image:loc>
			<image:caption><![CDATA[Detail aus Lucas Cranach d. Ä.: Das Weltgerichtstryptichon, ca. 1520 © Staatliche Museen zu Berlin, Gemäldegalerie / Hannah Prinz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/211.jpg</image:loc>
			<image:caption><![CDATA[Detail aus Lucas Cranach d. Ä.: Das Weltgerichtstryptichon, ca. 1520 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/15.jpg</image:loc>
			<image:caption><![CDATA[Hieronymus Bosch: Das Feld hat Augen, der Wald hat Ohren, um 1500 © Staatliche Museen zu Berlin, Gemäldegalerie, Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-10-ziemlich-seltsame-objekte-aus-dem-alten-aegypten/</loc>
		<lastmod>2021-03-12T10:56:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/AEM_11405_001.jpg</image:loc>
			<image:title><![CDATA[AEM_11405_001]]></image:title>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/AEM_11405_001.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/%C3%84M-13237_74185-p.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/13742.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/%C3%84M-2284_002.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / I. Geske]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/80920-p.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/AEM_19586_001_irres-objekt.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/AEM_23007_001_Irres-Objekt.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/AEM_01062_002_Zeitzeuge-%C3%84g-Begeisterung.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/AEM_31658_001.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/VAEGM_1978-003_001.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-10-plakate-mit-verspielter-typo/</loc>
		<lastmod>2021-03-12T10:56:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/7244.jpg</image:loc>
			<image:title><![CDATA[7244]]></image:title>
			<image:caption><![CDATA[Ollie Schaich und Ruedi Zürcher (Bureau Collective, St. Gallen): Tourismus-Region Andermatt © Ollie Schaich / Ruedi Zürcher / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/7113.jpg</image:loc>
			<image:caption><![CDATA[Erich Brechbühl / Kim Migliore (CH Luzern): Silence of the Dance © Erich Brechbühl / Kim Migliore / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/7117-.jpg</image:loc>
			<image:caption><![CDATA[Erich Brechbühl: Pilatus © Erich Brechbühl / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/7165.jpg</image:loc>
			<image:caption><![CDATA[Patrik Ferrarelli (Zürich): Creative Constraints © Patrik Ferrarelli / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/7244.jpg</image:loc>
			<image:caption><![CDATA[Ollie Schaich und Ruedi Zürcher (Bureau Collective, St. Gallen): Tourismus-Region Andermatt © Ollie Schaich / Ruedi Zürcher / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/7342.png</image:loc>
			<image:caption><![CDATA[Robin Weißenborn (Weimar): Horizonte – Vortragsreihe Sommersemester 2015: Arrhov Frick © Robin Weißenborn / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/7491.png</image:loc>
			<image:caption><![CDATA[Nochmal – Manifest (Universität der Künste Berlin) © 100 Beste Plakate e.V. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/7551.jpg</image:loc>
			<image:caption><![CDATA[Isabelle Mauchle (Luzern): Howlong Wolf © Isabelle Mauchle / 100 Beste Plakate e.V. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/7610.jpg</image:loc>
			<image:caption><![CDATA[Niklaus Troxler (Willisau): Jürg Wickihalder – Barry Guy – Lucas Niggli © Niklaus Troxler / 100 Beste Plakate e.V. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/8512.jpg</image:loc>
			<image:caption><![CDATA[Philipp Becker (Stuttgart): 2. Jazz &amp; Pop-Festival der Musikhochschule Stuttgart © Philipp Becker / 100 Beste Plakate e.V.  ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/8621.jpg</image:loc>
			<image:caption><![CDATA[Yvo Hählen / Priscilla Balmer (A3 studio, Lausanne): Hello Hello © Yvo Hählen / Priscilla Balmer / 100 Beste Plakate e.V. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/8666.jpg</image:loc>
			<image:caption><![CDATA[Venesa Sadrijaj (Basel): Arrival City © Venesa Sadrijaj / 100 Beste Plakate e.V. ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-10-plakate-ohne-grosse-worte/</loc>
		<lastmod>2021-03-12T10:57:32+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/7217.jpg</image:loc>
			<image:title><![CDATA[7217]]></image:title>
			<image:caption><![CDATA[Timo Lenzen: Striped Hills (c) Timo Lenzen / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/7217.jpg</image:loc>
			<image:caption><![CDATA[Timo Lenzen: Striped Hills (c) Timo Lenzen / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/7271.jpg</image:loc>
			<image:caption><![CDATA[Fons Hickmann: "2. Juni 1967" (c) Fons Hickmann / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/7894.jpg</image:loc>
			<image:caption><![CDATA[Mario Moths: "Lampedusa" (c) Mario Moths (mm design) / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/7877.jpg</image:loc>
			<image:caption><![CDATA[Benjamin Wurster: „Dünger für Gestalter“ (c) Benjamin Wurster / 100 Beste Plakate e. V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/8347.jpg</image:loc>
			<image:caption><![CDATA[Steffen Knöll: Griechenlands neuer Eigentümer (c) Steffen Knöll / 100 Beste Plakate e.V. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/8558.jpg</image:loc>
			<image:caption><![CDATA[Ben El Halawany: I've got Hose (c) Ben El Halawany  / 100 Beste Plakate e.V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/8655.png</image:loc>
			<image:caption><![CDATA[Lex Drewinski: Spiel mit dem Feuer (c) Lex Drewinski  / 100 Beste Plakate e.V. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/8888.jpg</image:loc>
			<image:caption><![CDATA[Malwin Béla Hürkey: Small Cause (c) Malwin Béla Hürkey / 100 Beste Plakate e.V.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/8998.jpg</image:loc>
			<image:caption><![CDATA[Martin Geel und Klaus Fromherz: KKL Luzern (c) Martin Geel und Klaus Fromherz (Peng Peng) / 100 Beste Plakate e.V-]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/9059.jpg</image:loc>
			<image:caption><![CDATA[Ivan Weiss und Michael Kryenbühl: "Migration und Flucht" (c) Ivan Weiss, Michael Kryenbühl (Johnson / Kingston, Luzern) /100 Beste Plakate e. V.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-stefan-kramer-werkstattleiter-in-der-gipsformerei/</loc>
		<lastmod>2021-03-15T11:47:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/VB_4851.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
			<image:caption><![CDATA[Stefan Kramer, Werkstattleiter der Gipsformerei © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/christina-haak-im-interview-ich-haette-mir-mehr-sensibilitaet-gewuenscht/</loc>
		<lastmod>2021-03-15T11:50:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/03/IMG_4456.jpg</image:loc>
			<image:title><![CDATA[IMG_4456]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Christina_Haak_2020_04.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/IMG_4472.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-duerer-bis-dior-restaurierung-bei-den-staatlichen-museen-zu-berlin/</loc>
		<lastmod>2021-03-15T11:52:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Frau-Czarnecki_DvB-33.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/VB_1184.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Frau-Czarnecki_DvB-33.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/VB_0383.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/ANT-Neg.-3423_30219-911_klein.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/VB_0896.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-ausstellung-im-zeitalter-ihrer-technischen-reproduzierbarkeit/</loc>
		<lastmod>2021-03-15T11:53:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/25713.jpg</image:loc>
			<image:title><![CDATA[25713]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/2571.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/25713.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/studioJesterBlank_jamesSimonGalerie_300_dpi_07.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/studioJesterBlank_jamesSimonGalerie_300_dpi_08.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/studioJesterBlank_jamesSimonGalerie_300_dpi_10.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/25718.png</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lust-und-last-koerperlicher-aktivitaet-die-neue-volontaersausstellung/</loc>
		<lastmod>2021-03-15T11:53:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Bild-2.jpg</image:loc>
			<image:title><![CDATA[Bild-2]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Bild-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Bild-2.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Bild-4.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Bild-5.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/bewegung-im-museum-neue-ausstellung-der-volontaerinnen/</loc>
		<lastmod>2021-03-15T11:54:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/DSC0086-scaled.jpg</image:loc>
			<image:title><![CDATA[DSC0086]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/DSC0070.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/DSC0049.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/DSC0086-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/DSC0088.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/DSC0066.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/DSC0074.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/jahresrueckblick-2017/</loc>
		<lastmod>2021-03-15T11:54:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/jahresr%C3%BCckblick-2017.jpg</image:loc>
			<image:title><![CDATA[jahresrückblick 2017]]></image:title>
			<image:caption><![CDATA[Gipsreplik des "Großen Kurfürsten" von Andreas Schlüter in der Gipsformerei © Staatliche Museen zu Berlin, Gipsformerei / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/h_70144809.jpg</image:loc>
			<image:caption><![CDATA[Mann auf Skiern im verschneiten Berlin, um 1900 © bpk / Kunstbibliothek, SMB / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/gipsformerei-2016-10.jpg</image:loc>
			<image:caption><![CDATA[Der Oberkörper des Großen Kurfürsten wird zusammengesetzt. © Staatliche Museen zu Berlin, Gipsformerei / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/06_Merian_Portrait_bearbeitet.jpg</image:loc>
			<image:caption><![CDATA[Maria Sibylla Merian, Portrait, Gemälde (o.J.) (Collage), © bpk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/P1040678.jpg</image:loc>
			<image:caption><![CDATA[Foto: SMB]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/erscheinung.jpg</image:loc>
			<image:caption><![CDATA[Bartolomeo Montagna: Der auferstandene Christus mit Maria Magdalena © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Notiz-von-Dr.-Theodor-Demmler_SMB-ZA_I-SKS-63.jpg</image:loc>
			<image:caption><![CDATA[Eine Notiz von Dr. Theodor Demmler, 1934 © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/h_00049621.jpg</image:loc>
			<image:caption><![CDATA[Charlotte Berend-Corinth: Selbstbildnis mit Modell (1931) © bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Volharding-1930.jpg</image:loc>
			<image:caption><![CDATA[Volharding 1930]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/h_20042725.jpg</image:loc>
			<image:caption><![CDATA[Tierstudien im Freien, Unterrichtsanstalt des Kunstgewerbemuseums Berlin ©bpk, Kunstbibliothek, SMB, Photothek Willy Römer/Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/11.jpg</image:loc>
			<image:caption><![CDATA[Jean Fouquet. Das Diptychon von Melun © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-wurst-im-museum/</loc>
		<lastmod>2021-03-15T11:56:52+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/DSC0712-1-scaled.jpg</image:loc>
			<image:title><![CDATA[_DSC0712]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alkohol-war-kaum-erhaeltlich-das-rathgen-forschungslabor-produziert-desinfektionsmittel/</loc>
		<lastmod>2021-03-15T11:59:32+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/71fc9db1-a938-4b51-91e8-79aae52004f9.jpg</image:loc>
			<image:title><![CDATA[71fc9db1-a938-4b51-91e8-79aae52004f9]]></image:title>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/71fc9db1-a938-4b51-91e8-79aae52004f9.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/IMG_3025.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/20200414_115143.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/coronakrise-mit-einem-einfachen-tueren-auf-ist-es-nicht-getan/</loc>
		<lastmod>2021-03-15T11:59:48+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Christina_Haak_2020_04.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/h_00099352.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Christina_Haak_2020_04.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/maezene-und-meisterinnen-jahresrueckblick-2019-aus-der-blogredaktion/</loc>
		<lastmod>2021-03-15T12:00:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/titelbild_jahresrueckblick_2019_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_jahresrueckblick_2019_gr]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/image-12.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/weimar_1919_plakate-637x432.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/01/03_Mantegna_Christus_am_Oelberg-637x490.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/04/EN_Presse_Emil-Nolde_1937_klein-455x637.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/5-637x425.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/22A3673.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/titelbild_james_simon-scaled.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Rhein_F-DameKind_AIII235_001.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/444_10_UZ_190319_N10.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/therbusch_ang.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/EM-Namibia-Film_01-1024x540.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-instawalk-in-der-gipsformerei/</loc>
		<lastmod>2021-03-15T12:01:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/GIPS637.jpg</image:loc>
			<image:title><![CDATA[GIPS637]]></image:title>
			<image:caption><![CDATA[Werkstatt in der Gipsformerei in Berlin-Charlottenburg. (c) Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wieviel-ist-mein-bild-wert-faq-zu-erbstuecken-und-flohmarktfunden/</loc>
		<lastmod>2021-03-15T12:01:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/titelbild_FAQ_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_FAQ_gr]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Screen-Shot-1_geschw-%C3%B1rzt.png</image:loc>
			<image:caption><![CDATA[Screen Shot 1_geschw+ñrzt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Screen-Shot-2_geschw-%C3%B1rzt.jpg</image:loc>
			<image:caption><![CDATA[Screen Shot 2_geschw+ñrzt]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Screen-Shot-3_geschw-%C3%B1rzt.png</image:loc>
			<image:caption><![CDATA[Screen Shot 3_geschw+ñrzt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Screen-Shot-4_geschw-%C3%B1rzt.png</image:loc>
			<image:caption><![CDATA[Screen Shot 4_geschw+ñrzt]]></image:caption>
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		<loc>https://blog.smb.museum/homosexuelle-ikonen-zum-christopher-street-day/</loc>
		<lastmod>2021-03-15T12:03:51+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Sandro-Botticelli-Hl.-Sebastian.jpg</image:loc>
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		<loc>https://blog.smb.museum/pop-on-paper-im-kulturforum-eine-knallige-ausstellung/</loc>
		<lastmod>2021-03-15T12:08:20+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/03_KK_PopOnPaper_Lichtenstein_CryingGirl.jpg</image:loc>
			<image:title><![CDATA[Crying Girl]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/02_KK_PopOnPaper_Warhol_Marilyn.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/03_KK_PopOnPaper_Lichtenstein_CryingGirl.jpg</image:loc>
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		<loc>https://blog.smb.museum/10957-2/</loc>
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			<image:title><![CDATA[Felsenkammer]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Felsenkammer.jpg</image:loc>
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	<url>
		<loc>https://blog.smb.museum/zehnerpack-eine-kleine-pop-art-buechsen-story/</loc>
		<lastmod>2021-03-15T12:13:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Souper-Dress-KGM-scaled.jpg</image:loc>
			<image:title><![CDATA[Souper-Dress-KGM]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Paolozzi-Frontispiz.jpg</image:loc>
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		<loc>https://blog.smb.museum/arahmaianis-flag-project-am-hamburger-bahnhof/</loc>
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			<image:title><![CDATA[1]]></image:title>
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	<url>
		<loc>https://blog.smb.museum/die-spiele-der-surrealisten-yves-tanguy-und-der-koestliche-leichnam/</loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/ssg_tanguy.jpg</image:loc>
			<image:title><![CDATA[ssg_tanguy]]></image:title>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/YT_30.jpg</image:loc>
			<image:caption><![CDATA[Unbekannter Fotograf: Wohnraum in der Rue du Château 54, ca. 1924/25  Privatsammlung, Berlin]]></image:caption>
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		<image:image>
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			<image:caption><![CDATA[Max Morise, André Breton, Man Ray und Yves Tanguy, Cadavre exquis, 1927, Tinte und Farbstift  Sammlung Kummer, Köln Foto: Staatliche Museen zu Berlin, Nationalgalerie, Andres Kilger © VG Bild-Kunst, Bonn 2017]]></image:caption>
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		<loc>https://blog.smb.museum/inspiration-und-ermutigung-die-kollaborative-medien-plattform-mia-in-zeiten-von-corona/</loc>
		<lastmod>2021-03-15T12:33:59+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/B96E302.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Koji-Ueda.jpg</image:loc>
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	<url>
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		<image:image>
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			<image:title><![CDATA[Feliciano-Lana-Drawings-21]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/13_KK_PopOnPaper_Warhol_oT_1956.jpg</image:loc>
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		<loc>https://blog.smb.museum/auf-ein-werk-studentische-mentorinnen-vermitteln-kunst/</loc>
		<lastmod>2021-03-15T12:37:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/21-637x422.jpg</image:loc>
			<image:title><![CDATA[Studierende im Hamburger Bahnhof: Team Mentorium lud in die Ausstellung "Hello World". © Staatliche Museen zu Berlin]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/food-revolution-im-kunstgewerbemuseum-kosuke-araki-und-die-beziehung-zwischen-mensch-und-natur/</loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/16.foodwasteware_document07-Week1-04-10Mar2013-photo-by-Kosuke-Araki-scaled.jpg</image:loc>
			<image:title><![CDATA[16.foodwasteware_document07 (Week1 (04-10,Mar,2013)) (photo by Kosuke Araki)]]></image:title>
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			<image:caption><![CDATA[Foodwasteware / photo by Masami Naruo]]></image:caption>
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	</url>
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		<loc>https://blog.smb.museum/rundgang-50hertz-visionen-objekte-raeume/</loc>
		<lastmod>2021-03-15T12:37:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/1.jpg</image:loc>
			<image:title><![CDATA[Kuratorin Matilda Felix, Timo Hinze, Judith Dorothea Gerke und Ana Belén Cantoni  © Nationalgalerie – Staatliche Museen zu Berlin / Foto: André Wunstorf]]></image:title>
			<image:caption><![CDATA[Kuratorin Matilda Felix, Timo Hinze, Judith Dorothea Gerke und Ana Belén Cantoni © Nationalgalerie – Staatliche Museen zu Berlin / Foto: André Wunstorf]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/2_halb.jpg</image:loc>
			<image:caption><![CDATA[Preview von „Rundgang 50Hertz“ am 3.7.2018  © Nationalgalerie – Staatliche Museen zu Berlin / Foto: André Wunstorf]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/3_halb.jpg</image:loc>
			<image:caption><![CDATA[Rundgang 50Hertz, Ausstellungsansicht, 2018  © Nationalgalerie – Staatliche Museen zu Berlin / Foto: André Wunstorf]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/1.jpg</image:loc>
			<image:caption><![CDATA[Kuratorin Matilda Felix, Timo Hinze, Judith Dorothea Gerke und Ana Belén Cantoni © Nationalgalerie – Staatliche Museen zu Berlin / Foto: André Wunstorf]]></image:caption>
		</image:image>
	</url>
	<url>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/inwala_titelbild_gr.jpg</image:loc>
			<image:title><![CDATA[inwala_titelbild_gr]]></image:title>
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	</url>
	<url>
		<loc>https://blog.smb.museum/hello-world-was-macht-eigentlich-gabriele-knapstein-leiterin-des-hamburger-bahnhofs/</loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/01_Gabriele_Knapstein.jpg</image:loc>
			<image:title><![CDATA[01_Gabriele_Knapstein]]></image:title>
			<image:caption><![CDATA[Dr. Gabriele Knapstein © Staatliche Museen zu Berlin, Hamburger Bahnhof – Museum für Gegenwart – Berlin]]></image:caption>
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	<url>
		<loc>https://blog.smb.museum/hello-world-was-machen-eigentlich-azu-nwagbogu-und-sven-beckstette-kuratoren/</loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/titelbild_sb-an_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_sb+an_gr]]></image:title>
			<image:caption><![CDATA[Azu Nwagbogu und Sven Beckstette, Kuratoren der Ausstellung „Hello World. Revision einer Sammlung“ im Hamburger Bahnhof – Museums für Gegenwart – Berlin. © Staatliche Museen zu Berlin, David von Becker]]></image:caption>
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	</url>
	<url>
		<loc>https://blog.smb.museum/hello-world-was-machen-eigentlich-nina-schallenberg-und-eugen-blume-kuratoren/</loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/ns-eb_titel_gro%C3%9F1.jpg</image:loc>
			<image:title><![CDATA[ns+eb_titel_groß1]]></image:title>
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	<url>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/ACGebbers_MichaelMann_GR.png</image:loc>
			<image:title><![CDATA[ACGebbers_MichaelMann_GR]]></image:title>
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	</url>
	<url>
		<loc>https://blog.smb.museum/hello-world-was-macht-eigentlich-daniela-bystron-freie-kuratorin/</loc>
		<lastmod>2021-03-15T12:38:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/db_titelbild_gr.jpg</image:loc>
			<image:title><![CDATA[db_titelbild_gr]]></image:title>
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	</url>
	<url>
		<loc>https://blog.smb.museum/hello-world-die-entstehung-einer-ausstellung-im-hamburger-bahnhof/</loc>
		<lastmod>2021-03-15T12:38:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/hello-world_aufbau_zora_gr.jpg</image:loc>
			<image:title><![CDATA[hello-world_aufbau_zora_gr]]></image:title>
			<image:caption><![CDATA[Ausstellungsaufbau „Hello World. Revision einer Ausstellung“ im Hamburger Bahnhof – Museum für Gegenwart – Berin, 2018 © Staatliche Museen zu Berlin, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/B_1.1.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsaufbau „Hello World. Revision einer Ausstellung“ im Hamburger Bahnhof – Museum für Gegenwart – Berin, 2018 © Staatliche Museen zu Berlin, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/B_3.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsaufbau „Hello World. Revision einer Ausstellung“ im Hamburger Bahnhof – Museum für Gegenwart – Berin, 2018 © Staatliche Museen zu Berlin, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/B_7.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsaufbau „Hello World. Revision einer Ausstellung“ im Hamburger Bahnhof – Museum für Gegenwart – Berin, 2018 © Staatliche Museen zu Berlin, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/B_4.jpeg</image:loc>
			<image:caption><![CDATA[Ausstellungsaufbau „Hello World. Revision einer Ausstellung“ im Hamburger Bahnhof – Museum für Gegenwart – Berin, 2018 © Staatliche Museen zu Berlin, Nationalgalerie]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-nina-schallenberg-kuratorin-im-hamburger-bahnhof/</loc>
		<lastmod>2021-03-15T12:38:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/csm_HBF_Nina-Schallenberg_xl_xl_5ef46636a1.jpg</image:loc>
			<image:title><![CDATA[csm_HBF_Nina-Schallenberg_xl_xl_5ef46636a1]]></image:title>
			<image:caption><![CDATA[Nina Schallenberg © Staatliche Museen zu Berlin, Hamburger Bahnhof – Museum für Gegenwart – Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/immer-in-bewegung-bleiben-viola-koenig-und-das-ethnologische-museum/</loc>
		<lastmod>2021-03-15T12:39:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/22A3173_web.jpg</image:loc>
			<image:title><![CDATA[_22A3173_web]]></image:title>
			<image:caption><![CDATA[Viola König, ehemalige Direktorin des Ethnologischen Museums, vor der Installation „township wall“ von António Ole (Angola). © Staatliche Museen zu Berlin, David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/22A3110_web.jpg</image:loc>
			<image:caption><![CDATA[Viola König, ehemalige Direktorin des Ethnologischen Museums, vor der Installation „township wall“ von António Ole (Angola). © Staatliche Museen zu Berlin, David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0225_preview.jpg</image:loc>
			<image:caption><![CDATA[Die berühmten Südsee-Boote aus dem Ethnologischen Museum ziehen auch mit ins Humboldt Forum. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0021_preview.jpg</image:loc>
			<image:caption><![CDATA[Objekte werden für den Umzug ins Humboldt Forum vorbereitet. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wie-julius-lessing-erster-direktor-des-kunstgewerbemuseums-wurde/</loc>
		<lastmod>2021-03-15T12:39:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/lessing_titelbild_gr.jpg</image:loc>
			<image:title><![CDATA[lessing_titelbild_gr]]></image:title>
			<image:caption><![CDATA[Julius Lessing, erster Direktor des Kunstgewerbemuseums, im Renaissancesaal, 1903 (Foto: bpk/Hans Franke)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/Lessing_h_70007554.jpg</image:loc>
			<image:caption><![CDATA[Julius Lessing, erster Direktor des Kunstgewerbemuseums, im Renaissancesaal, 1903 (Foto: bpk/Hans Franke)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/IMG_7488.jpg</image:loc>
			<image:caption><![CDATA[Sabine Thümmler, Direktorin des Kunstgewerbemuseums, vor „Casablanca“ von Ettore Sottsass aus dem Jahr 1981; Foto: Staatliche Museen zu Berlin / Kunstgewerbemuseum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/europa-in-einer-globalen-welt-denken-iris-edenheiser-im-mek/</loc>
		<lastmod>2021-03-15T12:40:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/VB_4336.jpg</image:loc>
			<image:title><![CDATA[_VB_4336]]></image:title>
			<image:caption><![CDATA[Iris Edenheiser, Stellvertretende Direktorin des Museums Europäischer Kulturen. Foto: Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-schoepfer-und-sein-werk-das-abendkleid-aus-der-modegalerie/</loc>
		<lastmod>2021-03-15T12:41:24+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/google_fashion-launch_21-29-48_klein.jpg</image:loc>
			<image:title><![CDATA[Sascha Johrden und sein Abendkleid in der Modegalerie des Kunstgewerbemuseums © Kai Prillwitz]]></image:title>
			<image:caption><![CDATA[Sascha Johrden und sein Abendkleid in der Modegalerie des Kunstgewerbemuseums © Kai Prillwitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Johrden_Korsetta_Schn%C3%BCrung.jpg</image:loc>
			<image:caption><![CDATA[Die Schnürung des Korsetts © Dennis Zorn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Johrden_Korsetta_Making.jpg</image:loc>
			<image:caption><![CDATA[Sascha Johrden arbeitet an der Fertigstellung des Abendkleides © Dennis Zorn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Johrden_Korsetta_front.jpg</image:loc>
			<image:caption><![CDATA[Das Kleid und die Muse des Designers, Johanna Blohm © Dennis Zorn]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-matilda-felix-kuratorin-im-hamburger-bahnhof/</loc>
		<lastmod>2021-03-15T12:41:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/HBF_Matilda_Felix_gr.jpg</image:loc>
			<image:title><![CDATA[HBF_Matilda_Felix_gr]]></image:title>
			<image:caption><![CDATA[Matilda Felix vom Hamburger Bahnhof - Museum für Gegenwart - Berlin. Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/christi-himmelfahrt-und-pfingsten-in-bildern/</loc>
		<lastmod>2021-03-15T12:41:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Himmelfahrt_klein.jpg</image:loc>
			<image:title><![CDATA[Initiale P mit der Himmelfahrt Christi]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Thomas1.jpg</image:loc>
			<image:caption><![CDATA[Gemälde / Öl auf Eichenholz von   Bartholomeus d. Ä. Bruyn [1493 - 1555]   Bildmaß 62 x 56 cm  Inventar-Nr.: 654  Person: Thomas, Apostel  Systematik:   Personen / Religiöse Persönlichkeiten / Thomas (Apostel), Artist: Bartholomeus d. Ä. Bruyn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Himmelfahrt.jpg</image:loc>
			<image:caption><![CDATA[Deckfarben auf Pergament (1375/1400)   Höhe x Breite 13,3 x 13,0  Inventar-Nr.: Min 650  Entstehungsort stilistisch: Toskana  Systematik:   Kulturgeschichte / Handschriften / Initialen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Pfingsten.jpg</image:loc>
			<image:caption><![CDATA[Gemälde / Öl auf Pappelholz (um 1475) von   Alvise Vivarini [um 1445/46 - 1503/11]   Höhe x Breite 91x127 cm (oben, Mitte), Höhe x Breite 93x60 cm (oben rechts und links)  Wahrscheinlich ehemaliges Hochaltarwerk der Franziskanerkirche S. Spirito in Feltre  Inventar-Nr.: 1143  Herstellungsort: Italien  Systematik:   Kulturgeschichte / Religionsgeschichte / Neues Testament / Ausgießung des Heiligen Geistes, Artist: Alvise Vivarini]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Predigt.jpg</image:loc>
			<image:caption><![CDATA[Gemälde / Pappelholz (o.J.) von   Lorenzo Veneziano [vor 1356 - nach 1378]   Bildmaß 24,2 x 31 cm  Tafel einer Predella (fünf Tafeln) mit Szenen aus dem Leben der Apostel Petrus und Paulus  Inventar-Nr.: III 80  Person: Petrus, Apostel, Bischof von Rom; Heiliger  Systematik:   Personen / Religiöse Persönlichkeiten / Petrus, Artist: Lorenzo Veneziano]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-passion-christi/</loc>
		<lastmod>2021-03-15T12:42:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/erscheinung.jpg</image:loc>
			<image:title><![CDATA[erscheinung]]></image:title>
			<image:caption><![CDATA[Bartolomeo Montagna: Der auferstandene Christus mit Maria Magdalena © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/wechsler.jpg</image:loc>
			<image:caption><![CDATA[Francesco Boneri: Die Austreibung der Wechsler aus dem Tempel, um 1610 © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/abendmahl.jpg</image:loc>
			<image:caption><![CDATA[Lorenzo Monaco: Das Abendmahl, 1389/90 © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/%C3%B6lberg.jpg</image:loc>
			<image:caption><![CDATA[Hans Multscher: Christus am Ölberg, 1437 © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/pilatus-2.jpg</image:loc>
			<image:caption><![CDATA[Gaspare Diziani: Christus vor Pilatus, um 1755/60 © Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/geisselung-2.jpg</image:loc>
			<image:caption><![CDATA[Jan Baegert (sog. Meister von Cappenberg):  Die Geißelung und Dornenkrönung Christi. © Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/kreuzgang.jpg</image:loc>
			<image:caption><![CDATA[Giovanni Battista Tiepolo: Kreuztragung, um 1735/38 © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/kreuzigung.jpg</image:loc>
			<image:caption><![CDATA[Böhmischer Meister: Die Kreuzigung Christi (Kaufmannsche Kreuzigung), um 1350 © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/kreuzabnahme.jpg</image:loc>
			<image:caption><![CDATA[Jacob van Utrecht: Kreuzabnahme, 16. Jh. © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/beweinung-grablegung.jpg</image:loc>
			<image:caption><![CDATA[Simone Martini: Die Grablegung Christi, 1335/40 © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/auferstehung.jpg</image:loc>
			<image:caption><![CDATA[Giovanni Bellini: Die Auferstehung Christi, um 1475/79 © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/erscheinung.jpg</image:loc>
			<image:caption><![CDATA[Bartolomeo Montagna: Der auferstandene Christus mit Maria Magdalena © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/depotfund-herrscher-im-halbdunkel/</loc>
		<lastmod>2021-03-15T12:42:24+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/P1040678.jpg</image:loc>
			<image:title><![CDATA[P1040678]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0021_preview.jpg</image:loc>
			<image:caption><![CDATA[Objekte werden für den Umzug ins Humboldt Forum vorbereitet. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/OBR1355.jpg</image:loc>
			<image:caption><![CDATA[Das Ethnologischen Museum beherbergt Objekte aus aller Welt - unter anderem diese Südsee-Ahnenpfähle. Foto: Staatliche Museen zu Berlin, Claudia Obrocki]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/maria-sibylla-merian-starke-frau-im-bann-der-falter/</loc>
		<lastmod>2021-03-15T12:42:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/06_Merian_Portrait_bearbeitet_NEU.jpg</image:loc>
			<image:title><![CDATA[06_Merian_Portrait_bearbeitet_NEU]]></image:title>
			<image:caption><![CDATA[Maria Sibylla Merian, Portrait, Gemälde (o.J.) (Collage), © bpk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/01_Merian_Banane.jpg</image:loc>
			<image:caption><![CDATA[Maria Sibylla Merian, Banane - Blüte und Fruchtstand, Kupferstich, aus „Metamorphosis insectorum Surinamensium; Ofte verandering der surinaamsche insecten“, Amsterdam 1705, Faks.-Ausg. nach d. Exemplar d. Sächs. Landesbibliothek zu Dresden, Leipzig, Frankfurt a.M., © bpk / Staatsbibliothek zu Berlin / Ruth Schacht]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/03_00014577.jpg</image:loc>
			<image:caption><![CDATA[Maria Sibylla Merian, Granatapfel und Schmetterlinge, Kupferstich, aus „Metamorphosis insectorum Surinamensium; Ofte verandering der surinaamsche insecten“, Amsterdam 1705, Faks.-Ausg. nach d. Exemplar d. Sächs. Landesbibliothek zu Dresden, Leipzig, Frankfurt a.M., © bpk / Staatsbibliothek zu Berlin / Ruth Schacht]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/06_Merian_Portrait.jpg</image:loc>
			<image:caption><![CDATA[Maria Sibylla Merian, Portrait, Gemälde (o.J.), © bpk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/21_70159308.jpg</image:loc>
			<image:caption><![CDATA[Maria Sibylla Merian, Einzelne Tulpenblätter, Aquarell- und Deckfarben auf Pergament, Kupferstichkabinett – Staatliche Museen zu Berlin, © bpk / Kupferstichkabinett, SMB / Dietmar Katz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/arsen-und-spitzenforschung-praktikum-im-rathgen-forschungslabor/</loc>
		<lastmod>2021-03-15T12:42:57+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/Rabehl_06.jpg</image:loc>
			<image:title><![CDATA[Rabehl_06]]></image:title>
			<image:caption><![CDATA[Foto: Bianca Rabehl]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/Rabehl_07.jpg</image:loc>
			<image:caption><![CDATA[Bianca Rabehl bei der Kontrolle eines Querschliffs für eine anschließende FTIR-Analyse. Foto: Dr. Silvia Marten, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/Rabehl_04.jpg</image:loc>
			<image:caption><![CDATA[Einsetzen der Proben in den Autosampler zur GC-MS Analyse. Foto: Dr. Silvia Marten, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/Rabehl_05.jpg</image:loc>
			<image:caption><![CDATA[Probenvorbereitung für die GC-MS Analyse. Foto: Dr. Silvia Marten, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/Rabehl_06.jpg</image:loc>
			<image:caption><![CDATA[Vorbereitungen für den Oddy-Test. Foto: Dr. Silvia Marten, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-frank-marohn-museologe-und-depotverwalter-am-aegyptischen-museum/</loc>
		<lastmod>2021-03-15T12:44:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/A_VB_9748_klein.jpg</image:loc>
			<image:title><![CDATA[© Foto: David von Becker]]></image:title>
			<image:caption><![CDATA[Frank Marohn, Depotverwalter und Museologe am Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-pia-lehmann-steinrestauratorin-beim-aegyptischen-museum-und-papyrussammlung/</loc>
		<lastmod>2021-03-15T12:44:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/VB_9644_klein.jpg</image:loc>
			<image:title><![CDATA[© Foto: David von Becker]]></image:title>
			<image:caption><![CDATA[Pia Lehmann, Restauratorin im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-sven-beckstette-kurator-im-hamburger-bahnhof/</loc>
		<lastmod>2021-03-15T12:44:31+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/DSCN7786.jpg</image:loc>
			<image:title><![CDATA[DSCN7786]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/im-spk-magazin-zur-einheit-was-macht-kohl-in-koepenick/</loc>
		<lastmod>2021-03-15T12:45:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Kr%C3%BCger_THE6922_joh.jpg</image:loc>
			<image:title><![CDATA[Krüger_THE6922_joh]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Kr%C3%BCger_THE6922_joh.jpg</image:loc>
			<image:caption><![CDATA[Manuela Krüger © SPK / Werner Amann]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/spk-magazin-zur-einheit-kunst-propagandakunst-nicht-kunst/</loc>
		<lastmod>2021-03-15T12:45:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Blume_THE4805_joh.jpg</image:loc>
			<image:title><![CDATA[Blume_THE4805_joh]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Blume_THE4805_joh.jpg</image:loc>
			<image:caption><![CDATA[Eugen Blume  © SPK / Werner Amann]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-michael-eissenhauer-generaldirektor-der-staatlichen-museen-zu-berlin/</loc>
		<lastmod>2021-03-15T12:46:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Foto-S.-2-Editorial_A_kl_kl.jpg</image:loc>
			<image:title><![CDATA[Foto S. 2 Editorial_A_kl_kl]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-kyllikki-zacharias-kuratorin-der-sammlung-scharf-gerstenberg/</loc>
		<lastmod>2021-03-15T12:46:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/Kyl2._klein.jpg</image:loc>
			<image:title><![CDATA[Kyl2._klein]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zeitreise-zu-botticelli/</loc>
		<lastmod>2021-03-15T12:46:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/botticelli-lachapelle-8.jpg</image:loc>
			<image:title><![CDATA[botticelli-lachapelle-8]]></image:title>
			<image:caption><![CDATA[Aber damit die Leihgabe auch wirklich von der Verantwortung der Spedition in die des Leihnehmers übergehen kann, bedarf es einer professionellen Prüfung durch die Foto-Restauratorin Stefanie Pfeifer. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_5172_kl.jpg</image:loc>
			<image:caption><![CDATA[Ruben Rebmann führt durch die Ausstellung "The Botticelli Renaissance" in der Gemäldegalerie. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_5365_kl.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung mit Elsa Schiaparelli, Andy Warhol und anderen. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_5294-2_kl.jpg</image:loc>
			<image:caption><![CDATA[Ruben Rebmann und die Foto-Restauratorin Stefanie Pfeifer kontrollieren den Zustand eines C-Prints von David LaChapelles "Rebirth of Venus", das für die Ausstellung angeliefert wurde. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_5375_kl.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung "The Botticelli Renaissance". Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alte-meister-neue-ebenen/</loc>
		<lastmod>2021-03-15T12:47:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/refrakt.jpg</image:loc>
			<image:title><![CDATA[refrakt]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/Refrakt_Press_03_klein.jpg</image:loc>
			<image:caption><![CDATA[Foto: Carla Streckwall &amp; Alexander Govoni]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/Refrakt_Press_02_klein.jpg</image:loc>
			<image:caption><![CDATA[Foto: Carla Streckwall &amp; Alexander Govoni]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/picasso-und-pandemie-jahresausblick-im-museum-berggruen/</loc>
		<lastmod>2021-03-16T09:24:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Portrait_Mantua_Charlotte_Jansen_kl.jpg</image:loc>
			<image:title><![CDATA[Portrait_Mantua_Charlotte_Jansen_kl]]></image:title>
			<image:caption><![CDATA[Gabriel Montua, Sammlungskurator des Museum Berggruen © Charlotte Jansen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/MB_M.Meisse.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/renaissance-des-kulturellen-lebens-donatello-in-der-gemaeldegalerie/</loc>
		<lastmod>2021-03-16T09:49:34+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00020658.jpg</image:loc>
			<image:title><![CDATA[Madonna Pazzi]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/20190715_095830-478x637-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00020658.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00043993-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-andalusisches-ikea-fuer-weltweite-gotteshaeuser/</loc>
		<lastmod>2021-03-16T09:57:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/titelbild_neue_synagoge.jpg</image:loc>
			<image:title><![CDATA[titelbild_neue_synagoge]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Doppelfenster_klein.png</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Koutoubia_Moschee_Med_Gharaba_Unsplash-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/trotz-corona-zu-den-sternen/</loc>
		<lastmod>2021-03-16T09:59:46+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/2_Alhambra-Kuppel_Kramer.jpg</image:loc>
			<image:title><![CDATA[2_Alhambra-Kuppel_Kramer]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/1_Alhambra-Kuppel_Kramer.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/2_Alhambra-Kuppel_Kramer.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/historischer-hightech-die-mittelalterliche-apple-watch/</loc>
		<lastmod>2021-03-16T10:00:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/AppleWatch_smart-watch-821567_1920.jpg</image:loc>
			<image:title><![CDATA[AppleWatch_smart-watch-821567_1920]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Astrolabium_MIK_I_1611-P006-M-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Astrolabium_I_6919-P006-M-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-weihnachtliche-inspirationen/</loc>
		<lastmod>2021-03-16T10:02:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/1_Weihnachtskerzen-scaled.jpg</image:loc>
			<image:title><![CDATA[1_Weihnachtskerzen]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/1_Weihnachtskerzen-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/2_Adventskalender.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/3_Ausstechfoermchen-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/4_Papierschmuck-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/5_Wunschzettel.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/6_Christbaumkugeln-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/7_Anhaenger-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/8_Flimmer-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/9_Gold-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/10_Geschenkpapier-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-die-weihnachtsgeschichte-in-bewegung/</loc>
		<lastmod>2021-03-16T10:05:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/1.jpg</image:loc>
			<image:title><![CDATA[1]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/3.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/4.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/5.png</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/6.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/7.png</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/8.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/9.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/10.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/atmoism-ueber-regionalitaet-und-nachhaltigkeit-im-design/</loc>
		<lastmod>2021-03-16T10:06:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Der-Tod_C_Atelier-HAW_Foto_David-von-Becker.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Der-Tod_C_Atelier-HAW_Foto_David-von-Becker.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Glasblaeserei-Von-Poschinger_C_Atelier-HAW.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/KGM_08_ATMOISM_Container_Church_NEU.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Kronleuchter_Sphere_C_Atelier-HAW_Foto_Bernd-Hiepe.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Die-Reflektion_C_Atelier-HAW_Foto_David-von-Becker.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/textiles-grossprojekt-der-umzug-des-lienzo-seler-ii-ins-humboldt-forum/</loc>
		<lastmod>2021-03-16T10:08:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/201117_Lienzo-Seler-Dreh-2.jpeg</image:loc>
			<image:title><![CDATA[201117_Lienzo-Seler-Dreh-2]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/201117_Lienzo-Seler-Dreh-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/201117_Lienzo-Seler-Dreh-2.jpeg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/201117_Lienzo-Seler-Dreh-3.jpeg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/201117_Lienzo-Seler-Dreh-1f.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-bilder-vom-fliegen/</loc>
		<lastmod>2021-03-16T10:23:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/KK_16_WHA_Leistikow_Kraniche.jpg</image:loc>
			<image:title><![CDATA[KK_16_WHA_Leistikow_Kraniche]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/KK_16_WHA_Leistikow_Kraniche.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/fledermaus.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/KK_02_WHA_Duerer_Himmelfahrt.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_70590820.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/KK_05_WHA_Dore_Satan.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/KK_08_WHA_Klinger_Intermezzo-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/KK_12_WHA_Klee_Seiltaenzer.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_70590707.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/KK_09_WHA_Sifler_Luftfahrt-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/dix.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-isis-mit-dem-jesuskind/</loc>
		<lastmod>2021-03-16T10:25:50+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_70261819-scaled.jpg</image:loc>
			<image:title><![CDATA[Thronende Isis mit dem Horuskind]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_70144662-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_70261819-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-leibesuebungen-im-lockdown/</loc>
		<lastmod>2021-03-16T10:30:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-8.jpg</image:loc>
			<image:title><![CDATA[Bild-8]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-3.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-4.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-5-scaled.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-6.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-7.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-8.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-9.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Bild-10-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-museale-muscheln/</loc>
		<lastmod>2021-03-16T10:35:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/13.jpg</image:loc>
			<image:title><![CDATA[13]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/13.jpg</image:loc>
			<image:caption><![CDATA[Figürlich gravierte Tridacna-Muschel
phönikisch, ca. 700 vor Christus
Fundort: Assur (Vorderasien)
© Foto: Vorderasiatisches Museum der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz
Fotograf/in: Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/22.jpg</image:loc>
			<image:caption><![CDATA[Nautilusgefäß mit Neptunsfigur
Ende 16. Jahrhundert
Silber, vergoldet; Nautilusschnecke; Steinbesatz
© Kunstgewerbemuseum der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz
Fotograf/in: Karen Bartsch]]></image:caption>
		</image:image>
		<image:image>
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			<image:caption><![CDATA[Halsschmuck
19. Jahrhundert, Ersja (Ethnie), Russland
© Foto: Museum Europäischer Kulturen der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz
Fotograf/in: Ute Franz-Scarciglia]]></image:caption>
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			<image:caption><![CDATA[Kette bestehend aus 28 Kaurischnecken
22. Dynastie (Oberägyptisch)
© Foto: Ägyptisches Museum und Papyrussammlung der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz
Fotograf/in: Sandra Steiß]]></image:caption>
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			<image:caption><![CDATA[Amulettahänger einer Rassel und Zahnbeißers für Kinder
16. Jh., Entstehungsort stilistisch: Deutschland
Perlmutt; Fassung Silber, graviert, vergoldet
© Foto: Kunstgewerbemuseum der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz
Fotograf/in: Stefan Büchner]]></image:caption>
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		<loc>https://blog.smb.museum/ein-anstrich-zu-viel-skulpturenrestaurierung-in-der-friedrichswerderschen-kirche/</loc>
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			<image:title><![CDATA[winckelmann12]]></image:title>
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		<lastmod>2021-03-16T10:41:29+00:00</lastmod>
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			<image:title><![CDATA[Foto: David von Becker]]></image:title>
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		<loc>https://blog.smb.museum/zehnerpack-fotografische-kopfreisen/</loc>
		<lastmod>2021-03-16T12:10:02+00:00</lastmod>
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			<image:title><![CDATA[Hafenleben]]></image:title>
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	<url>
		<loc>https://blog.smb.museum/zehnerpack-wir-sind-mitm-radl-da/</loc>
		<lastmod>2021-03-16T12:12:16+00:00</lastmod>
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			<image:title><![CDATA[Straßenrennen der Zeitungsfahrer]]></image:title>
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	<url>
		<loc>https://blog.smb.museum/11442-2/</loc>
		<lastmod>2021-03-16T12:14:06+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/h_70298027.jpg</image:loc>
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	<url>
		<loc>https://blog.smb.museum/zehnerpack-grafik-im-kupferstichkabinett/</loc>
		<lastmod>2021-03-16T12:15:38+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00028405.jpg</image:loc>
			<image:title><![CDATA[h_00028405]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00076262-scaled.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00027239-scaled.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_70388708.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00014450-scaled.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00026923.jpg</image:loc>
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	<url>
		<loc>https://blog.smb.museum/hans-holbein-und-das-geheimnis-des-kaufmanns-georg-gisze/</loc>
		<lastmod>2021-03-16T12:25:52+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/586_Vollbild.jpg</image:loc>
			<image:title><![CDATA[586_Vollbild]]></image:title>
			<image:caption><![CDATA[Hans Holbein d. J., Der Kaufmann Georg Gisze, 1532, Gemäldegalerie © Jörg P. Anders]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/586_Vollbild.jpg</image:loc>
			<image:caption><![CDATA[Hans Holbein d. J., Der Kaufmann Georg Gisze, 1532, Gemäldegalerie © Jörg P. Anders]]></image:caption>
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			<image:caption><![CDATA[Radiografie des Kaufmanns Georg Gisze, Gemäldegalerie © SMB, Christoph Schmidt]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/586_detail1.jpg</image:loc>
			<image:caption><![CDATA[Detail , linke obere Ecke]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/586_XR_detail1.jpg</image:loc>
			<image:caption><![CDATA[Detail aus der Radiografie, linke obere Ecke]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/586_detail2.jpg</image:loc>
			<image:caption><![CDATA[Detail, Gesicht]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/586_XR_detail2.jpg</image:loc>
			<image:caption><![CDATA[Detail aus der Radiografie, Gesicht]]></image:caption>
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		<loc>https://blog.smb.museum/museen-in-zeiten-von-corona-jahresrueckblick-2020/</loc>
		<lastmod>2021-04-07T11:06:07+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/titelbild_jahresrueckblick_2020.jpg</image:loc>
			<image:title><![CDATA[Museumsinsel, Pergamonmuseum: Reinigungskräfte auf den Stufen des Pergamonaltars]]></image:title>
			<image:caption><![CDATA[Aufnahmedatum: vor 1945 , Aufnahmeort: Berlin , Inventar-Nr.: ZA 2.2.-04903 , Systematik: , Geographie / Europa / Deutschland / Orte / Berlin / Gebäude für Kultur und Bildung / Museen, Ausstellungsgebäude / Pergamonmuseum, Vorderasiatisches Museum Werbliche Nutzung nur nach Rücksprache!, Copyright: bpk / Zentralarchiv, SMB]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/8-1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Frau-Czarnecki_DvB-33.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/02_BM_DvB_NEU.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00003563.jpg</image:loc>
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	<url>
		<loc>https://blog.smb.museum/queere-spurensuche-im-museum-europaeischer-kulturen/</loc>
		<lastmod>2021-04-07T11:14:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Conchita_.jpg</image:loc>
			<image:title><![CDATA[Conchita_!]]></image:title>
			<image:caption><![CDATA[Skulptur „Conchita Wurst auf der Mondsichel“, Gerhard Goder, Berlin, 2014 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/homo-sweet.jpg</image:loc>
			<image:caption><![CDATA[1.Stickbild „Homo Sweet Homo“, Erin Darby, Maryland, USA, 2017 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Michael Mohr]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Quilt.jpg</image:loc>
			<image:caption><![CDATA[Aids Memorial Quilt, Block 22, Amsterdam, Niederlande, 1988 – 2008 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Strickjacke-N-25-S-42-2016-xx.jpg</image:loc>
			<image:caption><![CDATA[Gestricktes Männerhemd, Horst Schulz, Berlin, ca. 1995 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Conchita.jpg</image:loc>
			<image:caption><![CDATA[Skulptur „Conchita Wurst auf der Mondsichel“, Gerhard Goder, Berlin, 2014 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Ute Franz-Scarciglia]]></image:caption>
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	<url>
		<loc>https://blog.smb.museum/ungeahnte-moeglichkeiten-der-forschungscampus-dahlem-kommt/</loc>
		<lastmod>2021-04-13T10:56:16+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/01_FCD.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/02_FCD.jpg</image:loc>
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		<loc>https://blog.smb.museum/historisch-trifft-zeitgenoessisch-keramische-epochendialoge-im-schloss-koepenick/</loc>
		<lastmod>2021-04-26T09:54:04+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/03_KGM_Goetze_Paprika-1.jpg</image:loc>
			<image:title><![CDATA[03_KGM_Goetze_Paprika]]></image:title>
			<image:caption><![CDATA[Grita Götze, Teller „Rote Paprika“, 2006, Keramik mit Engobemalerei © Grita Götze, Foto: Klaus E. Göltz, Halle (Saale)]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/03_KGM_Goetze_Paprika.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/12_KGM_Marcks_Zitrone-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/05_KGM_Manthey_Daphne_Aktaion.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kunst-des-aufbruchs-spaetgotik-in-der-gemaeldegalerie/</loc>
		<lastmod>2021-05-13T14:05:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/09_Spaetgotik_MeisterKarlsruherPassion_Passionsaltar_Koeln-scaled.jpg</image:loc>
			<image:title><![CDATA[Gefangennahme Christi]]></image:title>
			<image:caption><![CDATA[Meister der Karlsruher Passion, Tafel eines Passionsaltars, Straßburg, um 1450, © Köln, Wallraf-Richartz-Museum / Rheinisches Bildarchiv Köln]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/02_Spaetgotik_Gerhaert_Dangolsheimer_Muttergottes_SMB_SBM.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/13_Spaetgotik_Witz_Koenigin_Saba_SMB_GG.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/09_Spaetgotik_MeisterKarlsruherPassion_Passionsaltar_Koeln-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/krankheit-in-der-antike-von-daemonen-und-wundbrand/</loc>
		<lastmod>2021-05-26T08:30:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/P_17082_S1_001-scaled.jpg</image:loc>
			<image:title><![CDATA[P 3281 - 31164 R]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/P_21230_R_001.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/P_17082_S1_001-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/P_07108_V_001.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/drahtseilakt-mit-ahnengeschichte-objekte-ziehen-ins-humboldt-forum/</loc>
		<lastmod>2021-06-02T08:45:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/titelbild_haida_-scaled.jpg</image:loc>
			<image:title><![CDATA[titelbild_haida_]]></image:title>
			<image:caption><![CDATA[Einbringung der letzten Großobjekte ins Humboldt Forum © SPK / Stefan Müchler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/IMG_5983.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/IMG_6012.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/IMG_6047.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/IMG_0897.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/koepenick-statt-kreta-ein-sommerlicher-ausflug-zu-flora-fauna-fabelwesen/</loc>
		<lastmod>2021-06-23T08:47:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/Abb_2_Schloss.jpeg</image:loc>
			<image:title><![CDATA[Abb_2_Schloss]]></image:title>
			<image:caption><![CDATA[Schloss Köpenick © SPK / Elena Then]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/03_KGM_Goetze_Paprika-1.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/Abb_5_Marcks.jpeg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/Abb_6_Marcks-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/Abb_7_Manthey.jpeg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/design-mit-verantwortung-design-lab-8-im-kunstgewerbemuseum/</loc>
		<lastmod>2021-07-02T14:44:51+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/KGM_04_DesignLab8_DonKarate_RecoFestival.jpg</image:loc>
			<image:title><![CDATA[KGM_04_DesignLab8_DonKarate_RecoFestival]]></image:title>
			<image:caption><![CDATA[Don Karate bei Lanificio Fratelli Balli, © Recò Festival, Foto: Marco Badiani]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/KGM_02_DesignLab8_FroschAloeVera.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/KGM_06_DesignLab8_Textilrecycling_Aethiopien_Stracke-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/KGM_05_DesignLab8_Kunststoffschmiede_KonglomerateV.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-der-kunstkammer-ins-museum/</loc>
		<lastmod>2021-07-21T12:04:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/kunstkammer_3.jpg</image:loc>
			<image:title><![CDATA[kunstkammer_3]]></image:title>
			<image:caption><![CDATA["Ewiger Kalender", um 1579, Pfronten, Allgäu, Maße der Außendeckel 7,7 x 19,7 cm, Holz, Kerbschnitt, Ident.Nr. A (47 B 2) 41/1908, Staatliche Museen zu Berlin - Museum Europäischer Kulturen, Foto: Ute Franz-Scarciglia]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/kunstkammer_1.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/kunstkammer_2.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-der-idee-zur-ausstellung-claudia-skoda-dressed-to-thrill/</loc>
		<lastmod>2021-07-23T11:54:23+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/titelbild_skoda.jpg</image:loc>
			<image:title><![CDATA[titelbild_skoda]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Abb.1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Abb.2.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Abb.4.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Abb.5.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/magie-und-wissenschaft-mesopotamische-schutzzauber-gegen-krankheiten/</loc>
		<lastmod>2021-08-05T08:19:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/2.jpg</image:loc>
			<image:title><![CDATA[2]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/3.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wir-duerfen-keine-angst-haben-endspurt-beim-humboldt-forum/</loc>
		<lastmod>2021-08-26T15:27:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0021_preview.jpg</image:loc>
			<image:title><![CDATA[20160510_SMB_Ethnologisches_Museum_(C)_Daniel_Hofer_0021_preview]]></image:title>
			<image:caption><![CDATA[Objekte werden für den Umzug ins Humboldt Forum vorbereitet. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/HOWALD_quer.jpg</image:loc>
			<image:caption><![CDATA[Christine Howald © Phil Dera]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/11/181008_JSPK_PHT019.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/12/umzug_luf_boot_humboldt_forum_3-637x425.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/he-loved-new-york-milton-glaser-als-plakatkuenstler/</loc>
		<lastmod>2021-09-09T12:03:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/09/Zwischenablage01.jpg</image:loc>
			<image:title><![CDATA[Zwischenablage01]]></image:title>
			<image:caption><![CDATA[Milton Glaser, Dylan, 1966. Offsetdruck © Milton Glaser Inc.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/Glaser-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/1968_Poppy-Gives-Thanks-Townes-Van-Zandt-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/1972_The_Russian_Tea_Room_Welcomes_The_Newport_Jazz_Festival-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/1976-Albert.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/1977_Having_a_Talent_Is_Not-Enough_When_You_Think_Of_Being_Great_SVA.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/1980-Sony-Tape-Full-Color-Sound.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/1980_Saratoga_Festival.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/1983_Mostly-Mozart-Film-Festival-at-Lincoln-Center.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/1989_Society_Of_Newspaper_Design.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/2003_Intl-Buddhist-Film-Festival-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-berlin-in-die-welt-ausstellungen-auf-reisen/</loc>
		<lastmod>2021-10-22T10:36:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/10/Gut-Altenkamp-1.jpg</image:loc>
			<image:title><![CDATA[Gut Altenkamp (1)]]></image:title>
			<image:caption><![CDATA[Gut Altenkamp in Papenburg © Stadt Papenburg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/10/IMG_4423.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/10/GA1-min.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/10/IMG_4431.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/10/IMG_4461.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/weg-vom-menschenzentrismus-designer-jakob-kukula-im-interview/</loc>
		<lastmod>2021-12-08T13:00:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/SpreeBerlin_Bodemuseum.jpg</image:loc>
			<image:title><![CDATA[SpreeBerlin_Bodemuseum]]></image:title>
			<image:caption><![CDATA[Spree.Berlin © Jakob Kukula]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Canal1200x800-p-1080.jpeg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Boye_tech-p-1600.jpeg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/APP01690x800.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/E9D026DF-490F-4618-9524-24BC518D5FE1.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/menschen-im-museum-das-jahr-2020-in-bildern/</loc>
		<lastmod>2021-12-24T16:28:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/blog-hamburger-bahnhof-eva-adele-grosse-vorschau.jpg</image:loc>
			<image:title><![CDATA[blog-hamburger-bahnhof-eva-adele-grosse-vorschau]]></image:title>
			<image:caption><![CDATA[Für Viele DIE Berliner Sommerausstellung 2020: „Katharina Grosse. It Wasn’t Us“ im Hamburger Bahnhof – Museum für Gegenwart – Berlin. Und nie wirkte die Ausstellung sommerlicher als am Eröffnungssonntag in Gegenwart des Künstler*innen-Duos EVA &amp; ADELE]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-pop-on-paper-warhol-fashion.jpg</image:loc>
			<image:caption><![CDATA[„Pop on Paper. Von Warhol bis Lichtenstein“: Die große Ausstellung des Kupferstichkabinetts]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-pop-on-paper-indiana.jpg</image:loc>
			<image:caption><![CDATA[„Pop on Paper. Von Warhol bis Lichtenstein“: Die große Ausstellung des Kupferstichkabinetts]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-gemaledegalerie-anthony-caro.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung „Anthony Caro. The Last Judgement Sculpture der Sammlung Würth“ in der Wandelhalle der Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-gemaledegalerie-bellegambe.jpg</image:loc>
			<image:caption><![CDATA[Das Thema des Jüngsten Gerichts erfreute sich auch bei den Alten Meistern einiger Beliebtheit, hier in einem Triptychon von Jean Bellegambe.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-hamburger-bahnhof-eva-adele-grosse.jpg</image:loc>
			<image:caption><![CDATA[Für Viele DIE Berliner Sommerausstellung 2020: „Katharina Grosse. It Wasn’t Us“ im Hamburger Bahnhof – Museum für Gegenwart – Berlin. Und nie wirkte die Ausstellung sommerlicher als am Eröffnungssonntag in Gegenwart des Künstler*innen-Duos EVA &amp; ADELE]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-altes-museum-banner.jpg</image:loc>
			<image:caption><![CDATA[Im Juni wurden die Stufen des Alten Museums wiederholt für Kundgebungen genutzt, die unter anderem antisemitische Verschwörungsmythen verbreiteten und mit den Werten der Staatlichen Museen zu Berlin nicht vereinbar waren. Unter Maßgabe der Meinungs- und Versammlungsfreiheit konnten die Kundgebungen nicht verhindert werden – als Reaktion darauf positionierten sich die Museen jedoch mit einem unmissverständlichen Banner am Haus.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-belgischer-symbolismus-delville.jpg</image:loc>
			<image:caption><![CDATA[Im September eröffnete in der Alten Nationalgalerie die Ausstellung „Dekadenz und Dunkle Träume. Der belgische Symbolismus“. Zentraler Blickfang im ersten Saal: Jean Delvilles Die Liebe der Seelen aus dem Musée d’Ixelles in Brüssel.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-belgischer-symbolismus-knopff-2.jpg</image:loc>
			<image:caption><![CDATA[Ein zentraler Protagonist der Symbolismus-Ausstellung war der Künstler Fernand Khnopff. Neben Schlüsselwerken aus belgischen Museen und Privatsammlungen zeigte die Ausstellung auch diese Leihgabe der Bayerischen Staatsgemäldesammlungen, das Gemälde I lock my door upon myself. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-friedrichswerdersche-kirche-1.jpg</image:loc>
			<image:caption><![CDATA[Im Oktober konnte als Dependance der Alten Nationalgalerie einer der schönsten Kirchenräume Berlins wiedereröffnen: Karl Friedrich Schinkels Friedrichswerdersche Kirche.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-friedrichswerdersche-kirche-2.jpg</image:loc>
			<image:caption><![CDATA[In der hier gezeigten Ausstellung „Ideal und Form. Skulpturen des 19. Jahrhunderts aus der Sammlung der Nationalgalerie“ avancierte er schnell zum neuen Publikumsliebling: Der Winter von Emil Wolff. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-james-simon-galerie-germanen-1.jpg</image:loc>
			<image:caption><![CDATA[Die zweite große Herbst-Ausstellung auf der Museumsinsel: „Germanen. Eine archäologische Bestandsaufnahme“ in der James-Simon-Galerie…]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-james-simon-galerie-germanen-2.jpg</image:loc>
			<image:caption><![CDATA[… unter anderem mit einem Rundschild mit bronzenem Schildbuckel aus dem Thorsberger Moor. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-james-simon-galerie-gaul.jpg</image:loc>
			<image:caption><![CDATA[Das obere Foyer der James-Simon-Galerie mit August Gauls Liegendem Löwen im Vordergrund.]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-pergamonmuseum-raubvogel-2.jpg</image:loc>
			<image:caption><![CDATA[Am 3. Oktober 2020 wurden in vier Museen der Museumsinsel Berlin über 60 Ausstellungsstücke mit einer öligen Flüssigkeit verunreinigt. Zu den betroffenen Exponaten gehörte auch der Raubvogelskulptur aus Basalt vom Tell Halaf]]></image:caption>
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			<image:caption><![CDATA[Die Büste der Nofretete im Neuen Museum]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-humboldt-forum-fernsehturm.jpg</image:loc>
			<image:caption><![CDATA[Humbold Forum. Was immer man von der Rekonstruktion des Schlosses halten mag: Auch diese Kuppel ist nun Teil der Berliner Stadtsilhouette.]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-neue-nationalgalerie-nacht.jpg</image:loc>
			<image:caption><![CDATA[Und was kommt 2021? Unter anderem die Neue Nationalgalerie! Nach langen Jahren der Sanierung sind im Dezember endlich die Gerüste gefallen.]]></image:caption>
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	</url>
	<url>
		<loc>https://blog.smb.museum/die-schoenheit-der-gipse-nah-am-leben-in-der-james-simon-galerie/</loc>
		<lastmod>2021-12-27T20:11:12+00:00</lastmod>
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			<image:title><![CDATA[nah-am-leben-schulmodell-2000]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/nah-am-leben-raumansicht-2000.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/nah-am-leben-segal-2000.jpg</image:loc>
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	</url>
	<url>
		<loc>https://blog.smb.museum/magische-perspektiven-johann-erdmann-hummel-in-virtual-reality/</loc>
		<lastmod>2022-01-21T10:54:41+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/Hummel_J-Granitschale_AI843_001.jpg</image:loc>
			<image:title><![CDATA["Die Granitschale im Berliner Lustgarten"]]></image:title>
			<image:caption><![CDATA[Johann Erdmann Hummel, Die Granitschale im Berliner Lustgarten, 1831, Öl auf Leinwand, © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders]]></image:caption>
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			<image:caption><![CDATA[Johann Erdmann Hummel, Das Schleifen der Granitschale, 1831, Öl auf Pappe, © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/Hummel_J-Granitschale_AI843_001.jpg</image:loc>
			<image:caption><![CDATA[Johann Erdmann Hummel, Die Granitschale im Berliner Lustgarten, 1831, Öl auf Leinwand, © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/image3.png</image:loc>
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	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-fenster-auf/</loc>
		<lastmod>2022-01-28T13:10:00+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/titelbild_fenster-auf.jpg</image:loc>
			<image:title><![CDATA[titelbild_fenster-auf]]></image:title>
			<image:caption><![CDATA[Caspar David Friedrich: Frau am Fenster, 1822 © Staatliche Museen zu Berlin, Alte Nationalgalerie / Jörg P. Anders]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/88.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Schrimpf_Zwei-Maedchen-am-Fenster.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/12.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/55-scaled.jpg</image:loc>
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	</url>
	<url>
		<loc>https://blog.smb.museum/die-wiedergefundene-zeit-theaterfotografien-von-ruth-walz/</loc>
		<lastmod>2022-01-28T13:42:25+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/MF_02_RuthWalz_Parsifal_2015.jpg</image:loc>
			<image:title><![CDATA[PARSIFALBühnenweihfestspiel in drei Akten von Richard Wagner]]></image:title>
			<image:caption><![CDATA[Parsifal von Richard Wagner, Staatsoper Berlin 2015, Regie und Bühne: Dmitri Tcherniakov, © Ruth Walz]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/MF_04_RuthWalz_Viol_2006_.jpg</image:loc>
			<image:caption><![CDATA[Viol – Schändung von Botho Strauß, Schauspielhaus Bochum 2006, Regie: Luc Bondy , Bühne: Lucio Fanti, Lavinia: Dörte Lyssewski, Titus: Gérard Desarthe, © Ruth Walz]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/MF_13_RuthWalz_Erwartung_1995.jpg</image:loc>
			<image:caption><![CDATA[Erwartung von Arnold Schönberg, Salzburger Festspiele 1995, Regie: Robert Wilson, Eine Frau: Jessye Norman, © Ruth Walz]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/MF_08_RuthWalz_Surprise_2007.jpg</image:loc>
			<image:caption><![CDATA[La seconde surprise de l'amour von Pierre Carlet de Marivaux, Theatre des Amandiers, Nanterre 2007, Regie: Luc Bondy, Bühne : Karl Ernst Herrmann, La Marquise: Clothilde Hesme, Le Chevalier: Micha Lescot, © Ruth Walz]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/MF_16_RuthWalz_Stunde_1994.jpg</image:loc>
			<image:caption><![CDATA[Die Stunde da wir nichts voneinander wußten von Peter Handke, Schaubühne am Lehniner Platz Berlin 1994, Regie: Luc Bondy, Bühne: Gilles Aillaud, mit Anne Koren, © Ruth Walz]]></image:caption>
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	</url>
	<url>
		<loc>https://blog.smb.museum/baudoin-de-lannoy-restaurierung-eines-jan-van-eyck/</loc>
		<lastmod>2022-02-01T15:31:25+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Z-neufassungWebsite2020_Vergleich_Koepfe_VZ-EZ.jpg</image:loc>
			<image:title><![CDATA[Z-neufassungWebsite2020_Vergleich_Köpfe_VZ-EZ]]></image:title>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Z-neufassungWebsite2020_Augen_Vergleich_VZ-EZ.jpg</image:loc>
			<image:caption><![CDATA[Sein linkes Auge vor und nach der Restaurierung zeigt, wie die Farbigkeit und die Plastizität durch den dicken gealterten Firnis beeinträchtigt waren. © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/525G_MIK_Firn_schmal.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahme während der Firnisabnahme im Pelzhut: rechts ist die Malerei des Felles mit den einzelnen Härchen wieder klar erkennbar. © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/525G_MIK_65X_Firn.abn_schmal.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahme während der Firnisabnahme im Gewand: rechts sind die Feinheiten und die Farbigkeit der Malerei wieder sichtbar. © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/525G_ZZ_DetailGewand_gross2_schmal.jpg</image:loc>
			<image:caption><![CDATA[Makroaufnahme aus dem Gewand während der Firnisabnahme: rechts sind die rot-violette Färbung des Gewandes und die feinen Pinselstriche im Ornament wieder sichtbar. © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/mammutaufgaben-und-kleinigkeiten-umzugsplanung-fuer-das-humboldt-forum/</loc>
		<lastmod>2022-02-18T09:38:06+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/12/umzug_luf_boot_humboldt_forum_3-637x425.jpg</image:loc>
			<image:title><![CDATA[Der Transport der Südsee-Boote vom ehem. Ethnologischen Museum in Dahlem ins neue Berliner Schloss. © SHF / David von Becker]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/210525_Foto_Wischer_zugeschnitten-scaled.jpg</image:loc>
			<image:caption><![CDATA[Katharina Wischer © privat]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/05/umzug_luf_boot_humboldt_forum_3.jpg</image:loc>
			<image:caption><![CDATA[Der Transport der Südsee-Boote vom ehem. Ethnologischen Museum in Dahlem ins neue Berliner Schloss. © SHF / David von Becker]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/titelbild_haida_-scaled.jpg</image:loc>
			<image:caption><![CDATA[Einbringung der letzten Großobjekte ins Humboldt Forum © SPK / Stefan Müchler]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/vampire-hexen-werwoelfe-schaurige-kunst-zu-halloween/</loc>
		<lastmod>2022-02-18T14:23:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_1.jpg</image:loc>
			<image:title><![CDATA[Halloween_1]]></image:title>
			<image:caption><![CDATA[Die Romantik hatte eine dunkle, bisweilen morbide Seite. Besonders schön und – natürlich – romantisch kommt sie in dieser mysteriösen Darstellung der "Burg Scharfenberg bei Nacht" aus dem Jahre 1827 von Ernst Ferdinand Oehme zur Geltung. Wer ist der einsame Reiter und vor welchen Schrecknissen flieht er zur sicheren Burg? Oder besser: Welche Horror erwarten ihn wohl dort? Foto: bpk / Nationalgalerie, Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_1.jpg</image:loc>
			<image:caption><![CDATA[Die Romantik hatte eine dunkle, bisweilen morbide Seite. Besonders schön und – natürlich – romantisch kommt sie in dieser mysteriösen Darstellung der "Burg Scharfenberg bei Nacht" aus dem Jahre 1827 von Ernst Ferdinand Oehme zur Geltung. Wer ist der einsame Reiter und vor welchen Schrecknissen flieht er zur sicheren Burg? Oder besser: Welche Horror erwarten ihn wohl dort? Foto: bpk / Nationalgalerie, Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_13.jpg</image:loc>
			<image:caption><![CDATA[Francisco José de Goya y Lucientes, besser bekannt als Goya, ist vor allem für sein schreckliches Gemälde des Saturn bekannt, der seine Kinder verschlingt. Diese Radierung von 1799 unter dem Titel „Der Schlaf der Vernunft gebiert Ungeheuer“ lässt vielleicht ahnen, wo er seine düstere Inspiration fand … Foto: bpk / Kupferstichkabinett, Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_7.jpg</image:loc>
			<image:caption><![CDATA[Der begnadete Graveur Charles Meryon starb 1868 mit nur 46 Jahren in geistiger Umnachtung. Zu Lebzeiten hielt er den morbiden Charme der mittelalterlichen Gassen von Alt-Paris fest, so wie in der Darstellung dieses Türmchens in der Rue de l'École de Médecine, 22, über dem seltsame Gestalten in der Luft schweben. Foto: bpk / Sammlung Scharf-Gerstenberg, Volker-H. Schneider]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_8.jpg</image:loc>
			<image:caption><![CDATA[Auch in seiner Darstellung des Pariser Marine-Ministeriums von 1865 fügt Charles Meryon fremdartige Kreaturen hinzu, die dem Bild eine unheimliche, surreale Stimmung verleihen. Foto: bpk / Sammlung Scharf-Gerstenberg, Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_14.jpg</image:loc>
			<image:caption><![CDATA[Makaber: "Ein Werwolf oder Kannibale" fällt hier über die Bewohner eines Dorfes oder Gehöfts her und reißt sie allesamt in Stücke. Holzschnitt von Lucas Cranach d. Ä., 1553. Foto: bpk / Kupferstichkabinett, Jörg P. Anders]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_15.jpg</image:loc>
			<image:caption><![CDATA[„Die Hinrichtung des Peter Stump - Werwolf zu Bedburg“ hielt Franz Hogenberg in dieser Radierung von 1589 in allen Einzelheiten fest: Nach seiner Verurteilung als Mörder, „Werwolf“ und „Zauberer“ wurde Stump gerädert, geköpft und anschließend verbrannt. Foto: bpk / Kupferstichkabinett, Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_2.jpg</image:loc>
			<image:caption><![CDATA[Mystisch, verworren, schemenhaft sind die „brauenden Hexen“, die Paul Klee 1922 in dieser blutroten Ölpause auf Karton darstellt. Foto: bpk / Museum Berggruen, Jens Ziehe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_12.jpg</image:loc>
			<image:caption><![CDATA[Was mag die Hexe dem Knecht angezaubert haben, der hier in Hans Baldungs „Der behexte Stallknecht“ von 1534 am Boden liegt? Wir wissen es nicht und können nur hoffen, dass er wieder zu sich kommt und den Fluch loswerden kann. Foto: bpk / Kupferstichkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_4.jpg</image:loc>
			<image:caption><![CDATA[„Hexensabbat“, die Zweite: Welche absurden Rituale stellt Hans Baldung in dieser Feder-/Tuschezeichnung aus dem Jahre 1505 dar? Foto: bpk / Kupferstichkabinett, Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_3.jpg</image:loc>
			<image:caption><![CDATA[Es ist, als könne man den Schwefelgeruch selbst wahrnehmen, wenn man diesen sinistren Gestalten bei ihrem „Hexensabbat“ zusieht. Sie brauen Tränke, reiten auf Ziegen und schwingen Kesseln, aus denen Kinderbeine zu ragen scheinen. Hans Baldung bannte diese Szene im Jahre 1510 in einem Tonholzschnitt für die Ewigkeit. Man mag nicht an das grausame Schicksal derer denken, die in diesen finsteren Zeiten dem Wahn der Hexenverfolgung zum Opfer fielen. Foto: bpk / Kupferstichkabinett, Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_10.jpg</image:loc>
			<image:caption><![CDATA[Edvard Munchs berühmtestes Gemälde „Der Schrei“ ist eine wahrhaft unheimliche Darstellung. Doch auch seine Vampirzeichnungen – hier „Vampir II“ von 1895 – lassen einem das Blut in den Adern gefrieren – zumindest, bis eine der nächtlichen Kreaturen es uns aussaugt. Foto: bpk / Kupferstichkabinett, Volker-H. Schneider]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_9.jpg</image:loc>
			<image:caption><![CDATA[Auch diesem weiblichen „Vampyr“ von Munch aus dem Jahr 1894 möchte man nicht im Schlaf begegnen. Foto: bpk / Sammlung Scharf-Gerstenberg, Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Halloween_5.jpg</image:loc>
			<image:caption><![CDATA[Manchmal offenbart sich Dämonisches zu den scheinbar harmlosesten Anlässen – zum Beispiel in Form dieses „Geflügelten Monstrums“ aus dem Kaffeeklecksalbum von Wilhelm von Kaulbach (1805 – 1874). Foto: bpk / Kupferstichkabinett, Volker-H. Schneider]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/uns-blutet-das-herz-archaeologie-und-der-krieg-in-der-ukraine/</loc>
		<lastmod>2022-03-17T15:19:45+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/IMG_3649-scaled.jpg</image:loc>
			<image:title><![CDATA[IMG_3649]]></image:title>
			<image:caption><![CDATA[Flagge zeigen: Die SPK solidarisiert sich mit der Ukraine © SBB PK / Sandra Caspers]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Schliemann-im-Wintermantel-1860_Bpk-Bild-Nr.-10005707.jpg</image:loc>
			<image:caption><![CDATA[Schliemanns Welten, 13.5.-6.11.22, James-Simon-Galerie + Neues Museum: Der Großkaufmann Heinrich Schliemann in St. Petersburg, 1860, © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/prussia_1.jpg</image:loc>
			<image:caption><![CDATA[Die Projektmitarbeiter Izabela Szter und Christoph Jahn zusammen mit dem russischen Kollegen Kirill Makhotka (links) bei der Sichtung der Prussia-Sammlung im Museum für Geschichte und Kunst Kaliningrad.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/AT_4237.jpg</image:loc>
			<image:caption><![CDATA[Vladimir PPutin, Angela Merkel und Hermann Parzinger bei der Eröffnung der Ausstellung "Bronzezeit - Europa ihne Grenzen" im Jahr 2013 (c) ANDREI TEREBENIN ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/IMG_8005.jpg</image:loc>
			<image:caption><![CDATA[Hermann Parzinger und Manfred Nawroth (3. v. l.) betrachten die Victoria von Calvatone in St. Petersburg © Stiftung Preußischer Kulturbesitz / Birgit Jöbstl ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/201027_SSPK_PHT002.jpg</image:loc>
			<image:caption><![CDATA[Das Berliner Museum für Vor‐ und Frühgeschichte beteiligt sich mit zahlreichen Leihgaben, die überwiegend als Ergänzungen zu jenen gezeigten Objekten von Fundorten, Gräbern und Hortfunden ausgewählt wurden, die kriegsbedingt verlagert in die Sowjetunion gelangten. © SPK / photothek.net / Janine Schmitz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/es-waere-ein-grosser-verlust-deutsch-russische-antikenforschung-in-der-krise/</loc>
		<lastmod>2022-03-30T12:19:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Arbeitsfoto-Scherben-Moskau.jpg</image:loc>
			<image:title><![CDATA[Arbeitsfoto Scherben Moskau]]></image:title>
			<image:caption><![CDATA[Karoline Lölhöffel beim Zusammensetzen von Vasenfragmenten im Magazin des Staatlichen Historischen Museums Moskau © Staatliche Museen zu Berlin, Antikensammlung / Ursula Kästner]]></image:caption>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Arbeitsfoto-Scherben-Moskau.jpg</image:loc>
			<image:caption><![CDATA[Karoline Lölhöffel beim Zusammensetzen von Vasenfragmenten im Magazin des Staatlichen Historischen Museums Moskau © Staatliche Museen zu Berlin, Antikensammlung / Ursula Kästner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Auftaktworkshop-2018.jpg</image:loc>
			<image:caption><![CDATA[Auftaktworkshop des Projekts im Alten Museum in Berlin, Frühjahr 2018 © Staatliche Museen zu Berlin, Antikensammlung / Ursula Kästner]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Arbeitsplatz-Magazin-Moskau-2.jpg</image:loc>
			<image:caption><![CDATA[Vorbereiteter Arbeitsplatz im Magazin des Staatlichen Historischen Museums Moskau für Karoline Lölhöffels bei ihrem ersten Besuch im Oktober 2019 © Staatliche Museen zu Berlin, Antikensammlung / Karoline Lölhöffel]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/solidarity-from-the-collection-ukrainian-culture-in-the-mek/</loc>
		<lastmod>2022-04-06T12:41:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine5.jpg</image:loc>
			<image:title><![CDATA[Mek_Ukraine5]]></image:title>
			<image:caption><![CDATA[Nussknacker aus Messing, Rička, Oblast Iwano-Frankiwsk, westliche Ukraine, Ankauf durch Ivan Senkiv, 1930er-Jahre Brass nutcracker, Rička, Ivano-Frankivsk oblast, western Ukraine, purchased by Ivan Senkiv, 1930s © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine_1.jpg</image:loc>
			<image:caption><![CDATA[© Daniel Ursprung: Erinnerungslandschaft Ukraine. Karten zum historischen Gedächtnis in der Ukraine. Karte: Historische Regionen der Ukraine. Online-Ressource: https://danielursprung.ch/erinnerungslandschaft_ukraine/Historische_Regionen/Historische_Regionen_Ukraine.jpg (16.3.2022).]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine2.jpg</image:loc>
			<image:caption><![CDATA[Krug aus Horodnja, Oblast Tschernihiw, nördliche Ukraine. Ankauf durch Kunz Dittmer für das damalige Völkerkundemuseum, 1937 Jug from Horodnja, Chernihiv Oblast, northern Ukraine. Purchased by Kunz Dittmer for the Ethnological Museum, 1937 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine3.jpg</image:loc>
			<image:caption><![CDATA[Holzdose in Kürbisform, vermutl. aus Kowaliwka, Oblast Winnyzja, westliche Ukraine. Schenkung der Berliner Gesellschaft für Anthropologie, Ethnologie und Urgeschichte, vermutl. 1935 Wooden box in pumpkin shape, presumably from Kovalivka, Vinnytsia Oblast, western Ukraine. Donation from the Berlin Society for Anthropology, Ethnology and Prehistory, presumably 1935 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine4.jpg</image:loc>
			<image:caption><![CDATA[Halsschmuck aus Lutowiska, Powiat Bieszczadski, südöstliches Polen. Ankauf durch Ivan Senkiv, 1930er-Jahre Necklace from Lutowiska, Powiat Bieszczadski, south-eastern Poland. Purchased by Ivan Senkiv, 1930s © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine5.jpg</image:loc>
			<image:caption><![CDATA[Nussknacker aus Messing, Rička, Oblast Iwano-Frankiwsk, westliche Ukraine, Ankauf durch Ivan Senkiv, 1930er-Jahre Brass nutcracker, Rička, Ivano-Frankivsk oblast, western Ukraine, purchased by Ivan Senkiv, 1930s © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine6.jpg</image:loc>
			<image:caption><![CDATA[Teppich aus Sudak, Krim, südliche Ukraine, Ankauf von Elisabeth Tietmeyer, 1994 Carpet from Sudak, Crimea, southern Ukraine, purchased by Elisabeth Tietmeyer, 1994 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/solidaritaet-aus-der-sammlung-ukrainische-kultur-im-mek/</loc>
		<lastmod>2022-04-06T12:42:20+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine5.jpg</image:loc>
			<image:title><![CDATA[Mek_Ukraine5]]></image:title>
			<image:caption><![CDATA[Nussknacker aus Messing, Rička, Oblast Iwano-Frankiwsk, westliche Ukraine, Ankauf durch Ivan Senkiv, 1930er-Jahre Brass nutcracker, Rička, Ivano-Frankivsk oblast, western Ukraine, purchased by Ivan Senkiv, 1930s © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine_1.jpg</image:loc>
			<image:caption><![CDATA[© Daniel Ursprung: Erinnerungslandschaft Ukraine. Karten zum historischen Gedächtnis in der Ukraine. Karte: Historische Regionen der Ukraine. Online-Ressource: https://danielursprung.ch/erinnerungslandschaft_ukraine/Historische_Regionen/Historische_Regionen_Ukraine.jpg (16.3.2022).]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine2.jpg</image:loc>
			<image:caption><![CDATA[Krug aus Horodnja, Oblast Tschernihiw, nördliche Ukraine. Ankauf durch Kunz Dittmer für das damalige Völkerkundemuseum, 1937 Jug from Horodnja, Chernihiv Oblast, northern Ukraine. Purchased by Kunz Dittmer for the Ethnological Museum, 1937 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine3.jpg</image:loc>
			<image:caption><![CDATA[Holzdose in Kürbisform, vermutl. aus Kowaliwka, Oblast Winnyzja, westliche Ukraine. Schenkung der Berliner Gesellschaft für Anthropologie, Ethnologie und Urgeschichte, vermutl. 1935 Wooden box in pumpkin shape, presumably from Kovalivka, Vinnytsia Oblast, western Ukraine. Donation from the Berlin Society for Anthropology, Ethnology and Prehistory, presumably 1935 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine4.jpg</image:loc>
			<image:caption><![CDATA[Halsschmuck aus Lutowiska, Powiat Bieszczadski, südöstliches Polen. Ankauf durch Ivan Senkiv, 1930er-Jahre Necklace from Lutowiska, Powiat Bieszczadski, south-eastern Poland. Purchased by Ivan Senkiv, 1930s © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine5.jpg</image:loc>
			<image:caption><![CDATA[Nussknacker aus Messing, Rička, Oblast Iwano-Frankiwsk, westliche Ukraine, Ankauf durch Ivan Senkiv, 1930er-Jahre Brass nutcracker, Rička, Ivano-Frankivsk oblast, western Ukraine, purchased by Ivan Senkiv, 1930s © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/Mek_Ukraine6.jpg</image:loc>
			<image:caption><![CDATA[Teppich aus Sudak, Krim, südliche Ukraine, Ankauf von Elisabeth Tietmeyer, 1994 Carpet from Sudak, Crimea, southern Ukraine, purchased by Elisabeth Tietmeyer, 1994 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/pflanzen-und-menschen-das-projekt-4a_lab-im-kurzportrait/</loc>
		<lastmod>2022-04-22T09:01:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/04/4a_lab_0.png</image:loc>
			<image:title><![CDATA[4a_lab_0]]></image:title>
			<image:caption><![CDATA[© 4A_Lab]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/04/4a_lab_1.png</image:loc>
			<image:caption><![CDATA[Front-Ansicht der Villa Parey, u.a. Sitz des 4A_Lab, 2021; Foto: Jung-Hwa Kim.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/04/4a_lab_2.png</image:loc>
			<image:caption><![CDATA[Ortstermin im Depot des Ethnologischen Museums, 4A_Lab Fellow Dr. Bat-ami Artzi (2.v.r.) und Dr. Manuela Fischer (r.), 2020 © 4A_Lab.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/04/4a_lab_3.jpg</image:loc>
			<image:caption><![CDATA[Ortstermin mit Dr. Katrin Böhme in der Staatsbibliothek zu Berlin, 2022 © 4A_Lab.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/04/4a_lab_4.png</image:loc>
			<image:caption><![CDATA[Nelke und Hyazinthe, Anthologie, 18. Jahrhundert, Staatsbibliothek zu Berlin,  Diez A Oct 78, fol. 2r.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/04/4a_lab_5.png</image:loc>
			<image:caption><![CDATA[Nehemiah Grew, "Tab. 4," The Phytological History of Plants, 1673,  Nr.: 434851, Huntington Library, San Marino, Kalifornien. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/04/4a_lab_6.jpg</image:loc>
			<image:caption><![CDATA[Unterhaltung in einem Palastgarten von Faizullah (1765-1775), Faizabad, Indien. Opake Aquarellfarbe und Gold auf Papier. 50,5 x 69,2. © Aga Khan Museum.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/04/4a_lab_7.gif</image:loc>
			<image:caption><![CDATA[Waldbodenstillleben mit Pilzen, Schmetterlingen und einer Schlange von Otto Marseus Van Schrieck (1620-1678), ca. 1657, Öl auf Leinwand, 32,6 x 41,2. Verkauft bei Sotheby's, New York, 27. Januar 2011, Los 241.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/welt-trifft-stadt-die-haeuser-und-sammlungen-der-staatlichen-museen-zu-berlin/</loc>
		<lastmod>2022-05-09T10:10:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/11_ANG_DvB.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/15_AM_DvB.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/04_JSG_DvB.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/11_ANG_DvB.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/23_Kulturforum_Eingang_Achim_Kleuker.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/28_NNG_Maximilian_Meisse.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/38_MEK_201705_David_von_Becker.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/29_HBF_DvB.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/32_Schloss_Koepenick.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-spuren-ukrainischer-kunst-und-kultur-im-kupferstichkabinett/</loc>
		<lastmod>2022-05-12T10:19:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/titelbild_ukraine.jpg</image:loc>
			<image:title><![CDATA[titelbild_ukraine]]></image:title>
			<image:caption><![CDATA[Sergej Anufriev (geb. 1964), Ohne Titel (Träumende an Bäume gelehnt), 1984, Tusche, Aquarell, Deckfarben auf Karton beidseitig bemalt und collagiert, KdZ 29543, Schenkung Haralampi G. Oroschakoff (2003)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/01-La-Traverse.jpg</image:loc>
			<image:caption><![CDATA[Jean Balthasar De La Traverse (1770 – nach 1808), Antike Ruinen mit Staffagefiguren auf der Halbinsel Krim, um 1798, Feder in Grau, braun laviert, auf Papier, KdZ 27711, Ankauf aus Privatbesitz (1987); © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/02-La-Traverse.jpg</image:loc>
			<image:caption><![CDATA[Jean Balthasar De La Traverse (1770 – nach 1808), Ansicht der Stadt Akmescit / Simferopol auf der Halbinsel Krim, um 1798, Feder in Grau, auf Papier, KdZ 27711 verso, Ankauf aus Privatbesitz (1987) © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/03-Malewitch.jpg</image:loc>
			<image:caption><![CDATA[Kasimir Ssewerinowitsch Malewitsch (1893 - 1935), Doppelseite aus dem Buch Suprematismus, 1920, Lithographie, Inv. 51-1986,30-31, Ankauf aus dem Schweizer Kunsthandel (1986) © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/04-Archipenko-scaled.jpg</image:loc>
			<image:caption><![CDATA[Alexander Archipenko (1887 - 1964), Stillleben (aus: Die Schaffenden, 3. Jg., Mappe I/1), 1922, Lithographie, Inv. AM 3-1964, Ankauf aus Privatbesitz (1964) © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/05-Archipenko.jpg</image:loc>
			<image:caption><![CDATA[Alexander Archipenko (1887 - 1964), Drei Akte, um 1921, Lithographie, Inv. AM 106-1961, Vom Ministerium für Kultur der DDR überwiesen (1961)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/06-Chichinski-scaled.jpg</image:loc>
			<image:caption><![CDATA[Leoníd Semjónowitsch Chishínski (1896 - 1972), Illlustration zur Erzählung von Jorisch Jerschowitsch, dem Kaulbarsch (aus: Satirische Erzählungen aus dem alten Russland), 1963, Holzstich, Inv. C-403.2, Schenkung Lothar Bolz (1983)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/07-Kaplan-scaled.jpg</image:loc>
			<image:caption><![CDATA[Anatolij L'vovič Kaplan (1917 - 1980), Der Hund und der Mond (Illustration zu: Mendele Moicher Sforim, Fischke der Krumme), 1976, Kaltnadelradierung, C-1910, Schenkung Lothar Bolz (1983)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/08-Schultheiss-scaled.jpg</image:loc>
			<image:caption><![CDATA[Arnd Schultheiß (1930-2021), Der Dirigent Igor Markevitch (aus: Studien aus dem Konzertsaal I), 1985, Radierung, weiß gehöht, auf grünem Papier, Inv. AM 158-1986, Geschenk des Rates der Stadt Leipzig, Abteilung Kultur]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/9-Anufriev.jpg</image:loc>
			<image:caption><![CDATA[Sergej Anufriev (geb. 1964), Ohne Titel (Träumende an Bäume gelehnt), 1984, Tusche, Aquarell, Deckfarben auf Karton beidseitig bemalt und collagiert, KdZ 29543, Schenkung Haralampi G. Oroschakoff (2003)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/10-Leiderman.jpg</image:loc>
			<image:caption><![CDATA[Juri Leiderman (geb. 1963), Elefanten, 1996, fünf Blatt, brauner Buntstift auf Papier, KdZ 29550 a-e, Schenkung Haralampi G. Oroschakoff (2003)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/barbara-kruger-im-interview-wir-leben-in-einer-zeit-beschleunigter-ereignisse-verstaerkt-durch-die-macht-der-digitalen-medien/</loc>
		<lastmod>2022-06-03T09:09:23+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/DSC6419%C2%A9AnitaBack.jpg</image:loc>
			<image:title><![CDATA[Neue Nationalgalerie]]></image:title>
			<image:caption><![CDATA[Neue Nationalgalerie, Ausstellung Barbara Kruger "Bitte Lachen, Please Cry", 11.5.2022 ©AnitaBack]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/DSC6672%C2%A9AnitaBack.jpg</image:loc>
			<image:caption><![CDATA[Neue Nationalgalerie, Ausstellung Barbara Kruger "Bitte Lachen, Please Cry", 11.5.2022 ©AnitaBack]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/DSC6596%C2%A9AnitaBack.jpg</image:loc>
			<image:caption><![CDATA[Neue Nationalgalerie, Ausstellung Barbara Kruger "Bitte Lachen, Please Cry", 11.5.2022 ©AnitaBack]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/DSC6414%C2%A9AnitaBack.jpg</image:loc>
			<image:caption><![CDATA[Neue Nationalgalerie, Ausstellung Barbara Kruger "Bitte Lachen, Please Cry", 11.5.2022 ©AnitaBack]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/DSC6517%C2%A9AnitaBack.jpg</image:loc>
			<image:caption><![CDATA[Neue Nationalgalerie, Ausstellung Barbara Kruger "Bitte Lachen, Please Cry", 11.5.2022 ©AnitaBack]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/DSC6533%C2%A9AnitaBack.jpg</image:loc>
			<image:caption><![CDATA[Neue Nationalgalerie, Ausstellung Barbara Kruger "Bitte Lachen, Please Cry", 11.5.2022 ©AnitaBack]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hollywood-fotografien-der-mythos-aus-der-linse/</loc>
		<lastmod>2022-06-08T08:53:25+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/5_Philip-Lorca_diCorcia_David_Holstein_copyright_Philip-Lorca_diCorcia._Courtesy_the_artist_David_Zwirner_and_Sprueth_Magers.jpg</image:loc>
			<image:title><![CDATA[5_Philip-Lorca_diCorcia_David_Holstein_copyright_Philip-Lorca_diCorcia._Courtesy_the_artist_David_Zwirner_and_Sprueth_Magers]]></image:title>
			<image:caption><![CDATA[Philip-Lorca diCorcia, David Holstein, 30 years old, Elnora, Indiana, $25, 1990-92, © Philip-Lorca diCorcia, Courtesy the artist, David Zwirner and Sprüth Magers]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/2_Helmut_Newton_Elizabeth_Taylor_Vanity_Fair_Los_Angeles_1985_copyright_Helmut_Newton_Foundation.jpg</image:loc>
			<image:caption><![CDATA[Helmut Newton, Elizabeth Taylor, Vanity Fair, Los Angeles 1985, © Helmut Newton Foundation]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/11_Marilyn_Monroe_going_over_her_lines_for_a_difficult_scene_The_Misfits_USA_1960_copyright_Eve_Arnold_and_Magnum_Photos.jpg</image:loc>
			<image:caption><![CDATA[Eve Arnold, Marilyn Monroe going over her lines for a difficult scene she is about to play with Clarke Gable in the film „The Misfits“, Reno, Nevada, 1960, © Eve Arnold/Magnum Photos]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/6_Jens_Liebchen_L.A._Crossing_2010-2022_copyright_Jens_Liebchen_courtesy_Galerie_Springer_Berlin.jpg</image:loc>
			<image:caption><![CDATA[Jens Liebchen, Untitled from: L.A. Crossing, 2010-2022, Santa Monica Blvd / Bronson Ave, © Jens Liebchen, Courtesy the artist, Galerie Springer Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-preusse-kommt-nach-hause-20-jahre-christian-daniel-rauch-museum-in-bad-arolsen/</loc>
		<lastmod>2022-06-09T09:09:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/Samuel-Salcedo-Bad-Arolsen-0522-0321.jpg</image:loc>
			<image:title><![CDATA[Samuel-Salcedo-Bad-Arolsen-0522--0321]]></image:title>
			<image:caption><![CDATA[Skulptur von Samuel Salcedo vor dem Christian Daniel Rauch-Museum in Bad Arolsen. © Museum Bad Arolsen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/Samuel-Salcedo-Bad-Arolsen-0522-0363.jpg</image:loc>
			<image:caption><![CDATA[Skulptur von Samuel Salcedo vor dem Residenzschloss in Bad Arolsen. © Museum Bad Arolsen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/L1000469b.jpg</image:loc>
			<image:caption><![CDATA[Blick ins Christian Daniel Rauch-Museum in Bad Arolsen. © Museum Bad Arolsen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/800px-Chrisitan_Daniel_Rauch.jpg</image:loc>
			<image:caption><![CDATA[Christian Daniel Rauch, Fotografie von Franz Hanfstaengl, 1855]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/L1000435f.jpg</image:loc>
			<image:caption><![CDATA[Blick ins Christian Daniel Rauch-Museum in Bad Arolsen. © Museum Bad Arolsen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/L1000421f.jpg</image:loc>
			<image:caption><![CDATA[Blick ins Christian Daniel Rauch-Museum in Bad Arolsen. © Museum Bad Arolsen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-bedeutende-werke-aus-125-jahren-kaiser-friedrich-museumsverein/</loc>
		<lastmod>2022-06-16T08:40:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/titelbild_kfmv_prinz.jpg</image:loc>
			<image:title><![CDATA[titelbild_kfmv_prinz]]></image:title>
			<image:caption><![CDATA[Germain Pilon (Umkreis): Büste eines jugendlichen Prinzen, um 1555/60 © Prudence Cuming Associates Ltd. London]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/8_freigestellt.jpg</image:loc>
			<image:caption><![CDATA[Pietro Orioli (zugeschrieben): Idealstadt, um 1492 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/der_heilige_michael-2.jpg</image:loc>
			<image:caption><![CDATA[Luca Giordano: Der Heilige Michael besiegt Satan und die rebellischen Engel, um 1663 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/der_mann_mit_dem_goldhelm-2.jpg</image:loc>
			<image:caption><![CDATA[Rembrandt (Umkreis): Der Mann mit dem Goldhelm, 1655 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/die_geburt_christi-2.jpg</image:loc>
			<image:caption><![CDATA[Martin Schongauer: Die Geburt Christi, 1480 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/lesende.jpg</image:loc>
			<image:caption><![CDATA[Jean François de Troy: Die Lesende, 1723 © Staatliche Museen zu Berlin, Gemäldegalerie / Volker H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/maria_aus_einer_verkuendungsgruppe.jpg</image:loc>
			<image:caption><![CDATA[Francesco di Valdambrino: Maria aus einer Verkündigungsgruppe (Annunciata), 1420 © Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/bildnis_des_baron_philipp-1.jpg</image:loc>
			<image:caption><![CDATA[Edme Bouchardon: Bildnis des Baron Philipp von Stosch, 1727 © Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/madonna_mit_kind-2.jpg</image:loc>
			<image:caption><![CDATA[Luca della Robbia: Madonna mit Kind („Madonna mit dem Apfel“), 1455-60 © Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Steinkopf]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/stom.jpg</image:loc>
			<image:caption><![CDATA[Matteus Stom: Sarah führt Abraham Hagar zu, 1642 © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/Puget_1-Voigt-2014.jpg</image:loc>
			<image:caption><![CDATA[Pierre Puget: Modell für eine Kolossalstatue des Heiligen Alessandro Sauli, um 1663/64 © Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Antje Voigt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/prinz-scaled.jpg</image:loc>
			<image:caption><![CDATA[Germain Pilon (Umkreis): Büste eines jugendlichen Prinzen, um 1555/60 © Prudence Cuming Associates Ltd. London]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/koenigliche_stifterin-2.jpg</image:loc>
			<image:caption><![CDATA[Statue der Königin Johanna I. von Navarra als Stifterin, Paris um 1305 © Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Antje Voigt]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-bauhaeusler-im-u-boot-sabine-thuemmler-im-interview/</loc>
		<lastmod>2022-06-20T13:04:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/22A9739-scaled.jpg</image:loc>
			<image:title><![CDATA[_22A9739]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/Th%C3%BCmmler.jpg</image:loc>
			<image:caption><![CDATA[Sabine Thümmler, Direktorin des Kunstgewerbemuseums, in der Sammlung. © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/KGM_Dieckmann_Ausstellungsansicht_04.jpg</image:loc>
			<image:caption><![CDATA[Ansicht der Ausstellung Stühle. Dieckmann! Der vergessene Bauhäusler Erich Dieckmann © photothek / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/Roter_sessel_Nr_8139.jpg</image:loc>
			<image:caption><![CDATA[Erich Dieckmann, Sessel Nr. 8139, Ausführung: Cebaso, Ohrdruf i.Thüringen, 1930–1931, verchromtes Stahlrohr, Holz, Eisengarnstoff, Leihgabe Galerie Fiedler, Berlin © Galerie Fiedler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/2-kunstgewerbemuseum.jpg</image:loc>
			<image:caption><![CDATA[Eingang zur Modegalerie mit Leitsystem von Double Standards. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/23_Eingang-Kunstgewerbemuseum-Kulturforum_Achim-Kleuker_1500.jpg</image:loc>
			<image:caption><![CDATA[Eingang zum Kunstgewerbemuseum am Kulturforum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/krieg-und-keramik-eine-ukrainische-archaeologin-im-alten-museum/</loc>
		<lastmod>2022-06-24T16:06:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/IMG_3118.jpeg</image:loc>
			<image:title><![CDATA[IMG_3118]]></image:title>
			<image:caption><![CDATA[Schwarz-glasierte attische Keramik im Alten Museum Alten Museum © Iryna Chechulina]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/photo_2022-06-22_15-11-44.jpg</image:loc>
			<image:caption><![CDATA[Iryna Chechulina im Alten Museum © privat]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/IMG_2034-scaled.jpeg</image:loc>
			<image:caption><![CDATA[Schwarz-glasierte attische Keramik im Alten Museum Alten Museum © Iryna Chechulina]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/IMG_2753.jpeg</image:loc>
			<image:caption><![CDATA[Schwarz-glasierte attische Keramik im Alten Museum Alten Museum © Iryna Chechulina]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/IMG_3141-scaled.jpeg</image:loc>
			<image:caption><![CDATA[Schwarz-glasierte attische Keramik im Alten Museum Alten Museum © Iryna Chechulina]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-kamera-ist-ein-maechtiges-werkzeug-ein-kriegstagebuch-aus-der-ukraine/</loc>
		<lastmod>2022-06-24T16:08:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/01_MEK_Ukraine-Tagebuch_Irpin.jpg</image:loc>
			<image:title><![CDATA[Krieg in Ukraine]]></image:title>
			<image:caption><![CDATA[Inhabitants of Irpin cross river under the ruined bridge, which connects Irpin with Kyiv and at the moment is the only escape point from the city. Ukraine 2022. Irpin, 4. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/20220623_130746.jpg</image:loc>
			<image:caption><![CDATA[Mila Teshaieva © Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/04_MEK_Ukraine-Tagebuch_Kyjiw_27_Maerz_2022.jpg</image:loc>
			<image:caption><![CDATA[Kyjiw, 27. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/03_MEK_Ukraine-Tagebuch_Kyjiw_20_Maerz_2022.jpg</image:loc>
			<image:caption><![CDATA[Kyjiw, 20. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/02_MEK_Ukraine-Tagebuch_9_Maerz_2022.jpg</image:loc>
			<image:caption><![CDATA[9. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/01_MEK_Ukraine-Tagebuch_Irpin.jpg</image:loc>
			<image:caption><![CDATA[Irpin, 4. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-verflochtenheit-der-welt/</loc>
		<lastmod>2022-07-05T13:53:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/01_MEK_ALLHANDSON_Interaktive_Station.jpg</image:loc>
			<image:title><![CDATA[01_MEK_ALLHANDSON_Interaktive_Station]]></image:title>
			<image:caption><![CDATA[Interaktive Station „Flechten heißt entscheiden!“, 2021 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/16_MEK_ALLHANDSON_Ausstellungsansicht_2_neu.jpg</image:loc>
			<image:caption><![CDATA[Ansicht der Ausstellung „ALL HANDS ON: Flechten“ © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/01_MEK_ALLHANDSON_Interaktive_Station.jpg</image:loc>
			<image:caption><![CDATA[Interaktive Station „Flechten heißt entscheiden!“, 2021 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/03_MEK_ALLHANDSON_Haubenkorb.jpg</image:loc>
			<image:caption><![CDATA[Haubenkorb (Detail), Königsberg, Ostpreußen, um 1820 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/06_MEK_ALLHANDSON_Nest_Feldmaus-scaled.jpg</image:loc>
			<image:caption><![CDATA[Nest einer Feldmaus © Ingo Arndt Photogaphy]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/15_MEK_ALLHANDSON_Ausstellungsansicht_1.jpg</image:loc>
			<image:caption><![CDATA[Ansicht der Ausstellung „ALL HANDS ON: Flechten“ © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/und-die-amsel-singt/</loc>
		<lastmod>2022-07-07T14:12:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/34_MB_hc-krass.jpg</image:loc>
			<image:title><![CDATA[34_MB_hc-krass]]></image:title>
			<image:caption><![CDATA[Museum Berggruen mit Erweiterungsbau, Schloßstraße 1, Berlin-Charlottenburg© Staatliche Museen zu Berlin / hc-krass.deMuseum Berggruen mit Erweiterungsbau, Schloßstraße 1, Berlin-Charlottenburg© Staatliche Museen zu Berlin / hc-krass.de]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/34_MB_hc-krass.jpg</image:loc>
			<image:caption><![CDATA[Museum Berggruen mit Erweiterungsbau, Schloßstraße 1, Berlin-Charlottenburg© Staatliche Museen zu Berlin / hc-krass.deMuseum Berggruen mit Erweiterungsbau, Schloßstraße 1, Berlin-Charlottenburg© Staatliche Museen zu Berlin / hc-krass.de]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/33_MB_Maximilian_Meisse.jpg</image:loc>
			<image:caption><![CDATA[Museum BerggruenSchloßstraße 1, Berlin-Charlottenburg© Staatliche Museen zu Berlin / Maximilian Meisse]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/Museum-Berggruen_DvB-28-scaled.jpg</image:loc>
			<image:caption><![CDATA[Besucher:innen im Museum Berggruen © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/00091694_Treppenspirale-scaled.jpg</image:loc>
			<image:caption><![CDATA[Treppen im Museum Berggruen © Staatliche Museen zu Berlin / Robert Schittko]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wir-wecken-das-museum-aus-dem-dornroesschenschlaf/</loc>
		<lastmod>2022-07-20T16:53:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/THE-FAR-NEAR_%C2%A9-Kat-Va%CC%81lastur.jpg</image:loc>
			<image:title><![CDATA[The Far Near© Kat Válastur]]></image:title>
			<image:caption><![CDATA[The Far Near© Kat Válastur]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/Jerome-Bel_%C2%A9-Laurent-Philippe.jpg</image:loc>
			<image:caption><![CDATA[Jérôme Bel © Laurent Philippe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/Portra%CC%88t_%C2%A9Kat-Va%CC%81lastur.jpg</image:loc>
			<image:caption><![CDATA[Porträt Kat Válastur © Kat Válastur]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/THE-FAR-NEAR_%C2%A9-Kat-Va%CC%81lastur.jpg</image:loc>
			<image:caption><![CDATA[The Far Near© Kat Válastur]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/forschung-im-exil-kiewer-praehistorikerinnen-in-berliner-sammlungen/</loc>
		<lastmod>2022-07-21T10:06:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/Gass_Skythischer-Kurgan-in-der-Ukraine.jpg</image:loc>
			<image:title><![CDATA[Gass_Skythischer Kurgan in der Ukraine]]></image:title>
			<image:caption><![CDATA[Skythischer Kurgan in der ukrainischen Steppe. Foto: Maryna Daragan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/Gass_Polin-im-Institut-02.jpg</image:loc>
			<image:caption><![CDATA[Sergii Polin mit von ihm rekonstruierten Amphoren in seinem Büro im Institut für Archäologie, Kiew. Im Laufe der Untersuchungen der Peripherie der skythischen Königskurgane fanden die Archäolog*innen mehrere Hunderte griechischen Weintransportamphoren, die von Skythen im Zuge der Gedenkerinnerungsfeier am Fuße der Königskurgane zerschlagen wurden.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/Gass_Daragan-Ausgrabung-Kurgan.jpg</image:loc>
			<image:caption><![CDATA[Maryna Daragan während der Ausgrabung des bronzezeitlichen Kurgans, Gebiet Dnipropetrowsk.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/Gass_Beinschienen.jpg</image:loc>
			<image:caption><![CDATA[Beginn der Präparation von bronzenen Beinschienen aus einem Grab skythischen Kriegers im Institut für Archäologie, Kiew.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/Gass_Skythischer-Kurgan-in-der-Ukraine.jpg</image:loc>
			<image:caption><![CDATA[Skythischer Kurgan in der ukrainischen Steppe. Foto: Maryna Daragan]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/queere-spuren-in-den-museen/</loc>
		<lastmod>2022-07-22T14:28:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/ITCuRjklPNlw-scaled-e1658490775350.jpg</image:loc>
			<image:title><![CDATA[ITCuRjklPNlw]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Phaeton.jpg</image:loc>
			<image:caption><![CDATA[Simone Mosca: Der Sturz des Phaeton, um 1560 © Staatlichen Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/h_70248549-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Sappho.jpg</image:loc>
			<image:caption><![CDATA[Gemälde / Öl auf Leinwand (o. J.) von  ,  Johann August Nahl d.J. [1752 - 1825]  ,  Bildmaß 63 x 49 cm ,  Inventar-Nr.: A II 1039 ,  Person: Sappho [um 600 v. Chr.], Griechische Dichterin ,  Systematik:  ,  Personen / Schriftstellerinnen / Sappho / Szenen, Artist: Johann August Nahl d.J.   Werbliche Nutzung nur nach Rücksprache!, Copyright: bpk / Nationalgalerie, SMB / Klaus Göken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/DeagGv3sMsOR-e1658489618107.jpg</image:loc>
			<image:caption><![CDATA[Le Chevalier d'Eon. Opéra comique en 4 actes Plakat 1908 Fotonachweis: Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar KatzCC BY-NC-SA 4.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/3273_062.jpg</image:loc>
			<image:caption><![CDATA[Frauen in Pullovern von Else Tischler, 1922 Fotografin: Trude Fleischmann (1895-1990)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Conchita-Wurst.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Hermaphrodit.jpg</image:loc>
			<image:caption><![CDATA[Marmor (Hadrianisch (um 120 - 140 n.Chr.))  ,  Höhe 172,3 cm (mit Basis), Höhe 157 cm (ohne Basis) ,  Inventar-Nr.: SK 193 ,  Systematik:  ,  Geschichte / Antike / Ägäis / Griechen / Bildende Kunst / Plastik / Standfiguren / Marmor, Stein / männlich / allgemein   Werbliche Nutzung nur nach Rücksprache!, Copyright: bpk / Antikensammlung, SMB / Johannes Laurentius]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/sehnsucht-nach-armenien-ein-gespraech-mit-dem-fotografen-erol-gurian/</loc>
		<lastmod>2022-08-05T11:05:22+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/armenien1.jpg</image:loc>
			<image:title><![CDATA[armenien1]]></image:title>
			<image:caption><![CDATA[Kahchen Gebirge Bergkarabach © Erol Gurian 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/armenien1.jpg</image:loc>
			<image:caption><![CDATA[Kahchen Gebirge Bergkarabach © Erol Gurian 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Traumorte_Pressefoto_6.2.jpg</image:loc>
			<image:caption><![CDATA[Blick aus dem Taxi auf die Berge. Nahe Areni © Erol Gurian 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Traumorte_Pressefoto_3.1.jpg</image:loc>
			<image:caption><![CDATA[Aroussiag Sassounian 84, Rentnerin, Los Angeles „Die waren so fasziniert vom armenischen Kaffee, dass sie ihn nicht austranken und die halbvollen Tassen mit nach Hause nahmen.“ © Erol Gurian 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Traumorte_Pressefoto_4.1.jpg</image:loc>
			<image:caption><![CDATA[Hamaz Ghazarian 63, Facharzt für Allgemeinmedizin, Köln „Der schlug vor, dass er uns ein Haus baut und ich ihm dafür einen Mercedes besorge. Zwei Jahre später haben wir einen Autoschlüssel gegen unseren Hausschlüssel eingetauscht.“ © Erol Gurian 2016]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Traumorte_Pressefoto_3.2.jpg</image:loc>
			<image:caption><![CDATA[Kaffeekanne in einem Stahlofen, Gandsassar © Erol Gurian 2016]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/stolze-kulturbotschafter-baukunst-aus-ozeanien-im-humboldt-forum/</loc>
		<lastmod>2022-08-08T13:07:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/220803_KHUM_PHT005.jpg</image:loc>
			<image:title><![CDATA[Dachdeckung des Palau Hauses]]></image:title>
			<image:caption><![CDATA[Handwerker von der Insel Palau decken das Dach des Versammlungshauses im Humboldt Forum © SPK / photothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/IMG_1370.jpg</image:loc>
			<image:caption><![CDATA[Joji Marau Misaele (links) und Rogovosa Biuwale vor dem Drua, dass sie auf Fidschi gebaut haben © SPK, Stefan MüchlerJoji Marau Misaele (links) und Rogovosa Biuwale vor dem Drua, dass sie auf Fidschi gebaut haben © SPK, Stefan Müchler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/IMG_1384.jpg</image:loc>
			<image:caption><![CDATA[Joji Marau Misaele (links) und Rogovosa Biuwale vor dem Drua, dass sie auf Fidschi gebaut haben © SPK, Stefan MüchlerJoji Marau Misaele (links) und Rogovosa Biuwale vor dem Drua, dass sie auf Fidschi gebaut haben © SPK, Stefan Müchler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/220803_KHUM_PHT052.jpg</image:loc>
			<image:caption><![CDATA[Handwerker von der Insel Palau decken das Dach des Versammlungshauses im Humboldt Forum © SPK / photothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/palau_tellei-scaled.jpg</image:loc>
			<image:caption><![CDATA[Patrick Tellei aus Palau im Humboldt Forum © SPK, Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/220803_KHUM_PHT041.jpg</image:loc>
			<image:caption><![CDATA[Handwerker von der Insel Palau decken das Dach des Versammlungshauses im Humboldt Forum © SPK / photothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/220803_KHUM_PHT010.jpg</image:loc>
			<image:caption><![CDATA[Handwerker von der Insel Palau decken das Dach des Versammlungshauses im Humboldt Forum © SPK / photothek]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wir-mochten-dass-im-museum-verruckte-und-emotionale-dinge-passieren-gesprach-mit-zwei-ukrainischen-kunstvermittlerinnen/</loc>
		<lastmod>2022-08-12T14:49:17+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/000568170009.jpg</image:loc>
			<image:title><![CDATA[000568170009]]></image:title>
			<image:caption><![CDATA[Valeria Schiller (links) und Liuba Dyvak in der Neuen Nationalgalerie © Ewan Weddell]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Wiederhold_Jazz-Symphonie.jpg</image:loc>
			<image:caption><![CDATA[Sascha Wiederhold, Jazz-Symphonie, 1927, Öl, Tempera, Gold- und Silberbronze auf Papier, kaschiert auf Leinwand, 306 x 456 cm, Silard Isaak Collection, Nachlass Carl Laszlo, © Rechtsnachfolger Sascha Wiederhold, Foto: Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/000568170004.jpg</image:loc>
			<image:caption><![CDATA[Valeria Schiller und Liuba Dyvak in der Neuen Nationalgalerie © Ewan Weddell]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Wiederhold_Sprengelmuseum.jpg</image:loc>
			<image:caption><![CDATA[Sascha Wiederhold, Figuren im Raum, 1928Öl auf Karton auf Leinwand, 220,5 x 307 cmSprengel Museum Hannover, Leihgabe des Niedersächsischen LandesmuseumFoto: Herling/Herling/Werner, Sprengel Museum Hannover © Rechtsnachfolger Sascha Wiederhold]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/000568170009.jpg</image:loc>
			<image:caption><![CDATA[Valeria Schiller (links) und Liuba Dyvak in der Neuen Nationalgalerie © Ewan Weddell]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/000568170006.jpg</image:loc>
			<image:caption><![CDATA[Valeria Schiller (links) und Liuba Dyvak in der Neuen Nationalgalerie © Ewan Waddell]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/carl-richard-lepsius-begruender-der-deutschen-aegyptologie/</loc>
		<lastmod>2022-08-18T14:24:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/lepsius.jpg</image:loc>
			<image:title><![CDATA[lepsius]]></image:title>
			<image:caption><![CDATA[Gottlieb Biermann: Bildnis Professor Richard Lepsius. 1892/1893 © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Abb.-1_AI505_001Kompr.jpg</image:loc>
			<image:caption><![CDATA[Gottlieb Biermann: Bildnis Professor Richard Lepsius. 1892/1893 © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Abb.2_Preu%C3%9Fische-Expedition-2.jpg</image:loc>
			<image:caption><![CDATA[Die Teilnehmer der Preußischen Expedition auf der Spitze der Cheopspyramide. Kolorierter Stich nach einer Zeichnung von E. Weidenbach. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / Sandra Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Abb.-3_Archival.-Bild-9_B%C3%BCsing.jpg</image:loc>
			<image:caption><![CDATA[Lepsius (im Vordergrund mit Tarbusch) auf einem Esel reitend bei Assuan am 29. September 1844, Originalzeichnung von F. O. Georgi. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / Margarete Büsing]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Abb.4_Lepsius-Abt.-I-Blatt-138.jpg</image:loc>
			<image:caption><![CDATA[Die Pyramiden von Meroë, aus: Lepsius, Denkmaeler aus Aegypten und Aethiopien, Abtheilung I, Blatt 138. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Abb.5_Abt.1-Bd.2-S.108_SMB_AEMP.jpg</image:loc>
			<image:caption><![CDATA[Säulenkapitelle von Philae, aus: Lepsius, Denkmaeler aus Aegypten und Aethiopien, Abteilung1 Band 2 Blatt 108. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Abb.6_Mythologischer-Saal-Nordseite-1.jpg</image:loc>
			<image:caption><![CDATA[Mythologischer Saal, Nordwestliche Ecke mit Szenenfolge nach Entwürfen von Lepsius Aus: Lepsius, C. R., Koenigliche Museen, Abtheilung der aegyptischen Alterthümer. Die Wandgemaelde der verschiedenen Raeume, Berlin 1870. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Abb.9_Mythologischer-Saal_TierkreisSMB_R.Kriesten.jpg</image:loc>
			<image:caption><![CDATA[Mythologischer Saal: Tierkreis, dem Dekorationsprogramm des Tempels von Dendera in Ägypten nachempfunden. © Staatliche Museen zu Berlin. Ägyptisches Museum und Papyrussammlung / R. Kriesten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/Abb.10_MG_5717.jpg</image:loc>
			<image:caption><![CDATA[Im Saal „Ewiges Diesseits“ stehen drei Grabkammern der Pyramidenzeit (2600–2400 v. Chr.), die Lepsius mit Genehmigung des Vizekönigs in Gisa und Sakkâra abbauen und nach Berlin transportieren ließ. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / Sandra Steiß]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-krieg-hat-meine-plaene-veraendert-die-ukrainische-kunstkritikerin-olesia-sobkovych-im-gespraech/</loc>
		<lastmod>2022-08-23T08:20:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/78220465_2390175657912776_5055380617122807808_n.jpg</image:loc>
			<image:title><![CDATA[78220465_2390175657912776_5055380617122807808_n]]></image:title>
			<image:caption><![CDATA[Olesia Sobkovych © Elena Shovkoplias]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/IMG_20220731_144045.jpg</image:loc>
			<image:caption><![CDATA[Olesia Sobkovych © Mykhailo Kobkothe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/117530102_1224541801213367_7994584990403122501_n.jpg</image:loc>
			<image:caption><![CDATA[Olesia Sobkovych © Sergei Udovik]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/78220465_2390175657912776_5055380617122807808_n.jpg</image:loc>
			<image:caption><![CDATA[Olesia Sobkovych © Elena Shovkoplias]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zwischen-brachflaeche-und-kultur-kraftfeld-wie-das-kulturforum-wurde-was-es-ist/</loc>
		<lastmod>2022-09-20T08:00:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/Lange-Nacht-der-Museen_DvB-10.jpg</image:loc>
			<image:title><![CDATA[© Staatliche Museen zu Berlin / David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/h_70388573-1.jpg</image:loc>
			<image:caption><![CDATA[Karl Friedrich Schinkel: Berlin. Entwurf zum Eingang in den Tiergarten am Brandenburger Tor, 1835 (c) bpk / Kupferstichkabinett, SMB / Wolfram Büttner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/h_20036203.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer ,  Sonntags vor dem Zelt 3 promenierten die Berliner bei Freikonzert mit Kind und Familie unter dem Bäumen des Tiergartens. ,  Motiv 1 von 4 ,  Aufnahmedatum: 1910 ,  Aufnahmeort: Berlin ,  Copyright: bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/h_20036230-scaled.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Der Verkehrsturm am Potsdamer Platz im Scheinwerferlicht; (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/h_00079942.jpg</image:loc>
			<image:caption><![CDATA[Lesser Ury:  Potsdamer Platz, um 1925; (c) bpk / Kupferstichkabinett, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/h_00003821.jpg</image:loc>
			<image:caption><![CDATA["Die Neue Reichskanzlei" - Teilansicht der Voss-Straßenfront (Architekt: Albert Speer); (c) bpk / Kunstbibliothek, SMB]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/h_70124296.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer:  Trümmer am Potsdamer Platz, 1945 (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/h_70136447.jpg</image:loc>
			<image:caption><![CDATA[Reinhard Friedrich:  Kulturforum Berlin; links neben der Matthäuskirche die Neue Nationalgalerie mit der Ausstellung ZIRKUS (09.09. ? 05.11.1978) am Vorplatz, rechts die Philharmonie, in der Mitte unten: die Staatsbibliothek, oben: Baustelle des Kunstgewerbemuseums, Aufnahmedatum: Herbst 1978,(c) bpk / Nationalgalerie, SMB / Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/csm_02_Gesamtansicht_viel_Gruen_august_02_0539b136e8.jpg</image:loc>
			<image:caption><![CDATA[ Das Kulturforum mit der Staatsbibliothek zu Berlin © Staatsbibliothek zu Berlin ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/23_Kulturforum_Eingang_Achim_Kleuker.jpg</image:loc>
			<image:caption><![CDATA[Das Kulturforum heute; (c) Staatliche Museen zu Berlin / Achim Kleuker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/restitution-ist-ein-grossartiges-zeichen-von-verantwortungsbewusstsein/</loc>
		<lastmod>2022-10-04T12:32:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/IMG_20220920_145107-scaled.jpg</image:loc>
			<image:title><![CDATA[IMG_20220920_145107]]></image:title>
			<image:caption><![CDATA[Roksolana Ludyn im Humboldt Forum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/IMG-20220920-WA0003.jpg</image:loc>
			<image:caption><![CDATA[Stipendiatin Roksolana Ludyn im Humboldt Forum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/IMG-20220818-WA0010.jpg</image:loc>
			<image:caption><![CDATA[Roksolana Ludyn mit Kolleg*innen in Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/IMG_20220920_145107-scaled.jpg</image:loc>
			<image:caption><![CDATA[Roksolana Ludyn im Humboldt Forum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kultur-ist-nicht-weniger-anfaellig-fuer-manipulationen/</loc>
		<lastmod>2022-10-04T12:35:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/%D0%93%D0%B0%D0%BD%D0%BD%D0%B0-%D0%A0%D1%83%D0%B4%D0%B8%D0%BA1.jpg</image:loc>
			<image:title><![CDATA[Ганна Рудик1]]></image:title>
			<image:caption><![CDATA[Hanna Rudyk Ⓒ privat]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/DSCF5814-scaled.jpg</image:loc>
			<image:caption><![CDATA[Islamic collection on display of the Khanenko Museum before February 24, 2022. Ⓒ Olga Miklashevska]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/H_4.jpg</image:loc>
			<image:caption><![CDATA[The khanenko Museum in Kyiv, the Grand Staircase before. Ⓒ Mykhailo Andreyev]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Khanenko-museum-Facade_cut.jpg</image:loc>
			<image:caption><![CDATA[The Khanenko Museum in Kiew, Fassade. Ⓒ The Khanenko Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/%D0%93%D0%B0%D0%BD%D0%BD%D0%B0-%D0%A0%D1%83%D0%B4%D0%B8%D0%BA1.jpg</image:loc>
			<image:caption><![CDATA[Hanna Rudyk Ⓒ privat]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/maenner-in-der-fremde-eine-aegypten-expedition-1842/</loc>
		<lastmod>2022-10-04T14:33:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_4.png</image:loc>
			<image:title><![CDATA[expedition_4]]></image:title>
			<image:caption><![CDATA[Abb. 4: Ernst Weidenbach. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_1.jpg</image:loc>
			<image:caption><![CDATA[Abb. 1: Richard Lepsius mit Gabre Mariam. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_2.jpg</image:loc>
			<image:caption><![CDATA[Abb. 2: Georg Erbkam. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.Abb. 2: Georg Erbkam. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_3.jpg</image:loc>
			<image:caption><![CDATA[Abb. 3: Max Weidenbach. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_4.png</image:loc>
			<image:caption><![CDATA[Abb. 4: Ernst Weidenbach. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_5.jpg</image:loc>
			<image:caption><![CDATA[Abb. 5: Heinrich Abeken. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_6.jpg</image:loc>
			<image:caption><![CDATA[Abb. 6: Otto Georgi. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_7.jpg</image:loc>
			<image:caption><![CDATA[Abb. 7: Die „Gedächtnisstele“ für Richard Lepsius zum Geburtstag, Zeichnung von Otto Georgi mit einer Randverzierung von Georg Erbkam. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_8.jpg</image:loc>
			<image:caption><![CDATA[Abb. 8: Koch Syrian. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_9.jpg</image:loc>
			<image:caption><![CDATA[Abb. 9: Der Diener Ibrahim beim Brennen von Kaffeebohnen. © Staatliche Museen zu Berlin, Kunstbibliothek.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/expedition_10.jpg</image:loc>
			<image:caption><![CDATA[Abb. 10: Heinrich Abeken, Georg Erbkam und Max Weidenbach unter einer Palme. © Staatliche Museen zu Berlin, Kupferstichkabinett.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/faszination-fragment-incomplete-zerstoert-zerteilt-ergaenzt/</loc>
		<lastmod>2022-10-11T12:03:32+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/10/IMG_1252.jpeg</image:loc>
			<image:title><![CDATA[IMG_1252]]></image:title>
			<image:caption><![CDATA[Ansichten aus der Volo-Ausstellung "In:complete. Zerstört – Zerteilt – Ergänzt" in der Kunstbibliothek. © Staatliche Museen zu Berlin / Elena Then]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/10/DSCF8086.jpg</image:loc>
			<image:caption><![CDATA[Ansichten aus der Volo-Ausstellung "In:complete. Zerstört – Zerteilt – Ergänzt" in der Kunstbibliothek. © Staatliche Museen zu Berlin / Katja Böhlau]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/10/DSCF8156.jpg</image:loc>
			<image:caption><![CDATA[https://blog.smb.museum/wp-content/uploads/2022/10/DSCF8155.jpg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/10/IMG_1252.jpeg</image:loc>
			<image:caption><![CDATA[Ansichten aus der Volo-Ausstellung "In:complete. Zerstört – Zerteilt – Ergänzt" in der Kunstbibliothek. © Staatliche Museen zu Berlin / Elena Then]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/10/IMG_1251.jpeg</image:loc>
			<image:caption><![CDATA[Ansichten aus der Volo-Ausstellung "In:complete. Zerstört – Zerteilt – Ergänzt" in der Kunstbibliothek. © Staatliche Museen zu Berlin / Elena Then]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/den-augen-trauen-oder-nicht/</loc>
		<lastmod>2022-11-10T11:07:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/titelbild_vogelschau.jpg</image:loc>
			<image:title><![CDATA[titelbild_vogelschau]]></image:title>
			<image:caption><![CDATA[• Jill, Nancy, Candy, Billy No. Lavalette N. J., Automatenbild (Photomatic), USA, 1940er-Jahre, © Archiv Günter Karl Bose]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/MF_Vogelschau_14__Damm_Ameise_Kreuzung.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/MF_Vogelschau_12_Walther_Buschi.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/MF_Vogelschau_20_Derleth_CameraObscura.jpg</image:loc>
			<image:caption><![CDATA[Günter Derleth, Weihnachtskugelpralinenpackungkaffeedosencameraobscura, 2018, © Günter Derleth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/MF_Vogelschau_04__Bolton_StarGazers_NEU.jpg</image:loc>
			<image:caption><![CDATA[• Robert Gambier Bolton, Star Gazers (Sternengucker). Zwei Eulen, 1890–1900, © Universität der Künste Berlin, Universitätsarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/MF_Vogelschau_01_Photomatic.jpg</image:loc>
			<image:caption><![CDATA[• Jill, Nancy, Candy, Billy No. Lavalette N. J., Automatenbild (Photomatic), USA, 1940er-Jahre, © Archiv Günter Karl Bose]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-natur-der-technik/</loc>
		<lastmod>2022-12-01T13:43:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Vascularizations.jpg</image:loc>
			<image:title><![CDATA[Vascularizations]]></image:title>
			<image:caption><![CDATA[Emile De Visscher, Vascularizations, © Emile De Visscher]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/The_Bark_Sphere_-The_exploration_of_a_forgotten_material_for_the_developmen.jpg</image:loc>
			<image:caption><![CDATA[Charlett Wenig, Bark Sphere, © Charlett Wenig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Claudia_Mareis_-_Rubber.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Tessalated_Material_Systems.jpg</image:loc>
			<image:caption><![CDATA[Karola Dierichs, Felix Räsehorn, Mason Dean, Lennart Eigen, John Nyakatura, Tessellated Material Systems, © Karola Dierichs, Felix Räsehorn, Mason Dean, Lennart Eigen, John Nyakatura]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Architectural_Yarn.jpg</image:loc>
			<image:caption><![CDATA[Iva Rešetar, Christiane Sauer, Josephine Shone, Maxie Schneider, Architectural Yarns, © Iva Rešetar, Christiane Sauer, Josephine Shone, Maxie Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/INFAUNA._A_Biomaterial_Culture.jpg</image:loc>
			<image:caption><![CDATA[Heidi Jalkh, INFAUNA | A Biomaterial Culture, © Heidi Jalkh]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-donatello-als-erfinder-der-renaissance/</loc>
		<lastmod>2022-12-12T08:42:20+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/gross-gemaeldegalerie-donatello-gattamelata.jpg</image:loc>
			<image:title><![CDATA[gross-gemaeldegalerie-donatello-gattamelata]]></image:title>
			<image:caption><![CDATA[Nach Donatello, Kopf des Gattamelata (Leihgabe Museo di Scienze Archeologiche e d’Arte, Padua) © Blindbild Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/gross-gemaeldegalerie-donatello-madonna-pazzi-3-scaled.jpg</image:loc>
			<image:caption><![CDATA[Donatello, Jungfrau und Kind (Pazzi Madonna) (Skulpturensammlung, Staatliche Museen zu Berlin), © Blindbild Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/gross-gemaeldegalerie-donatello-madonna-dudley-scaled.jpg</image:loc>
			<image:caption><![CDATA[Donatello, „Dudley-Madonna“, © Blindbild Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Kat56_2006AH2137.jpg</image:loc>
			<image:caption><![CDATA[Donatello, Maria mit Kind (Chellini-Madonna), um 1450-55, © Victoria and Albert Museum, London]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Kat57_2022NC6983-1.jpg</image:loc>
			<image:caption><![CDATA[Gegossene Replik nach der Chellini-Madonn, 1976, Glas, © Victoria and Albert Museum, London]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/donatello_neu_1.jpg</image:loc>
			<image:caption><![CDATA[Donatello, Maria mit Kind und Fünf Engeln, um 1455-60, Terrakotta, mit Resten einer Farbfassung, © Staatliche Museen zu Berlin, Skulpturensammlung / Antje Voigt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/donatello_2-scaled.jpg</image:loc>
			<image:caption><![CDATA[Donatello, Maria mit Kind (Cherubim-Madonna), um 1440-45, Terrakotta, ehemals bemalt, © Staatliche Museen zu Berlin, Skulpturensammlung / Antje Voigt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/gross-gemaeldegalerie-donatello-spiritelli.jpg</image:loc>
			<image:caption><![CDATA[Zwei Spiritelli (Staatliche Museen zu Berlin, Skulpturensammlung / Leihgabe des Museo Nazionale del Bargello), © Blindbild Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/6-Piot-Detail.jpg</image:loc>
			<image:caption><![CDATA[Donatello und Werkstatt, Maria mit Kind (Piot-Madonna), um 1440, Terrakotta, ehemals vergoldet, Wachs und Glas, Musée du Louvre, © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/6-Piot-ganz.jpg</image:loc>
			<image:caption><![CDATA[Donatello und Werkstatt, Maria mit Kind (Piot-Madonna), um 1440, Terrakotta, ehemals vergoldet, Wachs und Glas, Musée du Louvre, © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/gross-gemaeldegalerie-donatello-maria-terrakotta.jpg</image:loc>
			<image:caption><![CDATA[Donatello, Jungfrau und Kind (Leihgabe des Victoria &amp; Albert Museum), © Blindbild Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/gross-gemaeldegalerie-donatello-baptist-martelli-2b.jpg</image:loc>
			<image:caption><![CDATA[Donatello, Johannes der Täufer (Martelli Baptist) (Leihgabe Museo Nazionale del Bargello), © Blindbild Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/gross-gemaeldegalerie-donatello-gattamelata.jpg</image:loc>
			<image:caption><![CDATA[Nach Donatello, Kopf des Gattamelata (Leihgabe Museo di Scienze Archeologiche e d’Arte, Padua) © Blindbild Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/gross-gemaeldegalerie-donatello-martelli-bronzino-scaled.jpg</image:loc>
			<image:caption><![CDATA[Agnolo Bronzino, Portrait des Ugolino Martelli (Gemäldegalerie, Staatliche Museen zu Berlin), © Blindbild Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/gross-gemaeldegalerie-donatello-martelli-david-1-scaled.jpg</image:loc>
			<image:caption><![CDATA[Desiderio da Settignano und Nachfolger (Bertoldo Di Giovanni?), David (Martello David) (Leihgabe National Gallery of Art, Washington), © Blindbild Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kolonialismus-kunst-und-kultur-namibia-kooperationsprojekt/</loc>
		<lastmod>2022-12-16T14:15:51+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/EM_Namibia_ReiseObjekte_Vorbereitung.jpg</image:loc>
			<image:title><![CDATA[Namibia.]]></image:title>
			<image:caption><![CDATA[Die am Projekt beteiligten Restauratorinnen Eva Ritz und Johanna Ndahekelekwa Nghishiko bereiten die Objekte auf ihre Reise nach Namibia vor. © SPK / photothek.net / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/image-2.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/image00015.jpeg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wir-teilen-dieselbe-welt-und-muessen-lernen-sie-zu-schuetzen/</loc>
		<lastmod>2022-12-20T08:48:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/11_ANG_DvB.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/IMG-1b1b3b7a70720226bfcf964c1bb745ea-V.jpg</image:loc>
			<image:caption><![CDATA[Liudmyla Kozeko (2. v. re.) mit ukrainischen Geflüchteten in der Alten Nationalgalerie (c) Privat]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/11_ANG_DvB.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Prinzessinnengruppe_Marmor.jpg</image:loc>
			<image:caption><![CDATA[Die marmorne "Prinzessinnengruppe" von J. G. Schadow in der Skulpturenhalle der Alten Nationalgalerie © Staatliche Museen zu Berlin, Alte Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zerstoerte-bruecken-ausgestreckte-haende-jahresrueckblick-2022/</loc>
		<lastmod>2022-12-22T13:17:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/titelbild_jahresrueckblick_2022.jpg</image:loc>
			<image:title><![CDATA[titelbild_jahresrückblick_2022]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/Hummel_Schleifen__Granitschale.jpg</image:loc>
			<image:caption><![CDATA[Johann Erdmann Hummel, Das Schleifen der Granitschale, 1831, Öl auf Pappe, © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/2010-06_ISL-MshattaFassade_kramer-02.jpg</image:loc>
			<image:caption><![CDATA[Die Mschatta-Fassade des Museums für Islamische Kunst im Pergamonmuseum. © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Johannes Kramer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/01_MEK_Ukraine-Tagebuch_Irpin.jpg</image:loc>
			<image:caption><![CDATA[Irpin, 4. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/05/Samuel-Salcedo-Bad-Arolsen-0522-0321.jpg</image:loc>
			<image:caption><![CDATA[Skulptur von Samuel Salcedo vor dem Christian Daniel Rauch-Museum in Bad Arolsen. © Museum Bad Arolsen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/DSC6414%C2%A9AnitaBack.jpg</image:loc>
			<image:caption><![CDATA[Neue Nationalgalerie, Ausstellung Barbara Kruger "Bitte Lachen, Please Cry", 11.5.2022 ©AnitaBack]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/07/34_MB_hc-krass.jpg</image:loc>
			<image:caption><![CDATA[Museum Berggruen mit Erweiterungsbau, Schloßstraße 1, Berlin-Charlottenburg© Staatliche Museen zu Berlin / hc-krass.deMuseum Berggruen mit Erweiterungsbau, Schloßstraße 1, Berlin-Charlottenburg© Staatliche Museen zu Berlin / hc-krass.de]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/220803_KHUM_PHT010.jpg</image:loc>
			<image:caption><![CDATA[Handwerker von der Insel Palau decken das Dach des Versammlungshauses im Humboldt Forum © SPK / photothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/h_20036203.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer , Sonntags vor dem Zelt 3 promenierten die Berliner bei Freikonzert mit Kind und Familie unter dem Bäumen des Tiergartens. , Motiv 1 von 4 , Aufnahmedatum: 1910 , Aufnahmeort: Berlin , Copyright: bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Frau-Czarnecki_DvB-33.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Alexandra Czarnecki arbeitet an dem Gipsmodell von Johann Gottfried Schadows "Prinzessinnengruppe" © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Uprising_in_Tehran_Keshavarz_Boulvard_September_2022_3.jpg</image:loc>
			<image:caption><![CDATA[Proteste in Teheran, Iran, im September 2022. (c) CC BY-SA 4.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/VB_4170.jpg</image:loc>
			<image:caption><![CDATA[Chinesische Schubkarre in der Ausstellung "Schliemanns Welten. Sein Leben. Seine Entdeckungen. Sein Mythos" © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Benin_Einpacken_3_lb.jpg</image:loc>
			<image:caption><![CDATA[Im Dahlemer Depot des Museums wurden die Objekte sorgfältig verpackt und für den Versand vorbereitet. © SPK/photothek/Thomas Trutschel]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-formen-der-welt/</loc>
		<lastmod>2023-02-03T10:33:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/05MontageFluegelViktoria.jpg</image:loc>
			<image:title><![CDATA[Anbau des  den zweiten Flügel der Viktoria im MELH - Mauermahnmal]]></image:title>
			<image:caption><![CDATA[Montagearbeiten an den historischen Gipsmoden der Quadriga © DBT / Foto Jörg F. Müller]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/01FormGrosserKurfuerst.jpg</image:loc>
			<image:caption><![CDATA[Zusammensetzen einer historischen Stückform © Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/02Vergoldung.jpg</image:loc>
			<image:caption><![CDATA[Vergoldungsarbeiten in der Gipsfomrerei © Staatliche Museen zu Berlin, Gipsformerei / Foto Juergen Hohmuth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/03Stueckform-scaled.jpg</image:loc>
			<image:caption><![CDATA[Lösen eines Abgusses aus der Stückform © © Staatliche Museen zu Berlin, Gipsformerei / Foto Juergen Hohmuth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/04BlickWerkstatt.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Werkstatt der Gipsfomerei © Staatliche Museen zu Berlin, Gipsformerei / Foto Thomas Schelper]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/05MontageFluegelViktoria.jpg</image:loc>
			<image:caption><![CDATA[Montagearbeiten an den historischen Gipsmoden der Quadriga © DBT / Foto Jörg F. Müller]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/gipsformerei_1-preis_gmp_rendering.jpg</image:loc>
			<image:caption><![CDATA[Rendering der Gipsformerei nach einem Entwurf des Architekturbüros von Gerkan, Marg und Partner (gmp) © gmp Architects]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/la-donna-e-mobile-muse-macherin/</loc>
		<lastmod>2023-04-28T07:48:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/2966835.jpg</image:loc>
			<image:title><![CDATA[2966835]]></image:title>
			<image:caption><![CDATA[Elisabetta Sirani Ruhe auf der Flucht nach Ägypten; Maria stillt das Jesuskind, um 1655-1665 Radierung (c) Staatliche Museen zu Berlin, Kupferstichkabinett (Foto: Dietmar Katz)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/IMG_1282.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung "Muse oder Macherin? Frauen in der italienischen Kunstwelt 1400-1800" © spk / elena then]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/IMG_1291.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung "Muse oder Macherin? Frauen in der italienischen Kunstwelt 1400-1800" © spk / elena then]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/2845463.jpg</image:loc>
			<image:caption><![CDATA[Diana Mantovana nach Giulio Romano Latona gebiert Apollo und Diana auf der Insel Delos, um 1570–1590 Kupferstich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/2966835.jpg</image:loc>
			<image:caption><![CDATA[Elisabetta Sirani Ruhe auf der Flucht nach Ägypten; Maria stillt das Jesuskind, um 1655-1665 Radierung (c) Staatliche Museen zu Berlin, Kupferstichkabinett (Foto: Dietmar Katz)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/Zwischenablage01.jpg</image:loc>
			<image:caption><![CDATA[Dagmar Korbacher, ab 1. November 2018 Direktorin des Kupferstichkabinetts – Staatliche Museen zu Berlin © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-gefiederter-fruehling/</loc>
		<lastmod>2023-05-03T08:07:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00023256-scaled.jpg</image:loc>
			<image:title><![CDATA[h_00023256]]></image:title>
			<image:caption><![CDATA[Adolph von Menzel: Der rote Ara und Kakadus. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00015237.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Zwei Schwäne. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00023250-scaled.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Der Storch im Schilf. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00023256-scaled.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Der rote Ara und Kakadus. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00095568-scaled.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Süße Freiheit. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00095570-scaled.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Versüßte Knechtschaft. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00095572.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Die Distelfinken und der Kanarienvogel im Bauer. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00095823.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Tauben auf einem Holzdach. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00095866.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Der Rabe, einen silbernen Löffel stehlend. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00095873-scaled.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Der Blauspecht im Laub. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/04/h_00095875.jpg</image:loc>
			<image:caption><![CDATA[Adolph von Menzel: Die Haubenlerche im Kieferngeäst. Aus dem „Kinderalbum“ (1863–1883) © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-paar-tausend-blicke/</loc>
		<lastmod>2023-05-12T13:27:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/230510_SSPK_PHT001.jpg</image:loc>
			<image:title><![CDATA[Museum fuer Fotografie - Matthias ?Harder]]></image:title>
			<image:caption><![CDATA[Matthias Harder, Direktor und leitender Kurator der Helmut Newton Stiftung, aufgenommen im Museum für Fotografie © SPK/photothek, Janine Schmitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/230510_SSPK_PHT001.jpg</image:loc>
			<image:caption><![CDATA[Matthias Harder, Direktor und leitender Kurator der Helmut Newton Stiftung, aufgenommen im Museum für Fotografie  © SPK/photothek, Janine Schmitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/230510_SSPK_PHT008-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung im Aufbau im Museum fuer Fotografie © SPK/photothek, Janine Schmitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/230510_SSPK_PHT007-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung im Aufbau im Museum fuer Fotografie © SPK/photothek, Janine Schmitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/230510_SSPK_PHT009.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung im Aufbau im Museum fuer Fotografie © SPK/photothek, Janine Schmitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/230510_SSPK_PHT006-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung im Aufbau im Museum fuer Fotografie © SPK/photothek, Janine Schmitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/230510_SSPK_PHT005.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung im Aufbau im Museum fuer Fotografie © SPK/photothek, Janine Schmitz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/auf-den-spuren-der-kunstkammer/</loc>
		<lastmod>2023-05-16T11:44:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/03_taschenkrebs-1.jpg</image:loc>
			<image:title><![CDATA[03_taschenkrebs]]></image:title>
			<image:caption><![CDATA[Krebsautomat aus China, 17. Jahrhundert (?) © Staatliche Museen zu Berlin, Ethnologisches Museum / Jens von Pilgrim]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/01-Putto.jpg</image:loc>
			<image:caption><![CDATA[François Duquesnoy: Bogenschnitzender Amor, vor 1629 © Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Jörg P. Anders CC BY-NC-SA 4.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/02_Uy2AhcWAima0.jpg</image:loc>
			<image:caption><![CDATA[Georg Pfründt (Umkreis): Hornförmiger Deckelpokal mit einer Allegorie auf Afrika, 3. Viertel 17. Jahrhundert © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Karen Bartsch CC BY-NC-SA 4.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/05_Nautliuspokal-KGM-scaled.jpg</image:loc>
			<image:caption><![CDATA[Nautilusgefäß mit Neptunsfigur. Ende 16. Jahrhundert © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Karen BartschCC BY-SA 4.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/03_taschenkrebs-1.jpg</image:loc>
			<image:caption><![CDATA[Krebsautomat aus China, 17. Jahrhundert (?) © Staatliche Museen zu Berlin, Ethnologisches Museum / Jens von Pilgrim]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/museum-muss-vom-publikum-her-gedacht-werden-zukunftsperspektiven-im-hamburger-bahnhof/</loc>
		<lastmod>2023-06-12T11:30:18+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/El_Dib.jpg</image:loc>
			<image:title><![CDATA[El_Dib]]></image:title>
			<image:caption><![CDATA[Forum Hamburger Bahnhof: Aufführung Jericho des Theater Artaud im Hamburger Bahnhof, 1989 © Theater Artaud / Foto: Amin El Dib]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/VI.1.002_0139_8Bit.jpg</image:loc>
			<image:caption><![CDATA[Forum Hamburger Bahnhof: Blick in das 1906 eröffnete Verkehrs- und Baumuseum im ehemaligen Hamburger Bahnhof. Courtesy Stiftung Deutsches Technikmuseum Berlin, Historisches Archiv / Foto: Carl Fernstädt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/HBF_202301241541_pages-to-jpg-0001300.jpg</image:loc>
			<image:caption><![CDATA[Forum Hamburger Bahnhof: Verpackte Objekte aus ehemaligem Verkehrs- und Baumuseum im Hamburger Bahnhof, Februar 1984]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/HBF_Crowd_High_res.jpg</image:loc>
			<image:caption><![CDATA[Forum Hamburger Bahnhof: Eröffnung der Ausstellung Ethos und Pathos. Die Berliner Bildhauerschule 1786-1914 im Hamburger Bahnhof, 1990© Foto: Christian Sack]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/20230321_HER_3952-HDR-Pano-3-scaled.jpg</image:loc>
			<image:caption><![CDATA[Aussenansicht Hamburger Bahnhof – Nationalgalerie der Gegenwart, Rieckhallen © Landesdenkmalamt Berlin, Foto: Anne Herdin Powered by]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/VB_4741.jpg</image:loc>
			<image:caption><![CDATA[Till Fellrath (rechts) und Sam Bardaouil, Direktoren des Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2022 © Nationalgalerie – Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/HBF_Nationalgalerie_Zausner_SecondBreath.jpg</image:loc>
			<image:caption><![CDATA[Nationalgalerie. Eine Sammlung für das 21. Jahrhundert: Holly Zausner, Second Breath, 2005, © Staatliche Museen zu Berlin, Hamburger Bahnhof – Nationalgalerie der Gegenwart]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/20230317_HER_3763.jpg</image:loc>
			<image:caption><![CDATA[Aussenansicht Hamburger Bahnhof – Nationalgalerie der Gegenwart, Rieckhallen © Landesdenkmalamt Berlin, Foto: Anne Herdin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/El_Dib.jpg</image:loc>
			<image:caption><![CDATA[Forum Hamburger Bahnhof: Aufführung Jericho des Theater Artaud im Hamburger Bahnhof, 1989 © Theater Artaud / Foto: Amin El Dib]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/JDH_7015.jpg</image:loc>
			<image:caption><![CDATA[Unendliche Ausstellung: Judith Hopf, Flying Cinema Brickstone Tent, 2016, Fabric, ø 300 cm, Ausstellungsansicht UP, Museion Bozen, 2016]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-pracht-des-fon-der-koenigsthron-von-bamum/</loc>
		<lastmod>2023-06-16T08:24:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/titelbild_thron-bamun-bamum.jpg</image:loc>
			<image:title><![CDATA[titelbild_thron-bamun-bamum]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/III-C-33341-a-b-A.jpg</image:loc>
			<image:caption><![CDATA[Thron von Bamun, Kamerun © Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/2334729_4000x4000.jpg</image:loc>
			<image:caption><![CDATA[Sultan Njimoluh Seidou (1933 - 1992), auf dem Thron von Bamun, Aufnahme nach 1933 © Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/2334728_4000x4000.jpg</image:loc>
			<image:caption><![CDATA[Sultan Njimoluh Seidou (1933 - 1992), auf dem Thron von Bamun, Aufnahme nach 1933 © Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/829446_4000x4000.jpg</image:loc>
			<image:caption><![CDATA[König Njoya von Bamum (1894 - 1924) auf dem Königsthron, Aufnahme von Franz H. und Marie-Pauline Thorbecke © Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/why-does-it-always-rain-on-me-kunst-fuer-das-regenwetter/</loc>
		<lastmod>2023-08-02T13:32:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00028894.jpg</image:loc>
			<image:title><![CDATA[h_00028894]]></image:title>
			<image:caption><![CDATA[Johan Christian Dahl: "Wolkenstudie (Gewitterwolken über dem Schlossturm von Dresden)" (um 1825) © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00017821.jpg</image:loc>
			<image:caption><![CDATA[Eugen Gustav Dücker: "Gewitterlandschaft. Rügen", 1868 © Staatliche Museen zu Berlin, Nationalgalerie / Klaus Göken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00022254.jpg</image:loc>
			<image:caption><![CDATA[Wilhelm von Kobell: "Reiter am Tegernsee" (1832) © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_70630857.jpg</image:loc>
			<image:caption><![CDATA[Walter Bewersdorf: Die Friedrichstraße in Berlin, 1928 © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_70147134.jpg</image:loc>
			<image:caption><![CDATA[Eduard Hildebrandt: Unwetter an der Küste von Ceylon, 1862 © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00091233.jpg</image:loc>
			<image:caption><![CDATA[Pol Cassel: Auf Hiddensee, 1927 © Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00073946.jpg</image:loc>
			<image:caption><![CDATA[Eishi: Bitte um Regen aus der Serie "Sieben moderne Komachi-Darstellungen", Tokugawa-Zeit, ca. 1785 - 1790 © Staatliche Museen zu Berlin, Museum für Asiatische Kunst / Jürgen Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00071772.jpg</image:loc>
			<image:caption><![CDATA[Karl Friedrich Lessing: "Eifellandschaft bei Gewitter", 1875 © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00070249.jpg</image:loc>
			<image:caption><![CDATA[Jakob Becker: Das Gewitter / Landleute vom Gewitter erschreckt, 1840 © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00028894.jpg</image:loc>
			<image:caption><![CDATA[Johan Christian Dahl: "Wolkenstudie (Gewitterwolken über dem Schlossturm von Dresden)" (um 1825) © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00023192.jpg</image:loc>
			<image:caption><![CDATA[Pieter Dircksz Santvoort: Landschaft mit Feldweg und Bauernhaus (1625) © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00017898.jpg</image:loc>
			<image:caption><![CDATA[Lesser Ury: "Nollendorfplatz bei Nacht" (1925) © Staatliche Museen zu Berlin, Nationalgalerie / Klaus Göken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/h_00008686.jpg</image:loc>
			<image:caption><![CDATA["Unter einem Regenschirm ..." Kupferstich aus: "Le Bon Genre", Nr. 40, um 1810 © Staatliche Museen zu Berlin, Kunstbibliothek / Knud Petersen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/25-jahre-wiedervereint-gemaeldegalerie-am-kulturforum/</loc>
		<lastmod>2023-11-17T14:22:34+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Rubensaal_gr.jpg</image:loc>
			<image:title><![CDATA[Rubenssaal im Neubau der Gemäldegalerie. ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:title>
			<image:caption><![CDATA[Rubenssaal im Neubau der Gemäldegalerie. ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/h_00109605.jpg</image:loc>
			<image:caption><![CDATA[Karl Friedrich Schinkel: Berlin. Altes Museum am Lustgarten. Aufriss der Hauptfassade mit dem Wandgemälde in der Vorhalle, 1823 © Kupferstichkabinett, Staatliche Museen zu Berlin / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/h_00006413.jpg</image:loc>
			<image:caption><![CDATA[Johann Daniel Laurenz: "Perspektivische Ansicht des Königlichen Museums vom Standpunkt zwischen dem Zeughaus und der Schlossbrücke", 1831© Kupferstichkabinett, Staatliche Museen zu Berlin / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/h_00091426.jpg</image:loc>
			<image:caption><![CDATA[Museumsinsel, Baustelle des Kaiser-Friedrich-Museums - Gruppenaufnahme der Bauarbeiter, Bauführer und Architekten, 1899 © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/h_00045639.jpg</image:loc>
			<image:caption><![CDATA[1904 eröffnete das Kaiser-Friedrich Museum. Einlasskarte (Stehplatz) zur Enthüllung des Nationaldenkmals für Kaiser Friedrich III. am 18. Oktober 1904 © Zentralarchiv, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/h_70241270.jpg</image:loc>
			<image:caption><![CDATA[Aufstellung der Gemäldegalerie und der Skulpturensammlung im Kaiser-Friedrich-Museum, Raum 44, Venezianische Gemälde des 15. Jhd., 1904 © Zentralarchiv, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/h_70229520-scaled.jpg</image:loc>
			<image:caption><![CDATA[Der junge Wilhelm Bode © Zentralarchiv, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/h_10010806.jpg</image:loc>
			<image:caption><![CDATA[Der Restaurator Alois Hauser, Max J. Friedländer und Wilhelm Bode (von links) in der Gemäldegalerie im Kaiser-Friedrich-Museum, ca. 1904–1909 © Gemäldegalerie, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/h_70229374.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Blick vom Kupfergraben zum zerstörten Bode-Museum mit Reiterdenkmal Kaiser Friedrichs III., 1945 © Kunstbibliothek, Staatliche Museen zu Berlin, Photothek Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.-11.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/h_70390148.jpg</image:loc>
			<image:caption><![CDATA[Walter Steinkopf: Berlin-Dahlem, West-Berlin, 1953 © Zentralarchiv, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/06_Umzug_Gemaeldegalerie_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[11.12.1997, der erste LKW wird mit Objekten der Gemäldegalerie in Dahlem beladen ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/03_Gemaeldegalerie_Dahlem_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Die letzten Gemälde in der Galerie in Dahlem, 1997 ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/08_Rubensaal_Foto_Erik-Jan_Ouwerkerk.jpg</image:loc>
			<image:caption><![CDATA[Der Rubenssaal im Neubau der Gemäldegalerie. ©Staatliche Museen zu Berlin Foto: Erik-Jan Ouwerkerk]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/VB_0048.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsansicht Anna Dorothea Therbusch © Staatliche Museen zu Berlin, Gemäldegalerie / David v. Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/VB_9807.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/neubauten-und-altbauten-jahresrueckblick-2023/</loc>
		<lastmod>2023-12-14T14:44:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/12/titelbild_jahresrueckblick_2023-scaled.jpg</image:loc>
			<image:title><![CDATA[titelbild_jahresrückblick_2023]]></image:title>
			<image:caption><![CDATA[Pergamonmuseum und James-Simon-Galerie; Foto: Ute Zscharnt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/DSCN9657.jpg</image:loc>
			<image:caption><![CDATA[Frank Georgi in völkerwanderungszeitlicher Ausstattung im Neuen Museum © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / David F. Hölscher]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/csm_Museum-Europaeischer-Kulturen-Samische-Sammlung-Voelkerschauen_c29fd1100f.jpg</image:loc>
			<image:caption><![CDATA[Exotisierende Zurschaustellung sámischen Kulturerbes in Halle a.d. Saale. Fotograf: Franz Dubbick 1925, VIII Eu 7594 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Presse_Z4A9029-scaled.jpg</image:loc>
			<image:caption><![CDATA[Von Alexander dem Großen bis zum Reich der Kuschan. Archäologische Schätze aus Usbekistan (AT), April – Oktober 2023, Neues Museum + James-Simon-Galerie: Terrakottafigur eines „Prinzen“ mit spitz zulaufendem Hut aus einer Tempelanlage aus Dalverzintepa, 1.-2. Jhrd. n. Chr, © Foto: Hans Jakobi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/2_01.06.23_ANT.jpg</image:loc>
			<image:caption><![CDATA[Das Markttor von Milet aus der Antikensammlung © Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/VB_4741.jpg</image:loc>
			<image:caption><![CDATA[Till Fellrath (rechts) und Sam Bardaouil, Direktoren des Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2022 © Nationalgalerie – Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/VB_9834.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/SMB_VAM_Blick-in-die-Grabung-von-Samal_Zincirli_Tuerkei.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Grabung von Sam’al/Zincirli (Türkei) © Staatliche Museen zu Berlin, Vorderasiatisches Museum, Expeditionsfoto: Felix von Luschan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/esther_stocker_2.jpg</image:loc>
			<image:caption><![CDATA[Installation im Matsudai Castle, Echigo Tsumari Artfestival, Japan 2021 (Foto Art Front Gallery Tokio)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/IMG_3812.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Lina Wällstedt mit einem der Kunstwerke, die für den Umzug ins "berlin modern" vorbereitet werden. Foto: Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/1-2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-gemaledegalerie-bellegambe.jpg</image:loc>
			<image:caption><![CDATA[Das Thema des Jüngsten Gerichts erfreute sich auch bei den Alten Meistern einiger Beliebtheit, hier in einem Triptychon von Jean Bellegambe.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/metropolis-bis-jurassic-park-filmplakate-am-kulturforum/</loc>
		<lastmod>2024-01-19T13:48:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/vb_5516_RWD_1380.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
			<image:caption><![CDATA[Ausstellung "Großes Kino - Filmplakate aus allen Zeiten" © David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/Metropolis.jpg</image:loc>
			<image:caption><![CDATA[Boris Bilinsky, Metropolis, Detail, 1927 © Staatliche Museen zu Berlin / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/Das-Schweigen-der-Laemmer-scaled.jpg</image:loc>
			<image:caption><![CDATA[BLT Communications, Das Schweigen der Lämmer, 1991 © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/csm_ausstellungsansicht-grosses-kino_xl_25cce32697.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung „Großes Kino. Filmplakate aller Zeiten“ Fotonachweis: Staatliche Museen zu Berlin, Kunstbibliothek / Christina Thomson]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/2001-Odyssee-im-Weltraum-scaled.jpg</image:loc>
			<image:caption><![CDATA[Robert McCall, 2001 Odyssee im Weltraum, 1969, © Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/vb_5516_RWD_1380.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung "Großes Kino - Filmplakate aus allen Zeiten" © David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/gestaltung-geht-uns-alle-an-sibylle-hoiman-im-kunstgewerbemuseum/</loc>
		<lastmod>2024-02-15T15:01:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/VB_4873.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
			<image:caption><![CDATA[Installation der Künstlerin Esther Stocker im Kunstgewerbemuseum. Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/VB_5796.jpg</image:loc>
			<image:caption><![CDATA[Sibylle Hoiman im Kunstgewerbemuseum. Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/5ca5c5082fa5e_Kunstgewerbemuseum-Food-Revolution-chmara-rosinke-Mobile-Gastfreundschaft-2.jpg</image:loc>
			<image:caption><![CDATA[Für die Performance wanderte die voll funktionsfähige, transportable Küche von chmara.rosinke in den Garten des Kunstgewerbemuseums. © Kunstgewerbemuseum, Staatliche Museen zu Berlin/Foto: Kai von Kotze]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/Abb-4-Yasemin_NR.4mb.jpg</image:loc>
			<image:caption><![CDATA[Yasemin Akgül, Analoge Fotografie, Rakîb &amp; Atîd: Gleichheit und Rebellion in der Givenchy-Kreation, Model: Anna Doehring; Fotograf: Noa Lesche]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/201130_SSPK_PHT025.jpg</image:loc>
			<image:caption><![CDATA[Welfenschatz im Kunstgewerbemuseum. Foto: SPK / Photothek / Jeanine Schmitz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/VB_4873.jpg</image:loc>
			<image:caption><![CDATA[Installation der Künstlerin Esther Stocker im Kunstgewerbemuseum. Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/LEO_6770.jpg</image:loc>
			<image:caption><![CDATA[Das Projekt "Baumschule Kulturforum" wirbt für eine Begrünung des Areals. Foto: Leo Seidel]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/museum-ist-ein-guter-ort-fuer-diskussionen/</loc>
		<lastmod>2024-03-06T10:30:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/titelbild_iv_kampagne.jpg</image:loc>
			<image:title><![CDATA[titelbild_iv_kampagne]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/nachwuchs-in-der-gipsformerei-junge-gipskunstformer-beginnen-ausbildung/</loc>
		<lastmod>2024-03-06T10:43:24+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/gf_azubis_1.jpg</image:loc>
			<image:title><![CDATA[gf_azubis_1]]></image:title>
			<image:caption><![CDATA[Anouk Czerny in der Gipsformerei © Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/gf_azubis_2.jpg</image:loc>
			<image:caption><![CDATA[Die Auszubildenden Anouk Czerny und Taito Sakamoto in der Gipsformerei © Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/gf_azubis_3-scaled.jpg</image:loc>
			<image:caption><![CDATA[Anouk Czerny in der Gipsformerei © Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/11/gf_azubis_5.jpg</image:loc>
			<image:caption><![CDATA[Taito Sakamoto in der Gipsformerei © Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/das-exakte-im-un-exakten-esther-stocker-im-kunstgewerbemuseum/</loc>
		<lastmod>2024-03-06T10:45:57+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/esther_stocker_2.jpg</image:loc>
			<image:title><![CDATA[esther_stocker_2]]></image:title>
			<image:caption><![CDATA[Installation im Matsudai Castle, Echigo Tsumari Artfestival, Japan 2021 (Foto Art Front Gallery Tokio)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/esther_stocker_1.jpg</image:loc>
			<image:caption><![CDATA[Fassade Museum Gegenstandsfreier Kunst Otterndorf 2018 (Foto Matthias Seidel)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/esther_stocker_2.jpg</image:loc>
			<image:caption><![CDATA[Installation im Matsudai Castle, Echigo Tsumari Artfestival, Japan 2021 (Foto Art Front Gallery Tokio)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/KGM_Stocker_1.jpg</image:loc>
			<image:caption><![CDATA[Die Installation von Esther Stocker im Kunstgewerbemuseum (Teilansicht) © Studio Esther Stocker, Foto Matthias Seidel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/esther_stocker_3.jpg</image:loc>
			<image:caption><![CDATA[Hachihama Train Station, Japan 2016 (Foto Art Front Gallery Tokio)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/esther_stocer_4.jpg</image:loc>
			<image:caption><![CDATA[Installation bei Kohlmaier, Wien 2020 (Foto Markus Gradwohl)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ngonnso-gruendungsmutter-der-nso/</loc>
		<lastmod>2024-03-06T10:47:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/titelbild_ngonnso.jpg</image:loc>
			<image:title><![CDATA[titelbild_ngonnso]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/ngonnso.jpg</image:loc>
			<image:caption><![CDATA[Figur der Ngonnso´ aus Kamerun © Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Felix_von_Luschan_BerlLeben_1907-02.jpg</image:loc>
			<image:caption><![CDATA[Felix Ritter von Luschan (1854-1924), Arzt, Anthropologe, Forschungsreisender, Archäologe und Ethnograph sowie Direktor der afrikanisch-ozeanischen Sammlung des Museums für Völkerkunde in Berlin. Aus der Zeitschrift "Berliner Leben", Heft 02 (1907). Unbekannter Fotograf]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/text-ngonso.png</image:loc>
			<image:caption><![CDATA[Auszug aus einer Akte zu den militärischen Expeditionen unter Curt von Pavel in Kamerun (um 1901) © Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Angehoerige_der_Schutztruppe_Kamerun_am_Tschadsee_im_Mai_1902._Untere_Reihe_rechts_Hauptmann_Hans_Glauning_1868-1908._Aus_Oscar_Zimmermann_Durch_Busch_und_Steppe_Berlin_1909_Seite_206.jpg</image:loc>
			<image:caption><![CDATA[Curt von Pavel als Leiter der Expedition des Schutztruppenkommandos von Kamerun am Tschadsee, 1902 (vordere Reihe, Zweiter von links). Aus: Oscar Zimmermann: Durch Busch und Steppe Berlin 1909, Seite 206. Unbekannter Fotograf]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-ideen-kommen-aus-meinem-inneren-schmuck-von-jan-wehrens/</loc>
		<lastmod>2024-03-06T10:51:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Abb-1_Header.jpg</image:loc>
			<image:title><![CDATA[Jan Wehrens]]></image:title>
			<image:caption><![CDATA[Der Künstler Jan Wehrens in seinem Münchner Atelier © Joachim Ewald]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Abb-1_Header.jpg</image:loc>
			<image:caption><![CDATA[Der Künstler Jan Wehrens in seinem Münchner Atelier © Joachim Ewald ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Abb-3.jpg</image:loc>
			<image:caption><![CDATA[Büste aus getrockneten Blättern, Tapetenkleister, Draht und Wachs. 1979 © Joachim Ewald]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Abb-4.jpg</image:loc>
			<image:caption><![CDATA[Brosche mit geometrischen Formen aus Eisen, 1987 © Joachim Ewald]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Abb-5.jpg</image:loc>
			<image:caption><![CDATA[Anhänger aus Eisen, 1994 © Joachim Ewald]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Abb-6.jpg</image:loc>
			<image:caption><![CDATA[Brosche „The Men Behind“ aus der Serie „Remain in Light“, Edelstahl, 2011 © Joachim Ewald]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Abb-7-scaled.jpg</image:loc>
			<image:caption><![CDATA[Anhänger „Hollywood Botox“ aus Edelstahl, 2017 © Joachim Ewald]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Abb-8.jpg</image:loc>
			<image:caption><![CDATA[Brosche „Hollywood Botox“ aus Edelstahl, 2020 © Joachim Ewald]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/preussens-traeume-vom-meer/</loc>
		<lastmod>2024-03-06T10:52:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/II_367.jpg</image:loc>
			<image:title><![CDATA[II_367]]></image:title>
			<image:caption><![CDATA[Olfert de Vrij, Dreimaster auf leicht bewegter See, 1665, nach der Restaurierung, © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/II_367_Vz.jpg</image:loc>
			<image:caption><![CDATA[Olfert de Vrij, Dreimaster auf leicht bewegter See, 1665, vor der Restaurierung, © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/II_367.jpg</image:loc>
			<image:caption><![CDATA[Olfert de Vrij, Dreimaster auf leicht bewegter See, 1665, nach der Restaurierung, © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/17_Atelieraufnahme.JPG-scaled.jpg</image:loc>
			<image:caption><![CDATA[Restaurierung des Gemäldes "Dreimaster auf leicht bewegter See" von Olfert de Vrij, 2021, © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/43881_Olfert_de_Vrij_Hoorn.jpg</image:loc>
			<image:caption><![CDATA[Olfert de Vrij, Binnenschiffe und ein Dreimaster auf bewegter See, 1655, © Westfries Museum Hoorn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/F0016627_vkopie-JPEG-Version.jpg</image:loc>
			<image:caption><![CDATA[Lieve Verschuier, Die Kurbrandenburgische Flotte, 1684, © Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Schloss Oranienburg]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/vergessene-farbenpracht-restaurierung-eines-jan-van-eyck/</loc>
		<lastmod>2024-03-06T10:56:52+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/523A_16X_x13y5_3Stadien_VIS.jpg</image:loc>
			<image:title><![CDATA[523A_16X_x13y5_3Stadien_VIS]]></image:title>
			<image:caption><![CDATA[Mikroskopaufnahme aus dem grünen Gewand in drei Arbeitsstadien: links oben: der Frnis im Vorzustand; mitte oben: die freigelegte Oxalatschicht nach Firnisabnahme; unten: die grüne Farbschicht nach Reduzierung der Oxalatschicht. Foto: Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/523A_16X_x13y5_3Stadien_VIS.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahme aus dem grünen Gewand in drei Arbeitsstadien: links oben: der Frnis im Vorzustand; mitte oben: die freigelegte Oxalatschicht nach Firnisabnahme; unten: die grüne Farbschicht nach Reduzierung der Oxalatschicht. Foto: Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/523A_MIK_65X_x11_y22_li.Auge_.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahmen des Auges vor und nach der Firnisabnahme zeigen, wie stark die farbliche Beeinträchtigung durch die Gilbung des alten Firnisses war. Foto: Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/523A_MIK_65X_x11_y22_li.AugeEZ.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahmen des Auges vor und nach der Firnisabnahme zeigen, wie stark die farbliche Beeinträchtigung durch die Gilbung des alten Firnisses war. Foto: Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/523A_MIK_x16_y25_Fingerprint_Gruen.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahme aus dem Gewand nach der Restaurierung mit sichtbarem Fingerabdruck in leicht gebogenen, fast parallelen Linien. Foto: Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/2020_Bozar_CentreForFineArtsBrussels_Photo-Philippe-De-Gobert-2.jpg</image:loc>
			<image:caption><![CDATA[Hochauflösende Aufnahme des van Eyck im Centre For Fine Arts Brussels, die nun auch in der Gemäldegalerie zu sehen ist. Foto: KIK-IRPA, Brüssel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/IMG_4370.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung in der Gemäldegalerie. Foto: Sandra Stelzig]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/teil-der-europaeischen-kultur-werke-aus-dem-odessa-museum-in-berlin/</loc>
		<lastmod>2024-03-06T10:57:23+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/3_38.jpg</image:loc>
			<image:title><![CDATA[3_38]]></image:title>
			<image:caption><![CDATA[Roelant Savery, Paradies, Detail, 1618/28, Odessa Museum für westliche und östliche Kunst © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/3_94.jpg</image:loc>
			<image:caption><![CDATA[ Gabriel von Max, Licht, Detail, Anfang der 1870er-Jahre © Odessa Museum für westliche und östliche Kunst / Foto: Christoph Schmidt ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/IMG_2396.jpg</image:loc>
			<image:caption><![CDATA[Jules-Alexis Muenier, Streit der Kutscher, Detail, 1893 © Odessa Museum für westliche und östliche Kunst / Foto: Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/3_38.jpg</image:loc>
			<image:caption><![CDATA[Roelant Savery, Paradies, Detail, 1618/28, Odessa Museum für westliche und östliche Kunst © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/sammlungsforschung-das-mek-arbeitet-objektbestaende-aus-suedosteuropa-auf/</loc>
		<lastmod>2024-03-06T10:58:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/7.1-2023_12_07_Thaden_Europadepot__08.jpg</image:loc>
			<image:title><![CDATA[7.1 2023_12_07_Thaden_Europadepot__08]]></image:title>
			<image:caption><![CDATA[Matthias Thaden im Europadepot des MEK. Die Arbeit mit den zu Konservierungszwecken zum Teil schwer kontaminierten Objekten ist aus Sicherheitsgründen nur mit Handschuhen und Maske möglich. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/2-2023_12_07_Europadepots__03-scaled.jpg</image:loc>
			<image:caption><![CDATA[Das sogenannte „Europadepot“ des MEK befindet sich im ehemaligen Dahlemer Museumskomplex © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/4.1-II-B-141.jpg</image:loc>
			<image:caption><![CDATA[Die erste Lieferung von Küppers erreichte das Museum in dieser Truhe aus dem ungarischen Mezökövesd (Museum Europäischer Kulturen, Staatliche Museen zu Berlin, Ident.-Nr. II B 141)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/7.1-2023_12_07_Thaden_Europadepot__08.jpg</image:loc>
			<image:caption><![CDATA[Matthias Thaden im Europadepot des MEK. Die Arbeit mit den zu Konservierungszwecken zum Teil schwer kontaminierten Objekten ist aus Sicherheitsgründen nur mit Handschuhen und Maske möglich. (c) Staatliche Museen zu Berlin, MEK]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/7.2-2023_12_07_Thaden_Europadepot__12.jpg</image:loc>
			<image:caption><![CDATA[Matthias Thaden im Europadepot des MEK. Die Arbeit mit den zu Konservierungszwecken zum Teil schwer kontaminierten Objekten ist aus Sicherheitsgründen nur mit Handschuhen und Maske möglich. (c) Staatliche Museen zu Berlin, MEK]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/audiowalk-im-museum-ein-mischwesen-aus-vermittlung-und-fiktion/</loc>
		<lastmod>2024-03-06T10:58:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/12/IMG_20231023_101217680.jpg</image:loc>
			<image:title><![CDATA[IMG_20231023_101217680]]></image:title>
			<image:caption><![CDATA[Aufnahmesetting für den Audiowalk in der Neuen Nationalgalerie; Foto: Norbert Lang]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/12/Denes_Wheatfield.jpg</image:loc>
			<image:caption><![CDATA[Agnes Denes: Wheatfield, 1982, Film, Für "Wheatfield - A Confrontation: Battery Park Landfill, Downtown Manhattan - With Agnes Denes Standing in the Field, 1982" © Foto: John McGrail / Courtesy Agnes Denes and Leslie Tonkonow Artworks + Projects]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/12/1.jpg</image:loc>
			<image:caption><![CDATA[Lisa Vera Schwabe (links) und Norbert Lang (Mitte) bei den Aufnahmen für den Audiowalk in der Neuen Nationalgalerie; Foto: Julia Freiboth, Neue Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/12/VB_0395.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsansichten „Zerreißprobe. Kunst zwischen Politik und Gesellschaft. Sammlung der Nationalgalerie 1945-2000“, Neue Nationalgalerie, 18.11.2023-28.9.2025 © Nationalgalerie – Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/12/20231023_123433.jpg</image:loc>
			<image:caption><![CDATA[Aufnahmen für den Audiowalk in der Neuen Nationalgalerie; Foto: Sven Stienen, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/12/Brus_Zerreissprobe_5.jpg</image:loc>
			<image:caption><![CDATA[Günter Brus, Zerreißprobe, 1970Farbfotografie, Teil einer 12-teiligen Fotodokumentation der AktionStaatliche Museen zu Berlin, Nationalgalerie, 2004 erworben durch die Freunde der Nationalgalerie© Günter Brus 2023]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kuenftig-vereint-umzug-der-modernen-papierkunst-im-kupferstichkabinett/</loc>
		<lastmod>2024-03-06T11:00:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/IMG_3775.jpg</image:loc>
			<image:title><![CDATA[IMG_3775]]></image:title>
			<image:caption><![CDATA[Restauratorin Lina Wällstedt mit einem der Kunstwerke, die für den Umzug ins "berlin modern" vorbereitet werden. Foto: Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/01_Vorzustand-im-Magazin.jpg</image:loc>
			<image:caption><![CDATA[Vorzustand im Magazin: Lagerung der Werke in Mappen. Foto: Staatliche Museen zu Berlin / Lina Wällstedt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/03_Zeichnungen-mit-Klapp-Passepartout.jpg</image:loc>
			<image:caption><![CDATA[Zeichnungen mit Klapp-Passepartout. Foto: Staatliche Museen zu Berlin / Lina Wällstedt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/IMG_3775.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Lina Wällstedt mit einem der Kunstwerke, die für den Umzug ins "berlin modern" vorbereitet werden. Foto: Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/IMG_3812.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Lina Wällstedt mit einem der Kunstwerke, die für den Umzug ins "berlin modern" vorbereitet werden. Foto: Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/beispiel-an-zivilcourage-willy-kurth-und-die-aktion-entartete-kunst/</loc>
		<lastmod>2024-03-06T11:01:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/Beckmann_Die-Nacht-aus-Die-Hoelle.jpg</image:loc>
			<image:title><![CDATA[Beckmann_Die Nacht, aus Die Hölle]]></image:title>
			<image:caption><![CDATA[Max Beckmann: Die Nacht, Blatt 7 aus: Die Hölle, Mappe mit 11 Umdrucklithographien, verlegt von I. B. Neumann, Berlin 1919, Foto: Kupferstichkabinett, Staatliche Museen zu Berlin/ Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/h_70141222-scaled.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Der Kunsthistorkier Willy Kurth, 1930 © Staatliche Museen zu Berlin, Kunstbibliothek, Fotothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/Kap.-2.2_KK_Studiensaal-vor-1912.jpg</image:loc>
			<image:caption><![CDATA[Königliches Kupferstichkabinett Berlin im Neuen Museum, Studiensaal, vor 1912 Foto: Kupferstichkabinett, Staatliche Museen zu Berlin, Archiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/Kirchner_Frauen-am-Potsdamer-Platz-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner: Frauen am Potsdamer Platz, Berlin, 1914, Foto: Kupferstichkabinett, Staatliche Museen zu Berlin/ Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/Beckmann_Die-Nacht-aus-Die-Hoelle.jpg</image:loc>
			<image:caption><![CDATA[Max Beckmann: Die Nacht, Blatt 7 aus: Die Hölle, Mappe mit 11 Umdrucklithographien, verlegt von I. B. Neumann, Berlin 1919, Foto: Kupferstichkabinett, Staatliche Museen zu Berlin/ Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/kirchner-2.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner: Kopf des Kranken - Selbstportrait als Kranker, 1917, Foto: Kupferstichkabinett, Staatliche Museen zu Berlin/ Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/regie-der-gegenstaende-fotografien-von-hansi-mueller-schorp/</loc>
		<lastmod>2024-03-06T11:01:22+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_01-scaled.jpg</image:loc>
			<image:title><![CDATA[HMS_01]]></image:title>
			<image:caption><![CDATA[Hansi Müller-Schorp, ohne Titel (Geschirr von Arzberg), Silbergelatinepapier, 1960er Jahre © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_01-scaled.jpg</image:loc>
			<image:caption><![CDATA[Hansi Müller-Schorp, ohne Titel (Geschirr von Arzberg), Silbergelatinepapier, 1960er Jahre © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_02-scaled.jpg</image:loc>
			<image:caption><![CDATA[Hansi Müller-Schorp, ohne Titel (Vasen), Silbergelatinepapier, 1960er Jahre © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_03-scaled.jpg</image:loc>
			<image:caption><![CDATA[Hansi Müller-Schorp, ohne Titel (Stuttgarter Gardinen), Großbilddia, 1970er Jahre © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_04-scaled.jpg</image:loc>
			<image:caption><![CDATA[Hansi Müller-Schorp, ohne Titel (Versuche mit Gardinen), Großbilddia, 1970er Jahre © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_05-scaled.jpg</image:loc>
			<image:caption><![CDATA[Photoblätter 5/1971, Titelmotiv: Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_06-scaled.jpg</image:loc>
			<image:caption><![CDATA[Hansi Müller-Schorp, ohne Titel (Aufnahme für den Wettbewerb „Silber im Foto“), Farbpapier, 1977 © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_07-scaled.jpg</image:loc>
			<image:caption><![CDATA[Hansi Müller-Schorp, ohne Titel (Puppenaugen), Silbergelatinepapier © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_08-scaled.jpg</image:loc>
			<image:caption><![CDATA[Hansi Müller-Schorp, ohne Titel (Puppenaugen), Farbpapier © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_09-scaled.jpg</image:loc>
			<image:caption><![CDATA[Hansi Müller-Schorp, Filderhalle, Farbpapier, 1982-1983 © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/HMS_10-scaled.jpg</image:loc>
			<image:caption><![CDATA[Hansi Müller-Schorp, ohne Titel (Selbstporträt), Silbergelatinepapier, 1958 © Staatliche Museen zu Berlin, Kunstbibliothek / Hansi Müller-Schorp]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/moderne-trifft-auf-gegenwart-museum-berggruen-in-china/</loc>
		<lastmod>2024-03-06T11:03:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/232f01-0b22a1-a300cb.banner.jpg</image:loc>
			<image:title><![CDATA[232f01-0b22a1-a300cb.banner]]></image:title>
			<image:caption><![CDATA[Das UCCA Edge in Shanghai © UCCA Edge 2023]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/232f01-0b22a1-a300cb.banner.jpg</image:loc>
			<image:caption><![CDATA[Das UCCA Edge in Shanghai © UCCA Edge 2023]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/1WHM3261.jpg</image:loc>
			<image:caption><![CDATA[V.l.n.r.: Philip Tinari Director, UCCA Center for Contemporary Art, Gabriel Montua, Leiter Museum Berggruen, Veronika Rudorfer, Kuratorin Museum Berggruen im UCCA Edge in Shanghai © UCCA Edge 2023]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/1WHM3604.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung „Modern Time: Masterpieces from the Collection of Museum Berggruen / Nationalgalerie Berlin“ © UCCA Edge 2023]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/UCCA%E7%8E%B0%E4%BB%A3%E4%B8%BB%E4%B9%89%E6%BC%AB%E6%AD%A5-001.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung „Modern Time: Masterpieces from the Collection of Museum Berggruen / Nationalgalerie Berlin“ © UCCA Edge 2023]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/UCCA%E7%8E%B0%E4%BB%A3%E4%B8%BB%E4%B9%89%E6%BC%AB%E6%AD%A5-011.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung „Modern Time: Masterpieces from the Collection of Museum Berggruen / Nationalgalerie Berlin“ © UCCA Edge 2023]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/08/UCCA%E7%8E%B0%E4%BB%A3%E4%B8%BB%E4%B9%89%E6%BC%AB%E6%AD%A5-019.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung „Modern Time: Masterpieces from the Collection of Museum Berggruen / Nationalgalerie Berlin“ © UCCA Edge 2023]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-mexiko-nach-guatemala-die-anfaenge-der-zentralamerikanischen-archaeologie/</loc>
		<lastmod>2024-03-06T11:21:23+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/abb_6b.jpg</image:loc>
			<image:title><![CDATA[abb_6b]]></image:title>
			<image:caption><![CDATA[Abbildung 6: Pueblo Viejo Quen Santo, Gebäude B-23, mit Seler's Grabungsschnitt, Foto U. Wölfel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/abb_1.jpg</image:loc>
			<image:caption><![CDATA[Karte der Chaculá-Region, Zeichnung U. Wölfel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/abb_2a.jpg</image:loc>
			<image:caption><![CDATA[Räuchergefäß aus Höhle III von Quen Santo; in Guatemala angefertigtes Foto, unrestaurierter Zustand, einem Brief von Eduard Seler an Adolf Bastian beigefügt, SMB-PK, EM Pars I B 26: Acta betreffend die Reisen des Dr. Seler nach Amerika in den Jahren 1895/96 und 1904/05]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/abb_3.jpg</image:loc>
			<image:caption><![CDATA[Eingang zur Höhle III von Quen Santo, Foto U. Wölfel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/abb_4.jpg</image:loc>
			<image:caption><![CDATA[Gebäude im Innern der Höhle III von Quen Santo, Foto U. Wölfel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/abb_5-scaled.jpg</image:loc>
			<image:caption><![CDATA[Rekonstruktionszeichnung der Anordnung ritueller Objekte im Gebäude von Höhle III von Quen Santo, Zeichnung übernommen aus Eduard Seler, "Die alten Ansiedelungen von Chaculá", Abbildung 240]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/abb_6a.jpg</image:loc>
			<image:caption><![CDATA[Abbildung 6: (a) "aufgegrabene Steinpyramide", Foto C. Seler, Nachlass Eduard Seler, Ibero-Amerikanisches Institut Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/abb_6b.jpg</image:loc>
			<image:caption><![CDATA[Abbildung 6: Pueblo Viejo Quen Santo, Gebäude B-23, mit Seler's Grabungsschnitt, Foto U. Wölfel]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/vertrauensvoller-austausch-museumskonferenz-in-dakar/</loc>
		<lastmod>2024-03-06T11:21:46+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/11/181008_JSPK_PHT001.jpg</image:loc>
			<image:title><![CDATA[Symposium „Lebende Dinge in Amazonien und im Museum – Geteiltes Wissen im Humboldt Forum“, 08.10.2018, Berlin. Copyright: Inga Kjer/ photothek]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/csm_Teilnehmer-innen-Konferenz-Dakar_8e4c865a03.jpg</image:loc>
			<image:caption><![CDATA[Teilnehmer*innen der Museumskonferenz in Dakar (Senegal) © Elimane Fall]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/provenienzforschung-detektive-des-museums/</loc>
		<lastmod>2024-03-06T11:22:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT020.jpg</image:loc>
			<image:title><![CDATA[Provenienzforschung im Kupferstichkabinett]]></image:title>
			<image:caption><![CDATA[Blick in die Karteikarten zur „Sammlung der Zeichnungen“ im Kupferstichkabinett ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/R%C3%BCckseite-mit-Stickern.jpg</image:loc>
			<image:caption><![CDATA[Rückseite von Pablo Picassos "Stilleben vor einem Fenster in St. Raphael", 1919 aus der Nationalgalerie - Museum Berggruen (Ausschnitt), © Staatliche Museen zu Berlin/ Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT023.jpg</image:loc>
			<image:caption><![CDATA[Dr. Anna Pfäfflin (l.) und Dr. Hanna Strzoda begutachten die Karteikarten zur „Sammlung der Zeichnungen“ im Kupferstichkabinett ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/Ausstellung-CCP.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung im Central Collecting Point Wiesbaden 1945/46 aus dem Fotoalbum von Walter I. Farmer (Ausschnitt), Die Central Collection Points der Alliierten dienten nach dem Zweiten Weltkrieg dazu, während der Zeit des Nationalsozialismus entwendete und verlorene Bilder einzusammeln und ihren ursprünglichen Besitzern zurückzugeben. © Staatliche Museen zu Berlin/ Zentralarchiv]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/resilient-und-lebendig-projekt-zur-samischen-sammlung-im-mek/</loc>
		<lastmod>2024-03-06T11:22:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/csm_Museum-Europaeischer-Kulturen-Samische-Sammlung-Voelkerschauen_c29fd1100f.jpg</image:loc>
			<image:title><![CDATA[csm_Museum-Europaeischer-Kulturen-Samische-Sammlung-Voelkerschauen_c29fd1100f]]></image:title>
			<image:caption><![CDATA[Exotisierende Zurschaustellung sámischen Kulturerbes in Halle a.d. Saale. Fotograf: Franz Dubbick 1925, VIII Eu 7594 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/csm_Museum-Europaeischer-Kulturen-Samische-Sammlung-Depotschrank_32c7f81fa1.jpg</image:loc>
			<image:caption><![CDATA[ Blick in einen Depotschrank der sámischen Sammlung © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug 2022 ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/Museum-Europaeischer-Kulturen-Samische-Sammlung-Hornmuetze.jpg</image:loc>
			<image:caption><![CDATA[  Ládjogahpir (Hornmütze), 18. Jahrhundert, II C 968 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug 2018]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/csm_Museum-Europaeischer-Kulturen-Samische-Sammlung-Voelkerschauen_c29fd1100f.jpg</image:loc>
			<image:caption><![CDATA[Exotisierende Zurschaustellung sámischen Kulturerbes in Halle a.d. Saale. Fotograf: Franz Dubbick 1925, VIII Eu 7594 © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-schaetze-der-obas-kehren-zurueck/</loc>
		<lastmod>2024-03-06T11:22:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Benin_Einpacken_3_lb.jpg</image:loc>
			<image:title><![CDATA[Benin_Einpacken_3_lb]]></image:title>
			<image:caption><![CDATA[Im Dahlemer Depot des Museums wurden die Objekte sorgfältig verpackt und für den Versand vorbereitet. © SPK/photothek/Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/csm_Benin_Einpacken_5_lb_b36b499406.jpg</image:loc>
			<image:caption><![CDATA[Der Thronhocker des Oba Eresoyen wurde seiner Vitrine entnommen und für die Reise verpackt. © SPK/photothek/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/csm_Benin_Einpacken_7_lb_88169519f7.jpg</image:loc>
			<image:caption><![CDATA[Der Thronhocker des Oba Eresoyen wurde seiner Vitrine entnommen und für die Reise verpackt. © SPK/photothek/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Benin_Einpacken_8_lb.jpg</image:loc>
			<image:caption><![CDATA[Der Thronhocker des Oba Eresoyen wurde seiner Vitrine entnommen und für die Reise verpackt. © SPK/photothek/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Benin_Einpacken_4_lb.jpg</image:loc>
			<image:caption><![CDATA[Im Dahlemer Depot des Museums wurden die Objekte sorgfältig verpackt und für den Versand vorbereitet. © SPK/photothek/Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Benin_Einpacken_2_lb.jpg</image:loc>
			<image:caption><![CDATA[Im Dahlemer Depot des Museums wurden die Objekte sorgfältig verpackt und für den Versand vorbereitet. © SPK/photothek/Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Benin_Einpacken_1_lb.jpg</image:loc>
			<image:caption><![CDATA[Im Dahlemer Depot des Museums wurden die Objekte sorgfältig verpackt und für den Versand vorbereitet. © SPK/photothek/Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/12/Benin_Einpacken_3_lb.jpg</image:loc>
			<image:caption><![CDATA[Im Dahlemer Depot des Museums wurden die Objekte sorgfältig verpackt und für den Versand vorbereitet. © SPK/photothek/Thomas Trutschel]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-gaertner-von-nottingham-nachkriegsgeschichte-eines-aquarells/</loc>
		<lastmod>2024-03-06T11:23:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/w.jpg</image:loc>
			<image:title><![CDATA[w]]></image:title>
			<image:caption><![CDATA[Eduard Gaertner (1801–1877): Der Leipziger Platz in Berlin, 1862]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/w.jpg</image:loc>
			<image:caption><![CDATA[Eduard Gaertner (1801–1877): Der Leipziger Platz in Berlin, 1862]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/signature.jpg</image:loc>
			<image:caption><![CDATA[Vermerk "Chancellery Berlin, 3.8.1945" auf dem Werk von Eduard Gärtner © Staatliche Museen zu Berlin, Kupferstichkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/VB_1184.jpg</image:loc>
			<image:caption><![CDATA[Chefrestaurator  Georg Josef Dietz mit der Dürer-Zeichnung im Kupferstichkabinett ©  Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT017.jpg</image:loc>
			<image:caption><![CDATA[Anna Pfäfflin bei der Recherche in den Karteikarten zur „Sammlung der Zeichnungen“ im Kupferstichkabinett ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/aus-dem-erwerbungsbuch-geschichten-der-kunstbibliothek/</loc>
		<lastmod>2024-03-06T11:23:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/GS_1908_278-282_neu.jpg</image:loc>
			<image:title><![CDATA[GS_1908_278-282_neu]]></image:title>
			<image:caption><![CDATA[Auszüge aus den Erwerbungsbüchern der Kunstbibliothek © Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/bild1.jpg</image:loc>
			<image:caption><![CDATA[Eugène Atget Au Franc Pinot, quai Bourbon, 1 Aus der Serie L'Art dans le Vieux Paris 1902]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/1904_229-242_neu.jpg</image:loc>
			<image:caption><![CDATA[Auszüge aus den Erwerbungsbüchern der Kunstbibliothek © Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/PL_04281.jpg</image:loc>
			<image:caption><![CDATA[Im Jahr 1893 erwarb die Kunstbibliothek bei L. Dumont in Paris 39 Werbedrucke von Pionieren der französischen Plakatkunst, darunter diese Arbeit von Chéret.  Jules Chéret  Bal au Moulin Rouge 1889  ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/OS_1896_403-411_neu.jpg</image:loc>
			<image:caption><![CDATA[Auszüge aus den Erwerbungsbüchern der Kunstbibliothek © Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/sdbter.jpg</image:loc>
			<image:caption><![CDATA[Edward Johnston Matthew, Mark, Luke and John 1908]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/GS_1908_278-282_neu.jpg</image:loc>
			<image:caption><![CDATA[Auszüge aus den Erwerbungsbüchern der Kunstbibliothek © Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/deffgv.jpg</image:loc>
			<image:caption><![CDATA[Seitenansicht mit kolorierten Kupferstichen aus David Herrliberger, Baßlerische Ausruff-BilderBildbeispiel, Zürich 1749, Sign. Ga 10 mtl.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/srgtehn.png</image:loc>
			<image:caption><![CDATA[Vgl. die Inventarnummern: 1899, 4–6 in E Inventar Sammlung Modebild – Lipperheidesche Kostümbibliothek, 3.a Kgl. Kunstgewerbe-Museum. Erwerbungs-Liste der Frhrl. v. Lipperheide’schen Kostümbibliothek 1899-1910]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/uklkltsdhm.jpg</image:loc>
			<image:caption><![CDATA[Exlibris der Bibliothek des Königl. Kunstgewerbe-Museums zur Erwerbung [18]99, 5 mit Schenkungsvermerk]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/blick-nach-osten-provenienzforschung-zu-asiatischer-kunst/</loc>
		<lastmod>2024-03-06T11:24:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/ct-loo-titelbild.jpg</image:loc>
			<image:title><![CDATA[ct loo titelbild]]></image:title>
			<image:caption><![CDATA[CT Loo © Smithsonian’s National Museum of Asian Art]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/FS-8379_28.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/FS-8152_01.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/endlich-nach-hause-ahnenkoepfe-aus-dem-ethnologischen-museum-kehren-nach-neuseeland-zurueck/</loc>
		<lastmod>2024-03-06T11:25:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/01_FCD.jpg</image:loc>
			<image:title><![CDATA[01_FCD]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/VI_2559_01.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ethnologisches-museum-und-goethe-institut-unterstuetzen-restaurierung-in-angola/</loc>
		<lastmod>2024-03-06T11:25:38+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/STE5043-1.jpg</image:loc>
			<image:title><![CDATA[STE5043-1]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Workshop-Konservierung-und-Restaurierung-in-Luanda-1-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Workshop-Konservierung-und-Restaurierung-in-Luanda-2-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/STE5043-1.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/jonathan-fine-und-julia-binter-wissenschaftlerinnen-im-ethnologischen-museum/</loc>
		<lastmod>2024-03-06T11:32:51+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/01/binter-fine-1024x668.jpg</image:loc>
			<image:title><![CDATA[binter-fine-1024x668]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/image-15.gif</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/datenbank-german-sales-den-kunstgeschichten-auf-der-spur/</loc>
		<lastmod>2024-03-06T11:33:24+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT006.jpg</image:loc>
			<image:title><![CDATA[Provenienzforschung im Kupferstichkabinett]]></image:title>
			<image:caption><![CDATA[Die Lupe zeigt es: Kleins Werk wurde „ersteigert bei C. G. Boerner, Leipzig, 16.5.1934 (Handzeichnungssammlung Prof. Paul Arndt, München)“ ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/DSC01664.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT023.jpg</image:loc>
			<image:caption><![CDATA[Dr. Anna Pfäfflin (l.) und Dr. Hanna Strzoda begutachten die Karteikarten zur „Sammlung der Zeichnungen“ im Kupferstichkabinett ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/spannende-kunstbiografien-aus-dem-museum-berggruen/</loc>
		<lastmod>2024-03-06T11:34:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Klee_Bilderinschrift-f%C3%BCr-Irene_00022505.jpg</image:loc>
			<image:title><![CDATA[Klee_Bilderinschrift für Irene_00022505]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Picasso_Portrait-de-Georges-Braque_00022464.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Picasso_Weintraube_Kilger.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Klee_Burg-mit-untergehender-Sonne_00022522.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Picasso_St-Raphael_Kilger.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Klee_Bilderinschrift-f%C3%BCr-Irene_00022505.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Picasso_Sitzender-Akt_Kilger.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Klee_Traum-Stadt_00022486.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Klee_zwei-Kr%C3%A4fte_00022488.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Klee_Lebkuchenbild_R%C3%BCckseite_Kilger.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Klee_Felsenkammer_00022550.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-geschichte-eines-bildes-ein-mantegna-aus-der-gemaeldegalerie/</loc>
		<lastmod>2024-03-06T11:35:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/12/bellini-plus-9-637x440.jpg</image:loc>
			<image:title><![CDATA[Detail Rückseite, Darbringung im Tempel (Siegel der der Familie Gradenigo) © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/geteilte-objekte-gemeinsame-geschichte-der-umgang-mit-kriegsbeute-aus-tansania/</loc>
		<lastmod>2024-03-06T11:35:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/180625_FBER_PHT006.jpg</image:loc>
			<image:title><![CDATA[Humboldt Lab Tanzania]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/180625_FBER_PHT004.jpg</image:loc>
			<image:caption><![CDATA[Kuratoren aus Berlin und Tansania bei der gemeinsamen Arbeit. © SPK / Photothek / Florian Gärtner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/180625_FBER_PHT025.jpg</image:loc>
			<image:caption><![CDATA[Balthazar Nyamusya, der Kurator des Maji Maji Memorial Museums in Songea, betrachtet eine imposante Speerspitze im Ethnologischen Museum. © SPK / Photothek / Florian Gärtner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/180625_FBER_PHT032.jpg</image:loc>
			<image:caption><![CDATA[Wissenschaftler aus Tansania zu Gast im Ethnologischen Museum in Berlin Dahlem.© SPK / Photothek / Florian Gärtner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/180625_FBER_PHT037.jpg</image:loc>
			<image:caption><![CDATA[Sarita Mamseri, künstlerische Leiterin des „Humboldt Lab Tanzania“, mit der Kuratorin Paola Ivanov im Ethnologischen Museum. (c) SPK/photothek.net/Florian Gaertner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/180625_FBER_PHT090.jpg</image:loc>
			<image:caption><![CDATA[Veranstaltung zum Humboldt Lab Tanzania. Berlin, 25.06.2018. Copyright: SPK/photothek.net/Florian Gaertner]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/susannas-lange-reise-auf-den-spuren-der-sammlung-mosse/</loc>
		<lastmod>2024-03-06T11:35:52+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/mosse-scaled.jpg</image:loc>
			<image:title><![CDATA[mosse]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/03-Begas_R-Susanna-5.jpg</image:loc>
			<image:caption><![CDATA[Reinhold Begas:  Susanna, 1869 © Nationalgalerie der Staatlichen Museen zu Berlin / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/02-Screenshot.png</image:loc>
			<image:caption><![CDATA[Screenshot aus der neuen Medienstation zur Geschichte der Sammlung Mosse in der Alten Nationalgalerie.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/04-Rudolf-Mosse.jpg</image:loc>
			<image:caption><![CDATA[Der Verleger und Kunstsammler Rudolf Mosse, um 1910 © Mosse Art Restitution Project, Fotograf: unbekannt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/01-Besucher-an-der-Medienstation.jpg</image:loc>
			<image:caption><![CDATA[Besucher an der Medienstation zur Sammlung Mosse, © Nationalgalerie der Staatlichen Museen zu Berlin / Yvette Deseyve]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/06-Pressekonferenz-Mosse.jpg</image:loc>
			<image:caption><![CDATA[Pressekonferenz zur Präsentation der Medienstation zur Sammlung Mosse sowie zum Start der MARI-Forschungsdatenbank, © Nationalgalerie der Staatlichen Museen zu Berlin / Emily Oberkönig]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/im-hexenhaeuschen-zu-besuch-bei-leni-riefenstahl/</loc>
		<lastmod>2024-03-06T11:36:32+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/3_Riefenstahl_h_10002265.jpg</image:loc>
			<image:title><![CDATA[Leni Riefenstahl bei Dreharbeiten zu "Tiefland" - Verfilmung der Oper von Eugen d'Albert, September 1940 © bpk / Erika Groth-Schmachtenberger]]></image:title>
			<image:caption><![CDATA[Leni Riefenstahl bei Dreharbeiten zu "Tiefland" - Verfilmung der Oper von Eugen d'Albert, September 1940]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/1_Poecking_Riefenstahl_Schreibtisch.jpg</image:loc>
			<image:caption><![CDATA[Der Schreibtisch von Leni Riefenstahl, Pöcking am Starnberger See. November 2017]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/4_Riefenstahl_Speerwerfer_30014025.jpg</image:loc>
			<image:caption><![CDATA[Der Speerwerfer - Foto aus dem Olympiafilm von Leni Riefenstahl]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/2_Poecking_Riefenstahl_Archiv.jpg</image:loc>
			<image:caption><![CDATA[Blick in einen Archivraum, Haus Riefenstahl, Pöcking am Starnberger See, November 2017]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-petra-winter-leiterin-des-zentralarchivs/</loc>
		<lastmod>2024-03-06T11:36:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/22A3019-scaled.jpg</image:loc>
			<image:title><![CDATA[_22A3019]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-westen-war-nicht-wuerdig-solche-kunstwerke-zu-haben-provenienzforschung-an-ostasiatika/</loc>
		<lastmod>2024-03-06T11:37:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/TB_kl3.jpg</image:loc>
			<image:title><![CDATA[TB_kl]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/HOWALD_quer.jpg</image:loc>
			<image:caption><![CDATA[Christine Howald © Phil Dera]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/6000-05.182bearb.jpg</image:loc>
			<image:caption><![CDATA[Furuyama Morotane (tätig ca. 1711-1736): Der Kabuki—Schauspieler Ichimura Takenojō VIII (1699-1762) in der Rolle des Kichisaburō. Japan, Edo, ca. 1718. Handkolorierter Schwarzdruck, 31.6 x 15.5 cm. Verlag: Igaya. 1905 für 200 Mark von Max Liebermann (1847-1935) erworben © Museum für Asiatische Kunst der SMB]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-aufgeschlitzter-feininger-und-die-suche-nach-dem-grund/</loc>
		<lastmod>2024-03-06T11:37:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/TN2_kl.jpg</image:loc>
			<image:title><![CDATA[TN2_kl]]></image:title>
			<image:caption><![CDATA[Lyonel Feininger: Gaberndorf II, 1924. ©The Nelson-Atkins Museum of Art, Kansas City, Missouri. Gift of a group of the Friends of Art]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/IMG_1383.jpg</image:loc>
			<image:caption><![CDATA[MacKenzie Mallon © Privat]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/46-10_Feininger-GabendorfII_preConDec2010.jpg</image:loc>
			<image:caption><![CDATA[Gaberndorf II mit den von Feininger beigefügten Schnitten ©The Nelson-Atkins Museum of Art, Kansas City, Missouri. Gift of a group of the Friends of Art]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/46-10-Lyonel-Feininger-1.jpg</image:loc>
			<image:caption><![CDATA[Zollstempel von der Rückseite des Feiningerbilds ©The Nelson-Atkins Museum of Art, Kansas City, Missouri. Gift of a group of the Friends of Art]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/46-10_Feininger-Gaberndorf-II_front.jpg</image:loc>
			<image:caption><![CDATA[Lyonel Feininger: Gaberndorf II, 1924. ©The Nelson-Atkins Museum of Art, Kansas City, Missouri. Gift of a group of the Friends of Art]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/digitalisierung-in-der-provenienzforschung-german-sales-1901-1945/</loc>
		<lastmod>2024-03-06T11:37:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/TB_germansales_gr.jpg</image:loc>
			<image:title><![CDATA[TB_germansales_gr]]></image:title>
			<image:caption><![CDATA[Auktionskataloge mit Abbildungen sind für die Provenienzforschung von besonderem Wert, da sich die beschriebenen Kunstwerke eindeutiger identifizieren lassen. Dieser Auktionskatalog von der Versteigerung des Auktionshauses Leo Hamburger am 4. November 1924 zeigt Kunstmedaillen aus der bedeutenden Sammlung Hermann Vogel, Chemnitz. © SPK / Friederike Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSC01664.jpg</image:loc>
			<image:caption><![CDATA[Britta Bommert und Joachim Brand ©Katrin Käding ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/005_Auktionskataloge_Sammlung.jpg</image:loc>
			<image:caption><![CDATA[Verschiedene Auktionskataloge im Bestand der Kunstbibliothek der Staatlichen Museen zu Berlin. © SPK / Friederike Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/003_annotierter-Katalog.jpg</image:loc>
			<image:caption><![CDATA[Dieser Auktionskatalog zur Versteigerung der Autographen-Sammlung Alexander Meyer Cohn's im Oktober 1905 bei J. A. Stargardt, Berlin weist viele Annotationen wie Zahlen und Namen auf. Diese richtig zu deuten ist Aufgabe der Provenienzforscher.© SPK / Friederike Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/006_Auktionskataloge-im-Magazin.jpg</image:loc>
			<image:caption><![CDATA[Jeder einzelne Katalog muss aus dem Regal genommen und anhand einer Datenbank mit den bereits digitalisierten Katalogen abgeglichen werden. ©SPK / Friederike Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/002_Sammlung-Tony-Straus-Negbaur.jpg</image:loc>
			<image:caption><![CDATA[Farbige Abbildungen in Auktionskatalogen der Jahre 1901 bis 1945 sind sehr selten. © SPK / Friederike Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/001_Kunstmedaillen-und-Aktionskataloge.jpg</image:loc>
			<image:caption><![CDATA[Auktionskataloge mit Abbildungen sind für die Provenienzforschung von besonderem Wert, da sich die beschriebenen Kunstwerke eindeutiger identifizieren lassen. Dieser Auktionskatalog von der Versteigerung des Auktionshauses Leo Hamburger am 4. November 1924 zeigt Kunstmedaillen aus der bedeutenden Sammlung Hermann Vogel, Chemnitz. © SPK / Friederike Schmidt]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/provenienzforschung-nancy-karrels-und-die-rueckseiten-der-gemaelde/</loc>
		<lastmod>2024-03-06T11:37:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/Nancy.jpg</image:loc>
			<image:title><![CDATA[KAM PROFESSIONAL PHOTO]]></image:title>
			<image:caption><![CDATA[Nancy Karrels (c) Krannert Art Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/s2017_provenance_p7.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsansicht (c) Krannert Art Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/s2017_provenance_p10.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsansicht (c) Krannert Art Museum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/warum-dauert-das-denn-so-lange-provenienzforschung-im-kupferstichkabinett/</loc>
		<lastmod>2024-03-06T11:38:06+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT007.jpg</image:loc>
			<image:title><![CDATA[Provenienzforschung im Kupferstichkabinett]]></image:title>
			<image:caption><![CDATA[Kuratorin Anna Pfäfflin (links) und Provenienzforscherin Hanna Strzoda gleichen die Zeichnung von Johann Adam Klein mit dem zugehörigen Inventarbucheintrag ab. ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT027.jpg</image:loc>
			<image:caption><![CDATA[Dr. Anna Pfäfflin ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT029.jpg</image:loc>
			<image:caption><![CDATA[Dr. Hanna Strzoda ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT009.jpg</image:loc>
			<image:caption><![CDATA[Ferdinand Fellner: „Porträtzeichnung eines jungen Bauernmädchens“. Rückseitig der zwischen 1933 und 1945 für Zeichnungen benutzte Eingangsstempel der Nationalgalerie, der auf die Vorderseite durchscheint. ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT020.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Karteikarten zur „Sammlung der Zeichnungen“ im Kupferstichkabinett ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT015.jpg</image:loc>
			<image:caption><![CDATA[Sammlerstempel von Prof. Paul Arndt aus München auf der Zeichnung von Johann Adam Klein, „Bildnis des Künstlers und seines Freundes Erhard“ ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT017.jpg</image:loc>
			<image:caption><![CDATA[Anna Pfäfflin bei der Recherche in den Karteikarten zur „Sammlung der Zeichnungen“ im Kupferstichkabinett ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT006.jpg</image:loc>
			<image:caption><![CDATA[Die Lupe zeigt es: Kleins Werk wurde „ersteigert bei C. G. Boerner, Leipzig, 16.5.1934 (Handzeichnungssammlung Prof. Paul Arndt, München)“ ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT007.jpg</image:loc>
			<image:caption><![CDATA[Kuratorin Anna Pfäfflin (links) und Provenienzforscherin Hanna Strzoda gleichen die Zeichnung von Johann Adam Klein mit dem zugehörigen Inventarbucheintrag ab. ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT005.jpg</image:loc>
			<image:caption><![CDATA[Im Inventarbuch zur „Sammlung der Zeichnungen“ zu finden: „Bildnis des Künstlers und seines Freundes Erhard“ von Johann Adam Klein ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/170803_KSPKK_PHT023.jpg</image:loc>
			<image:caption><![CDATA[Dr. Anna Pfäfflin (l.) und Dr. Hanna Strzoda begutachten die Karteikarten zur „Sammlung der Zeichnungen“ im Kupferstichkabinett ©SPK/photothek.net/Thomas Köhler]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/eine-research-autobahn-bauen-jane-milosch-und-das-austauschprogramm-fuer-provenienzforschung-prep/</loc>
		<lastmod>2024-03-06T11:38:17+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/Zwischenablage011.jpg</image:loc>
			<image:title><![CDATA[Zwischenablage01]]></image:title>
			<image:caption><![CDATA[Jane Milosch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/NY_307.jpg</image:loc>
			<image:caption><![CDATA[Jane Milosh und die Amerikanischen Teilnehmerinnen von PREP. (c) Jane Milosh]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/Zwischenablage011.jpg</image:loc>
			<image:caption><![CDATA[Jane Milosch]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/provenienzforschung-die-bueste-der-reitzensteins/</loc>
		<lastmod>2024-03-06T11:38:31+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Notiz-von-Dr.-Theodor-Demmler_SMB-ZA_I-SKS-63.jpg</image:loc>
			<image:title><![CDATA[Notiz von Dr. Theodor Demmler_SMB-ZA_I-SKS 63]]></image:title>
			<image:caption><![CDATA[Eine Notiz von Dr. Theodor Demmler, 1934 © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Anschreiben-von-A.-Freiherr-von-Reitzenstein_SMB-ZA_I-SKS-63.jpg</image:loc>
			<image:caption><![CDATA[Das ursprüngliche Anschreiben des Freiherrn von Reitzenstein.  © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Friedrich-Wilhelm-der-Gro%C3%9Fe-Kurf%C3%BCrst-Marmor-um-1650_Skulpturensamlung-und-Museum-f%C3%BCr-byzantinische-Kunst_AAA.jpg</image:loc>
			<image:caption><![CDATA[Friedrich-Wilhelm, der Große Kurfürst, Marmor, um 1650 (Skulpturensamlung und Museum für byzantinische Kunst) © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Notiz-von-Dr.-Theodor-Demmler_SMB-ZA_I-SKS-63.jpg</image:loc>
			<image:caption><![CDATA[Eine Notiz von Dr. Theodor Demmler, 1934 © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-handel-mit-raubgut-muss-geaechtet-werden/</loc>
		<lastmod>2024-03-06T11:38:55+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Titelbild-Wessel.jpg</image:loc>
			<image:title><![CDATA[Titelbild Wessel]]></image:title>
			<image:caption><![CDATA[Günther Wessel. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/MG_4591_kl.jpg</image:loc>
			<image:caption><![CDATA[Günther Wessel im Gespräch. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/MG_4692_kl.jpg</image:loc>
			<image:caption><![CDATA[Günther Wessel. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/MG_4620_kl.jpg</image:loc>
			<image:caption><![CDATA[Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/museum-mit-profil-zur-neuen-ausstellung-am-mek/</loc>
		<lastmod>2024-03-06T11:39:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/2023_06_13_EKT_Slovenien_Ausst_29.jpg</image:loc>
			<image:title><![CDATA[2023_06_13_EKT_Slovenien_Ausst_29]]></image:title>
			<image:caption><![CDATA[Einblick in die aktuelle Ausstellung „Buzzing Slovenia: Von Bienen und Menschen“ zu den diesjährigen Europäischen Kulturtagen mit dem Schwerpunkt Slowenien. Die Europäischen Kulturtage sind ein wiederkehrendes Format mit vielen Veranstaltungen und einer Ausstellung, über die das MEK jedes Jahr eine andere Region, Stadt oder Land in Europa vorstellt. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/2022_09_Dauerausstellung__03.jpg</image:loc>
			<image:caption><![CDATA[Die aktuelle Profilausstellung „Kulturkontakte: Leben in Europa“ die 2011 eröffnete. Die Ausstellung präsentiert die Sammlung und Themen wie Handel, Tourismus, Migration, Religiosität, Grenzen und regionale, nationale und supranationale Identitäten. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/2023_06_13_EKT_Slovenien_Ausst_29.jpg</image:loc>
			<image:caption><![CDATA[Einblick in die aktuelle Ausstellung „Buzzing Slovenia: Von Bienen und Menschen“ zu den diesjährigen Europäischen Kulturtagen mit dem Schwerpunkt Slowenien. Die Europäischen Kulturtage sind ein wiederkehrendes Format mit vielen Veranstaltungen und einer Ausstellung, über die das MEK jedes Jahr eine andere Region, Stadt oder Land in Europa vorstellt. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ich-glaube-fest-daran-dass-die-kulturen-der-welt-verbunden-sind/</loc>
		<lastmod>2024-03-06T11:42:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/03_FCD.jpg</image:loc>
			<image:title><![CDATA[03_FCD]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/10/20220906_165019.jpg</image:loc>
			<image:caption><![CDATA[Lone Monagen (c) SMB / MEK]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/03_FCD.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/8.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-arbeitskraeften-und-mitmenschen/</loc>
		<lastmod>2024-03-06T11:43:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/11_MEK_Ergun_aatay_Bergleute.jpg</image:loc>
			<image:title><![CDATA[11_MEK_Ergun_aatay_Bergleute]]></image:title>
			<image:caption><![CDATA[Türkische "Gastarbeiter" in Deutschland: Bergleute untertage vermutlich bei Arbeiten an einem Hilfsantrie in der Zeche Walsum, Duisburg, April/Mai 1990 © Ergun Çağatay/Fotoarchiv Ruhr Museum/Stadtmuseum Berlin/Stiftung Historische Museen Hamburg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/02_MEK_Ergun_aatay_Kinder_vor_Hauseingang.jpg</image:loc>
			<image:caption><![CDATA[Kinder vor einem Hauseingang, Berlin-Kreuzberg © Ergun Çağatay/Fotoarchiv Ruhr Museum/Stadtmuseum Berlin/Stiftung Historische Museen Hamburg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/07_MEK_Ergun_aatay_36Boys.jpg</image:loc>
			<image:caption><![CDATA[Mitglieder der Jugendgang „36Boys“ in Berlin-Kreuzberg © Ergun Çağatay/Fotoarchiv Ruhr Museum/Stadtmuseum Berlin/Stiftung Historische Museen Hamburg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/08_MEK_Ergun_aatay_Tuerkischen_Basar_Buelowstrasse.jpg</image:loc>
			<image:caption><![CDATA[Türkische "Gastarbeiter" in Deutschland: Mutter mit Kindern im "Türkischen Basar" im stillgelegten Hochbahnhof Bülowstraße, Berlin-Schöneberg, April 1990 © Ergun Çağatay/Fotoarchiv Ruhr Museum/Stadtmuseum Berlin/Stiftung Historische Museen Hamburg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/11_MEK_Ergun_aatay_Bergleute.jpg</image:loc>
			<image:caption><![CDATA[Türkische "Gastarbeiter" in Deutschland: Bergleute untertage vermutlich bei Arbeiten an einem Hilfsantrie in der Zeche Walsum, Duisburg, April/Mai 1990 © Ergun Çağatay/Fotoarchiv Ruhr Museum/Stadtmuseum Berlin/Stiftung Historische Museen Hamburg]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/geschichten-der-aeltesten-museumskooperation-zwischen-berlin-und-namibia/</loc>
		<lastmod>2024-03-06T11:45:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/EM_Namibia_ReiseObjekte_Vorbereitung.jpg</image:loc>
			<image:title><![CDATA[Namibia.]]></image:title>
			<image:caption><![CDATA[Die am Projekt beteiligten Restauratorinnen Eva Ritz und Johanna Ndahekelekwa Nghishiko bereiten die Objekte auf ihre Reise nach Namibia vor. © SPK / photothek.net / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/EM_Namibia_ReiseObjekte_PK_Uebergabe.jpg</image:loc>
			<image:caption><![CDATA[Hermann Parzinger (Präsident der Stiftung Preußischer Kulturbesitz), Esther Moombolah/Gôagoses (Direktorin des National Museum of Namibia), Julia Binter (Ko-Leiterin „Confronting Colonial Pasts, Envisioning Creative Futures“) und S.E. Martin Andjaba (Botschafter der Republik Namibia) bei der Übergabe der Objekte in Berlin-Dahlem © SPK / photothek.net / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/EM_Namibia_ReiseObjekte_Vorbereitung.jpg</image:loc>
			<image:caption><![CDATA[Die am Projekt beteiligten Restauratorinnen Eva Ritz und Johanna Ndahekelekwa Nghishiko bereiten die Objekte auf ihre Reise nach Namibia vor. © SPK / photothek.net / Thomas Imo]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/barbara-kruger-kunst-als-widerstand/</loc>
		<lastmod>2024-03-06T11:45:48+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/DSC6414%C2%A9AnitaBack.jpg</image:loc>
			<image:title><![CDATA[Neue Nationalgalerie]]></image:title>
			<image:caption><![CDATA[Neue Nationalgalerie, Ausstellung Barbara Kruger "Bitte Lachen, Please Cry", 11.5.2022 ©AnitaBack]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/DSC6533%C2%A9AnitaBack.jpg</image:loc>
			<image:caption><![CDATA[Neue Nationalgalerie, Ausstellung Barbara Kruger "Bitte Lachen, Please Cry", 11.5.2022 ©AnitaBack]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/starke-frauen-starke-werke/</loc>
		<lastmod>2024-03-06T11:46:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/NNG_Hiebert_fini_ZweiFrauen.jpg</image:loc>
			<image:title><![CDATA[NNG_Hiebert_fini_ZweiFrauen]]></image:title>
			<image:caption><![CDATA[Unbekannt (ehemals Leonor Fini), Zwei Frauen, 1939, Schenkung Sammlung Ulla und Heiner Pietzsch an das Land Berlin 2010 © Staatliche Museen zu Berlin, Nationalgalerie / Jochen Littkemann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/NNG_Hiebert_fini_ZweiFrauen.jpg</image:loc>
			<image:caption><![CDATA[Unbekannt (ehemals Leonor Fini), Zwei Frauen, 1939, Schenkung Sammlung Ulla und Heiner Pietzsch an das Land Berlin 2010 © Staatliche Museen zu Berlin, Nationalgalerie / Jochen Littkemann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/GG_Anguissola.jpg</image:loc>
			<image:caption><![CDATA[Sofonisba Anguissola: Bianca Ponzoni Anguissola, die Mutter der Künstlerin, 1557 © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/ANG_Felder_K-Bauernkinder_-.jpg</image:loc>
			<image:caption><![CDATA[Katharina Felder: Bauernkinder, um 1845 © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/MEK_Schier2.jpg</image:loc>
			<image:caption><![CDATA[Hochzeitsfoto von Emma und Friedrich Schier, Berlin, 1916, © Staatliche Museen zu Berlin, Museum Europäischer Kulturen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/MEK_Schier1-e1646398722875.jpg</image:loc>
			<image:caption><![CDATA[Hochzeitskleid von Emma Schier, Berlin, 1916, © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/03/KK_Graser_Fleckner_Woodbeds.jpg</image:loc>
			<image:caption><![CDATA[Ester Fleckner: Woodbeds, brimming (more), 2020 © Staatliche Museen zu Berlin, Kupferstichkabinett © Ester Fleckner, Courtesy the artist and Barbara Wien, Berlin / Foto: Nick Ash]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zehnerpack-formen-der-liebe/</loc>
		<lastmod>2024-03-06T11:47:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Manet_Wintergarten.jpg</image:loc>
			<image:title><![CDATA[Manet_Wintergarten]]></image:title>
			<image:caption><![CDATA[Édouard Manet: Im Wintergarten, 1879 © Staatliche Museen zu Berlin, Alte Nationalgalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Munch_Kuss.jpg</image:loc>
			<image:caption><![CDATA[Edvard Munch: Der Kuss IV, 1902 © Staatliche Museen zu Berlin, Kupferstichkabinett / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Menzel_Abendgesellschaft.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Abendgesellschaft, um 1847 © Staatliche Museen zu Berlin, Alte Nationalgalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Manet_Wintergarten.jpg</image:loc>
			<image:caption><![CDATA[Édouard Manet: Im Wintergarten, 1879 © Staatliche Museen zu Berlin, Alte Nationalgalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Phaeton.jpg</image:loc>
			<image:caption><![CDATA[Simone Mosca: Der Sturz des Phaeton, um 1560 © Staatlichen Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Madschnun.jpg</image:loc>
			<image:caption><![CDATA[Mahmud al-Husayni: Madschnun unter den wilden Tieren" aus "Baisonqur-Handschrift"; Iran,1420 © Staatliche Museen zu Berlin, Museum für Islamische Kunst   ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/LindeWalther_MalerGutmannmitKind-scaled.jpg</image:loc>
			<image:caption><![CDATA[Heinrich Eduard Linde-Walther: Der Maler Gutmann mit Kind, 1911 © Staatliche Museen zu Berlin, Alte Nationalgalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Larsson_UnterdenLinden-scaled.jpg</image:loc>
			<image:caption><![CDATA[Bernard Larsson: Paar "Unter den Linden", 1961 © Staatlichen Museen zu Berlin, Kunstbibliothek / Bernard Larsson]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Tizian_Strozzi.jpg</image:loc>
			<image:caption><![CDATA[Tizian: Clarissa Strozzi im Alter von zwei Jahren, 1542 © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/ZweiFraueeinMannGG.jpg</image:loc>
			<image:caption><![CDATA[Symbolbild: Unbekannter Künstler: Zwei Frauen und ein Mann, ca. 1501 - 1600 © Staatliche Museen zu Berlin, Gemäldegalerie / Dietmar Gunne]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/DeTroy.jpg</image:loc>
			<image:caption><![CDATA[Jean François de Troy: Das Frühstück, 1723 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/meister-in-neuem-gewand-restaurierung-eines-van-eyck/</loc>
		<lastmod>2024-03-06T11:47:51+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/titelbild_van-eyck.jpg</image:loc>
			<image:title><![CDATA[titelbild_van-eyck]]></image:title>
			<image:caption><![CDATA[Jan van Eyck: Giovanni Arnolfini (Bildnis eines Mannes mit rotem Chaperon), 15. Jh. © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/van-eyck_1.jpg</image:loc>
			<image:caption><![CDATA[Das Gemälde (Jan van Eyck: Giovanni Arnolfini) und Detailansichten, Vorzustand. © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt  ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/van-eyck_2.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahme des Auges mit seinen feinen Modellierungen und hauchzarten hellen Wimpern. Auf dem Augenlid liegen fleckige alte Retuschen. © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/van-eyck_3.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahme des kleinen Briefes in seiner Hand. Die Aufschrift ist auch unter Vergrößerung nicht lesbar. © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/van-eyck_4.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahme des Pelzes mit winzigen Härchen; dunkle Flecken stammen von alten verfärbten Retuschen. © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/van-eyck_5.jpg</image:loc>
			<image:caption><![CDATA[Mikroskopaufnahme aus dem eigentlich schwarzen Hintergrund, der durch starke Vergrauung hell erscheint. Dunkle Flecken alter Retuschen sind ebenfalls sichtbar. © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/van-eyck_6.jpg</image:loc>
			<image:caption><![CDATA[Querschliff einer Malschichtprobe unter UV-Fluoreszenz, darin lassen sich mindestens 11 Schichten differenzieren. 1-3 sind grüne Farbschichten, 4 eine grüne Lasur, darüber Überzüge und Firnisse. © Staatliche Museen zu Berlin, Gemäldegalerie / Sandra Stelzig]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/anknuepfen-an-aktuelle-debatten-interview-mit-dagmar-hirschfelder/</loc>
		<lastmod>2024-03-06T11:48:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/VB_9807.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/VB_0048.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsansicht Anna Dorothea Therbusch © Staatliche Museen zu Berlin, Gemäldegalerie / David v. Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/VB_9930.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/01/h_00020711.jpg</image:loc>
			<image:caption><![CDATA[Frans Hals: Singender Knabe mit Flöte, um 1623 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alte-bekannte-und-neueroeffnungen-jahresrueckblick-2021/</loc>
		<lastmod>2024-03-06T11:48:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/titelbild_jahresrueckblick_2021.jpg</image:loc>
			<image:title><![CDATA[titelbild_jahresrückblick_2021]]></image:title>
			<image:caption><![CDATA[Jahresrrückblick der Staatlichen Museen zu Berlin 2021]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/titelbild_fenster-auf.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Portrait_Mantua_Charlotte_Jansen_kl.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/ct-loo-titelbild.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00096002.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/VB_4851.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/13_Spaetgotik_Witz_Koenigin_Saba_SMB_GG.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/Abb-1.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/titelbild_haida_-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/Abb_2_Schloss.jpeg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/IMG_05142.jpeg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160510_SMB_Ethnologisches_Museum_C_Daniel_Hofer_0021_preview.jpg</image:loc>
			<image:caption><![CDATA[Objekte werden für den Umzug ins Humboldt Forum vorbereitet. Foto: Staatliche Museen zu Berlin / Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/02_NNG_210407_1054_1A1_SO_Marcus_Ebener.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/11/Fotos_Film_c-Museum-fuer-Islamische-Kunst-Mirza-Odabasi.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/vom-tagebau-in-die-tagesschau-60-jahre-deutsch-tuerkisches-anwerbeabkommen/</loc>
		<lastmod>2024-03-06T11:49:14+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/11/Fotos_Film_c-Museum-fuer-Islamische-Kunst-Mirza-Odabasi.jpg</image:loc>
			<image:title><![CDATA[Fotos_Film_(c) Museum für Islamische Kunst Mirza Odabaşı]]></image:title>
			<image:caption><![CDATA[© Museum für Islamische Kunst Mirza Odabaşı]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/11/c-Museum-fuer-Islamische-Kunst-Mirza-Odabasi.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/11/Cem-Karaca-Kassetten-c-Museum-fuer-Islamische-Kunst-Mirza-Odabasi.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/11/Fotos2_Film_c-Museum-fuer-Islamische-Kunst-Mirza-Odabasi.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/geschlechtsneutrale-sprache-eine-frage-der-moral/</loc>
		<lastmod>2024-03-06T11:50:18+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/h_00049621.jpg</image:loc>
			<image:title><![CDATA[h_00049621]]></image:title>
			<image:caption><![CDATA[Charlotte Berend-Corinth: Selbstbildnis mit Modell (1931) © bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/AS000.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/bild3.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/modemacher-william-fan-spagat-zwischen-zeitlos-und-zeitgeist/</loc>
		<lastmod>2024-03-06T11:51:17+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/05/Titelbild_WF_KGM.jpg</image:loc>
			<image:title><![CDATA[Titelbild_WF_KGM]]></image:title>
			<image:caption><![CDATA[© William Fan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/05/WF_Objekt1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/05/William-Fan_Portaet.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/05/WF_Objekt2-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-goerings-roemischer-loewensarkophag/</loc>
		<lastmod>2024-03-13T17:13:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.4-1.jpg</image:loc>
			<image:title><![CDATA[Hermann Göring mit seiner Frau Emmy und seinem jungen Löwen in Carinhall / Schorfheide]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.1-2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.2-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.3-2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.4-1.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-alfred-flechtheim-und-paul-klees-lebkuchen-bild/</loc>
		<lastmod>2024-03-13T17:13:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.2.jpg</image:loc>
			<image:title><![CDATA[Abb.2]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.1-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.3-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.4.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-der-hut-der-chugach/</loc>
		<lastmod>2024-03-13T17:13:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-1.jpg</image:loc>
			<image:title><![CDATA[Foto-1]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-2-1.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-3-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-4.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-5-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-6.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-7.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-8.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-irrwitziger-tausch-mit-dem-deutschen-reich/</loc>
		<lastmod>2024-03-13T17:13:48+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.-2-Menzel-Eisenwalzwerk-A-I-201.jpg</image:loc>
			<image:title><![CDATA[Abb.-2-Menzel-Eisenwalzwerk-A-I-201]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.-1-Menzel-Eisenwalzwerk-F-III-2804.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.-2-Menzel-Eisenwalzwerk-A-I-201.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.-5-Depot-Schloss-Niedersch%C3%B6nhausen.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.-6-Portr%C3%A4t-Ferdinand-M%C3%B6ller.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.-8-boerner1939_04_28_Taf.-17.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-der-ohrschmuck-des-mangi-marealle/</loc>
		<lastmod>2024-03-13T17:13:58+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/BILD-1_mangi-Marealle.jpg</image:loc>
			<image:title><![CDATA[BILD-1_mangi-Marealle]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/BILD-1_mangi-Marealle.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/BILD-3_Expeditionslager-Hans-Meyer.png</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/BILD-5_Meyer-Zum-Schneedom.png</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/BILD-4_Liste-Geschenke_1888.png</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/ohrpflock.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-der-loewe-aus-der-vossstrasse/</loc>
		<lastmod>2024-03-13T17:14:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/08_JSG_Besatzungssoldaten_1945_Friedrich_Seidenstuecker.jpg</image:loc>
			<image:title><![CDATA["Löwe von 'Gaul' in Palais Mosse"]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.1.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/05_JSG_Palais_Rudolf_Mosse_1935_BieberNather.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/06_JSG_Palais_Rudolf_Mosse_1935_BieberNather.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/04_JSG_Rudolf_Mosse.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.3.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.-4_Loewe_Palais_ds_2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/08_JSG_Besatzungssoldaten_1945_Friedrich_Seidenstuecker.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/11_JSG_Gaul_Einbringung_Liegender-Loewe.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/02_JSG_Gaul_Loewe_Foyer_James-Simon-Galerie.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-ein-federschmuck-und-viele-fragen/</loc>
		<lastmod>2024-03-13T17:14:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-2.jpg</image:loc>
			<image:title><![CDATA[Foto-2]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-2.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-3.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Foto-5.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-okadina-von-frauenfreundschaften-und-koeniglichen-geschenken/</loc>
		<lastmod>2024-03-13T17:14:32+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/EM-Namibia-Film_01.jpg</image:loc>
			<image:title><![CDATA[EM-Namibia-Film_01]]></image:title>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/image-2.gif</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/III-D-3656-C.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/K%C3%B6nigin-Olugondo.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-wer-war-douwe-remmerssen/</loc>
		<lastmod>2024-03-13T17:14:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/titelbild_remmersen_neu.jpg</image:loc>
			<image:title><![CDATA[titelbild_remmersen_neu]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/image.gif</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/Abb.-1-Hackert-Felsgrotte-F-III-2743kl.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/Abb.-2-SMB-ZA-I-NG-874-Bl.-13.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/Abb.-3-SMB-ZA-I-NG-874-Bl.-6.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/Abb.-4-Rave-Paul-Ortwin_SMB-ZAkl.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/Abb.-5-Bundesarchiv_Bild_183-C11812_Berlin_Wilhelmstra%C3%9Fe_Ausw%C3%A4rtiges_Amt_kl.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/12/Abb.-6-Hackert-Steinbr%C3%BCcke-F-III-2804.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-klang-der-bilder/</loc>
		<lastmod>2024-03-21T14:41:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/Clipboard02.jpg</image:loc>
			<image:title><![CDATA[Clipboard02]]></image:title>
			<image:caption><![CDATA[Hans Multscher, "Die Kreuztragung Christi" (1437) © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/Clipboard02.jpg</image:loc>
			<image:caption><![CDATA[Hans Multscher, "Die Kreuztragung Christi" (1437) © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/Clipboard01-scaled.jpg</image:loc>
			<image:caption><![CDATA[Böhmischer Meister, „Die Kreuzigung Christi (Kaufmannsche Kreuzigung)“, (um 1350) © bpk / Gemäldegalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/01/14_Bellini_Der_tote_Christus-514x637.jpg</image:loc>
			<image:caption><![CDATA[Der tote Christus von zwei Engeln gestützt (um 1470–1475), Giovanni Bellini, Pappelholz, 66,9 × 82,0 cm Christoph Schmidt ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/existenz-erkunden-in-berlin/</loc>
		<lastmod>2024-03-27T12:34:38+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/AD20240216_111A.jpg</image:loc>
			<image:title><![CDATA[AD20240216_111A]]></image:title>
			<image:caption><![CDATA[Gespraech zwischen Ifunanya Madufor und Temidayo Oyeniran zum Thema Spiritualitaet im Humboldtforum am 16 Februar 2024; Foto: Staatliche Museen zu Berlin, Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/Pierre-Adenis_SMB_02_Ifunanyas-choice-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ifunanya Madufor im Ethnologischen Museum im Humboldt-Forum © Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/Foto-Depot.jpg</image:loc>
			<image:caption><![CDATA[Ifunanya Madufor hält eine Ikenga Figur im Ethnologischen Museum; Foto: Staatliche Museen zu Berlin, Maria Ellendorf]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/III-C-39855-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ifunanya Madufor hält eine Ikenga Figur im Ethnologischen Museum; Foto: Staatliche Museen zu Berlin, Martin Franken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/AD20240216_111A.jpg</image:loc>
			<image:caption><![CDATA[Gespraech zwischen Ifunanya Madufor und Temidayo Oyeniran zum Thema Spiritualitaet im Humboldtforum am 16 Februar 2024; Foto: Staatliche Museen zu Berlin, Pierre Adenis]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-welle-zum-neuen-museum-surfen-kupferstichkabinett-und-kunstbibliothek-im-berlin-modern/</loc>
		<lastmod>2024-04-04T09:42:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/LEO_6770.jpg</image:loc>
			<image:title><![CDATA[LEO_6770]]></image:title>
			<image:caption><![CDATA[Das Projekt "Baumschule Kulturforum" wirbt für eine Begrünung des Areals. Foto: Leo Seidel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/469_CI_2401_006_East_Entrance-ohne_Kunst.jpg</image:loc>
			<image:caption><![CDATA[Street Gallery und östlicher Eingang, Ostfassade des Museums berlin modern am Kulturforum (Visualisierung, 2024) © Herzog &amp; de Meuron]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/IMG_3775.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Lina Wällstedt mit einem der Kunstwerke, die für den Umzug ins "berlin modern" vorbereitet werden. Foto: Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/h_20036203.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer , Sonntags vor dem Zelt 3 promenierten die Berliner bei Freikonzert mit Kind und Familie unter dem Bäumen des Tiergartens. , Motiv 1 von 4 , Aufnahmedatum: 1910 , Aufnahmeort: Berlin , Copyright: bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/vb_5516_RWD_1380.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung "Großes Kino - Filmplakate aus allen Zeiten" © David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/LEO_6770.jpg</image:loc>
			<image:caption><![CDATA[Das Projekt "Baumschule Kulturforum" wirbt für eine Begrünung des Areals. Foto: Leo Seidel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/469_CI_2401_001_North_Facade-mit_Kunst.jpg</image:loc>
			<image:caption><![CDATA[Nordfassade des Museums berlin modern am Kulturforum (Visualisierung, 2024) © Herzog &amp; de Meuron / Katharina Sieverding]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/12_Mueller.jpg</image:loc>
			<image:caption><![CDATA[Otto Mueller: Fünf gelbe Akte am Wasser, 1921; Foto: Staatliche Museen zu Berlin, Kupferstichkabinett / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/IMG_E0669.jpg</image:loc>
			<image:caption><![CDATA[Dagmar Korbacher, Direktorin des Kupferstichkabinetts, und Moritz Wullen, Direktor der Kunstbibliothek, am Kulturforum; Foto: SPK / Dominik Twillemeier]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/469_CI_2401_004_Baumhof.jpg</image:loc>
			<image:caption><![CDATA[Baumhof mit Gastronomie rund um die Platane an der Westfassade des Museums berlin modern am Kulturforum (Visualisierung, 2024) © Herzog &amp; de Meuron]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/23_Kulturforum_Eingang_Achim_Kleuker.jpg</image:loc>
			<image:caption><![CDATA[Das Kulturforum heute; (c) Staatliche Museen zu Berlin / Achim Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/469_CI_2401_003_Sudost_areal.jpg</image:loc>
			<image:caption><![CDATA[Luftperspektive Süd-Ost des Museums berlin modern am Kulturforum (Visualisierung, 2024) © Herzog &amp; de Meuron]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-rudolf-wiltschek-erben-gesucht/</loc>
		<lastmod>2024-04-10T08:46:51+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-1-Hauptverwaltungsgebaeude-der-Dresdner-Bank-in-Berlin-1926-Bundesarchiv-Berlin-Bild-183-H28533.jpg</image:loc>
			<image:title><![CDATA[Abb. 1 Hauptverwaltungsgebäude der Dresdner Bank in Berlin, 1926, Bundesarchiv Berlin, Bild 183-H28533]]></image:title>
			<image:caption><![CDATA[Hauptverwaltungsgebäude der Dresdner Bank in Berlin, 1926; Bundesarchiv Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-1-Hauptverwaltungsgebaeude-der-Dresdner-Bank-in-Berlin-1926-Bundesarchiv-Berlin-Bild-183-H28533.jpg</image:loc>
			<image:caption><![CDATA[Hauptverwaltungsgebäude der Dresdner Bank in Berlin, 1926; Bundesarchiv Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-2-Kunstwerke-aus-dem-Bestand-der-Dresdner-Bank-Liste-26-SMB-ZA-I_KGM-2-scaled.jpg</image:loc>
			<image:caption><![CDATA[Kunstwerke aus dem Bestand der Dresdner Bank, Liste 26, Foto: Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-3-Hellwag_Heiligenhafen_1920_A_IV_639__002_Kilger_mR.jpg</image:loc>
			<image:caption><![CDATA[Hellwag, Heiligenhafen, 1920 © Staatliche Museen zu Berlin / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-4-Herstein_AmSee_AIII612_DB37_Kilger.jpg</image:loc>
			<image:caption><![CDATA[Herstein, Am See © Staatliche Museen zu Berlin / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-5-Mayrshofer_Kuehler-Platz_F-III-2476_Katz.jpg</image:loc>
			<image:caption><![CDATA[Mayrshofer_Kühler Platz © Staatliche Museen zu Berlin / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-6-Kunstwanderer1922_1923_0585.jpg</image:loc>
			<image:caption><![CDATA[Kunstwanderer, 1922-1923 © Staatliche Museen zu Berlin Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-7-Etikett-Wiltschek-A-IV-216.jpg</image:loc>
			<image:caption><![CDATA[Etikett der Galerie Wiltschek © Staatliche Museen zu Berlin Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-8-Etikett-Kleine-Galerie-A-IV-637.jpg</image:loc>
			<image:caption><![CDATA[Etikett der "Kleinen Galerie" © Staatliche Museen zu Berlin Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-9-1940_-_German_paratroopers_above_the_neighborhood_of_Bezuidenhout_in_The_Hague.jpg</image:loc>
			<image:caption><![CDATA[Deutsche Fallschirmjäger über Den Hag © Staatliche Museen zu Berlin Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-10-Bundesarchiv_B_285_Bild-04413_KZ_Auschwitz_Einfahrt.jpg</image:loc>
			<image:caption><![CDATA[Einfahrt zum Vernichtungslager Auschwitz © Bundesarchiv]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-gold-und-silber-nach-gewicht/</loc>
		<lastmod>2024-04-10T10:43:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-6-Leihamt-Durchgang-Torstr.-164-Berlin.jpg</image:loc>
			<image:title><![CDATA[Abb. 6 Leihamt Durchgang Torstr. 164, Berlin]]></image:title>
			<image:caption><![CDATA[Königliches Leihamt Berlin, Torstraße 164 / Linienstraße 98, erbaut 1847. © Foto: Hanna Strzoda]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-1_Goldfigur-Costa-Rica-EM-IV-Ca-46970.jpg</image:loc>
			<image:caption><![CDATA[Goldfigur, Costa Rica, prä-kolonial, Gewicht: 15,4 Gramm © Staatliche Museen zu Berlin – Ethnologisches Museum, Foto: Ines Seibt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-2-Brief-Pfandleihanstalt-EM-I_MV-607-E-138_1941-scaled.jpg</image:loc>
			<image:caption><![CDATA[Brief der Städtischen Pfandleihanstalt Berlin an das Museum für Völkerkunde, 3. Mai 1941 © Staatliche Museen zu Berlin, Ethnologisches Museum, Foto: Hendryk Ortlieb]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-3-Kreuzanhaenger-KGM-194335-scaled.jpg</image:loc>
			<image:caption><![CDATA[Brustkreuz, Anhänger, Deutschland, 18. Jahrhundert, Gewicht: 25,1 Gramm © Staatliche Museen zu Berlin, Kunstgewerbemuseum, Foto: Manuela Krüger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-4-Verordnung-ueber-die-Anmeldung-des-Vermoegens-von-Juden-Reichsgesetzblatt.jpg</image:loc>
			<image:caption><![CDATA[Dritte Anordnung auf Grund der Verordnung über die Anmeldung des Vermögens von Juden, 21. Februar 1939, in: Reichsgesetzblatt, Jg. 1939, Teil I, S. 282 ( https://alex.onb.ac.at/cgi-content/alex?apm=0&amp;aid=dra&amp;datum=19390004&amp;seite=00000282&amp;zoom=2)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-5-Anzeige-Pfandleihanstalt-Adressbuch-1939.jpg</image:loc>
			<image:caption><![CDATA[Eintrag der Städtischen Pfandleihanstalt im Branchen-Verzeichnis des Berliner Adressbuchs 1939 ( https://digital.zlb.de/viewer/image/34115495_1939/3786/LOG_0261/)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-6-Leihamt-Durchgang-Torstr.-164-Berlin.jpg</image:loc>
			<image:caption><![CDATA[Königliches Leihamt Berlin, Torstraße 164 / Linienstraße 98, erbaut 1847. © Foto: Hanna Strzoda]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-7-Goldfigur-Costa-Rica-EM-IV-Ca-46968.jpg</image:loc>
			<image:caption><![CDATA[Goldfigur: Frosch, Costa Rica, prä-kolonial, Gewicht: 13,91 Gramm © Staatliche Museen zu Berlin, Ethnologisches Museum, Foto: Ines Seibt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Abb.-8-Goldfigur-Costa-Rica-EM-IV-Ca-46971.jpg</image:loc>
			<image:caption><![CDATA[Goldfigur, Costa Rica, prä-kolonial, Gewicht: 29,12 Gramm © Staatliche Museen zu Berlin, Ethnologisches Museum, Foto: Ines Seibt]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-lisa-hackmann-wissenschaftlerin-im-zentralarchiv/</loc>
		<lastmod>2024-04-10T12:05:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/VB_9334.jpg</image:loc>
			<image:title><![CDATA[_VB_9334]]></image:title>
			<image:caption><![CDATA[Lisa Hackmann, Forscherin am Zentralarchiv der Staatlichen Museen zu Berlin. Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/VB_9334.jpg</image:loc>
			<image:caption><![CDATA[Lisa Hackmann, Forscherin am Zentralarchiv der Staatlichen Museen zu Berlin. Foto: David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/nahaufnahme-beginn-der-professionellen-restaurierung-in-deutschland/</loc>
		<lastmod>2024-04-29T14:32:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/A7.jpg</image:loc>
			<image:title><![CDATA[A7]]></image:title>
			<image:caption><![CDATA[Blick in das heutige Restaurierungsatelier. Die Leiterin Dr. Babette Hartwieg am Mikroskop bei der Restaurierung eines Gemäldes von Vittore Carpaccio. Im Hintergrund zu sehen ist die Restauratorin Sandra Stelzig. Foto: Dr. Ute Stehr]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Academy_of_the_Arts_Berlin_1908.jpg</image:loc>
			<image:caption><![CDATA[Berlin, Die Akademie der Wissenschaften und der Künste Unter den Linden (1903 für den Bau der Preußischen Staatsbibliothek abgerissen), Fotografie um 1900. Foto: Public domain]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Christian_Philipp_Koester.jpg</image:loc>
			<image:caption><![CDATA[Bildnis des Christian Koester, gemalt von Schlesinger, Public domain, via Wikimedia Commons]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Jahrhundertausstellung_1906_KatNr._1550.jpg</image:loc>
			<image:caption><![CDATA[Selbstbildnis, Jakob Schlesinger, Public domain, via Wikimedia Commons]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/TdR_Berlin_Stehr_2018_web.jpg</image:loc>
			<image:caption><![CDATA[Dr. Ute Stehr bei einem Vortrag über Correggios „Leda und der Schwan“ und Schlesingers Ergänzungen. Foto: Archiv Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/A7.jpg</image:loc>
			<image:caption><![CDATA[Blick in das heutige Restaurierungsatelier. Die Leiterin Dr. Babette Hartwieg am Mikroskop bei der Restaurierung eines Gemäldes von Vittore Carpaccio. Im Hintergrund zu sehen ist die Restauratorin Sandra Stelzig. Foto: Dr. Ute Stehr]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/SchriftKoester_Nachdruck.jpg</image:loc>
			<image:caption><![CDATA[Titelblatt der Erstausgabe Koesters Schrift von 1827 ... und Nachdruck.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/SchriftKoester_Titelblatt.jpg</image:loc>
			<image:caption><![CDATA[Titelblatt der Erstausgabe Koesters Schrift von 1827 ... und Nachdruck.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/maarten-van-heemskerk-ein-visueller-wissensspeicher-ohnegleichen/</loc>
		<lastmod>2024-05-02T15:35:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/IMG_0056.jpg</image:loc>
			<image:title><![CDATA[IMG_0056]]></image:title>
			<image:caption><![CDATA[Maarten van Heemskerck: Kopf des Vatikanischen Nil (16. Jhdt.); Foto: SPK/ Eva Eckstein]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/IMG_0041.jpg</image:loc>
			<image:caption><![CDATA[Eröffnung der Ausstellung "Faszination Rom. Maarten van Heemskerck zeichnet die Stadt" im Kulturforum; Foto: SPK/ Eva Eckstein]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/IMG_0046.jpg</image:loc>
			<image:caption><![CDATA[Eröffnung der Ausstellung "Faszination Rom. Maarten van Heemskerck zeichnet die Stadt" im Kulturforum; Foto: SPK/ Eva Eckstein]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/IMG_0054.jpg</image:loc>
			<image:caption><![CDATA[Maarten van Heemskerck: Kopf des Cesi-Mars (16. Jhdt.); Foto: SPK/ Eva Eckstein]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/IMG_0056.jpg</image:loc>
			<image:caption><![CDATA[Maarten van Heemskerck: Kopf des Vatikanischen Nil (16. Jhdt.); Foto: SPK/ Eva Eckstein]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kirchner-konvolut-die-illustration-als-begleitende-melodie/</loc>
		<lastmod>2024-05-08T09:50:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/5.jpg</image:loc>
			<image:title><![CDATA[5]]></image:title>
			<image:caption><![CDATA[Ernst Ludwig Kirchner, Probedruck Zwei Tänzerinnen Zwischentitel Die Radierungen, 1922-1924. Farbholzschnitt, Kopierstift. 5,9 x 9,6 cm. Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/3.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner, Probedruck Bucheinband Neben der Heerstrasse Novellen von Jacob Bosshart, 1922-1923. Farbholzschnitt. 20,3 x 31 cm. Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/1.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner, Probedruck Frontispiz zu Georg Heym, Umbra vitae, 1919-1922. Farbholzschnitt, Kopierstift. 14,9 x 9,3 cm. Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/2-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner, Probedruck Georg Heym Umbra vitae Alle Landschaften haben, 1922. Holzschnitt, Kopierstift. 15 x 9,3 cm. Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/4-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner, Probedruck Titelblatt zu Gustav Schiefler, Die Graphik Ernst Ludwig Kirchners, 1924. Holzschnitt, Kopierstift. 16 x 10,1 cm. Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/5.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner, Probedruck Zwei Tänzerinnen Zwischentitel Die Radierungen, 1922-1924. Farbholzschnitt, Kopierstift. 5,9 x 9,6 cm. Foto: Dietmar Katz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-sammlung-alphonse-kann-in-paris-gepluendert/</loc>
		<lastmod>2024-05-29T09:55:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/Abb.-6.jpg</image:loc>
			<image:title><![CDATA[Abb. 6]]></image:title>
			<image:caption><![CDATA[Abb. 6: „Saal der Märtyrer“ im Jeu de Paume in Paris, um 1940, Fotografie Credit: Unbekannter Autor, Public domain, via Wikimedia Commons]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/Abb.-1.jpg</image:loc>
			<image:caption><![CDATA[Abb. 1: André Masson, Der Jäger, 1927 Credit: Staatliche Museen zu Berlin, Nationalgalerie / Jochen Littkemann // André Masson, Le Chasseur, 1926/1927 ©VG Bild-Kunst, Bonn 2021]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/Abb.-3.jpg</image:loc>
			<image:caption><![CDATA[Abb. 3/4: André Masson, Der Jäger (Rückseite, Detail), 1927 Foto: Lisa Hackmann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/Abb.-2.jpg</image:loc>
			<image:caption><![CDATA[Abb. 2: André Masson, Der Jäger (Rückseite), 1927 Foto: Lisa Hackmann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/hitler_in_paris-scaled.jpg</image:loc>
			<image:caption><![CDATA[Abb. 5: Paris, Eiffelturm, Besuch Adolf Hitler, 23. Juni 1940, Fotografie Credit: Bundesarchiv, Bild 183-H28708 / Heinrich Hoffmann / CC-BY-SA 3.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/Abb.-6.jpg</image:loc>
			<image:caption><![CDATA[Abb. 6: „Saal der Märtyrer“ im Jeu de Paume in Paris, um 1940, Fotografie Credit: Unbekannter Autor, Public domain, via Wikimedia Commons]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/Abb.-7.jpg</image:loc>
			<image:caption><![CDATA[Abb. 7: Auszug aus dem Beschlagnahmeinventar der Sammlung Alphonse Kann des ERR (Massons „Jäger“ ist unter der Nr. 1081 verzeichnet) Credit: Bundesarchiv Koblenz, BArch B 323/273, fol. 248]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/neues-teehaus-im-humboldt-forum-eine-schale-maximal/</loc>
		<lastmod>2024-06-27T13:41:31+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/20180816_teehaus_rendering_006.jpg</image:loc>
			<image:title><![CDATA[20180816_teehaus_rendering_006]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/20180816_teehaus_rendering_006.jpg</image:loc>
			<image:caption><![CDATA[Teehaus im Humboldt Forum, Bereich Asien im Ausstellungsmodul zu japanischer Kunst (Rendering). © SHF / URA Architects &amp; Engineers]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/20180816_teehaus_rendering_003_1.jpg</image:loc>
			<image:caption><![CDATA[Teehaus im Humboldt Forum, Bereich Asien im Ausstellungsmodul zu japanischer Kunst (Rendering). © SHF / URA Architects &amp; Engineers]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/20180816_teehaus_rendering_004.jpg</image:loc>
			<image:caption><![CDATA[Teehaus im Humboldt Forum, Bereich Asien im Ausstellungsmodul zu japanischer Kunst (Rendering). © SHF / URA Architects &amp; Engineers]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/20180816_teehaus_rendering_001.jpg</image:loc>
			<image:caption><![CDATA[Teehaus im Humboldt Forum, Bereich Asien im Ausstellungsmodul zu japanischer Kunst (Rendering). © SHF / URA Architects &amp; Engineers]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/dawid-tomaszewski-die-taegliche-leidenschaft-fuer-kleidung/</loc>
		<lastmod>2024-07-02T11:29:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/20240326-2055.jpg</image:loc>
			<image:title><![CDATA[Dawid Tomaszewski - More Is More, Less Is Shit]]></image:title>
			<image:caption><![CDATA[Dawid Tomaszewski im Kunstgewerbemuseum © Clemens Porikys]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/240530_ISPK_PHT02-scaled.jpg</image:loc>
			<image:caption><![CDATA[Atelierbesuch bei Dawid Tomaszewski © photothek / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/240530_ISPK_PHT16.jpg</image:loc>
			<image:caption><![CDATA[Atelierbesuch bei Dawid Tomaszewski © photothek / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/240530_ISPK_PHT22.jpg</image:loc>
			<image:caption><![CDATA[Atelierbesuch bei Dawid Tomaszewski © photothek / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/20240326-2542-scaled.jpg</image:loc>
			<image:caption><![CDATA[Dawid Tomaszewski im Kunstgewerbemuseum © Clemens Porikys]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/unseen-stories-im-kupferstichkabinett-geschichten-aus-dem-museum-neu-erzaehlt/</loc>
		<lastmod>2024-07-04T13:32:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Restaurierung.jpg</image:loc>
			<image:title><![CDATA[Restaurierung]]></image:title>
			<image:caption><![CDATA[Restauratorinnen Sophie Gurjanov und Kristina Mösl bei der Arbeit, © Stiftung Preußischer Kulturbesitz / photothek / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/SMB_Unseen_JE-2447.jpg</image:loc>
			<image:caption><![CDATA[Jill Praus mit ‚Revolutionäre Arbeiter‘ (1952) von Horst Strempel, Neue Nationalgalerie (Verwahrung), Foto: © Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/SMB_Unseen_JE-2320.jpg</image:loc>
			<image:caption><![CDATA[Thomas MacMillan mit dem Grafton-Saxophon, Musikinstrumenten-Museum, Foto: © Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/SMB_Unseen_JE-2503.jpg</image:loc>
			<image:caption><![CDATA[Sarah Hampel mit ‚Der Redner Nr. I Otto Rühle‘ (Fragment, 1920) von Conrad Felixmüller, Neue Nationalgalerie, Foto: © Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/SMB_Unseen_JE-2656.jpg</image:loc>
			<image:caption><![CDATA[Josefine Dreesen mit Elephantine-Kiste, Ägyptisches Museum und Papyrussammlung, Foto: © Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/SMB_Unseen_JE-2752.jpg</image:loc>
			<image:caption><![CDATA[Sophie Gurjanov mit ‚Dame auf Sofa‘ (1905) von Fritz Rhein, Alte Nationalgalerie, Foto: © Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/SMB_Unseen_JE-2136.jpg</image:loc>
			<image:caption><![CDATA[Claudia Lojack mit ‚Tanzende Mädchen‘ (ca. 1831 – 1834) von Moritz Rugendas, Kupferstichkabinett, Foto: © Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/sensation-im-kupferstichkabinett-das-karlsruher-skizzenbuch-von-caspar-david-friedrich/</loc>
		<lastmod>2024-07-15T07:50:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/LJO_2003.jpg</image:loc>
			<image:title><![CDATA[Gemeinsame Erwerbung des „Karlsruher Skizzenbuchs“ von Caspar David Friedrich]]></image:title>
			<image:caption><![CDATA[Das "Karlsruher Skizzenbuch" von Caspar David Friedrich © SPK / Liesa Johannssen/photothek.de, Eigentum der Ernst von Siemens Kunststiftung, des Kupferstichkabinetts – Staatliche Museen zu Berlin, Stiftung Preußischer Kulturbesitz, des Kupferstich-Kabinetts der Staatlichen Kunstsammlungen Dresden, der Klassik Stiftung Weimar, Direktion Museen. Erworben mit Mitteln der Kulturstiftung der Länder sowie für Dresden mit Unterstützung der Liebelt-Stiftung, Hamburg, von Dr. Henning Hoesch, dem Verein der Freunde des Kupferstich-Kabinetts Dresden e.V., Dr. Martin Schröder, Michael und Elke von Brentano und weiterer Spender.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/LJO_1800.jpg</image:loc>
			<image:caption><![CDATA[Das "Karlsruher Skizzenbuch" von Caspar David Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/h_00001248.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/LJO_2003.jpg</image:loc>
			<image:caption><![CDATA[Das "Karlsruher Skizzenbuch" von Caspar David Friedrich © SPK / Liesa Johannssen/photothek.de, Eigentum der Ernst von Siemens Kunststiftung, des Kupferstichkabinetts – Staatliche Museen zu Berlin, Stiftung Preußischer Kulturbesitz, des Kupferstich-Kabinetts der Staatlichen Kunstsammlungen Dresden, der Klassik Stiftung Weimar, Direktion Museen. Erworben mit Mitteln der Kulturstiftung der Länder sowie für Dresden mit Unterstützung der Liebelt-Stiftung, Hamburg, von Dr. Henning Hoesch, dem Verein der Freunde des Kupferstich-Kabinetts Dresden e.V., Dr. Martin Schröder, Michael und Elke von Brentano und weiterer Spender.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/LJO_1814.jpg</image:loc>
			<image:caption><![CDATA[Das "Karlsruher Skizzenbuch" von Caspar David Friedrich © SPK / Liesa Johannssen/photothek.de, Eigentum der Ernst von Siemens Kunststiftung, des Kupferstichkabinetts – Staatliche Museen zu Berlin, Stiftung Preußischer Kulturbesitz, des Kupferstich-Kabinetts der Staatlichen Kunstsammlungen Dresden, der Klassik Stiftung Weimar, Direktion Museen. Erworben mit Mitteln der Kulturstiftung der Länder sowie für Dresden mit Unterstützung der Liebelt-Stiftung, Hamburg, von Dr. Henning Hoesch, dem Verein der Freunde des Kupferstich-Kabinetts Dresden e.V., Dr. Martin Schröder, Michael und Elke von Brentano und weiterer Spender.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Friedrich_CD-Abtei_NG8-85-002-A3.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Abtei im Eichwald, 1809/10; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/cdf-kreuz_im_gebirge.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich: "Das Kreuz im Gebirge" (um 1805/1807); Foto: Kupferstichkabinett, SMB / Reinhard Saczewski]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/frans-hals-der-erste-impressionist/</loc>
		<lastmod>2024-07-15T08:38:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/8.jpg</image:loc>
			<image:title><![CDATA[8]]></image:title>
			<image:caption><![CDATA[Frans Hals, Der Lautenspieler, um 1623/24, Paris, Musée du Louvre Photo, © RMN-Grand Palais (Musée du Louvre) / Franck Raux]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/VB_9833.jpg</image:loc>
			<image:caption><![CDATA[Frans Hals. Meister des Augenblicks, Ausstellungsansicht, Gemäldegalerie, 2024, © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/7.jpg</image:loc>
			<image:caption><![CDATA[Frans Hals, Junge Frau („La bohémienne“), um 1632, Paris, Musée du Louvre Photo, © RMN-Grand Palais (Musée du Louvre) / Jean-Gilles Berizzi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/VB_9873.jpg</image:loc>
			<image:caption><![CDATA[Frans Hals. Meister des Augenblicks, Ausstellungsansicht, Gemäldegalerie, 2024, © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/2.jpg</image:loc>
			<image:caption><![CDATA[Frans Hals, Malle Babbe, um 1640, Berlin, © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/VB_9837.jpg</image:loc>
			<image:caption><![CDATA[Frans Hals. Meister des Augenblicks, Ausstellungsansicht, Gemäldegalerie, 2024, © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zwischen-it-piece-und-klischee-der-adidas-trainingsanzug/</loc>
		<lastmod>2024-07-15T11:04:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/titelbild-adidas-neu.jpg</image:loc>
			<image:title><![CDATA[titelbild adidas neu]]></image:title>
			<image:caption><![CDATA[Der Adidas-Trainingsanzug von 1967. © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Magdalena Baader]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Abbildung-2_Karton_Trainingsanzug-2.jpg</image:loc>
			<image:caption><![CDATA[Schachtel des Adidas-Trainingsanzuges von 1967. © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Sybille Hoiman]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Abbildung-3_Rashad-Shafshak-Olympiade-1936.jpg</image:loc>
			<image:caption><![CDATA[Der ägyptische Basketballspieler Mohamed Rashad Shafshak in einem frühen Trainingsanzug bei der Olympiade in Berlin 1936. Wikimedia Commons: Von Scan: privat; Nutzungsberechtigt MoSchle, Retusche MagentaGreen, Public Domain, https://commons.wikimedia.org/w/index.php?curid=70824187]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Abbildung-4_La%CC%88ufer-in-Startposition-Olympiade-1936.jpg</image:loc>
			<image:caption><![CDATA[Läufer in Startposition im Trainingsanzug bei der Olympiade in Berlin 1936. © Deutsche Fotothek / Heinrich Weskamp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Abbildung-5_Werbung-fu%CC%88r-Sport-und-Freizeit.jpg</image:loc>
			<image:caption><![CDATA[Werbung für den adidas-3-Streifen-Trainingsanzug für Sport und Freizeit, vor 1971.© adidas archive]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/adidas_trainingsanzug_02.jpg</image:loc>
			<image:caption><![CDATA[Der Adidas-Trainingsanzug von 1967, noch ohne Dreiblatt-Logo. © Staatliche Museen zu Berlin, Kunstgewerbemuseum / Magdalena Baader]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Abbildung-7_Waschanleitung.jpg</image:loc>
			<image:caption><![CDATA[Waschanleitung für adidas-3-Streifen-Trainingsanzüge, vor 1971. © adidas archive]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Abbildung-8_Black-power-salute.jpg</image:loc>
			<image:caption><![CDATA[Der Black power salute auf einem Graffiti von Richard Bell und Emory Douglas in Brisbane, Australien 2013. Wikimedia Commons: Von Kgbo – eigenes Werk, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=29897678]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Abbildung-9_Run-DMC.jpg</image:loc>
			<image:caption><![CDATA[Run-D.M.C. in Adidas-Trainingsanzügen in Paris 1987. Wikimedia Commons: Von RickyPowell – eigenes Werk, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=16372810]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Abbildung-10_Paar-im-Trainingsanzug.jpg</image:loc>
			<image:caption><![CDATA[Fußpfleger und Verkäuferin aus Colditz im Trainingsanzug, 1988. Auch in der DDR waren Trainingsanzüge beliebt. © Deutsche Fotothek / Gerhard Weber]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/besuch-indigener-delegation-die-geschichte-von-coixtlahuaca/</loc>
		<lastmod>2024-07-15T15:09:52+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Schueren_2.jpg</image:loc>
			<image:title><![CDATA[Schüren_2]]></image:title>
			<image:caption><![CDATA[CoMuse-Workshop des Ethnologischen Museums zum über 450 Jahre alten Lienzo Coixtlahuaca II / Lienzo Seler II mit Delegierten aus fünf indigenen Gemeinden des Tals von Coixtlahuaca und Textilrestauratorinnen des INAH aus Mexiko; Foto: Ethnologisches Museum / Ute Schürer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Schueren_1.jpg</image:loc>
			<image:caption><![CDATA[CoMuse-Workshop des Ethnologischen Museums zum über 450 Jahre alten Lienzo Coixtlahuaca II / Lienzo Seler II mit Delegierten aus fünf indigenen Gemeinden des Tals von Coixtlahuaca und Textilrestauratorinnen des INAH aus Mexiko; Foto: Ethnologisches Museum / Ute Schürer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Schueren_3.jpg</image:loc>
			<image:caption><![CDATA[CoMuse-Workshop des Ethnologischen Museums zum über 450 Jahre alten Lienzo Coixtlahuaca II / Lienzo Seler II mit Delegierten aus fünf indigenen Gemeinden des Tals von Coixtlahuaca und Textilrestauratorinnen des INAH aus Mexiko; Foto: Ethnologisches Museum / Ute Schürer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Schueren_2.jpg</image:loc>
			<image:caption><![CDATA[CoMuse-Workshop des Ethnologischen Museums zum über 450 Jahre alten Lienzo Coixtlahuaca II / Lienzo Seler II mit Delegierten aus fünf indigenen Gemeinden des Tals von Coixtlahuaca und Textilrestauratorinnen des INAH aus Mexiko; Foto: Ethnologisches Museum / Ute Schürer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Schueren_6.jpg</image:loc>
			<image:caption><![CDATA[CoMuse-Workshop des Ethnologischen Museums zum über 450 Jahre alten Lienzo Coixtlahuaca II / Lienzo Seler II mit Delegierten aus fünf indigenen Gemeinden des Tals von Coixtlahuaca und Textilrestauratorinnen des INAH aus Mexiko; Foto: Ethnologisches Museum / Ute Schürer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/a-bittersweet-goodbye-from-the-vorderasiatisches-museum-for-now/</loc>
		<lastmod>2024-07-24T14:40:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.3a_Doku_GATE_ZwBabUBer_20230823_260b.jpg</image:loc>
			<image:title><![CDATA[fig.3a_Doku_GATE_ZwBabUBer_20230823_260b]]></image:title>
			<image:caption><![CDATA[Der Poet Ghareeb Iskander liest im Rahmen von „GATE: Between Babylon and Berlin“ vor dem Ischtartor Gedichte vor. Foto: Staatlice Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.1a_Doku_BaufreiVAM_20231030_00039.jpg</image:loc>
			<image:caption><![CDATA[Die Prozessionsstraße von Babylon mit einem leeren Schaukasten. Foto: Staatliche Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.2a_Doku_BaufreiVAM_20240123_02727.jpg</image:loc>
			<image:caption><![CDATA[Konservator:innen und Restaurator:innen bereiten das historische Wandgemälde aus dem Uruk-Saal auf die Abnahme vor. Foto: Staatliche Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.3a_Doku_GATE_ZwBabUBer_20230823_260b.jpg</image:loc>
			<image:caption><![CDATA[Der Poet Ghareeb Iskander liest im Rahmen von „GATE: Between Babylon and Berlin“ vor dem Ischtartor Gedichte vor. Foto: Staatlice Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.4.jpg</image:loc>
			<image:caption><![CDATA[Teilnehmende und Performer:innen tanzen zusammen vor dem Ischtartor. Foto: Staatlice Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.5_Doku_GATE_ZwBabUBer_20230823_028b-scaled.jpg</image:loc>
			<image:caption><![CDATA[The Darvish heißt zum “Disrupting Time”-Event vor der Prozessionsstraße von Babylon willkommen. Foto: Staatliche Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/exploring-existence-in-berlin/</loc>
		<lastmod>2024-07-24T14:40:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/AD20240216_111A.jpg</image:loc>
			<image:title><![CDATA[AD20240216_111A]]></image:title>
			<image:caption><![CDATA[Gespraech zwischen Ifunanya Madufor und Temidayo Oyeniran zum Thema Spiritualitaet im Humboldtforum am 16 Februar 2024; Foto: Staatliche Museen zu Berlin, Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/Pierre-Adenis_SMB_02_Ifunanyas-choice-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ifunanya Madufor im Ethnologischen Museum im Humboldt-Forum © Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/Foto-Depot.jpg</image:loc>
			<image:caption><![CDATA[Ifunanya Madufor hält eine Ikenga Figur im Ethnologischen Museum; Foto: Staatliche Museen zu Berlin, Maria Ellendorf]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/III-C-39855-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ifunanya Madufor hält eine Ikenga Figur im Ethnologischen Museum; Foto: Staatliche Museen zu Berlin, Martin Franken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/03/AD20240216_111A.jpg</image:loc>
			<image:caption><![CDATA[Gespraech zwischen Ifunanya Madufor und Temidayo Oyeniran zum Thema Spiritualitaet im Humboldtforum am 16 Februar 2024; Foto: Staatliche Museen zu Berlin, Pierre Adenis]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ngonnso-founding-mother-of-the-nso/</loc>
		<lastmod>2024-07-24T14:40:48+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/titelbild_ngonnso.jpg</image:loc>
			<image:title><![CDATA[titelbild_ngonnso]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/ngonnso.jpg</image:loc>
			<image:caption><![CDATA[Figur der Ngonnso´ aus Kamerun © Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Felix_von_Luschan_BerlLeben_1907-02.jpg</image:loc>
			<image:caption><![CDATA[Felix Ritter von Luschan (1854-1924), Arzt, Anthropologe, Forschungsreisender, Archäologe und Ethnograph sowie Direktor der afrikanisch-ozeanischen Sammlung des Museums für Völkerkunde in Berlin. Aus der Zeitschrift "Berliner Leben", Heft 02 (1907). Unbekannter Fotograf]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/text-ngonso.png</image:loc>
			<image:caption><![CDATA[Auszug aus einer Akte zu den militärischen Expeditionen unter Curt von Pavel in Kamerun (um 1901) © Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Angehoerige_der_Schutztruppe_Kamerun_am_Tschadsee_im_Mai_1902._Untere_Reihe_rechts_Hauptmann_Hans_Glauning_1868-1908._Aus_Oscar_Zimmermann_Durch_Busch_und_Steppe_Berlin_1909_Seite_206.jpg</image:loc>
			<image:caption><![CDATA[Curt von Pavel als Leiter der Expedition des Schutztruppenkommandos von Kamerun am Tschadsee, 1902 (vordere Reihe, Zweiter von links). Aus: Oscar Zimmermann: Durch Busch und Steppe Berlin 1909, Seite 206. Unbekannter Fotograf]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/i-strongly-believe-in-the-interconnectivity-of-the-cultures-of-the-world/</loc>
		<lastmod>2024-07-24T14:41:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/03_FCD.jpg</image:loc>
			<image:title><![CDATA[03_FCD]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/10/20220906_165019.jpg</image:loc>
			<image:caption><![CDATA[Lone Monagen (c) SMB / MEK]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/03_FCD.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/8.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/restitution-is-a-great-sign-of-responsibility/</loc>
		<lastmod>2024-07-24T14:41:47+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/IMG_20220920_145107-scaled.jpg</image:loc>
			<image:title><![CDATA[IMG_20220920_145107]]></image:title>
			<image:caption><![CDATA[Roksolana Ludyn im Humboldt Forum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/IMG-20220920-WA0003.jpg</image:loc>
			<image:caption><![CDATA[Stipendiatin Roksolana Ludyn im Humboldt Forum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/IMG-20220818-WA0010.jpg</image:loc>
			<image:caption><![CDATA[Roksolana Ludyn mit Kolleg*innen in Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/09/IMG_20220920_145107-scaled.jpg</image:loc>
			<image:caption><![CDATA[Roksolana Ludyn im Humboldt Forum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/culture-is-no-less-susceptible-to-manipulation/</loc>
		<lastmod>2024-07-24T14:41:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/%D0%93%D0%B0%D0%BD%D0%BD%D0%B0-%D0%A0%D1%83%D0%B4%D0%B8%D0%BA1.jpg</image:loc>
			<image:title><![CDATA[Ганна Рудик1]]></image:title>
			<image:caption><![CDATA[Hanna Rudyk Ⓒ privat]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/DSCF5814-scaled.jpg</image:loc>
			<image:caption><![CDATA[Islamic collection on display of the Khanenko Museum before February 24, 2022. Ⓒ Olga Miklashevska]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/H_4.jpg</image:loc>
			<image:caption><![CDATA[The khanenko Museum in Kyiv, the Grand Staircase before. Ⓒ Mykhailo Andreyev]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Khanenko-museum-Facade_cut.jpg</image:loc>
			<image:caption><![CDATA[The Khanenko Museum in Kiew, Fassade. Ⓒ The Khanenko Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/%D0%93%D0%B0%D0%BD%D0%BD%D0%B0-%D0%A0%D1%83%D0%B4%D0%B8%D0%BA1.jpg</image:loc>
			<image:caption><![CDATA[Hanna Rudyk Ⓒ privat]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/we-would-love-to-cause-something-unexpected-a-disruption-from-normality-a-conversation-with-two-ukrainian-art-mediators/</loc>
		<lastmod>2024-07-24T14:42:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/000568170009.jpg</image:loc>
			<image:title><![CDATA[000568170009]]></image:title>
			<image:caption><![CDATA[Valeria Schiller (links) und Liuba Dyvak in der Neuen Nationalgalerie © Ewan Weddell]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Wiederhold_Jazz-Symphonie.jpg</image:loc>
			<image:caption><![CDATA[Sascha Wiederhold, Jazz-Symphonie, 1927, Öl, Tempera, Gold- und Silberbronze auf Papier, kaschiert auf Leinwand, 306 x 456 cm, Silard Isaak Collection, Nachlass Carl Laszlo, © Rechtsnachfolger Sascha Wiederhold, Foto: Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/000568170004.jpg</image:loc>
			<image:caption><![CDATA[Valeria Schiller und Liuba Dyvak in der Neuen Nationalgalerie © Ewan Weddell]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Wiederhold_Sprengelmuseum.jpg</image:loc>
			<image:caption><![CDATA[Sascha Wiederhold, Figuren im Raum, 1928Öl auf Karton auf Leinwand, 220,5 x 307 cmSprengel Museum Hannover, Leihgabe des Niedersächsischen LandesmuseumFoto: Herling/Herling/Werner, Sprengel Museum Hannover © Rechtsnachfolger Sascha Wiederhold]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/000568170009.jpg</image:loc>
			<image:caption><![CDATA[Valeria Schiller (links) und Liuba Dyvak in der Neuen Nationalgalerie © Ewan Weddell]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/000568170006.jpg</image:loc>
			<image:caption><![CDATA[Valeria Schiller (links) und Liuba Dyvak in der Neuen Nationalgalerie © Ewan Waddell]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/the-war-changed-my-plans-a-conversation-with-ukrainian-art-critic-olesia-sobkovych/</loc>
		<lastmod>2024-07-24T14:42:48+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/78220465_2390175657912776_5055380617122807808_n.jpg</image:loc>
			<image:title><![CDATA[78220465_2390175657912776_5055380617122807808_n]]></image:title>
			<image:caption><![CDATA[Olesia Sobkovych © Elena Shovkoplias]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/IMG_20220731_144045.jpg</image:loc>
			<image:caption><![CDATA[Olesia Sobkovych © Mykhailo Kobkothe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/117530102_1224541801213367_7994584990403122501_n.jpg</image:loc>
			<image:caption><![CDATA[Olesia Sobkovych © Sergei Udovik]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/78220465_2390175657912776_5055380617122807808_n.jpg</image:loc>
			<image:caption><![CDATA[Olesia Sobkovych © Elena Shovkoplias]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/the-camera-is-a-powerful-tool-a-war-diary-from-ukraine/</loc>
		<lastmod>2024-07-24T14:43:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/01_MEK_Ukraine-Tagebuch_Irpin.jpg</image:loc>
			<image:title><![CDATA[Krieg in Ukraine]]></image:title>
			<image:caption><![CDATA[Inhabitants of Irpin cross river under the ruined bridge, which connects Irpin with Kyiv and at the moment is the only escape point from the city. Ukraine 2022. Irpin, 4. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/20220623_130746.jpg</image:loc>
			<image:caption><![CDATA[Mila Teshaieva © Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/04_MEK_Ukraine-Tagebuch_Kyjiw_27_Maerz_2022.jpg</image:loc>
			<image:caption><![CDATA[Kyjiw, 27. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/03_MEK_Ukraine-Tagebuch_Kyjiw_20_Maerz_2022.jpg</image:loc>
			<image:caption><![CDATA[Kyjiw, 20. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/02_MEK_Ukraine-Tagebuch_9_Maerz_2022.jpg</image:loc>
			<image:caption><![CDATA[9. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/01_MEK_Ukraine-Tagebuch_Irpin.jpg</image:loc>
			<image:caption><![CDATA[Irpin, 4. März 2022 © Mila Teshaieva]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/war-and-potterware-a-ukrainian-archaeologist-at-the-altes-museum/</loc>
		<lastmod>2024-07-24T14:43:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/IMG_3118.jpeg</image:loc>
			<image:title><![CDATA[IMG_3118]]></image:title>
			<image:caption><![CDATA[Schwarz-glasierte attische Keramik im Alten Museum Alten Museum © Iryna Chechulina]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/photo_2022-06-22_15-11-44.jpg</image:loc>
			<image:caption><![CDATA[Iryna Chechulina im Alten Museum © privat]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/IMG_2034-scaled.jpeg</image:loc>
			<image:caption><![CDATA[Schwarz-glasierte attische Keramik im Alten Museum Alten Museum © Iryna Chechulina]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/IMG_2753.jpeg</image:loc>
			<image:caption><![CDATA[Schwarz-glasierte attische Keramik im Alten Museum Alten Museum © Iryna Chechulina]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/06/IMG_3141-scaled.jpeg</image:loc>
			<image:caption><![CDATA[Schwarz-glasierte attische Keramik im Alten Museum Alten Museum © Iryna Chechulina]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/inspiration-and-encouragement-the-collaborative-media-plattform-mia-in-times-of-covid-19/</loc>
		<lastmod>2024-07-24T14:46:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/E04E531B.jpg</image:loc>
			<image:title><![CDATA[E04E531B]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/The-COVID-19-Diaries-Part-I.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Alison-Chen.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Silvia-Li.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Woo-Ram-Jung.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/B96E302.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/E04E531B.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Koji-Ueda.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/how-much-is-my-picture-faq-on-heirlooms-and-flea-market-finds/</loc>
		<lastmod>2024-07-24T14:48:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/titelbild_FAQ_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_FAQ_gr]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Screen-Shot-1_geschw-%C3%B1rzt.png</image:loc>
			<image:caption><![CDATA["Good afternoon, I wanted to ask if this painting might bring some money or not."]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Screen-Shot-2_geschw-%C3%B1rzt.jpg</image:loc>
			<image:caption><![CDATA[Screen Shot 2_geschw+ñrzt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Screen-Shot-3_geschw-%C3%B1rzt.png</image:loc>
			<image:caption><![CDATA["Is this signature known to you? Around 1930 East Germany Landscape / Oil / Forest? Thanks if someone takes the trouble ..."]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/Screen-Shot-4_geschw-%C3%B1rzt.png</image:loc>
			<image:caption><![CDATA["Dear Pergamon Museum, I have inherited this little rider from my grandfather and I can not classify him at all.[...]"]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-ist-ein-staat-mobilistan-zu-besuch-im-museum-europaeischer-kulturen/</loc>
		<lastmod>2024-08-05T07:30:20+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/49_juliamerkel__online.jpg</image:loc>
			<image:title><![CDATA[49_juliamerkel__online]]></image:title>
			<image:caption><![CDATA[Performance "Mobilistan" im Museum Europäischer Kulturen. Foto: Julia Merkel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/13_juliamerkel__online.jpg</image:loc>
			<image:caption><![CDATA[Performance "Mobilistan" im Museum Europäischer Kulturen. Foto: Julia Merkel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/17_juliamerkel__online.jpg</image:loc>
			<image:caption><![CDATA[Performance "Mobilistan" im Museum Europäischer Kulturen. Foto: Julia Merkel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/32_juliamerkel__online.jpg</image:loc>
			<image:caption><![CDATA[Performance "Mobilistan" im Museum Europäischer Kulturen. Foto: Julia Merkel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/34_juliamerkel__online.jpg</image:loc>
			<image:caption><![CDATA[Performance "Mobilistan" im Museum Europäischer Kulturen. Foto: Julia Merkel]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/forschungscampus-dahlem-blick-in-den-maschinenraum-der-spk/</loc>
		<lastmod>2024-08-14T14:42:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/20240710_Kulturprojekte_ForschungscampusDahlem-0354.jpg</image:loc>
			<image:title><![CDATA[20240710_Kulturprojekte_ForschungscampusDahlem-0354]]></image:title>
			<image:caption><![CDATA[Besucher*innen bei der „Gepflegten Fußballkultur im FC Dahlem“ während der EM 2024. Foto: Angela Regenbrecht]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/IMG_4036_bearbeitet.jpg</image:loc>
			<image:caption><![CDATA[Alexis von Poser und Patricia Rahemipour in Dahlem. Foto: Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/20240710_Kulturprojekte_ForschungscampusDahlem-0354.jpg</image:loc>
			<image:caption><![CDATA[Besucher*innen bei der „Gepflegten Fußballkultur im FC Dahlem“ während der EM 2024. Foto: Angela Regenbrecht]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/20240710_Kulturprojekte_ForschungscampusDahlem-0469.jpg</image:loc>
			<image:caption><![CDATA[Besucher*innen bei der „Gepflegten Fußballkultur im FC Dahlem“ während der EM 2024. Foto: Angela Regenbrecht]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/20240710_Kulturprojekte_ForschungscampusDahlem-0481.jpg</image:loc>
			<image:caption><![CDATA[Besucher*innen bei der „Gepflegten Fußballkultur im FC Dahlem“ während der EM 2024. Foto: Angela Regenbrecht]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-ohiniko-m-toffa-provenienzforscher-im-ethnologischen-museum/</loc>
		<lastmod>2024-08-19T12:31:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/VB_9230.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
			<image:caption><![CDATA[Ohiniko Mawussé Toffa, wissenschaftlicher Mitarbeiter im Projekt „Kollaboratives Museum“ Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/muetze.jpg</image:loc>
			<image:caption><![CDATA[„Mütze des Räuber-Häuptlings Tschampa von       Pallawe (Kebu) aus Wollstoff mit zahlreichen aufgenähten Fetischen. (Beutestück) Kebu.“ (c) Staatliche Museen zu Berlin, Ethnologisches Museum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/bittersuesser-abschied-vom-vorderasiatischen-museum-vorerst/</loc>
		<lastmod>2024-08-23T08:11:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.3a_Doku_GATE_ZwBabUBer_20230823_260b.jpg</image:loc>
			<image:title><![CDATA[fig.3a_Doku_GATE_ZwBabUBer_20230823_260b]]></image:title>
			<image:caption><![CDATA[Der Poet Ghareeb Iskander liest im Rahmen von „GATE: Between Babylon and Berlin“ vor dem Ischtartor Gedichte vor. Foto: Staatlice Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.1a_Doku_BaufreiVAM_20231030_00039.jpg</image:loc>
			<image:caption><![CDATA[Die Prozessionsstraße von Babylon mit einem leeren Schaukasten. Foto: Staatliche Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.2a_Doku_BaufreiVAM_20240123_02727.jpg</image:loc>
			<image:caption><![CDATA[Konservator:innen und Restaurator:innen bereiten das historische Wandgemälde aus dem Uruk-Saal auf die Abnahme vor. Foto: Staatliche Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.3a_Doku_GATE_ZwBabUBer_20230823_260b.jpg</image:loc>
			<image:caption><![CDATA[Der Poet Ghareeb Iskander liest im Rahmen von „GATE: Between Babylon and Berlin“ vor dem Ischtartor Gedichte vor. Foto: Staatlice Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.4.jpg</image:loc>
			<image:caption><![CDATA[Teilnehmende und Performer:innen tanzen zusammen vor dem Ischtartor. Foto: Staatlice Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/fig.5_Doku_GATE_ZwBabUBer_20230823_028b-scaled.jpg</image:loc>
			<image:caption><![CDATA[The Darvish heißt zum “Disrupting Time”-Event vor der Prozessionsstraße von Babylon willkommen. Foto: Staatliche Museen zu Berlin, Olaf M. Teßmer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/mschatta-fassade-die-wuestenmauer-von-berlin/</loc>
		<lastmod>2024-08-23T08:15:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/2010-06_ISL-MshattaFassade_kramer-02.jpg</image:loc>
			<image:title><![CDATA[2010-06_ISL-MshattaFassade_kramer 02]]></image:title>
			<image:caption><![CDATA[Die Mschatta-Fassade des Museums für Islamische Kunst im Pergamonmuseum. © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Johannes Kramer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/2010-06_ISL-MshattaFassade_06.jpg</image:loc>
			<image:caption><![CDATA[Zickzack-Verzierungen und Rosetten der Mschatta-Fassade mit Tier- und Pflanzendarstellungen. © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Johannes Kramer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/2010-06_ISL-MshattaFassade_08.jpg</image:loc>
			<image:caption><![CDATA[Detail der Mschatta-Fassade mit Tier- und Pflanzendarstellungen. © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Johannes Kramer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/Abbau_1903_04.jpg</image:loc>
			<image:caption><![CDATA[Die Mschatta-Fassade während des Abbaus vor Ort in Jordanien, 1903 © Staatliche Museen zu Berlin, Museum für Islamische Kunst ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/img124a.jpg</image:loc>
			<image:caption><![CDATA[Die Mschatta-Fassade während des Abbaus vor Ort in Jordanien, 1903 © Staatliche Museen zu Berlin, Museum für Islamische Kunst ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/ISL_Wuestenschloss_05.jpg</image:loc>
			<image:caption><![CDATA[Qasr al-Mschatta, Jordanien, nach der Restaurierung durch die TU Berlin, 2012 © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Ute Franke ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/spuren-der-vergangenheit-glasurziegel-im-pergamonmuseum/</loc>
		<lastmod>2024-08-23T08:16:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/Abb_4.jpg</image:loc>
			<image:title><![CDATA[Abb_4]]></image:title>
			<image:caption><![CDATA[Die Glasurziegelfassade zeigt den assyrischen König und sein Gefolge in schwierigem Gelände (digitale Montage) © Staatliche Museen zu Berlin, Vorderasiatisches Museum, Foto: GlAssur-Projekt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/Abb-2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/Abb_3.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/Zwischenablage01.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/maschinenraum-zum-mitmachen-der-denkraum-dahlem/</loc>
		<lastmod>2024-09-10T12:26:24+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/09/AD20240710_033A.jpg</image:loc>
			<image:title><![CDATA[Gepflegte Fußballkultur am FC Dahlem am 10.07.2024]]></image:title>
			<image:caption><![CDATA[DenkRaum Zeit &amp; Zeitlichkeit des Forschungscampus Dahlem; Foto: Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/09/von-Costanza-Parigi.jpg</image:loc>
			<image:caption><![CDATA[DenkRaum Zeit &amp; Zeitlichkeit des Forschungscampus Dahlem; Foto: Costanza Parigi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/09/AD20240710_059A.jpg</image:loc>
			<image:caption><![CDATA[DenkRaum Zeit &amp; Zeitlichkeit des Forschungscampus Dahlem; Foto: Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/09/AD20240710_049A-scaled.jpg</image:loc>
			<image:caption><![CDATA[DenkRaum Zeit &amp; Zeitlichkeit des Forschungscampus Dahlem; Foto: Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/09/AD20240710_050A.jpg</image:loc>
			<image:caption><![CDATA[DenkRaum Zeit &amp; Zeitlichkeit des Forschungscampus Dahlem; Foto: Pierre Adenis]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/frisch-eingetroffen-baeume-fuer-die-terrasse-der-neue-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:25:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/DSCF8669_kl.jpg</image:loc>
			<image:title><![CDATA[DSCF8669_kl]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/DSCF8669_kl.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/DSCF8675_kl.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/E2FD0EEB-8570-4F95-BB30-3D30B99D4456.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/DSCF8683_kl.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/DSCF8685_kl.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/DSCF8689_kl.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/DSCF8701_kl-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wiedergeburt-in-der-neuen-nationalgalerie-die-restaurierung-von-david-blacks-sky-piece/</loc>
		<lastmod>2024-09-11T11:28:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/1500003.jpg</image:loc>
			<image:title><![CDATA[1500003]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/1500001.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/1500003.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/SAM_1182.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/SAM_1179.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/Aufbau-mit-Black-1972.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/interview-mit-dem-holzrestaurator-brauneiche-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:30:47+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF3108.jpg</image:loc>
			<image:title><![CDATA[Wolfgang Dambacher in seiner Werkstatt]]></image:title>
			<image:caption><![CDATA[Wolfgang Dambacher in seiner Werkstatt. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF2635.jpg</image:loc>
			<image:caption><![CDATA[Musterfläche auf Tresen mit Proben für Reinigung und Schellackauftrag. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF2663.jpg</image:loc>
			<image:caption><![CDATA[Brauneiche im Direktionsbereich. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF2793-Ausschnitt.jpg</image:loc>
			<image:caption><![CDATA[Verblichene Brauneiche der Garderobe. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF2805.jpg</image:loc>
			<image:caption><![CDATA[Farbmuster am Tresen. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF2845.jpg</image:loc>
			<image:caption><![CDATA[Originalfarbton der Brauneiche. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF3108.jpg</image:loc>
			<image:caption><![CDATA[Wolfgang Dambacher in seiner Werkstatt. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/mit-pilzen-gefaerbt-holz-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:31:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Holz-Muster-Detail.jpg</image:loc>
			<image:title><![CDATA[Holz Muster Detail]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/DSCF2633.jpg</image:loc>
			<image:caption><![CDATA[Erste Bemusterung der Holzbehandlung am Tresen der Neuen Nationalgalerie. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Holz-Herr-Dambacher.jpg</image:loc>
			<image:caption><![CDATA[Der Holzrestaurator Wolfgang Dammbacher bringt Testanstriche auf dem Tresen für die Bemusterung auf. Foto: BBR/ProDenkmal]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Holz-Muster-Detail.jpg</image:loc>
			<image:caption><![CDATA[Bemusterungsflächen für die Behandlung der Holzoberflächen in der Neuen Nationalgalerie. Foto: BBR/ProDenkmal]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Holz-Muster-Uebersicht.jpg</image:loc>
			<image:caption><![CDATA[Demontierte Bauteile aus dem Untergeschoss neben den Farbmustern am Tresen zur Festlegung der tonalen Anpassung der Garderobe. Foto: BBR/ProDenkmal]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/schwarz-ist-nicht-gleich-schwarz-farbe-und-metall-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:31:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/DSCF2658.jpg</image:loc>
			<image:title><![CDATA[Mustertafel für die Oberflächenbehandlung der Stahlkonstruktion.]]></image:title>
			<image:caption><![CDATA[Mustertafel für die Oberflächenbehandlung der Stahlkonstruktion. Foto: Schmedding.vonMarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/DSCF2645.jpg</image:loc>
			<image:caption><![CDATA[Bemusterungstermin der Fassung auf Metall in der Neuen Nationalgalerie (vlnr Fritz Neumeyer, Dirk Lohan, Daniel Wendler, Martin Reichert). Foto: Schmedding.vonMarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/DSCF2654.jpg</image:loc>
			<image:caption><![CDATA[Begutachtung des Zustands der Stahlkonstruktion der Glasfassade außen. Foto: Schmedding.vonMarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Metall-Voruntersuchung.jpg</image:loc>
			<image:caption><![CDATA[Voruntersuchung der Metallbeschichtung in der Neuen Nationalgalerie. Foto: BBR/ProDenkmal]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Metall-Muster-Neubeschichtung-Aussen.jpg</image:loc>
			<image:caption><![CDATA[Muster für die Neubeschichtung der Pfosten außen. Foto: BBR/ProDenkmal]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Metall-keine-Freilegung-oben.jpg</image:loc>
			<image:caption><![CDATA[Untersuchung der Metallbeschichtung der Pfosten unter der Decke. Foto: BBR/ProDenkmal]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/DSCF2658.jpg</image:loc>
			<image:caption><![CDATA[Mustertafel für die Oberflächenbehandlung der Stahlkonstruktion. Foto: Schmedding.vonMarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/DSCF2650.jpg</image:loc>
			<image:caption><![CDATA[Die Mustertafeln zeigen die unterschiedliche Oberflächenwirkung je nach den Farbauftrag mit dem Pinsel gestrichen oder gespritzt. Foto: Schmedding.vonMarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/DSCF2646.jpg</image:loc>
			<image:caption><![CDATA[Schadstellen an den Metallpfosten der Glasfassade. Foto: Schmedding.vonMarlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/erste-blicke-auf-einen-neuzugang-fuer-die-terrasse-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:31:14+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/05_Robert-Indiana_Imperial-Love_1966_2006.jpg</image:loc>
			<image:title><![CDATA[05_Robert Indiana_Imperial Love_1966_2006]]></image:title>
			<image:caption><![CDATA[Robert Indiana: Imperial Love, 1966/2006 Cortenstahl, 244 x 488 x 152 cm (ohne Sockel) Donation of the Morgan Art Foundation to the Verein der Freunde der Nationalgalerie 2015 © Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns / VG Bild-Kunst, Bonn 2016 / Morgan Art Foundation]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/01_Robert-Indiana_Imperial-Love_1966_2006.jpg</image:loc>
			<image:caption><![CDATA[Titelbild: Robert Indiana: Imperial Love, 1966/2006. Donation of the Morgan Art Foundation to the Verein der Freunde der Nationalgalerie 2015 © Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns / VG Bild-Kunst, Bonn 2016 / Morgan Art Foundation]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/02_Robert-Indiana_Imperial-Love_1966_2006.jpg</image:loc>
			<image:caption><![CDATA[Titelbild: Robert Indiana: Imperial Love, 1966/2006. Donation of the Morgan Art Foundation to the Verein der Freunde der Nationalgalerie 2015 © Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns / VG Bild-Kunst, Bonn 2016 / Morgan Art Foundation]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/DSCF2996.jpg</image:loc>
			<image:caption><![CDATA[Titelbild: Robert Indiana: Imperial Love, 1966/2006. Donation of the Morgan Art Foundation to the Verein der Freunde der Nationalgalerie 2015 © Staatliche Museen zu Berlin, Nationalgalerie / Thomas Bruns / VG Bild-Kunst, Bonn 2016 / Morgan Art Foundation]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/durchblicke-aufsichten-reflexionen-veronika-kellndorfer-und-die-neue-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:31:34+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/2105.jpg</image:loc>
			<image:title><![CDATA[2105]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/825-019.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/825-200.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/2105.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/2139.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/50-jahre-neue-nationalgalerie-kein-ort-fuer-beliebigkeit/</loc>
		<lastmod>2024-09-11T11:31:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-2.jpg</image:loc>
			<image:title><![CDATA[Blick von der Potsdamer Straße auf die Neue Nationalgalerie]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-15179-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/titelbild_WME_jj_kl.jpg</image:loc>
			<image:caption><![CDATA[Joachim Jäger während der Sanierung auf dem Dach der Neuen Nationalgalerie. Foto: Staatliche Museen zu Berlin, David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF3730.jpg</image:loc>
			<image:caption><![CDATA[Die Neue Nationalgalerie 50 Jahre nach dem Richtfest 1967. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-geburt-einer-architekturikone-50-jahre-neue-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:31:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/1970JazzintheGarden_1.jpg</image:loc>
			<image:title><![CDATA[1970JazzintheGarden_1]]></image:title>
			<image:caption><![CDATA[BU: Musikfestivals wie Jazz in the Garden erfreuten sich großer Beliebtheit. Foto: Ludwig Windstosser/Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/1968_Gartenfest-136.jpg</image:loc>
			<image:caption><![CDATA[Ausgelassen feierten die Gäste die Eröffnung der Neuen Nationalgalerie.  Foto: Neue Nationalgalerie/Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/1968_Mondrian-Nr.-237.jpg</image:loc>
			<image:caption><![CDATA[Die hängenden Ausstellungswände für die Gemälde von Piet Mondrian wurden vom Büro Ludwig Mies van der Rohes entworfen.  Foto: Neue Nationalgalerie/Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/Banner_NNG50_Publikation_72x200.jpg</image:loc>
			<image:caption><![CDATA[Banner_NNG50_Publikation_72x200]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/2010_Stingel_Installationsansichten_DvB-35.jpg</image:loc>
			<image:caption><![CDATA[Mit einem kühnen Eingriff hat der Künstler Rudolf Stingel die einzigartige Ausstellungshalle der Neuen Nationalgalerie transformiert.  Rudolf Stingel, Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/1970JazzintheGarden_1.jpg</image:loc>
			<image:caption><![CDATA[BU: Musikfestivals wie Jazz in the Garden erfreuten sich großer Beliebtheit. Foto: Ludwig Windstosser/Staatliche Museen zu Berlin, Kunstbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/2014_Piene_SkyArtEvent_DvB_1.jpg</image:loc>
			<image:caption><![CDATA[Tausende Menschen kamen um das Sky Art Event von Otto Piene auf dem Dach der Neuen Nationalgalerie zu sehen.  Foto: David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/unter-die-terrasse-kommt-die-kunst-der-bau-des-depots-fuer-die-neue-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:32:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/NNG_180221_02479_090_SO_Thomas_Bruns.jpg</image:loc>
			<image:title><![CDATA[Zu Beginn des Jahres wurde die erste Schalung für den Ortbeton gesetzt © Thomas Bruns]]></image:title>
			<image:caption><![CDATA[Zu Beginn des Jahres wurde die erste Schalung für den Ortbeton gesetzt © Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/NNG_170911_02067_091_NW_Thomas_Bruns.jpg</image:loc>
			<image:caption><![CDATA[Der Blick aus der Grube: Im  September 2017 © Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/NNG_170911_02062_1A1_W_Thomas_Bruns.jpg</image:loc>
			<image:caption><![CDATA[Die Neue Nationalgalerie mit dem Aushub für das neue Depot  © Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/NNG_180221_02479_090_SO_Thomas_Bruns.jpg</image:loc>
			<image:caption><![CDATA[Zu Beginn des Jahres wurde die erste Schalung für den Ortbeton gesetzt © Thomas Bruns]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-langer-weg-glasscheiben-aus-china-fuer-die-neue-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:32:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/1-Geteilte-Glasscheibe_kl.jpg</image:loc>
			<image:title><![CDATA[Die geteilten oberen Glasscheiben sind an der mittigen Fuge deutlich zu erkennen. © David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:title>
			<image:caption><![CDATA[Die geteilten oberen Glasscheiben sind an der mittigen Fuge deutlich zu erkennen. © David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/1-Geteilte-Glasscheibe_kl.jpg</image:loc>
			<image:caption><![CDATA[Die geteilten oberen Glasscheiben sind an der mittigen Fuge deutlich zu erkennen. © David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/2-Glasbruch-Temperatur-Wind_kl.jpg</image:loc>
			<image:caption><![CDATA[Ein Beispiel für Glasbruch. © David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/3-Fertiges-Muster.jpg</image:loc>
			<image:caption><![CDATA[Der rote Rahmen auf dem Foto markiert die neu eingesetzte Glasscheibe. © David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/4-IMG_6333.jpg</image:loc>
			<image:caption><![CDATA[Antransport einer Oberlichtscheibe für die Ausstellungshalle mit einem Gewicht von knapp 1,2 Tonnen. © BBR / Jochen Schindel DS-Plan GmbH]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/5-IMG_6360.jpg</image:loc>
			<image:caption><![CDATA[Ein Kran hebt die neue Glasscheibe auf die Terrasse der Neuen Nationalgalerie. © BBR / Jochen Schindel DS-Plan GmbH]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/12/6-Einbau-Musterverglasung_kl.jpg</image:loc>
			<image:caption><![CDATA[Einbau der Musterverglasung 2014. © David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-neue-nationalgalerie-im-sommer-2017-fast-wie-vor-50-jahren/</loc>
		<lastmod>2024-09-11T11:32:22+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5096.jpg</image:loc>
			<image:title><![CDATA[DSCF5096]]></image:title>
			<image:caption><![CDATA[In diesem Bereich wird zukünftig die neue Garderobe im Entwurf von David Chipperfield Architects eingebaut. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5078.jpg</image:loc>
			<image:caption><![CDATA[Joachim Jäger, Leiter der Neuen Nationalgalerie, erläutert die Baumaßnahmen im Museum. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5076.jpg</image:loc>
			<image:caption><![CDATA[Die leere Ausstellungshalle. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5059.jpg</image:loc>
			<image:caption><![CDATA[Ein seltener Ausblick: Vom Dach der Neuen Nationalgalerie zum Potsdamer Platz. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF3730.jpg</image:loc>
			<image:caption><![CDATA[Die Neue Nationalgalerie 50 Jahre nach dem Richtfest 1967. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5067.jpg</image:loc>
			<image:caption><![CDATA[Die tragenden Säulen des Daches. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5083.jpg</image:loc>
			<image:caption><![CDATA[Das Innenleben der eigentlich mit edlem Marmor verkleideten Versorgungsschächte. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5094.jpg</image:loc>
			<image:caption><![CDATA[Ein Blick von unten in die obere Ausstellungshalle. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5096.jpg</image:loc>
			<image:caption><![CDATA[In diesem Bereich wird zukünftig die neue Garderobe im Entwurf von David Chipperfield Architects eingebaut. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5101.jpg</image:loc>
			<image:caption><![CDATA[Für einen barrierefreien Zugang zum Untergeschoss werden Vorbereitungsmaßnahmen für den Einbau des Aufzugs getroffen. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5102.jpg</image:loc>
			<image:caption><![CDATA[Ein Bereich im Untergeschoss. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5107.jpg</image:loc>
			<image:caption><![CDATA[Blick in den unteren Ausstellungsbereich zum Garten. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5110.jpg</image:loc>
			<image:caption><![CDATA[Blick in den Skulpturengarten. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5111.jpg</image:loc>
			<image:caption><![CDATA[Der industrielle Look des Rohbaus. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5117.jpg</image:loc>
			<image:caption><![CDATA[Blick ins Direktorenzimmer. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5125.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Pförtnerloge. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF5137.jpg</image:loc>
			<image:caption><![CDATA[Blick in den Skulpturengarten, heute eine Baustelle. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/tonnenschwere-kunst-und-besucherstroeme-der-deckenbelastungstest-fuer-die-neue-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:32:31+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/1_NNG_170207_01352_Belastungsversuch_Thomas_Bruns_SMALL.jpg</image:loc>
			<image:title><![CDATA[Belastungsrahmen für den Deckenbelastungstest.]]></image:title>
			<image:caption><![CDATA[Belastungsrahmen für den Deckenbelastungstest. Foto: BBR/Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/1_NNG_170207_01352_Belastungsversuch_Thomas_Bruns_SMALL.jpg</image:loc>
			<image:caption><![CDATA[Belastungsrahmen für den Deckenbelastungstest. Foto: BBR/Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/2_NNG_170207_01383_Belastungsversuch_Thomas_Bruns_SMALL.jpg</image:loc>
			<image:caption><![CDATA[Aufbau der experimentellen Versuchsreihe. Foto: BBR/Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/3_NNG_170207_01386_Belastungsversuch_Thomas_Bruns_SMALL.jpg</image:loc>
			<image:caption><![CDATA[Messtechnik an der Deckenunterseite. Foto: BBR/Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/4_NNG_170208_01396_Belastungsversuch_Thomas_Bruns_SMALL.jpg</image:loc>
			<image:caption><![CDATA[Durchbiegungsmessung mittels "Abhänger". Foto: BBR / Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/5_NNG_170208_01396_Belastungsversuch_Thomas_Bruns_SMALL.jpg</image:loc>
			<image:caption><![CDATA[Messstand. Foto: BBR / Thomas Bruns]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/neue-nationalgalerie-historisch-museum-als-panoptikum/</loc>
		<lastmod>2024-09-11T11:32:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-27281-2.jpg</image:loc>
			<image:title><![CDATA[Neue Nationalgalerie, Berlin]]></image:title>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_30031834.jpg</image:loc>
			<image:caption><![CDATA[Eröffnungsfeier der Neuen Nationalgalerie am 15.09.1968 Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/h_30031835.jpg</image:loc>
			<image:caption><![CDATA[Eröffnungsfeier der Neuen Nationalgalerie am 15.09.1968 Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-02181-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-02182-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-02183-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-21229a-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-15179-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-17222-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-20224-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-23244-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-27275-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-27281-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-33304-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-33305-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-34316-2.jpg</image:loc>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie © Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/bilderstrecke-die-neue-nationalgalerie-ist-demontiert/</loc>
		<lastmod>2024-09-11T11:32:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/6_DSCF3039.jpg</image:loc>
			<image:title><![CDATA[6_DSCF3039]]></image:title>
			<image:caption><![CDATA[Hier können momentan keine Meisterwerke der Moderne gezeigt werden. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/1_DSCF3105.jpg</image:loc>
			<image:caption><![CDATA[Seit die Demontage in vollem Gange ist steht ein Bauzaun um die Neue Nationalgalerie. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/2_DSCF3022.jpg</image:loc>
			<image:caption><![CDATA[Die Granitplatten der Terrasse und Fassade warten noch auf den Abtransport. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/3_DSCF3025.jpg</image:loc>
			<image:caption><![CDATA[Im Skulpturengarten werden noch letzte Granitplatten demontiert. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/4_DSCF3086.jpg</image:loc>
			<image:caption><![CDATA[Die Ausstellungshalle im Untergeschoss ohne Zwischenwände. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/5_DSCF3038.jpg</image:loc>
			<image:caption><![CDATA[Überreste erinnern an die letzte Ausstellung „Ausweitung der Kampfzone. 1968–2000“. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/6_DSCF3039.jpg</image:loc>
			<image:caption><![CDATA[Hier können momentan keine Meisterwerke der Moderne gezeigt werden. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/7_DSCF3045.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/8_DSCF3084.jpg</image:loc>
			<image:caption><![CDATA[Das ehemalige Café erblüht nicht ganz in alter Pracht. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/9_DSCF3046.jpg</image:loc>
			<image:caption><![CDATA[Der Blick ins untere Foyer, wo früher der Buchladen war. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/10_DSCF3087.jpg</image:loc>
			<image:caption><![CDATA[Skulpturale Versorgungstechnik. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/11_DSCF3089.jpg</image:loc>
			<image:caption><![CDATA[Freistehende Heizungsrohre. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/12_DSCF3047.jpg</image:loc>
			<image:caption><![CDATA[Ein ehemaliger Ausstellungsraum im Untergeschoss. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/13_DSCF3048.jpg</image:loc>
			<image:caption><![CDATA[Vorsicht Stolpergefahr: Den Blick sollte man zurzeit auf den Boden richten und nicht auf die Wände. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/14_DSCF3050.jpg</image:loc>
			<image:caption><![CDATA[Der sonnige Herbsttag gibt der Neuen Nationalgalerie etwas von ihrem eigentlichen Glanz zurück. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/15_DSCF3052.jpg</image:loc>
			<image:caption><![CDATA[Ohne Kunst kann sich der Blick ungehindert auf die Umgebung richten. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/16_DSCF3079.jpg</image:loc>
			<image:caption><![CDATA[Der Estrich des Fußbodens muss im gesamten Gebäude noch abgetragen werden. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/17_DSCF3064.jpg</image:loc>
			<image:caption><![CDATA[Ohne die Granitplatten zeigt sich momentan das Kiesbett auf der Terrasse. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/18_DSCF3075.jpg</image:loc>
			<image:caption><![CDATA[„Heute geschlossen wegen gestern“ © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/neue-nationalgalerie-im-hamburger-bahnhof-kirchner-abstrakt/</loc>
		<lastmod>2024-09-11T11:32:58+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/ELK_Presse_Wiesenblume_mit_Katze.jpg</image:loc>
			<image:title><![CDATA["Wiesenblumen und Katze"]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/jaeger_IV.jpg</image:loc>
			<image:caption><![CDATA[Joachim Jäger, Leiter der Neuen Nationalgalerie, im Gespräch. (c) Staatliche Museen zu Berlin, Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/ELK_Presse_Wiesenblume_mit_Katze.jpg</image:loc>
			<image:caption><![CDATA[Ernst Ludwig Kirchner: Wiesenblumen und Katze, 1931/32 © bpk / Staatliche Museen zu Berlin, Nationalgalerie / Volker-H. Schneider]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/1963-mies-van-der-rohe-praesentiert-den-vorentwurf-fuer-die-neue-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:33:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010020.jpg</image:loc>
			<image:title><![CDATA[00010020]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010001.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010002.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010003.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie, Lageplan. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010004.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010005.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie, Grundriss des Museums. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010006.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010007.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010008.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010009.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010010.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010017.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010018.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010019.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010020.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010021.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010022.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010023.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/00010025.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie. (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/stueck-fuer-stueck-die-neue-nationalgalerie-ist-beraeumt/</loc>
		<lastmod>2024-09-11T11:33:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2611.jpg</image:loc>
			<image:title><![CDATA[DSCF2611]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2611.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2613.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2618.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2619.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2621.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2660.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2661.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2662.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2665.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2668.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2671.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2674.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2701.jpg</image:loc>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/neue-nationalgalerie-den-mies-tempel-zerlegen/</loc>
		<lastmod>2024-09-11T11:33:25+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_81141.jpg</image:loc>
			<image:title><![CDATA[_MG_8114]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_7925.jpg</image:loc>
			<image:caption><![CDATA[Joachim Jäger, Leiter der Neuen Nationalgalerie, im Gespräch. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_7933.jpg</image:loc>
			<image:caption><![CDATA[Martin Reichert, Partner bei David Chipperfield Architects, im Gespräch. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_8090.jpg</image:loc>
			<image:caption><![CDATA[Sämtliche Kunst wird aus den Räumen der Neuen Nationalgalerie abtransportiert, bevor die tatsächlichen Bauarbeiten beginnen. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_8103.jpg</image:loc>
			<image:caption><![CDATA[Der ehemalige Museumsshop war ein Provisorium und entsprach nicht modernen Anforderungen - er wird im Rahmen der Sanierung neu konzipiert. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_8114.jpg</image:loc>
			<image:caption><![CDATA[Die berühmte obere Halle der Neuen Nationalgalerie wird bis auf ihr Stahlskelett demontiert. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_8181.jpg</image:loc>
			<image:caption><![CDATA[In den Kellern und Betriebsräumen der Neuen Nationalgalerie offenbart sich, dass die Gebäudetechnik teilweise veraltet und "am Ende ihrer Lebenszeit" angekommen ist. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_8193.jpg</image:loc>
			<image:caption><![CDATA[Anlagen wie diese Lüftungsrohre, die tief in den Eingeweiden des Mies-Baus schlummern, sind einer der Gründe für die umfassende Sanierung. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_8210.jpg</image:loc>
			<image:caption><![CDATA[Die technische Ausstattung der Neuen Nationalgalerie ist teilweise noch aus den Sechziger Jahren und entspricht nicht einem modernen Museumsbetrieb. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/12/MG_8214.jpg</image:loc>
			<image:caption><![CDATA[Die technische Ausstattung der Neuen Nationalgalerie ist teilweise noch aus den Sechziger Jahren und entspricht nicht einem modernen Museumsbetrieb. Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/neue-nationalgalerie-mies-in-schwarzweiss/</loc>
		<lastmod>2024-09-11T11:33:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-5.jpg</image:loc>
			<image:title><![CDATA[Obere Halle]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-1.jpg</image:loc>
			<image:caption><![CDATA[Blick über die Potsdamer Straße auf die Neue Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-2.jpg</image:loc>
			<image:caption><![CDATA[Blick von der Potsdamer Straße auf die Neue Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-3.jpg</image:loc>
			<image:caption><![CDATA[Obere Halle]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-4.jpg</image:loc>
			<image:caption><![CDATA[Obere Halle]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-5.jpg</image:loc>
			<image:caption><![CDATA[Obere Halle]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-6.jpg</image:loc>
			<image:caption><![CDATA[Obere Halle]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-7.jpg</image:loc>
			<image:caption><![CDATA[Garderobe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-8.jpg</image:loc>
			<image:caption><![CDATA[Treppenhaus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-9.jpg</image:loc>
			<image:caption><![CDATA[Ehemaliger Kassenbereich im unteren Foyer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-10.jpg</image:loc>
			<image:caption><![CDATA[Unteres Foyer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-11.jpg</image:loc>
			<image:caption><![CDATA[Unteres Foyer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-12.jpg</image:loc>
			<image:caption><![CDATA[Eingang zu den Ausstellungsräumen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-13.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsräume im Untergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-14.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsräume]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-15.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsräume im Untergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-16.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsräume im Untergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-17.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsräume im Untergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-18.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsräume im Untergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-19.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsräume im Untergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-20.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsräume im Untergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-21.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsräume im Untergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-22.jpg</image:loc>
			<image:caption><![CDATA[Gartensaal]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-23.jpg</image:loc>
			<image:caption><![CDATA[Blick in den Garten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-24.jpg</image:loc>
			<image:caption><![CDATA[Blick in den Garten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-25.jpg</image:loc>
			<image:caption><![CDATA[Blick in den Garten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-26.jpg</image:loc>
			<image:caption><![CDATA[Blick in den Garten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-27.jpg</image:loc>
			<image:caption><![CDATA[Garten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-28.jpg</image:loc>
			<image:caption><![CDATA[Garten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/ffnng-gross-39.jpg</image:loc>
			<image:caption><![CDATA[Garten]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/vom-suchen-und-finden-sascha-wiederhold-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:33:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Wiederhold_Sprengelmuseum.jpg</image:loc>
			<image:title><![CDATA[Wiederhold_Sprengelmuseum]]></image:title>
			<image:caption><![CDATA[Sascha Wiederhold, Figuren im Raum, 1928Öl auf Karton auf Leinwand, 220,5 x 307 cmSprengel Museum Hannover, Leihgabe des Niedersächsischen LandesmuseumFoto: Herling/Herling/Werner, Sprengel Museum Hannover © Rechtsnachfolger Sascha Wiederhold]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Wiederhold.jpg</image:loc>
			<image:caption><![CDATA[Sascha Wiederhold, Bogenschützen, 1928Öl auf Pappe auf Leinwand, 204 x 240 cmStaatliche Museen zu Berlin, Nationalgalerie, erworben 2021 durch die Ernst von Siemens KunststiftungFoto: Galerie Brockstedt © Sebastian Schobbert © Rechtsnachfolger Sascha Wiederhold]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/271995_retuschiert-scaled.jpg</image:loc>
			<image:caption><![CDATA[Sascha Wiederhold, Repro: Anja Elisabeth Witte]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Sascha-Wiederhold_Plakatentwurf-zum-Sturm-Kostuemball_1930_Berlinische-Galerie.jpg</image:loc>
			<image:caption><![CDATA[Sascha Wiederhold, Plakatentwurf zum Sturm-Kostümball, 1930, Berlinische Galerie, © Rechtsnachfolger Sascha Wiederhold, Foto: Berlinische Galerie Sascha]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Wiederhold_Jazz-Symphonie.jpg</image:loc>
			<image:caption><![CDATA[Sascha Wiederhold, Jazz-Symphonie, 1927, Öl, Tempera, Gold- und Silberbronze auf Papier, kaschiert auf Leinwand, 306 x 456 cm, Silard Isaak Collection, Nachlass Carl Laszlo, © Rechtsnachfolger Sascha Wiederhold, Foto: Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Kat.-Nr.28_2205_NNG_020.jpg</image:loc>
			<image:caption><![CDATA[Sascha Wiederhold, Segelboote im Hafen, 1929Öl, Tempera und Goldbronze auf Papier, auf Leinwand kaschiert, 158 x 219 cmSilard Isaak Collection, Nachlass Carl Laszlo © Rechtsnachfolger Sascha Wiederhold]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/100-jahre-alt-und-topaktuell-die-sammlungspraesentation-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:33:50+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/09/NNG_KunstGesellschaft_01.jpg</image:loc>
			<image:title><![CDATA[NNG_KunstGesellschaft_01]]></image:title>
			<image:caption><![CDATA[Die Kunst der Gesellschaft 1900-1945. Sammlung der Nationalgalerie Ausstellungsansicht / Exhibition view, Neue Nationalgalerie, 2021 © Staatliche Museen zu Berlin, Nationalgalerie / Ludwig Mies van der Rohe / VG Bild-Kunst, Bonn 2021 / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/09/NNG_KunstderGesellschaft_Kirchner_Anders-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/09/NNG_KunstderGesellschaft_Schad_Anders-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/09/NNG_KunstGesellschaft_07.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/rueckkehr-der-baeume-ben-wagin-pflanzt-an-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:34:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/11/Umschlag-21229a-2.jpg</image:loc>
			<image:title><![CDATA[Neue Nationalgalerie, Berlin]]></image:title>
			<image:caption><![CDATA[Fotomappe Reinhard Friedrich, Neue Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/IMG_0833.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/2_00010003.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/IMG_0782.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/nah-am-original-rekonstruktion-der-innenausstattung-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:34:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/3_0076_20160614__J1A9961-scaled.jpg</image:loc>
			<image:title><![CDATA[Neue Nationalgalerie, Berlin]]></image:title>
			<image:caption><![CDATA[Blick in den Gartensaal mit Moduldecke und Teppichboden. Foto: Ute Zscharnt für David Chipperfield Architects]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/1_0093_20160705__J1A9612-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/2_NNG_200526_04262_R001_O_Thomas_Bruns_PREVIEW-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/4_J1A9971.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/5_Floor-Flex-Boden-Bestand-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/3_0076_20160614__J1A9961-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/vom-verkaufstisch-zum-museumshop-neugestaltung-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:34:34+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Verkaufstresen-im-Cafe.jpg</image:loc>
			<image:title><![CDATA[Verkaufstresen-im-Cafe]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Anordnung-neu-Garderobe-Museumsshop.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Museumsshop-bis-zur-Schliessung.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Rendering-Museumsshop.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Verkaufstresen-im-Cafe.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/jazz-in-the-garden-musik-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:34:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/1970_JazzintheGarden3.jpg</image:loc>
			<image:title><![CDATA[1970_JazzintheGarden3]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/1970_JazzintheGarden4.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/1970_JazzintheGarden1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/1970_Jazz_PL_05682.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-besucheranstieg-hat-einen-haken-die-neugestaltung-der-garderobe-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:34:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Rendering-Garderobe.jpg</image:loc>
			<image:title><![CDATA[Rendering-Garderobe]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/image-20.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Aktuelles-Foto-von-Baustelle.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/Fehlbelegung-Garderobe.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wirk-stoff-die-vorhaenge-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:35:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/links-Rekonstr-rechts-Modifizierung.jpg</image:loc>
			<image:title><![CDATA[141125_Kolloquium_NNG_Vorhang.indd]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/image-3.gif</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/ZA_RF-F25-Ng1A-Mondrian-1968-009.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/links-Modifizierung-rechts-Rekonstruktion.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/links-Rekonstr-rechts-Modifizierung.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/Rekonstruktion-Vorhang.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/unsichtbare-innovation-das-beleuchtungskonzept/</loc>
		<lastmod>2024-09-11T11:35:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/1977_Snelson2.jpg</image:loc>
			<image:title><![CDATA[1977_Snelson2]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/1972_Turner5.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/1972_Turner3.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/NNG_180705_02906_Thomas_Bruns_pr.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/keine-schranken-barrierefreier-zugang-zur-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:35:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/12/5_Treppe-mit-Rampe.jpg</image:loc>
			<image:title><![CDATA[Bauzeitlicher Zustand der Treppe mit Rampe © David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/gemaessigte-zone-die-klimatechnik-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:35:31+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/08/DSCF3730.jpg</image:loc>
			<image:title><![CDATA[DSCF3730]]></image:title>
			<image:caption><![CDATA[Die Neue Nationalgalerie 50 Jahre nach dem Richtfest 1967. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-betonsanierung-an-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:35:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/NNG_170929_02128_Sigismundstr_S_Thomas_Bruns.jpg</image:loc>
			<image:title><![CDATA[Die ersten Grundinstandsetzungsarbeiten an der Nationalgalerie im  September 2017 © Thomas Bruns]]></image:title>
			<image:caption><![CDATA[Die ersten Grundinstandsetzungsarbeiten an der Nationalgalerie im September 2017 © Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/IMG_20180525_093425.jpg</image:loc>
			<image:caption><![CDATA[Michael Freytag vom Büro David Chipperfield Architects während unseres Interviews © schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/NNG_171013_02167_R001__N_Thomas_Bruns.jpg</image:loc>
			<image:caption><![CDATA[Untersuchungen der Betondecke in der Nationalgalerie im   Oktober 2017 ©]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/NNG_170929_02128_Sigismundstr_S_Thomas_Bruns.jpg</image:loc>
			<image:caption><![CDATA[Die ersten Grundinstandsetzungsarbeiten an der Nationalgalerie im  September 2017 © Thomas Bruns]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hinter-dem-zaun-die-zweite-sanierungsphase-der-neuen-nationalgalerie-hat-begonnen/</loc>
		<lastmod>2024-09-11T11:35:55+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5638.jpg</image:loc>
			<image:title><![CDATA[DSCF5638]]></image:title>
			<image:caption><![CDATA[Blick vom Dach in die Baugrube für den Depotanbau unter der Terrasse zur Potsdamer Straße. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5835.jpg</image:loc>
			<image:caption><![CDATA[BBR-Projektleiter für die Grundinstandsetzung Arne Maibohm im Skulpturengarten des Museums. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5636.jpg</image:loc>
			<image:caption><![CDATA[BBR-Präsidentin Petra Wesseler erläutert die aktuelle Bauphase. Neben ihr stehen (v.l.) der Präsident der Stiftung Preußischer Kulturbesitz Prof. Dr. Hermann Parzinger, der Enkel Ludwig Mies van der Rohes Dirk Lohan sowie BBR-Projektleiter für die Grundinstandsetzung Arne Maibohm. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5749.jpg</image:loc>
			<image:caption><![CDATA[Arne Maibohm mit Dirk Lohan im Gespräch während des Baustellenrundgangs. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5658.jpg</image:loc>
			<image:caption><![CDATA[Hinter dem Fassadengerüst wurde schon mit der Demontage der großen Glasscheiben begonnen. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5694.jpg</image:loc>
			<image:caption><![CDATA[Bei einer Arbeitsbesprechung erläutert Daniel Wendler von David Chipperfield Architects den beiden Projektberatern Dirk Lohan und Prof. Dr. Fritz Neumeyer Planungen der zweiten und dritten Bauphase. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5638.jpg</image:loc>
			<image:caption><![CDATA[Blick vom Dach in die Baugrube für den Depotanbau unter der Terrasse zur Potsdamer Straße. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5652.jpg</image:loc>
			<image:caption><![CDATA[Die Baugrube für das neue Depot. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5624.jpg</image:loc>
			<image:caption><![CDATA[Baustellenrundgang im November 2018. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5662.jpg</image:loc>
			<image:caption><![CDATA[Die Ausstellungshalle ist vollständig eingerüstet, um Arbeiten an der Decke zu ermöglichen. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5813.jpg</image:loc>
			<image:caption><![CDATA[Im temporären „Zwischengeschoss“ direkt unter dem imposanten Stahldach. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/DSCF5731.jpg</image:loc>
			<image:caption><![CDATA[David Chipperfield, Fritz Neumeyer und Daniel Wendler (DCA) diskutieren die Architektur von Mies van der Rohe. © Staatliche Museen zu Berlin / schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/behind-the-scenes-im-depot-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:36:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/titelbild_bts_NNG-Depot_1_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_bts_NNG-Depot_1_gr]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/schwierige-verbindung-die-stahl-und-glasfassade-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:36:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/TNKondensat_kl.jpg</image:loc>
			<image:title><![CDATA[TNKondensat_kl]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/1_Fassade.jpg</image:loc>
			<image:caption><![CDATA[©David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/2_Kondensat.jpg</image:loc>
			<image:caption><![CDATA[Kondensat an den Scheiben © David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/3_Korrosion-durch-Tauwasser.jpg</image:loc>
			<image:caption><![CDATA[Korrosion durch Tauwasser ©David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/4_Sprung-Scheibe.jpg</image:loc>
			<image:caption><![CDATA[Glasbruch einer Scheibe ©David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/5_Planungsvarianten.jpg</image:loc>
			<image:caption><![CDATA[Bestand und Planungs – Varianten im Überblick ©David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/6_Bewegungsfuge-Aussteifung.jpg</image:loc>
			<image:caption><![CDATA[Aufnahme der Temperaturausdehnungen durch schubsteife Ausbildung der Fassadenecken ©David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/soweit-das-auge-reicht-der-dachaufbau-der-neuen-nationalgalerie-wird-erneuert/</loc>
		<lastmod>2024-09-11T11:36:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF5053-web.jpg</image:loc>
			<image:title><![CDATA[DSCF5053 web]]></image:title>
			<image:caption><![CDATA[Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF4683-web.jpg</image:loc>
			<image:caption><![CDATA[Blick auf die Neue Nationalgalerie vom Turm der St. Matthäus-Kirche. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/Undichte-Dachabdichtung.jpg</image:loc>
			<image:caption><![CDATA[Bei vorbereitenden Untersuchung zur Grundinstandsetzung wurde stehendes Wasser unterhalb der Abdichtungsebene auf dem Dach entdeckt. Foto: David Chipperfield Architects für das Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF4684-web.jpg</image:loc>
			<image:caption><![CDATA[Der alte Dachaufbau wird entsorgt. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF5077-web.jpg</image:loc>
			<image:caption><![CDATA[Arne Maibohm vom BBR erläutert, wie das Dach mit einer integrierten Schale beweglich auf dem Kopf einer Säule aufliegt. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF5071-web.jpg</image:loc>
			<image:caption><![CDATA[Eine der acht, sich nach oben verjüngenden Säulen, die das gesamte Dach des Museums tragen. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF5068-web.jpg</image:loc>
			<image:caption><![CDATA[Blick über das Dach der Neuen Nationalgalerie zur St. Matthäus-Kirche. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF5053-web1.jpg</image:loc>
			<image:caption><![CDATA[So weit das Auge reicht: Der Blick vom Dach der Neuen Nationalgalerie zur Staatsbibliothek. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF5051-web.jpg</image:loc>
			<image:caption><![CDATA[Aus Augenhöhe lässt sich die enorme Höhe des Daches gut erkennen. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF5047-web.jpg</image:loc>
			<image:caption><![CDATA[Dach und Fassade sind beweglich über eine Art Gelenk miteinander verbunden. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/DSCF5046-web.jpg</image:loc>
			<image:caption><![CDATA[Die grüne Stahlspange hält während der Sanierung das Dach und die Fassade zusammen. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/optisch-gerade-aber-doch-gebogen-das-dach-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:36:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/079.jpg</image:loc>
			<image:title><![CDATA[Schweißarbeiten am Dach der Neuen Nationalgalerie.]]></image:title>
			<image:caption><![CDATA[Schweißarbeiten am Dach der Neuen Nationalgalerie. Foto: Heinz Oeter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/034.jpg</image:loc>
			<image:caption><![CDATA[Das Dachtragwerk vor dem Aufbau der Lift-Slab-Anlage. Foto: Heinz Oeter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/002.jpg</image:loc>
			<image:caption><![CDATA[Mittelträger mit Überhöhung. Foto: Heinz Oeter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/079.jpg</image:loc>
			<image:caption><![CDATA[Schweißarbeiten am Dach der Neuen Nationalgalerie. Foto: Heinz Oeter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/007.jpg</image:loc>
			<image:caption><![CDATA[Der Kastenträger wird mit dem Derrick auf Loren abgesetzt. Foto: Heinz Oeter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/037.jpg</image:loc>
			<image:caption><![CDATA[Hebegeräte werden eingebaut. Foto: Heinz Oeter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/041.jpg</image:loc>
			<image:caption><![CDATA[Mies im Auto vor der "Dachunterbesichtigung" am 5.4.1967. Foto: Heinz Oeter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/049.jpg</image:loc>
			<image:caption><![CDATA[Die Dachkonstruktion ist vor dem Absenken "überhoben" worden. Foto: Heinz Oeter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/062.jpg</image:loc>
			<image:caption><![CDATA[Mies van der Rohe auf dem Richtfest am 12.4.1967. Foto: Heinz Oeter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/067.jpg</image:loc>
			<image:caption><![CDATA[Geschafft - das Dach steht auf eigenen Stützen. Foto: Heinz Oeter]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-joachim-jaeger-leiter-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:36:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/VB_2293-scaled.jpg</image:loc>
			<image:title><![CDATA[_VB_2293]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/behind-the-scenes-besuch-auf-der-baustelle-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:36:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/titelbild_bts_NNG.jpg</image:loc>
			<image:title><![CDATA[titelbild_bts_NNG]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-haus-im-gruenen-die-freianlagen-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:36:58+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/3_R-Friedrich1.jpg</image:loc>
			<image:title><![CDATA[Der Skulpturengarten zur Eröffnung des Museums]]></image:title>
			<image:caption><![CDATA[Der Skulpturengarten zur Eröffnung des Museums (c) Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich;]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/1_Umschlag-21229a.jpg</image:loc>
			<image:caption><![CDATA[Die Neue Nationalgalerie im Bau, Foto: Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/2_00010003.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe: Präsentationsmappe für den Bau der Neuen Nationalgalerie, Lageplan, Foto: (c) bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/3_R-Friedrich.jpg</image:loc>
			<image:caption><![CDATA[Der Skulpturengarten zur Eröffnung des Museums, Foto: Staatliche Museen zu Berlin, Zentralarchiv, Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/4_DSCF3036.jpg</image:loc>
			<image:caption><![CDATA[Angehobene Platten und Verwerfungen im Bodenbelag im Skulpturengarten, Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/5_IMG_1085.jpg</image:loc>
			<image:caption><![CDATA[Feuerdorn-Unterpflanzung im Skulpturengarten im Jahr 2013, Foto: Bettina Bergande]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/6_NNGAA130409B05BestandVerlusteAllesGesamt.jpg</image:loc>
			<image:caption><![CDATA[Plan „Bäume – Bestand und Verluste“, Plan: BBR/TOPOS, 2013]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/7_IMG_2340.jpg</image:loc>
			<image:caption><![CDATA[Freigelegte Gleditschien-Wurzeln unter den Platten im Skulpturengarten, Foto: Jürgen Liehr]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/DSCF3034.jpg</image:loc>
			<image:caption><![CDATA[Besonders die Platten um die Pflanzbeete sind durch Wurzeln beschädigt, Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/DSCF3072.jpg</image:loc>
			<image:caption><![CDATA[Der Standort der Silber-Ahorne auf der Terrasse stimmt mit der Planung von 1967 überein, Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alles-im-raster-demontage-der-deckengitter-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:37:22+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/DSCF3261.jpg</image:loc>
			<image:title><![CDATA[Denkmalgerechter Umgang mit den bauzeitlichen Deckengittern.]]></image:title>
			<image:caption><![CDATA[Denkmalgerechter Umgang mit den bauzeitlichen Deckengittern. Foto: SMB / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/DSCF3230.jpg</image:loc>
			<image:caption><![CDATA[Um die Treppenabgänge muss ein eigenes Gerüst aufgebaut werden, um die Deckengitter abzunehmen. Foto: SMB / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/DSCF3239.jpg</image:loc>
			<image:caption><![CDATA[Zur Demontage der Deckengitter wurde ein Rollgerüst mit einer Laufkatze und einem Flaschenzug errichtet. Foto: SMB / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/DSCF3251.jpg</image:loc>
			<image:caption><![CDATA[Das Deckengitter wird vorsichtig auf die Palette gehoben. Foto: SMB / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/DSCF3255.jpg</image:loc>
			<image:caption><![CDATA[Aufhängung der Deckengitter mit Spannschloss und Drahtseil Foto: SMB / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/DSCF3259.jpg</image:loc>
			<image:caption><![CDATA[Deckengitter vor der Demontage. Foto: SMB / schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/DSCF3261.jpg</image:loc>
			<image:caption><![CDATA[Denkmalgerechter Umgang mit den bauzeitlichen Deckengittern. Foto: SMB / schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kostbarer-stein-an-den-versorgungsschaechten-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:37:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/1_NNG_161010_00924_R106_SW_Thomas_Bruns.jpg</image:loc>
			<image:title><![CDATA[Grundinstandsetzung- Neue Nationalgalerie, Berlin, Baubegleitende Dokumentation]]></image:title>
			<image:caption><![CDATA[Die Marmorplatten an den Versorgungsschächten in der oberen Halle der Neuen Nationalgalerie werden während der Sanierung zum Teil entfernt. Foto: BBR / Thomas Bruns;]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/DSCF3058.jpg</image:loc>
			<image:caption><![CDATA[Die Versorgungsschächten in der oberen Halle der Neuen Nationalgalerie sind mit handverlesenen Platten aus grünem Tinos Marmor verkleidet. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/4_NNG_161010_00938_R106_SO_Thomas_Bruns.jpg</image:loc>
			<image:caption><![CDATA[Während der Sanierung werden Teile der Verkleidung entfernt, um an die Versorgungsschächte zu gelangen. Die restlichen Abdeckungen werden vor Ort geschützt. Fotot: BBR / Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/2_NNG_161010_00927_R106_SW_Thomas_Bruns.jpg</image:loc>
			<image:caption><![CDATA[Während der Sanierung werden Teile der Verkleidung entfernt, um an die Versorgungsschächte zu gelangen. Die restlichen Abdeckungen werden vor Ort geschützt. Fotot: BBR / Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/1_NNG_161010_00924_R106_SW_Thomas_Bruns.jpg</image:loc>
			<image:caption><![CDATA[Die Marmorplatten an den Versorgungsschächten in der oberen Halle der Neuen Nationalgalerie werden während der Sanierung zum Teil entfernt. Foto: BBR / Thomas Bruns;]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/03/6_DSCF3057.jpg</image:loc>
			<image:caption><![CDATA[Kurze Pause während der Sanierungsarbeiten. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hochspannung-im-museum-die-stromversorgung-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:37:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/NNG_170214_01288_Mittelspannungstation_Thomas_Bruns_MEDIUM.jpg</image:loc>
			<image:title><![CDATA[NNG_170214_01288_Mittelspannungstation_Thomas_Bruns_MEDIUM]]></image:title>
			<image:caption><![CDATA[Foto: BBR / Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/NNG_170215_01314_Mittelspannungstation_Thomas_Bruns_MEDIUM.jpg</image:loc>
			<image:caption><![CDATA[In einer nächtlichen Aktion wird die neue Mittelspannungsanlage für die Neue Nationalgalerie angeliefert. Foto: BBR / Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/NNG_170214_01288_Mittelspannungstation_Thomas_Bruns_MEDIUM.jpg</image:loc>
			<image:caption><![CDATA[Foto: BBR / Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/NNG_170214_01300_Mittelspannungstation_Thomas_Bruns_MEDIUM.jpg</image:loc>
			<image:caption><![CDATA[In einer nächtlichen Aktion wird die neue Mittelspannungsanlage für die Neue Nationalgalerie angeliefert. Foto: BBR / Thomas Bruns]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/graue-eminenz-granitplatten-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:37:52+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/IMG_6776-Andere.jpg</image:loc>
			<image:title><![CDATA[Mitarbeiter der Firma Gebauer Steinmetz bei der Demontage der Granitplatten]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF3068.jpg</image:loc>
			<image:caption><![CDATA[Die Terrasse ohne Plattenbelag. Foto: schmedding.vonmarlin.; ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/IMG_6776-Andere.jpg</image:loc>
			<image:caption><![CDATA[Mitarbeiter der Firma Gebauer Steinmetz bei der Demontage der Granitplatten. Foto: BBR/ProDenkmal]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF3030.jpg</image:loc>
			<image:caption><![CDATA[Ständer für den Transport und die Lagerung der Granitplatten. Foto: schmedding.vonmarlin.; ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF3028.jpg</image:loc>
			<image:caption><![CDATA[Demontage der Granitplatten im Skulpturengarten. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/IMG_6774-Andere.jpg</image:loc>
			<image:caption><![CDATA[Der Terrassenbelag vor und nach der Demontage. Foto: BBR/ProDenkmal; ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/DSCF3096.jpg</image:loc>
			<image:caption><![CDATA[Granitplatten bereit für den Abtransport ins Lager. Foto: schmedding.vonmarlin.; ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/demontage-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:38:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/01_Demontage-NNG.jpg</image:loc>
			<image:title><![CDATA[Demontage Neue Nationalgalerie]]></image:title>
			<image:caption><![CDATA[Die Drehtür der großen Halle der Neuen Nationalgalerie wird ausgebaut. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/01_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Die Drehtür der großen Halle der Neuen Nationalgalerie  wird ausgebaut. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/02_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Die Inventarisierungsnummer der Drehtür links. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/03_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Handwerker rekonstruieren die Konstruktion der Drehtür, um sie auszubauen. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/04_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Augebaute Scheiben der Drehtür. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/05_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Garderobe rechts vor der Demontage. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/06_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Garderobe links nach der Demontage. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/07_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Holzverkleidung der Garderobe. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/08_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Unterkonstruktion der Garderobe. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/09_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Überbleibsel aus der Garderobe. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/10_Demotage-NNG.jpg</image:loc>
			<image:caption><![CDATA[In Kisten verpackte Deckenlampen. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/11_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Fehlendes Gitter im Marmor verleideten Versorgungsschacht. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/12_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Einhausung eines Arbeitsbereichs im Untergeschoss wegen Schadstoffbelastungen. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/13_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Überbleibsel an der Wand. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/14_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Ausgebaute Schalter und Steckdosen. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/15_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Flur im Untergeschoss der Neuen Nationalgalerie. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/16_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Ausgebaute Metalltüren. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/17_Demontage.jpg</image:loc>
			<image:caption><![CDATA["Ausgang"-Schild aus der Neuen Nationalgalerie. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/18_Demontage-NNG.jpg</image:loc>
			<image:caption><![CDATA[Ohne regelmäßige Pflege wuchert das Gras. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/demontage-der-neuen-nationalgalerie-fuer-jedes-bauteil-eine-inventarnummer/</loc>
		<lastmod>2024-09-11T11:38:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/DSCF2784.jpg</image:loc>
			<image:title><![CDATA[DSCF2784]]></image:title>
			<image:caption><![CDATA[Die obere Halle der Neuen Nationalgalerie während der Demontagearbeiten. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/DSCF2784.jpg</image:loc>
			<image:caption><![CDATA[Die obere Halle der Neuen Nationalgalerie während der Demontagearbeiten. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/DSCF2787.jpg</image:loc>
			<image:caption><![CDATA[Alles wird rückgebaut - auch die originale Einrichtung. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/DSCF2798.jpg</image:loc>
			<image:caption><![CDATA[Alles wird rückgebaut - auch die originale Einrichtung. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/DSCF2828-Detail.jpg</image:loc>
			<image:caption><![CDATA[Rückbau in den Ausstellungsräumen der Neuen Nationalgalerie. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/DSCF2842.jpg</image:loc>
			<image:caption><![CDATA[Rückbau in den Ausstellungsräumen der Neuen Nationalgalerie. Foto: schmedding.vonmarlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-denkmalpflegeprojekt-die-grundinstandsetzung-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:38:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/J1A9972.jpg</image:loc>
			<image:title><![CDATA[_J1A9972]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/DSCF2794.jpg</image:loc>
			<image:caption><![CDATA[Die Holzoberfläche der Garderobe. Im Bildhintergrund liegen die Paneele demontiert und gestapelt auf dem Boden. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/DSCF2800.jpg</image:loc>
			<image:caption><![CDATA[Ausgebaute Gitter mit Inventarnummern. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/DSCF2838.jpg</image:loc>
			<image:caption><![CDATA[Waschbecken in der Besuchertoilette. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Denkmalpflegerischer-Schutzbereich-EG.jpg</image:loc>
			<image:caption><![CDATA[Denkmalpflegerischer Schutzbereich im Erdgeschoss der Neuen Nationalgalerie. (c) David Chipperfield Architects für Bundesamt für Bauwesen und Raumordnung (BBR) ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Denkmalpflegerischer-Schutzbereich-UG.jpg</image:loc>
			<image:caption><![CDATA[Denkmalpflegerischer Schutzbereich im Untergeschoss der Neuen Nationalgalerie. (c) David Chipperfield Architects für Bundesamt für Bauwesen und Raumordnung (BBR) ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/J1A9972.jpg</image:loc>
			<image:caption><![CDATA[Sammlung von Objekten der bauzeitlichen technischen Gebäudeausrüstung zur Einlagerung während der Grundinstandsetzung des Museums. Foto: © Ute Zscharnt für David Chipperfield Architects]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/vom-kulturforum-nach-oberschoeneweide-wo-ist-die-kunst-aus-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:38:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Letzter-Film-33.jpg</image:loc>
			<image:title><![CDATA[Mietdepot in Oberschöneweide]]></image:title>
			<image:caption><![CDATA[Mietdepot in Oberschöneweide. © Bundesamt für Bauwesen und Raumordnung / Cornelia Rüth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/DSCF2715.jpg</image:loc>
			<image:caption><![CDATA[Die Restauratorin Hana Streicher an ihrem neuen Arbeitsplatz im Hamburger Bahnhof. Foto: schmedding.vonmarlin. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/IMG_1379.jpg</image:loc>
			<image:caption><![CDATA[Die Sandwich-Verpackung für das Gemälde von Ludwig Meidner. Foto: schmedding.vonmarlin. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/image025.jpg</image:loc>
			<image:caption><![CDATA[Abtransport der tonnenschweren Rückriem-Skulptur. (c) Thomas Bruns]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Letzter-Film-04.jpg</image:loc>
			<image:caption><![CDATA[Depot Sammlung Scharf-Gerstenberg. © Bundesamt für Bauwesen und Raumordnung / Cornelia Rüth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Letzter-Film-17.jpg</image:loc>
			<image:caption><![CDATA[Depot Haus 9, Museumsinsel. © Bundesamt für Bauwesen und Raumordnung / Cornelia Rüth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Letzter-Film-22.jpg</image:loc>
			<image:caption><![CDATA[Mietdepot für die Möbel, unter anderem die berühmten "Barcelona Chairs" von Mies van der Rohe. © Bundesamt für Bauwesen und Raumordnung / Cornelia Rüth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Letzter-Film-33.jpg</image:loc>
			<image:caption><![CDATA[Mietdepot in Oberschöneweide. © Bundesamt für Bauwesen und Raumordnung / Cornelia Rüth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/P1010071.jpg</image:loc>
			<image:caption><![CDATA[Was beim Auszug aus der Neuen Nationalgalerie aus der Restaurierungswerkstatt übrig blieb. Foto: Hana Streicher]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/Vorschauansicht_MG_4149.jpg</image:loc>
			<image:caption><![CDATA[Hana Streicher im Depot der Neuen Nationalgalerie vor der Sanierung. (c) SPK, Pierre Adenis]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/learning-from-chicago-dirk-lohan-zu-besuch-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:38:47+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2639.jpg</image:loc>
			<image:title><![CDATA[DSCF2639]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2639.jpg</image:loc>
			<image:caption><![CDATA[Der Architekt Dirk Lohan zu Besuch in der Neuen Nationalgalerie 2016. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2645.jpg</image:loc>
			<image:caption><![CDATA[Der Architekt Dirk Lohan zu Besuch in der Neuen Nationalgalerie 2016. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2679.jpg</image:loc>
			<image:caption><![CDATA[Der Architekt Dirk Lohan zu Besuch in der Neuen Nationalgalerie 2016. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSCF2691.jpg</image:loc>
			<image:caption><![CDATA[Der Architekt Dirk Lohan zu Besuch in der Neuen Nationalgalerie 2016. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/baustellenbesuch-in-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:38:58+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/1.jpg</image:loc>
			<image:title><![CDATA[1]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/2.jpg</image:loc>
			<image:caption><![CDATA[Der leere Raum in der Neuen Nationalgalerie bietet eine einzigartige Atmosphäre, vor allem bei so schönem Sonnenschein.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/3.jpg</image:loc>
			<image:caption><![CDATA[Gestern war das Museumsgebäude noch einmal für Interessierte geöffnet. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/4.jpg</image:loc>
			<image:caption><![CDATA[Daniel Wendler von David Chipperfield Architects erklärt die Sanierungsmaßnahmen anhand  von historischen Aufnahmen.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/5.jpg</image:loc>
			<image:caption><![CDATA[Die Führungsteilnehmer haben das Privileg die Neue Nationalgalerie ganz für sich zu haben.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/6.jpg</image:loc>
			<image:caption><![CDATA[Alte Plakate schmücken derzeit den Boden der Neuen Nationalgalerie.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/7.jpg</image:loc>
			<image:caption><![CDATA[Auch die Empfangshalle im Untergeschoss erinnert schon ein wenig an eine Baustelle.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/8.jpg</image:loc>
			<image:caption><![CDATA[Die alten Kassen sind schon seit Anfang 2015 nicht mehr besetzt.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/9.jpg</image:loc>
			<image:caption><![CDATA[Auch an den Wänden der Ausstellungsräume befinden sich keine Objekte mehr.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/10.jpg</image:loc>
			<image:caption><![CDATA[Nur ein paar Überreste von vergangenen Ausstellungen sind noch zu finden.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/11.jpg</image:loc>
			<image:caption><![CDATA[Hier und dort finden sich alte Ausstellungstexte der letzten Schau „Ausweitung der Kampfzone. 1968–2000. Die Sammlung Teil 3“.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/12.jpg</image:loc>
			<image:caption><![CDATA[Ansonsten sind die Räume, bis auf wenige Utensilien, überwiegend kahl.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/13.jpg</image:loc>
			<image:caption><![CDATA[Das „Strandgut“ muss noch begutachtet werden. Hier wird eine Auswahl darüber getroffen, welche Teile noch einmal verwendet werden können. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/14.jpg</image:loc>
			<image:caption><![CDATA[An den zwei Löchern in der Decke werden bald zwei Varianten für die zukünftige Deckenverkleidung getestet.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/15.jpg</image:loc>
			<image:caption><![CDATA[Auch der Skulpturengarten wird saniert werden.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/16.jpg</image:loc>
			<image:caption><![CDATA[Der Guide Daniel Wendler zeigt historische Aufnahmen des Skulpturengartens…]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/17.jpg</image:loc>
			<image:caption><![CDATA[… und erklärt, dass beispielsweise die Platten neu gelegt werden müssen. ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/neue-galerie-fuer-die-moderne-im-hamburger-bahnhof/</loc>
		<lastmod>2024-09-11T11:39:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/Bild-S.7_Haupt_kl.jpg</image:loc>
			<image:title><![CDATA[Bild S.7_Haupt_kl]]></image:title>
			<image:caption><![CDATA[Udo Kittelmann, Direktor der Nationalgalerie vor dem Hamburger Bahnhof - Museum für Gegenwart - Berlin. Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-sanierten-tueren-stehen-offen-5-bis-7-juni-2021/</loc>
		<lastmod>2024-09-11T11:40:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/05/1014_10_SM_210400_high-scaled.jpg</image:loc>
			<image:title><![CDATA[Neue Nationalgalerie 2021]]></image:title>
			<image:caption><![CDATA[Neue Nationalgalerie 2021; Foto: Simon Menges]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/05/Startpage-NNG-Elements.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/05/QR-code-NNG-Elements.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/schluesseluebergabe-die-baustelle-wird-wieder-museum/</loc>
		<lastmod>2024-09-11T11:40:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/1014_10_SM_210400_high.jpg</image:loc>
			<image:title><![CDATA[Neue Nationalgalerie 2021]]></image:title>
			<image:caption><![CDATA[Die Neue Nationalgalerie nach der Sanierung © Simon Menges]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/1014_10_SM_210400_N2_high.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/1014_10_SM_210400_N6_high.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/04/1014_10_SM_210400_N22_high.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-neue-nationalgalerie-im-blick-zwei-kuenstlerische-projekte-waehrend-der-sanierungsphase/</loc>
		<lastmod>2024-09-11T11:40:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/Wesely_B6906-637x321.jpg</image:loc>
			<image:title><![CDATA[Neue Nationalgalerie Berlin (1.4.2016 - 26.4.2017) © Michael Wesely]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/Wesely_B6906-637x321.jpg</image:loc>
			<image:caption><![CDATA[Neue Nationalgalerie Berlin (1.4.2016 - 26.4.2017) © Michael Wesely]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/mies-van-der-rohe-planen-und-bauen-in-den-1960er-jahren/</loc>
		<lastmod>2024-09-11T11:40:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/05_EK_46.jpg</image:loc>
			<image:title><![CDATA[05_EK_46]]></image:title>
			<image:caption><![CDATA[Das Projektteam studierte Originalpläne von Mies im Archiv des MoMA in New York. © David Chipperfield Architects]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/05_EK_46.jpg</image:loc>
			<image:caption><![CDATA[Das Projektteam studierte Originalpläne von Mies im Archiv des MoMA in New York. © David Chipperfield Architects]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/05_EK_16.jpg</image:loc>
			<image:caption><![CDATA[Auf der Plaza des Federal Center von Mies van der Rohe in Chicago. © David Chipperfield Architects]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/1014_SMB-Blog_Bild-1.jpg</image:loc>
			<image:caption><![CDATA[Bei der Besichtigung des Farnsworth House. © David Chipperfield Architects]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/121108_1748_9642.jpg</image:loc>
			<image:caption><![CDATA[Treffen mit Dirk Lohan, Enkel Mies van der Rohes. Foto: Sven Seehawer, KVL Bauconsult GmbH]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/D10785NNG00A300_DE3003-FPDCA.jpg</image:loc>
			<image:caption><![CDATA[Anschlussdetails Dächer, Terrassenbrüstung, Stützenfuß, Stahl-Glas-Fassade, Terrasse über UG. © David Chipperfield Architects für Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/D10785NNG00A300_DE3003-FPDCA_Detail-zu-Mies-014.jpg</image:loc>
			<image:caption><![CDATA[Brüstungsabdeckung © David Chipperfield Architects für Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Mies_21701-014.jpg</image:loc>
			<image:caption><![CDATA[Außentreppen und Terrassendetails © Staatliche Museen zu Berlin, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Mies_21701-014_Detail.jpg</image:loc>
			<image:caption><![CDATA[Brüstungsabdeckung © Staatliche Museen zu Berlin, Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/D10785NNG00A300_DE3301-BPDCA.jpg</image:loc>
			<image:caption><![CDATA[Natursteinfassade, Anschlussdetails © David Chipperfield Architects für Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/D10785NNG00A300_DE3302-BPDCA.jpg</image:loc>
			<image:caption><![CDATA[© David Chipperfield Architects für Bundesamt für Bauwesen und Raumordnung (BBR)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Mies_21701-029.jpg</image:loc>
			<image:caption><![CDATA[Hof mit Details © Staatliche Museen zu Berlin, Nationalgalerie]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/maurische-muster-jorge-pardos-installation-im-cafe-der-neuen-nationalgalerie/</loc>
		<lastmod>2024-09-11T11:42:38+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/02_NNG_210407_1054_1A1_SO_Marcus_Ebener.jpg</image:loc>
			<image:title><![CDATA[02_NNG_210407_1054_1A1_SO_Marcus_Ebener]]></image:title>
			<image:caption><![CDATA[Neue Nationalgalerie Außenansicht / Exterior view, 2021 © BBR / Marcus Ebener / Ludwig Mies van der Rohe / VG Bild-Kunst, Bonn 2021]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/NNG_Cafe_01-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/NNG_Cafe_02.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/einbau-der-glasscheiben-bald-fallen-die-huellen/</loc>
		<lastmod>2024-09-11T11:43:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/NNG_190612_03674_Thomas_Bruns.jpg</image:loc>
			<image:title><![CDATA[NNG_190612_03674_Thomas_Bruns]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/restaurierung-eines-designklassikers-barcelona-sessel/</loc>
		<lastmod>2024-09-11T11:43:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/Bild1_6_NNG-Okt-1988.jpg</image:loc>
			<image:title><![CDATA[Bild1_6_NNG-Okt-1988]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wo-ist-bellings-schild-eine-schatzsuche-zur-klassischen-moderne/</loc>
		<lastmod>2024-09-11T11:45:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Volharding-Schild-Schiedam-Raumansicht1.jpg</image:loc>
			<image:title><![CDATA[Volharding Schild Schiedam Raumansicht]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/belling.jpg</image:loc>
			<image:caption><![CDATA[Rudolf Belling: Silberner Rundschild, 1928/29. Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Volharding-1930.jpg</image:loc>
			<image:caption><![CDATA[Volharding 1930]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Volharding-Schild-Schiedam-Museumsansicht.jpg</image:loc>
			<image:caption><![CDATA[Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/Volharding-Schild-Schiedam-Raumansicht.jpg</image:loc>
			<image:caption><![CDATA[Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/IMG_5257.jpg</image:loc>
			<image:caption><![CDATA[Foto: Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/berlin-und-die-grosse-architektur-zum-130-geburtstag-von-ludwig-mies-van-der-rohe/</loc>
		<lastmod>2024-09-11T11:47:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/h_50131717.jpg</image:loc>
			<image:title><![CDATA[Ludwig Mies van der Rohe, Architekt]]></image:title>
			<image:caption><![CDATA[Ludwig Mies van der Rohe, porträtiert 1931 von Willy Römer (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/h_50131717.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe, porträtiert 1931 von Willy Römer (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/h_20039350.jpg</image:loc>
			<image:caption><![CDATA[Eine Häuserzeilen in der Afrikanischen Straße in den Rehbergen zu Berlin von Mies van der Rohe, fotografiert 1927 von Walter Stiehr (c) bpk / Kunstbibliothek, SMB, Photothek Willy Römer / Walter Stiehr]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/hochhaus-friedrichstr.jpg</image:loc>
			<image:caption><![CDATA[Plakat mit einem Entwurf für ein Glashochhaus an der Friedrichstraße in Berlin von Mies van der Rohe aus dem Jahre 1921 (c)  bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/h_30034397.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe bei der Grundsteinlegung der Neuen Nationalgalerie am 22.09.1965 (c) bpk / Nationalgalerie, SMB / Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/h_30034398.jpg</image:loc>
			<image:caption><![CDATA[Ludwig Mies van der Rohe und Bausenator Rolf Schwedler bei der Grundsteinlegung der Neuen Nationalgalerie am 22.09.1965 (c) bpk / Nationalgalerie, SMB / Reinhard Friedrich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/Gropius_Telegramm1.jpg</image:loc>
			<image:caption><![CDATA[Ein Telegramm unter Architektur-Weltstars: Walter Gropius gratuliert Ludwig Mies van der Rohe zur Neuen Nationalgalerie]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/stuermische-zeiten-mit-adolph-menzel-ein-geschenk-an-das-kupferstichkabinett/</loc>
		<lastmod>2024-10-14T10:03:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_01.jpg</image:loc>
			<image:title><![CDATA[menzel_01]]></image:title>
			<image:caption><![CDATA[Adolph Menzel: Gruppe im Sturm, 1874, Radierung © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Antje Penz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_01.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Gruppe im Sturm, 1874, Radierung © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Antje Penz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_02.jpg</image:loc>
			<image:caption><![CDATA[Tamar Munz Kaplan, 2024, Fotografie Familie Munz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_03.jpg</image:loc>
			<image:caption><![CDATA[Heinrich Munz in Berlin, um 1930, Fotografie Familie Munz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_04.jpg</image:loc>
			<image:caption><![CDATA[Übergabe der Radierung im Berliner Kupferstichkabinett, v.l.n.r: Yaron Munz, Noam Munz, Anna Pfäfflin, Georg Josef Dietz, Foto: Katrin Falbe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_05.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Köpfe- und Figurenstudien, Blatt 2 aus der Serie "Radir-Versuche", 1843, Radierung, WV Bock 1139 V, © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_06.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Köpfe- und Figurenstudien, Blatt 2 aus der Serie "Radir-Versuche", 1843, Radierung, WV Bock 1139 IV, © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_07.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Kopfstudien, Detail, Blatt 2 aus der Serie "Radir-Versuche", 1843, Radierung, WV Bock 1139 III, © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_08.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Köpfe und Figurenstudien, Blatt 2 aus der Serie "Radir-Versuche", 1843, Radierung, WV Bock 1139 I, © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_09.jpg</image:loc>
			<image:caption><![CDATA[Erläuterungen zur Radiertechnik, v.l.n.r: Yaron Munz, Noam Munz, Georg Josef Dietz, Anna Pfäfflin, Foto: Katrin Falbe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_10.jpg</image:loc>
			<image:caption><![CDATA[Heinrich Munz und sein Sohn, um 1970, Fotografie Familie Munz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/impressionismus-ist-eine-haltung-kuratorin-anna-pfaefflin-im-interview/</loc>
		<lastmod>2024-10-18T07:46:57+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Header.jpg</image:loc>
			<image:title><![CDATA[Header]]></image:title>
			<image:caption><![CDATA[Kuratorin Anna Pfäfflin während der Aufbauarbeiten der Ausstellung „Der andere Impressionismus“. Foto: SPK / Killisch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb1-scaled.jpg</image:loc>
			<image:caption><![CDATA[Joseph Pennell, Von der Cortlandt Street-Fähre, 1908, Sandpapier-Aquatinta, Kaltnadel © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb2.jpg</image:loc>
			<image:caption><![CDATA[Auch als Druckgraphiker tätig: Edouard Manet, Das Rennen, 1865, Lithographie © Staatliche Museen zu Berlin, Kupferstichkabinett / Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb3.jpg</image:loc>
			<image:caption><![CDATA[Vorsicht, lichtempfindlich! Anna Pfäfflin bringt einen temporären Lichtschutz über den Cliché-Verre-Arbeiten an. Foto: SPK / Killisch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb4.jpg</image:loc>
			<image:caption><![CDATA[Camille Corot, Bäume am Berg, 1856, Cliché Verre © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb5.jpg</image:loc>
			<image:caption><![CDATA[Francis Seymour Haden, Selbstporträt, 1862, Radierung, bpk / Kupferstichkabinett, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb6.jpg</image:loc>
			<image:caption><![CDATA[Francis Seymour Haden, Sonnenuntergang in Irland, 1863, Radierung und Kaltnadel, auf geripptem Büttenpapier, Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb7.jpg</image:loc>
			<image:caption><![CDATA[Hans Watzek, Sumpfige Wiese, 1896, Fotografie, Staatliche Museen zu Berlin, Kunstbibliothek / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb8.jpg</image:loc>
			<image:caption><![CDATA[Edouard Manet, Im Wintergarten, 1879, Gemälde / Öl auf Leinwand, bpk / Nationalgalerie, SMB / image by google]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb9.jpg</image:loc>
			<image:caption><![CDATA[Camille Pissarro, Rouen. Platz / Place de la République..., 1883, Radierung, bpk / Kupferstichkabinett, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb10.jpg</image:loc>
			<image:caption><![CDATA[Johan Barthold Jongkind, Abendsonne – Hafen von Avers, 1868, Radierung © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb11.jpg</image:loc>
			<image:caption><![CDATA[Anna Pfäfflin neben Albert Besnards Radierung Über der Asche, 1887, Kaltnadel, Roulette © Staatliche Museen zu Berlin, Kupferstichkabinett / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Abb12-scaled.jpg</image:loc>
			<image:caption><![CDATA[Edvard Munch, Harry Graf Keßler, 1906, Gemälde / Öl auf Leinwand, Foto: bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/bilder-formen-welten-rugendas-reisemalerei-im-globalen-kontext/</loc>
		<lastmod>2024-11-01T10:02:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/rugenda_4.png</image:loc>
			<image:title><![CDATA[rugenda_4]]></image:title>
			<image:caption><![CDATA[Zeichnung von Johann Moritz Rugendas "Cuesta de Jala" Reiter in der Nähe des Rancho Jala, Kupferstichkabinett, Staatliche Museen zu Berlin / Volker- H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Rugenda_1.png</image:loc>
			<image:caption><![CDATA[Johann Moritz Rugendas, Tanzende Mädchen, 1831–1834. Kupferstichkabinett, Staatliche Museen zu Berlin / Volker- H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/rugenda_2.jpg</image:loc>
			<image:caption><![CDATA[Ausstellungsansicht "(Un)seen Stories - Suchen, Sehen, Sichtbarmachen. 31.05.2024–25.08.2024. Kupferstichkabinett, Staatliche Museen zu Berlin / Van Linn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/rugenda_3.png</image:loc>
			<image:caption><![CDATA[Johann Moritz Rugendas in Tracht fotografiert von Alois Löcherer, 1850 , Bildarchiv der Bayerischen Staatsbibliothek]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/rugenda_4.png</image:loc>
			<image:caption><![CDATA[Zeichnung von Johann Moritz Rugendas "Cuesta de Jala" Reiter in der Nähe des Rancho Jala, Kupferstichkabinett, Staatliche Museen zu Berlin / Volker- H. Schneider]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/stormy-times-with-adolph-menzel-a-gift-from-tel-aviv-to-berlin/</loc>
		<lastmod>2024-11-05T13:58:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_01.jpg</image:loc>
			<image:title><![CDATA[menzel_01]]></image:title>
			<image:caption><![CDATA[Adolph Menzel: Gruppe im Sturm, 1874, Radierung © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Antje Penz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_01.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Gruppe im Sturm, 1874, Radierung © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Antje Penz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_02.jpg</image:loc>
			<image:caption><![CDATA[Tamar Munz Kaplan, 2024, Fotografie Familie Munz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_03.jpg</image:loc>
			<image:caption><![CDATA[Heinrich Munz in Berlin, um 1930, Fotografie Familie Munz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_04.jpg</image:loc>
			<image:caption><![CDATA[Übergabe der Radierung im Berliner Kupferstichkabinett, v.l.n.r: Yaron Munz, Noam Munz, Anna Pfäfflin, Georg Josef Dietz, Foto: Katrin Falbe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_05.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Köpfe- und Figurenstudien, Blatt 2 aus der Serie "Radir-Versuche", 1843, Radierung, WV Bock 1139 V, © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_06.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Köpfe- und Figurenstudien, Blatt 2 aus der Serie "Radir-Versuche", 1843, Radierung, WV Bock 1139 IV, © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_07.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Kopfstudien, Detail, Blatt 2 aus der Serie "Radir-Versuche", 1843, Radierung, WV Bock 1139 III, © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_08.jpg</image:loc>
			<image:caption><![CDATA[Adolph Menzel: Köpfe und Figurenstudien, Blatt 2 aus der Serie "Radir-Versuche", 1843, Radierung, WV Bock 1139 I, © Staatliche Museen zu Berlin, Kupferstichkabinett / Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_09.jpg</image:loc>
			<image:caption><![CDATA[Erläuterungen zur Radiertechnik, v.l.n.r: Yaron Munz, Noam Munz, Georg Josef Dietz, Anna Pfäfflin, Foto: Katrin Falbe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/menzel_10.jpg</image:loc>
			<image:caption><![CDATA[Heinrich Munz und sein Sohn, um 1970, Fotografie Familie Munz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/home-at-last-toi-moko-from-the-ethnological-museum-return-to-new-zealand/</loc>
		<lastmod>2024-11-05T14:02:18+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/01_FCD.jpg</image:loc>
			<image:title><![CDATA[01_FCD]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/VI_2559_01.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/staub-ist-das-plastische-gedaechtnis-der-welt-gespraech-mit-dem-kuenstlerduo-alice-ahad/</loc>
		<lastmod>2024-11-20T11:15:45+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/AliceAhad_Portrait2.jpg</image:loc>
			<image:title><![CDATA[Kuenstlerduo Alice Mestriner und Ahad Moslemi im Humboldtforum]]></image:title>
			<image:caption><![CDATA[Künstlerduro Alice Mestriner und Ahad Moslemi im Humboldt Forum © Staatliche Museen zu Berlin, Ethnologisches Museum / Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/AliceAhad_Portrait1-scaled.jpg</image:loc>
			<image:caption><![CDATA[Künstlerduro Alice Mestriner und Ahad Moslemi im Humboldt Forum © Staatliche Museen zu Berlin, Ethnologisches Museum / Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/DSC00175.jpg</image:loc>
			<image:caption><![CDATA[Künstlerduro Alice Mestriner und Ahad Moslemi bei der Arbeit an dem Werk PARADEISOS © Staatliche Museen zu Berlin, Ethnologisches Museum / Costanza Parigi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/DSC00176.jpg</image:loc>
			<image:caption><![CDATA[Künstlerduro Alice Mestriner und Ahad Moslemi bei der Arbeit an dem Werk PARADEISOS © Staatliche Museen zu Berlin, Ethnologisches Museum / Costanza Parigi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/Paradeisos-im-HUF-scaled.jpg</image:loc>
			<image:caption><![CDATA[Das Werk PARADEISOS als Intervention in der Ausstellung „Den Westen entdecken“ des Ethnologischen Museums im Humboldt Forum © Staatliche Museen zu Berlin, Ethnologisches Museum / Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/Paradeisos_Work-in-progress.jpg</image:loc>
			<image:caption><![CDATA[Das fast fertige Werk PARADEISOS im Studio © Alice Mestriner und Ahad Moslemi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/DSC00172.jpg</image:loc>
			<image:caption><![CDATA[Arbeitsprozess zu dem Werk PARADEISOS © Staatliche Museen zu Berlin, Ethnologisches Museum / Costanza Parigi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/DSC00170.jpg</image:loc>
			<image:caption><![CDATA[Detail aus dem Werk PARADEISOS © Staatliche Museen zu Berlin, Ethnologisches Museum / Costanza Parigi]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/dust-is-the-plastic-memory-of-the-world-a-conversation-with-alice-ahad/</loc>
		<lastmod>2024-11-20T11:16:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/AliceAhad_Portrait2.jpg</image:loc>
			<image:title><![CDATA[Kuenstlerduo Alice Mestriner und Ahad Moslemi im Humboldtforum]]></image:title>
			<image:caption><![CDATA[Künstlerduro Alice Mestriner und Ahad Moslemi im Humboldt Forum © Staatliche Museen zu Berlin, Ethnologisches Museum / Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/AliceAhad_Portrait1-scaled.jpg</image:loc>
			<image:caption><![CDATA[Künstlerduro Alice Mestriner und Ahad Moslemi im Humboldt Forum © Staatliche Museen zu Berlin, Ethnologisches Museum / Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/DSC00175.jpg</image:loc>
			<image:caption><![CDATA[Künstlerduro Alice Mestriner und Ahad Moslemi bei der Arbeit an dem Werk PARADEISOS © Staatliche Museen zu Berlin, Ethnologisches Museum / Costanza Parigi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/DSC00176.jpg</image:loc>
			<image:caption><![CDATA[Künstlerduro Alice Mestriner und Ahad Moslemi bei der Arbeit an dem Werk PARADEISOS © Staatliche Museen zu Berlin, Ethnologisches Museum / Costanza Parigi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/Paradeisos-im-HUF-scaled.jpg</image:loc>
			<image:caption><![CDATA[Das Werk PARADEISOS als Intervention in der Ausstellung „Den Westen entdecken“ des Ethnologischen Museums im Humboldt Forum © Staatliche Museen zu Berlin, Ethnologisches Museum / Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/Paradeisos_Work-in-progress.jpg</image:loc>
			<image:caption><![CDATA[Das fast fertige Werk PARADEISOS im Studio © Alice Mestriner und Ahad Moslemi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/DSC00172.jpg</image:loc>
			<image:caption><![CDATA[Arbeitsprozess zu dem Werk PARADEISOS © Staatliche Museen zu Berlin, Ethnologisches Museum / Costanza Parigi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/DSC00170.jpg</image:loc>
			<image:caption><![CDATA[Detail aus dem Werk PARADEISOS © Staatliche Museen zu Berlin, Ethnologisches Museum / Costanza Parigi]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alle-jahre-wieder-weihnachtsausstellung-im-mek-setzt-neue-akzente/</loc>
		<lastmod>2024-12-03T11:48:50+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/8_Gurke.jpg</image:loc>
			<image:title><![CDATA[8_Gurke]]></image:title>
			<image:caption><![CDATA[Die Weihnachtsgurke © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/1_Weihnachtsbaum.jpg</image:loc>
			<image:caption><![CDATA[Eine lange Tradition im Museum Europäischer Kulturen: der geschmückte Weihnachtsbaum – diesmal mitten in der Ausstellung. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/2_Kurator_innen.jpg</image:loc>
			<image:caption><![CDATA[Kuratorin Jane Redlin mit Co-Kurator Moritz Roemer © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/3_Szopka.jpg</image:loc>
			<image:caption><![CDATA[Lädt ein, genauer hinzuschauen: eine Szopka aus Polen © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/4_basteln.jpg</image:loc>
			<image:caption><![CDATA[Weihnachtskarten basteln – entweder frei in der Ausstellung oder angeleitet ab jetzt jeden Samstag von 14:00 bis 16:00 Uhr in der WeihnachtsWerkstatt © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/5_Voegel.jpg</image:loc>
			<image:caption><![CDATA[Esel, Ochs und… bunte Vögel? Diese farbenprächtige Vogelkrippe aus Polen gibt es einmal in groß auf dem Sockel… © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/6_Puzzle.jpg</image:loc>
			<image:caption><![CDATA[… und einmal klein als Puzzle als Teil der Spielestation. © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/7_Christbaumschmuck.jpg</image:loc>
			<image:caption><![CDATA[Auch so geht Christbaumschmuck: Von der Weintraube bis zum Elefanten © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/8_Gurke.jpg</image:loc>
			<image:caption><![CDATA[Die Weihnachtsgurke © Staatliche Museen zu Berlin, Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/weltstaat-ddr-kuenstlerischer-internationalismus-im-osten/</loc>
		<lastmod>2024-12-06T14:50:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/10_UeberGrenzen_Ausstellungsansicht_01.jpg</image:loc>
			<image:title><![CDATA[Ausstellung "Ueber Grenzen" im ethnologischen Museum.]]></image:title>
			<image:caption><![CDATA[Ansicht der Ausstellung "Über Grenzen. Künstlerischer Internationalismus in der DDR" im Humboldt Forum © Staatliche Museen zu Berlin / Stiftung Humboldt Forum im Berliner Schloss / Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/01_UeberGrenzen_Su-Ran_Sichling_Gelehrtensteine_c_Robert_Vanis-scaled.jpg</image:loc>
			<image:caption><![CDATA[Su-Ran Sichling, Gelehrtensteine (1950), (1950), (1970), 2015, Waschbeton, Terrazzo Nussholz, Messing, Holz, Gummi © Foto: Robert Vanis Su-Ran]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/02_UeberGrenzen_Su-Ran_Sichling_Zaun_c_Nathalie_Bleyl.jpg</image:loc>
			<image:caption><![CDATA[Su-Ran Sichling, Zaun (altrosa), 2021 © Foto: Nathalie Bleyl]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/05_UeberGrenzen_Maithu_Bi_Biedermeier.jpg</image:loc>
			<image:caption><![CDATA[Maithu Bùi, rausblick. Keibelstraße, 2024, Still © Maithu Bùi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/06_Ueber_Grenzen_Maithu_Bi_Keibelstrasse.jpg</image:loc>
			<image:caption><![CDATA[Maithu Bùi, rausblick. Biedermeier, 2024 Still © Maithu Bùi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/03_UeberGrenzen_Mio_Okido_Maertyrer.jpg</image:loc>
			<image:caption><![CDATA[Mio Okido, Die Märtyrer, 2022, Gaze, Glas- und Acrylplatte, Leihgabe der Künstlerin © Foto: Mio Okido]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/10_UeberGrenzen_Ausstellungsansicht_01.jpg</image:loc>
			<image:caption><![CDATA[Ansicht der Ausstellung "Über Grenzen. Künstlerischer Internationalismus in der DDR" im Humboldt Forum © Staatliche Museen zu Berlin / Stiftung Humboldt Forum im Berliner Schloss / Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/11_UeberGrenzen_Ausstellungsansicht_02.jpg</image:loc>
			<image:caption><![CDATA[Ansicht der Ausstellung "Über Grenzen. Künstlerischer Internationalismus in der DDR" im Humboldt Forum © Staatliche Museen zu Berlin / Stiftung Humboldt Forum im Berliner Schloss / Pierre Adenis]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/skizzenbuecher-und-baufreimachungen-jahresrueckblick-2024/</loc>
		<lastmod>2025-01-02T09:40:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/Friedrich_CD-Moench_NG9-85_002nR.jpg</image:loc>
			<image:title><![CDATA[Friedrich_CD-Moench_NG9-85_002nR]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/01/vb_5516_RWD_1380.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung "Großes Kino - Filmplakate aus allen Zeiten" © David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/02/VB_5796.jpg</image:loc>
			<image:caption><![CDATA[Sibylle Hoiman im Kunstgewerbemuseum. Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/10/IMG_3775.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Lina Wällstedt mit einem der Kunstwerke, die für den Umzug ins "berlin modern" vorbereitet werden. Foto: Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Bild-2_MG_7911.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Friedrich_CD-Moench_NG9-85_002nR.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, 1808-1810; Staatliche Museen zu Berlin, Nationalgalerie / Fotograf: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4079.jpg</image:loc>
			<image:caption><![CDATA[Abmontiertes Relief im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/cassirer-teppich-ausschnitt.jpg</image:loc>
			<image:caption><![CDATA[Kostbarer Teppich aus der Sammlung von Alfred Cassirer (Kaschan, Iran, 16. Jh.) © Rippon Boswell Wiesbaden]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/LJO_2003.jpg</image:loc>
			<image:caption><![CDATA[Das "Karlsruher Skizzenbuch" von Caspar David Friedrich © SPK / Liesa Johannssen/photothek.de, Eigentum der Ernst von Siemens Kunststiftung, des Kupferstichkabinetts – Staatliche Museen zu Berlin, Stiftung Preußischer Kulturbesitz, des Kupferstich-Kabinetts der Staatlichen Kunstsammlungen Dresden, der Klassik Stiftung Weimar, Direktion Museen. Erworben mit Mitteln der Kulturstiftung der Länder sowie für Dresden mit Unterstützung der Liebelt-Stiftung, Hamburg, von Dr. Henning Hoesch, dem Verein der Freunde des Kupferstich-Kabinetts Dresden e.V., Dr. Martin Schröder, Michael und Elke von Brentano und weiterer Spender.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/Kolonnadenbar_Glahn_2.jpg</image:loc>
			<image:caption><![CDATA[Die Kolonnaden Bar auf der Museumsinsel. Foto: Markus Glahn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/09/AD20240710_033A.jpg</image:loc>
			<image:caption><![CDATA[DenkRaum Zeit &amp; Zeitlichkeit des Forschungscampus Dahlem; Foto: Pierre Adenis]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/240821_RSPK_PHT_-2kl.jpg</image:loc>
			<image:caption><![CDATA[Antje Scherner, neue Direktorin der Skulpturensammlung und Museum für Byzantinische Kunst im Bode-Museum; Foto: SPK / Photothek, Sebastian Rau]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/241114_TSPK_PHT30.jpg</image:loc>
			<image:caption><![CDATA[Bernhard Weisser, Direktor des Muenzkabinetts © SPK / Photothek, Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/VB_9834.jpg</image:loc>
			<image:caption><![CDATA[Ralph Gleis, Leiter der Alten Nationalgalerie © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/taufbecken-von-siena-sollbruchstellen-der-wahrnehmung/</loc>
		<lastmod>2025-01-02T17:26:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/blog-taufbecken-vorzustand-12.jpg</image:loc>
			<image:title><![CDATA[blog-taufbecken-vorzustand-12]]></image:title>
			<image:caption><![CDATA[Das Taufbecken von Siena im Vorzustand (Detail); Foto: Staatliche Museen zu Berlin / Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/20241010_113750.jpg</image:loc>
			<image:caption><![CDATA[Historische Originalform zum sportello vor dem Einfüllen des Gipses; Foto: Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/20241009_111020.jpg</image:loc>
			<image:caption><![CDATA[Formstücke zum Taufbecken von Siena; Foto: Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/IMG_5899.jpg</image:loc>
			<image:caption><![CDATA[Ein frischer Abguss des sportello während der Abnahme der Formstücke; Foto: Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/VB_4807.jpg</image:loc>
			<image:caption><![CDATA[Installationsansicht der Krypta im Bode-Museum; Foto: Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/VB_4817.jpg</image:loc>
			<image:caption><![CDATA[Die Bronzestatuette Putto mit Tamburin von Donatello; Foto: David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-die-zersaegte-lautenspielerin/</loc>
		<lastmod>2025-04-08T18:01:24+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/1-scaled.jpg</image:loc>
			<image:title><![CDATA[1]]></image:title>
			<image:caption><![CDATA[Jan Sanders van Hemessen Werkstatt und der Braunschweiger Monogrammist, Die Lautenspielerin, ca. 1530-35 © Staatliche Museen zu Berlin, Gemäldegalerie, Foto: Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/1-scaled.jpg</image:loc>
			<image:caption><![CDATA[Jan Sanders van Hemessen Werkstatt und der Braunschweiger Monogrammist, Die Lautenspielerin, ca. 1530-35 © Staatliche Museen zu Berlin, Gemäldegalerie, Foto: Volker-H. Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/2.jpg</image:loc>
			<image:caption><![CDATA[Braunschweiger Monogrammist, Christus spricht mit einer Frau, um 1530/35 © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/3-scaled.jpg</image:loc>
			<image:caption><![CDATA[Jan Sanders van Hemessen Werkstatt, Die Lautenspielerin, um 1530/35, Zustand ohne Fragment © Staatliche Museen zu Berlin, Gemäldegalerie, Foto: Walter Steinkopf]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/4-scaled.jpg</image:loc>
			<image:caption><![CDATA[Jan Sanders van Hemessen Werkstatt und der Braunschweiger Monogrammist, Die Lautenspielerin, ca. 1530-35, Zustand nach Zusammensetzung vor der Restaurierung © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/5.jpg</image:loc>
			<image:caption><![CDATA[Eintrag im Erwerbungsbuch der Gemäldegalerie (West)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/6-scaled.jpg</image:loc>
			<image:caption><![CDATA[Max J. Friedländer © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/7.jpg</image:loc>
			<image:caption><![CDATA[Braunschweiger Monogrammist, Christus spricht mit einer Frau, um 1530/35, Rückseite vor der Zusammenfügung © Staatliche Museen zu Berlin, Gemäldegalerie]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zusammenhalt-in-turm-form-die-katalanische-tradition-der-castells/</loc>
		<lastmod>2025-04-11T09:11:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/Castellers-de-Berlin-%C2%A9-Julia-Sellner_5.jpg</image:loc>
			<image:title><![CDATA[Castellers de Berlín © Julia Sellner_5]]></image:title>
			<image:caption><![CDATA[Castellers de Berlín © Julia Sellner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/CastellBorn_Marti-Estruch-Axmacher.jpg</image:loc>
			<image:caption><![CDATA[Casteller formen einen hohen Turm © Martí Estruch Axmacher]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/Castellers-de-Berlin-%C2%A9-Julia-Sellner_5.jpg</image:loc>
			<image:caption><![CDATA[Castellers de Berlín © Julia Sellner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/kdk2023_IMG_9157.jpg</image:loc>
			<image:caption><![CDATA[Castellers de Berlín © Julia Sellner]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/tag-der-provenienzforschung-2025-geschichten-aus-den-museen/</loc>
		<lastmod>2025-04-24T13:05:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/Foto-1_MEK_Depotfuehrung_Thaden__07.jpg</image:loc>
			<image:title><![CDATA[Foto 1_MEK_Depotführung_Thaden__07]]></image:title>
			<image:caption><![CDATA[Depotführung im MEK mit Matthias Thaden, Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/Foto-1_MEK_Depotfuehrung_Thaden__07.jpg</image:loc>
			<image:caption><![CDATA[Depotführung im MEK mit Matthias Thaden, Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/Foto-2_MEK_Gespraechsrunde_Aimmuin__09.jpg</image:loc>
			<image:caption><![CDATA[Die Gesprächsrunde in Áimmuin mit Heini Wesslin, Ellen Berit Dalbakk, Lova Lundberg und Eeva-Kristiina Nylander (von links nach rechts), Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/HUF_EM_Tansania_Ausstellungsansicht_2.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung “Geschichte(n) Tansanias“ © Stiftung Humboldt Forum im Berliner Schloss / Szenografie: APC Architectural Pioneering Consultants / Studio Gründer Kirfel, Foto: David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/Foto-3_KK.jpg</image:loc>
			<image:caption><![CDATA[Andreas Schalhorn (links) und Sven Haase vor Arbeiten Else Lasker-Schülers, die 1937 beschlagnahmt, anschließend an den Kunsthändler Bernhard A. Böhmer verkauft und 1949 schließlich an die Nationalgalerie zurückgegeben wurden. Nach 1990 wurden die Werke in die Sammlung des Kupferstichkabinetts integriert. Foto: SPK / Louis Killisch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/Foto-4_KK.jpg</image:loc>
			<image:caption><![CDATA[Führung am Tag der Provenienzforschung durch die Ausstellung. Foto: SPK / Louis Killisch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/Fuehrung_ANG.jpg</image:loc>
			<image:caption><![CDATA[Dr. Petra Winter (links) und Dr. Yvette Deseyve (rechts) vor der Marmorskulptur „Susanna“ von Reinhold Begas in der Alten Nationalgalerie, Foto: SPK / Sara Biever, 2025.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/das-ei-des-kolumbus-architekturwettbewerb-fuer-die-gipsformerei/</loc>
		<lastmod>2025-06-03T13:19:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-8.jpg</image:loc>
			<image:title><![CDATA[Abb. 8]]></image:title>
			<image:caption><![CDATA[Abb. 7: Entwurf Landschaftsarchitektur und Kunst am Bau, Hofansicht © 100Landschaftsarchitektur, studio futura und Barbara Wille]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-1.jpg</image:loc>
			<image:caption><![CDATA[Abb. 1: Johann Merzenich / Hermann Kirstein, Gipsformerei der Königlichen Museen, Berlin-Charlottenburg, Ansicht 1:100 Lithographie farbig auf Karton, 53,3 x 70,9 cm, ca. 1892 Architekturmuseum der TU Berlin, Inv. Nr. 29221]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-2.jpg</image:loc>
			<image:caption><![CDATA[Abb. 2: Entwurf Architektur, Erweiterungsbau (links) mit Bestandsgebäude (rechts), Hofansicht nach Westen © GMP Architekten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-3.jpg</image:loc>
			<image:caption><![CDATA[Abb. 3: Entwurf Landschaftsarchitektur und Kunst am Bau, Lageplan © 100Landschaftsarchitektur, studio futura und Barbara Wille]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-4.jpg</image:loc>
			<image:caption><![CDATA[Abb. 3: Entwurf Landschaftsarchitektur und Kunst am Bau, Straßenansicht © 100Landschaftsarchitektur, studio futura und Barbara Wille]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-6.jpg</image:loc>
			<image:caption><![CDATA[Abb. 5: Constantin Brancusi, Die Unendliche Säule in Târgu Jiu, um 1938 Paris, Centre Pompidou-CNAC-MNAM, Inv. Nr. AM4002-915(1); Foto: bpk | CNAC-MNAM; © Succession Brancusi - All rights reserved / VG Bild-Kunst, Bonn 2025]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-5-scaled.jpg</image:loc>
			<image:caption><![CDATA[Abb. 4: Constantin Brancusi, Atelieransicht mit Objekten und Modellen, 1926 Paris, Centre Pompidou-CNAC-MNAM, Inv. Nr. PH71A; Foto: bpk | CNAC-MNAM; © Succession Brancusi - All rights reserved / VG Bild-Kunst, Bonn 2025]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-7.jpg</image:loc>
			<image:caption><![CDATA[Abb. 6: Verzeichnis der in der Formerei der königlichen Museen käuflichen Gipsabgüsse, Berlin 1902, Tafel 1 © Staatliche Museen zu Berlin, Gipsformerei]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-8.jpg</image:loc>
			<image:caption><![CDATA[Abb. 7: Entwurf Landschaftsarchitektur und Kunst am Bau, Hofansicht © 100Landschaftsarchitektur, studio futura und Barbara Wille]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-9.jpg</image:loc>
			<image:caption><![CDATA[Abb. 8: Entwurf Landschaftsarchitektur und Kunst am Bau, Fassadenansicht © 100Landschaftsarchitektur, studio futura und Barbara Wille]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-10.jpg</image:loc>
			<image:caption><![CDATA[Abb. 9: Allée des Charmes in den Jardins d’Eyrignac in Salignac-Eyvigues, 2009 © Wikimedia Commons, Eric Sander]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/01/Abb.-11.jpg</image:loc>
			<image:caption><![CDATA[Abb. 10: Entwurf Landschaftsarchitektur und Kunst am Bau, Hofansicht nach Osten © 100Landschaftsarchitektur, studio futura und Barbara Wille]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/muslimische-unsichtbarkeiten-geschichten-teilen/</loc>
		<lastmod>2025-06-11T13:50:10+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/Hauptbild-scaled.jpg</image:loc>
			<image:title><![CDATA[Hauptbild]]></image:title>
			<image:caption><![CDATA[Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/1.jpg</image:loc>
			<image:caption><![CDATA[Wasserkanne  Leihgabe von Fatoumata Binta Barry, genutzt seit 2018 Kunststoff; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/2-scaled.jpg</image:loc>
			<image:caption><![CDATA[Inschrifttafel, Bachtschyssaraj, Krim, Ukraine, gesammelt vor 1929, Holz; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/3-scaled.jpg</image:loc>
			<image:caption><![CDATA[Gebetskette von Mona Feise-Nasr, 2015 als Geschenk erhalten und seitdem genutzt Kunststoffperlen, gefädelt, mit Fransenabschluss; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/4-scaled.jpg</image:loc>
			<image:caption><![CDATA[Buch: Die Behandlung mit den Ruqaa. Aus dem Qur’an und der Sunnah; Berlin, Deutschland, erworben 2023, Papier; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/5.jpg</image:loc>
			<image:caption><![CDATA[Tasse, Bosnien und Herzegowina, erworben 1935, Neusilber; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/6.jpg</image:loc>
			<image:caption><![CDATA[Gebetsruf-Uhr, Berlin, Deutschland, erworben 2023, Kunststoff; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/7-scaled.jpg</image:loc>
			<image:caption><![CDATA[Halskette von Nadia Kabalan, ca. 1995 als Geschenk erhalten und seitdem getragen, Gold, türkisfarbener Schmuckstein; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/8-scaled.jpg</image:loc>
			<image:caption><![CDATA[Gebetsteppich von Luljeta Abazi, im Familienbesitz und genutzt seit min. drei Generationen Mustergewebe, vermutlich Baumwollgrund und Viskoseflor; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/9.jpg</image:loc>
			<image:caption><![CDATA[Grafik: Surat al-Fatiha, Berlin, Deutschland, erworben 2023, Karton, roter Flockdruck; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/10.jpg</image:loc>
			<image:caption><![CDATA[Buch: Das Gebet, Berlin, Deutschland, erworben 2023, Papier; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/11-scaled.jpg</image:loc>
			<image:caption><![CDATA[Duftöl, Berlin, Deutschland, erworben 2023, Duftöl, Flakon aus Glas mit Deckel aus Metall und Kunststoff, Papieretikett; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/06/12.jpg</image:loc>
			<image:caption><![CDATA[Kaschmirschal von Hilal Sezgin-Just, 2020 gekauft und seitdem getragen, gewebt, mit Musterborte; Foto: Museum Europäischer Kulturen / Christian Krug]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zwischen-mittelmeer-und-skandinavien-einzigartig-sammlungsbestaende-von-der-krim-am-mek/</loc>
		<lastmod>2025-07-21T14:41:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/Dr.-Mieste-Hotopp-Riecke-und-Dr.-Matthias-Thaden-befassen-sich-derzeit-mit-der-Geschichte-und-den-aktuellen-Bezugspunkten-der-krimtatarischen-Sammlung-am-MEK_VARIANTE-1.jpg</image:loc>
			<image:title><![CDATA[Dr. Mieste Hotopp-Riecke und Dr. Matthias Thaden befassen sich derzeit mit der Geschichte und den aktuellen Bezugspunkten der krimtatarischen Sammlung am MEK_VARIANTE 1]]></image:title>
			<image:caption><![CDATA[Dr. Mieste Hotopp-Riecke und Dr. Matthias Thaden befassen sich derzeit mit der Geschichte und den aktuellen Bezugspunkten der krimtatarischen Sammlung am MEK, Museum Europäischer Kulturen – Staatliche Museen zu Berlin/Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/Blick-auf-Bachtschissarai-Im-Vordergrund-ein-Minarett-der-Palastmoschee-Nata-und-Hans-Findeisen-1929-Museum-Europaeischer-Kulturen-Staatliche-Museen-zu-Berlin-VIII-Eu-1251.jpg</image:loc>
			<image:caption><![CDATA[Blick auf Bağçasaray, Im Vordergrund ein Minarett der Palastmoschee, Nata und Hans Findeisen, 1929, Museum Europäischer Kulturen - Staatliche Museen zu Berlin, VIII Eu 1251]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/Kappe-fuer-Jungen-Bala-fesi-gesammelt-von-Nata-und-Hans-Findeisen-1929-Museum-Europaeischer-Kulturen-Staatliche-Museen-zu-Berlin-II-C-352.jpg</image:loc>
			<image:caption><![CDATA[Kappe für Jungen (Bala fesi), gesammelt von Nata und Hans Findeisen, 1929, Museum Europäischer Kulturen - Staatliche Museen zu Berlin, II C 352]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/Modell-des-Khanspalast-von-B-August-Wilhelm-Kiesewetter-1846-Museum-Europaeischer-Kulturen-Staatliche-Museen-zu-Berlin-II-E-116.jpg</image:loc>
			<image:caption><![CDATA[Modell des Khanspalast von Bağçasaray, August-Wilhelm Kiesewetter, 1846, Museum Europäischer Kulturen - Staatliche Museen zu Berlin, II E 116]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/Im-Maerz-2022-zeigte-das-MEK-anlaesslich-des-Beginns-des-russischen-Angriffskrieges-ukrainische-Objekte-aus-seiner-Sammlung.jpg</image:loc>
			<image:caption><![CDATA[Im März 2022 zeigte das MEK anlässlich des Beginns des russischen Angriffskrieges ukrainische Objekte aus seiner Sammlung. Darunter befand sich auch ein krimtatarischer Teppich (Kilim), Museum Europäischer Kulturen – Staatliche Museen zu Berlin/Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/Gewand-eines-Mullahs-Djubbe-II-C-0340_1-scaled.jpg</image:loc>
			<image:caption><![CDATA[Gewand eines Mullahs (Djubbe), ), gesammelt von Nata und Hans Findeisen, 1929, Museum Europäischer Kulturen - Staatliche Museen zu Berlin, II C 340]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/Dr.-Mieste-Hotopp-Riecke-und-Dr.-Matthias-Thaden-befassen-sich-derzeit-mit-der-Geschichte-und-den-aktuellen-Bezugspunkten-der-krimtatarischen-Sammlung-am-MEK_VARIANTE-1.jpg</image:loc>
			<image:caption><![CDATA[Dr. Mieste Hotopp-Riecke und Dr. Matthias Thaden befassen sich derzeit mit der Geschichte und den aktuellen Bezugspunkten der krimtatarischen Sammlung am MEK, Museum Europäischer Kulturen – Staatliche Museen zu Berlin/Christian Krug]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/Dr.-Mieste-Hotopp-Riecke-und-Dr.-Matthias-Thaden-befassen-sich-derzeit-mit-der-Geschichte-und-den-aktuellen-Bezugspunkten-der-krimtatarischen-Sammlung-am-MEK_VARIANTE-2.jpg</image:loc>
			<image:caption><![CDATA[Dr. Mieste Hotopp-Riecke und Dr. Matthias Thaden befassen sich derzeit mit der Geschichte und den aktuellen Bezugspunkten der krimtatarischen Sammlung am MEK, Museum Europäischer Kulturen – Staatliche Museen zu Berlin/Christian Krug]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/nabelschnur-zwischen-museum-und-gesellschaft-schenkungen-im-kupferstichkabinett/</loc>
		<lastmod>2025-11-20T11:05:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/image00004.jpg</image:loc>
			<image:title><![CDATA[image00004]]></image:title>
			<image:caption><![CDATA[Der Sammler und Mäzen Christoph Müller (2023), Foto: Kupferstichkabinett der Staatlichen Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/image00001.jpg</image:loc>
			<image:caption><![CDATA[- Paul Maenz und Gerd de Vries in der Ausstellung „Yes to all. Die Schenkung Paul Maenz Gerd de Vries für das Kupferstichkabinett“, Foto: Kupferstichkabinett der Staatlichen Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/20250304_165057.jpg</image:loc>
			<image:caption><![CDATA[- Auswahl der Werke aus der Schenkung von Christoph Müller vor ihrem Transport ins Museum, Foto: Kupferstichkabinett der Staatlichen Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/image00004.jpg</image:loc>
			<image:caption><![CDATA[Der Sammler und Mäzen Christoph Müller (2023), Foto: Kupferstichkabinett der Staatlichen Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/20250519_161945.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Kabinettausstellung „Das alles bin ich! Die Schenkung Christoph Müller“, Foto: Kupferstichkabinett der Staatlichen Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/Angelis_P_018-016_Giorno_DSC_1439_2_crop.jpg</image:loc>
			<image:caption><![CDATA[Pietro de Angelis: Giorno (Tag) (Studie für ein Fresko im Palazzo Badoer, Venedig), ca. 1789/1790, Feder in Braun/Schwarz, Pinsel in Grau auf Papier, Foto: Christoph Müller Stiftung/Kilian Beutel]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-naturwissenschaft-und-jahrhundertealte-elfenbeinobjekte-verbindet/</loc>
		<lastmod>2026-02-09T08:47:45+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Abb1Header.jpg</image:loc>
			<image:title><![CDATA[Abb1+Header]]></image:title>
			<image:caption><![CDATA[Abbildung 1: Ein Elfenbeinrelief aus dem 10./11. Jahrhundert unter Betrachtung im Mikroskop, Inv. Nr. 2108 (Skulpturensammlung und Museum für Byzantinische Kunst / Ophelia Kloth / RF; CC BY-SA 4.0)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Abb1Header.jpg</image:loc>
			<image:caption><![CDATA[Abbildung 1: Ein Elfenbeinrelief aus dem 10./11. Jahrhundert unter Betrachtung im Mikroskop, Inv. Nr. 2108 (Skulpturensammlung und Museum für Byzantinische Kunst / Ophelia Kloth / RF; CC BY-SA 4.0)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Abb2.jpg</image:loc>
			<image:caption><![CDATA[Abbildung 2: Relief von der Verkleidung eines Holzkastens mit der sitzenden Eva aus dem 11./12. Jahrhundert; Inv. Nr. 3006 (Skulpturensammlung und Museum für Byzantinische Kunst / Elisabeth Ehler; CC BY-SA 4.0)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Abb3.jpg</image:loc>
			<image:caption><![CDATA[Abbildung 3: Vorderseiten des Christus-Maria-Diptychons aus der Mitte des 6. Jahrhunderts, Inv. Nrn. 564 und 565 (Skulpturensammlung und Museum für Byzantinische Kunst / Jürgen Liepe; CC BY-SA 4.0)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Abb4.jpg</image:loc>
			<image:caption><![CDATA[Abbildung 4: Rückseite der Marientafel des Christus-Maria-Diptychons unter UV (links), sichtbaren Licht (Mitte) und unter IR-Strahlung (rechts) (Cristina Aibéo / RF)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Abb5.jpg</image:loc>
			<image:caption><![CDATA[Abbildung 5: Drachenförmige Stabbekrönung aus dem12. Jahrhundert aus Elfenbein, Inv. Nr. 6747 (Skulpturensammlung und Museum für Byzantinische Kunst / Mika Wisskirchen, CC BY-SA 4.0)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingswerke-aus-der-sammlung-pietzsch/</loc>
		<lastmod>2026-03-30T11:19:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/Tanning_Voltage_1942.jpg</image:loc>
			<image:title><![CDATA[Tanning_Voltage_1942]]></image:title>
			<image:caption><![CDATA[Dorothea Tanning, Spannung, 1942, B UHP 158/13 © VG Bild-Kunst, Bonn 2025; Foto: Jochen Littkemann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/Masson_Massaker.jpg</image:loc>
			<image:caption><![CDATA[André Masson, Massaker, 1931/1932, B UHP 98/13 © VG Bild-Kunst, Bonn 2025; Foto: Jochen Littkemann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/ernst_Flugzeugfalle.jpg</image:loc>
			<image:caption><![CDATA[Max Ernst, Flugzeugfalle, 1935, B UHP 47/13 © VG Bild-Kunst, Bonn 2025; Foto: Jochen Littkemann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/Lipchitz_Sitzender-Mann-mit-Gitarre.jpg</image:loc>
			<image:caption><![CDATA[Jacques Lipchitz, Sitzender Mann mit Gitarre, 1922 [Guss nach 1945], B UHP 88/13 © Urheberrechte am Werk unbekannt; Foto: Jochen Littkemann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/Tanning_Voltage_1942.jpg</image:loc>
			<image:caption><![CDATA[Dorothea Tanning, Spannung, 1942, B UHP 158/13 © VG Bild-Kunst, Bonn 2025; Foto: Jochen Littkemann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/ernst_junge_leute.jpg</image:loc>
			<image:caption><![CDATA[Max Ernst, Gemälde für junge Leute, 1943, B UHP 52/13 © VG Bild-Kunst, Bonn 2025; Foto: Jochen Littkemann]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/antiker-muenzfund-in-spandau-die-welt-war-vor-jahrtausenden-schon-verbunden/</loc>
		<lastmod>2026-06-03T09:02:51+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/04/PETRI_griech_Muenze_III.jpg</image:loc>
			<image:title><![CDATA[PETRI_griech_Muenze_III]]></image:title>
			<image:caption><![CDATA[Antike griechische Münze aus dem 3. Jahrhundert v. Chr. © PETRI Berlin / Christof Hannemann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/04/18_2025-0-1_verso.jpg</image:loc>
			<image:caption><![CDATA[Bronzemünze mit dem Kopf der Athena auf der Vorderseite. Herkunft Ilion. 3. Jahrhundert v. Chr. © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / Ulrike Scheibe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/04/PETRI_griech_Muenze_III.jpg</image:loc>
			<image:caption><![CDATA[Antike griechische Münze aus dem 3. Jahrhundert v. Chr. © PETRI Berlin / Christof Hannemann]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/bereit-fuer-die-rueckkehr-die-steinobjekte-des-pergamonmuseums/</loc>
		<lastmod>2026-06-03T09:14:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/IMG_4260.jpg</image:loc>
			<image:title><![CDATA[IMG_4260]]></image:title>
			<image:caption><![CDATA[Steinrestaurator Stefan Geismeier © Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/IMG_4216.jpg</image:loc>
			<image:caption><![CDATA[Depot mit Steinobjekten aus dem Pergamonmuseum © Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/IMG_4260.jpg</image:loc>
			<image:caption><![CDATA[Steinrestaurator Stefan Geismeier © Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/IMG_4223.jpg</image:loc>
			<image:caption><![CDATA[Depot mit Steinobjekten aus dem Pergamonmuseum © Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/03/IMG_4229.jpg</image:loc>
			<image:caption><![CDATA[Depot mit Steinobjekten aus dem Pergamonmuseum © Staatliche Museen zu Berlin / Sven Stienen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-garten-aus-farbe-im-schatten-der-alhambra-imran-qureshi-im-pergamonmuseum/</loc>
		<lastmod>2026-06-03T09:14:20+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Imran_Qureshi_Buessemeier-5.jpg</image:loc>
			<image:title><![CDATA[Imran_Qureshi_Büssemeier (5)]]></image:title>
			<image:caption><![CDATA[Imran Quereshi, Entstehung eines Wandgemäldes im Pergamon Museum; Credit: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anika Büssemeier]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/4031921__IQ_PM_2025IQ_PM_2025_MG_3290.jpg</image:loc>
			<image:caption><![CDATA[Imran Quereshi, Wandgemälde, Pergamon Museum, 8.12.2025; Foto: Imran Qureshi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Imran_Qureshi_Buessemeier-2.jpg</image:loc>
			<image:caption><![CDATA[Imran Quereshi, Entstehung eines Wandgemäldes im Pergamon Museum; Credit: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anika Büssemeier]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Imran_Qureshi_Buessemeier-1.jpg</image:loc>
			<image:caption><![CDATA[Imran Quereshi, Entstehung eines Wandgemäldes im Pergamon Museum; Credit: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anika Büssemeier]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Imran_Qureshi_Buessemeier-3.jpg</image:loc>
			<image:caption><![CDATA[Imran Quereshi, Entstehung eines Wandgemäldes im Pergamon Museum; Credit: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anika Büssemeier]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/goebeklitepe-und-karahantepe-die-tonnenschwere-wiege-der-menschheit/</loc>
		<lastmod>2026-06-03T09:14:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/01_Karahantepe_Luftbild.jpg</image:loc>
			<image:title><![CDATA[karahantepe luftbild]]></image:title>
			<image:caption><![CDATA[Luftbild von Karahantepe © Karahantepe Project Archive/Yusuf Aslan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Goebeklitepe.jpg</image:loc>
			<image:caption><![CDATA[Göbeklitepe, Gebäude C im Vordergrund und B im Hintergrund , 9500 – 7800 v. Chr. © Vorderasiatisches Museum/Barbara Helwing]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/T-Pfeiler_originalGrosse-3-scaled.jpg</image:loc>
			<image:caption><![CDATA[T-Pfeiler am Göbeklitepe © Şanlıurfa Museum, Yusuf Aslan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/2_25966_Leopard.jpg</image:loc>
			<image:caption><![CDATA[Leopardstatue aus Karahantepe, 9400 – 8000 v. Chr. © Karahantepe Excavation Archive/Yusuf Aslan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/02_Karahantepe_Kueche.jpg</image:loc>
			<image:caption><![CDATA[Steingefäße, Platten und Klopfsteine in Fundlage in einem Küchenbereich in Karahantepe, 9400 – 8000 v. Chr. © Karahantepe Project Archive]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/Detail_T_Pfeiler_Gross.jpg</image:loc>
			<image:caption><![CDATA[Detailansicht eines T-Pfeilers vom Göbeklitepe © Şanlıurfa Museum, Yusuf Aslan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/60A2559.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung „Gebaute Gemeinschaft Göbeklitepe, Taş Tepeler und das Leben vor 12.000 Jahren“ © Staatliche Museen zu Berlin, Vorderasiatisches Museum / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/02/60A2609.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung „Gebaute Gemeinschaft Göbeklitepe, Taş Tepeler und das Leben vor 12.000 Jahren“ © Staatliche Museen zu Berlin, Vorderasiatisches Museum / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/aufbruch-und-rueckkehr-zielgerade-im-pergamonmuseum/</loc>
		<lastmod>2026-06-03T09:14:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/12/IMG_5746.jpg</image:loc>
			<image:title><![CDATA[IMG_5746]]></image:title>
			<image:caption><![CDATA[Pergamonaltar im Pergamonmuseum; Foto: SMB, Anna Mosig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/12/IMG_4378.jpg</image:loc>
			<image:caption><![CDATA[Martin Maischberger (vorn) und Stefan Weber (rechts) im Altarsaal des Pergamonmuseums; Foto: SMB, Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/12/IMG_4417.jpg</image:loc>
			<image:caption><![CDATA[Wandgemälde des pakistanischen Künstlers Imran Qureshi im Museum für Islamische Kunst; Foto: SMB, Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/12/image00002.jpg</image:loc>
			<image:caption><![CDATA[Blick in das Aleppozimmer; Foto: SPK / Louis Kilisch]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/12/IMG_6294.jpg</image:loc>
			<image:caption><![CDATA[Die Mschatta-Fassade im Pergamonmuseum; Foto: SMB, Gesa Böhme]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/12/IMG_4393.jpg</image:loc>
			<image:caption><![CDATA[Objekte im Pergamonmuseum werden eingeräumt; Foto: SMB, Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/12/IMG_4396.jpg</image:loc>
			<image:caption><![CDATA[Das Mosaik aus dem Königspalast von Pergamon im Telephossaal; Foto: SMB, Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/12/image00013.jpg</image:loc>
			<image:caption><![CDATA[Objekte im Pergamonmuseum; Foto: SPK / Louis Kilisch]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/where-voices-meet-ten-years-of-multaka/</loc>
		<lastmod>2026-06-03T09:14:46+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/Abb.1_DSC2525%C2%A9AnitaBack.jpg</image:loc>
			<image:title><![CDATA[artbeats]]></image:title>
			<image:caption><![CDATA[Führung des Projekts „Multaka: Treffpunkt Museum“ im Vorderasiatischen Museum © Staatliche Museen zu Berlin, Museum für Islamische Kunst, Foto Anita Back]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/DSF3265.jpg</image:loc>
			<image:caption><![CDATA[Beteiligte des Projekts „Multaka: Treffpunkt Museum“ (v.l.n.r.): Sarah Fortmann-Hijazi, Sandy Albahri, Pooneh Eftekhari Yekta © Staatliche Museen zu Berlin, Museum für Islamische Kunst, Foto Maximilian Gödecke]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/Multaka_Toolbox_2.jpg</image:loc>
			<image:caption><![CDATA[Teilnehmende der Toolbox Session „Gemeinsame Zukunft“ des Projekts „Multaka: Treffpunkt Museum“ © Staatliche Museen zu Berlin, Museum für Islamische Kunst, Foto Maximilian Gödecke]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/Abb.1_DSC2525%C2%A9AnitaBack.jpg</image:loc>
			<image:caption><![CDATA[Führung des Projekts „Multaka: Treffpunkt Museum“ im Vorderasiatischen Museum © Staatliche Museen zu Berlin, Museum für Islamische Kunst, Foto Anita Back]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wo-stimmen-sich-begegnen-zehn-jahre-multaka/</loc>
		<lastmod>2026-06-03T09:14:55+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/Abb.1_DSC2525%C2%A9AnitaBack.jpg</image:loc>
			<image:title><![CDATA[artbeats]]></image:title>
			<image:caption><![CDATA[Führung des Projekts „Multaka: Treffpunkt Museum“ im Vorderasiatischen Museum © Staatliche Museen zu Berlin, Museum für Islamische Kunst, Foto Anita Back]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/DSF3265.jpg</image:loc>
			<image:caption><![CDATA[Beteiligte des Projekts „Multaka: Treffpunkt Museum“ (v.l.n.r.): Sarah Fortmann-Hijazi, Sandy Albahri, Pooneh Eftekhari Yekta © Staatliche Museen zu Berlin, Museum für Islamische Kunst, Foto Maximilian Gödecke]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/Multaka_Toolbox_2.jpg</image:loc>
			<image:caption><![CDATA[Teilnehmende der Toolbox Session „Gemeinsame Zukunft“ des Projekts „Multaka: Treffpunkt Museum“ © Staatliche Museen zu Berlin, Museum für Islamische Kunst, Foto Maximilian Gödecke]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/Abb.1_DSC2525%C2%A9AnitaBack.jpg</image:loc>
			<image:caption><![CDATA[Führung des Projekts „Multaka: Treffpunkt Museum“ im Vorderasiatischen Museum © Staatliche Museen zu Berlin, Museum für Islamische Kunst, Foto Anita Back]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/bronzen-von-san-casciano-letzte-chance-fuer-die-sensation/</loc>
		<lastmod>2026-06-03T09:15:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/10/1_PANORAMICA_SCAVO_San_C__Foto_Ludovico_Salerno.jpg</image:loc>
			<image:title><![CDATA[Luftbild des Grabungsgeländes in San Casciano dei Bagni mit dem Heiligtum, seinem hufeisenförmigen Becken, der Quelle sowie den modernen, heute noch zum Baden genutzten Thermalbecken ©su concessione della Soprintendenza Archeologia, Belle Arti e Paesaggio per le province di Siena, Grosseto e Arezzo; Foto: Ludovico Salerno]]></image:title>
			<image:caption><![CDATA[Luftbild des Grabungsgeländes in San Casciano dei Bagni mit dem Heiligtum, seinem hufeisenförmigen Becken, der Quelle sowie den modernen, heute noch zum Baden genutzten Thermalbecken ©su concessione della Soprintendenza Archeologia, Belle Arti e Paesaggio per le province di Siena, Grosseto e Arezzo; Foto: Ludovico Salerno]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/10/Abb65a_Togatus_93.jpeg</image:loc>
			<image:caption><![CDATA[Key Visual der Ausstellung © Soprintendenza Archeologia, Belle Arti e Paesaggio per le province di Siena, Grosseto e Arezzo und Comune di San Casciano dei Bagni. Foto: Ludovico Salerno]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/10/4a__San_Casciano_Kranker_Fundlage_Foto_E._Mariotti.jpeg</image:loc>
			<image:caption><![CDATA[Ausgrabung 2022: Auffindungssituation der Statue eines schwerkranken jungen Mannes ©su concessione della Soprintendenza Archeologia, Belle Arti e Paesaggio per le province di Siena, Grosseto e Arezzo; Foto: Emanuele Mariotti]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/10/Eine_Sensation_aus_dem_Schlamm._Die_Bronzen_von_San_Casciano_2025_02-scaled.jpg</image:loc>
			<image:caption><![CDATA[Votivstatue einer betenden Frau aus dem 2. Jh. v. Chr. © Staatliche Museen zu Berlin, Antikensammlung / Franziska Vu]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/corinth-in-der-alten-nationalgalerie-zwischen-deutsch-und-entartet/</loc>
		<lastmod>2026-06-03T09:15:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/Corinth_L-Inntal_AII263_001.jpg</image:loc>
			<image:title><![CDATA[Corinth_L-Inntal_AII263_001]]></image:title>
			<image:caption><![CDATA[Lovis Corinth: Inntallandschaft, 1910 © Staatliche Museen zu Berlin, Alte Nationalgalerie; Fotograf: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/Corinth_L_Selbstbildnis_Staffelei_B1075.jpg</image:loc>
			<image:caption><![CDATA[Lovis Corinth: Selbstbildnis vor der Staffelei, 1919 © Staatliche Museen zu Berlin, Nationalgalerie / 1976 erworben durch das Land Berlin; Fotograf: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/Corinth_L-CharlotteBehrend-Corinth1904_SZ_Corinth7__hres-scaled.jpg</image:loc>
			<image:caption><![CDATA[Lovis Corinth: Bildnis Charlotte Berend-Corinth, um 1904 © Staatliche Museen zu Berlin, Kupferstichkabinett; Fotograf: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/Corinth_L-Walchenseelandschaft_SZ_Corinth_27.jpg</image:loc>
			<image:caption><![CDATA[Lovis Corinth: Walchenseelandschaft, 1925 © Staatliche Museen zu Berlin, Kupferstichkabinett; Fotograf: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/Berend-Corinth_C-Portraet_des_Architekten_Hans_Poelzig_A_II_511.jpg</image:loc>
			<image:caption><![CDATA[Charlotte Behrend-Corinth: Porträt des Architekten Hans Poelzig, 1926 © Staatliche Museen zu Berlin, Neue Nationalgalerie; Fotograf: André van Linn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/Corinth_L-Simson_AIII668_001.jpg</image:loc>
			<image:caption><![CDATA[Lovis Corinth: Der geblendete Simson, 1912 © Staatliche Museen zu Berlin, Alte Nationalgalerie; Fotograf: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/Corinth_L-Rosenhut_AII1033_001.jpg</image:loc>
			<image:caption><![CDATA[Lovis Corinth: Frau mit Rosenhut, 1912 © Staatliche Museen zu Berlin, Nationalgalerie / Fotograf: Reinhard Saczewski]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/Corinth_L-Inntal_AII263_001.jpg</image:loc>
			<image:caption><![CDATA[Lovis Corinth: Inntallandschaft, 1910 © Staatliche Museen zu Berlin, Alte Nationalgalerie; Fotograf: Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/im-innern-des-aleppo-zimmers-restaurierung-einer-ikone/</loc>
		<lastmod>2026-06-03T09:15:23+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/6_1455903866.jpg</image:loc>
			<image:title><![CDATA[6_1455903866]]></image:title>
			<image:caption><![CDATA[After dismantling the cornice, the cornice is placed on trestles, the dismantling tools are removed, Photo: Peter Thieme]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/1_6a93d51e9b-scaled.jpg</image:loc>
			<image:caption><![CDATA[A brass tray with engraving rested on a small wooden inlaid folding table in the Aleppo Room. Photo: Anke Scharrahs, April 2024]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/2_269f14c445.jpg</image:loc>
			<image:caption><![CDATA[Detail of the cornice. Photo: Anke Scharrahs]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/3_66919fd110.jpg</image:loc>
			<image:caption><![CDATA[Photo credits: Anke Scharrahs]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/4_5d0b12cfc3.jpg</image:loc>
			<image:caption><![CDATA[Loosened, bowl-shaped sockets on the cornice of Wall K, Photo: Anke Scharrahs, 2021]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/5_dfbf5a08ea.jpg</image:loc>
			<image:caption><![CDATA[Detail of a cornice, condition before conservation: the fretwork has already been partially lost; the missing areas reveal the canvas covering the concave curvature of the cornice. Photo: Anke Scharrahs, 2021]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/6_1455903866.jpg</image:loc>
			<image:caption><![CDATA[After dismantling the cornice, the cornice is placed on trestles, the dismantling tools are removed, Photo: Peter Thieme]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/08/ISL_Team_Fotos_Object_16_10_FR_51_0dd5aa251b-scaled.jpeg</image:loc>
			<image:caption><![CDATA[Workplace in spring 2023. Photo Credits: Farwah Rizvi]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/verzweiflung-emanzipation-camille-claudel-und-bernhard-hoetger-in-der-alten-nationalgalerie/</loc>
		<lastmod>2026-06-03T09:15:31+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/BernhardHoetgerinParis_um1900.jpg</image:loc>
			<image:title><![CDATA[BernhardHoetgerinParis_um1900]]></image:title>
			<image:caption><![CDATA[Bildhauerkollegen, deren übermächtiger Mentor Rodin war: Camille Claudel und Bernhard Hoetger in Paris, um 1904 Unbekannter Fotograf/Paula Modersohn-Becker-Museum Bremen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/1.jpg</image:loc>
			<image:caption><![CDATA[Ein Highlight der Berliner Ausstellung: „Das reife Alter“, Bronze. Camille Claudels Meisterwerk von 1902 Leihgabe Musée d' Orsay, Paris]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/ANG_Claudel_Valse_04.jpg</image:loc>
			<image:caption><![CDATA[Camille Claudel: „La Valse“ (Der Walzer), Bronze, 1889–1905 (große Version) Lucile Audouy Collection Paris/Thomas Hennocque]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/ANG_Galerie_Blot_10.jpg</image:loc>
			<image:caption><![CDATA[Unbekannter Fotograf, Ausstellung von Werken von Camille Claudel und Bernard Hoetger in der Galerie Blot, in Zeitschrift Le Tourisme, 1905Paris, Bibliothèque National de France]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/ANG_Hoetger_Sturm_05-scaled.jpg</image:loc>
			<image:caption><![CDATA[Bernhard Hoetger: „Der Sturm“ (La Tempête), Bronze, um 1901 Paula Modersohn-Becker-Museum Bremen, Foto: Freiraumfotografie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/BernhardHoetgerinParis_um1900.jpg</image:loc>
			<image:caption><![CDATA[Bildhauerkollegen, deren übermächtiger Mentor Rodin war: Camille Claudel und Bernhard Hoetger in Paris, um 1904 Unbekannter Fotograf/Paula Modersohn-Becker-Museum Bremen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/07/60A0147.jpg</image:loc>
			<image:caption><![CDATA[Blick in die Ausstellung Camille Claudel &amp; Bernhard Hoetger in der Alten Nationalgalerie © Nationalgalerie/David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/das-verlorene-original-gemaelderestaurierung-nach-caspar-david-friedrich/</loc>
		<lastmod>2026-06-03T09:15:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/06_Firnisbuersten.jpg</image:loc>
			<image:title><![CDATA[06_Firnisbürsten]]></image:title>
			<image:caption><![CDATA[nach dem Spritzauftrag des neuen Überzugs wurde der Firnis mit der Ziegenhaarbürste verdichtet. Foto: Iris Masson]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/01_Original_sw_Foto.jpg</image:loc>
			<image:caption><![CDATA[Schwarz-weiß-Fotografie des originalen Gemäldes von Caspar David Friedrich, Klosterfriedhof im Schnee. Abzug eines Glasplattennegativs. Foto: Unbekannter Fotograf, Zentralarchiv, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/02_GA_vor_Rest.jpg</image:loc>
			<image:caption><![CDATA[Zustand der Kopie vor der Restaurierung. Foto: Kerstin Krainer, Alte Nationalgalerie, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/03_Flicken_RS.jpg</image:loc>
			<image:caption><![CDATA[Gewebeflicken auf der rückseitigen Leinwand. Foto: Kerstin Krainer, Alte Nationalgalerie, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/04_Webstruktur.jpg</image:loc>
			<image:caption><![CDATA[Bei den neu eingesetzten Fäden wird die Webstruktur der originalen Leinwand übernommen. Foto: Kerstin Krainer, Alte Nationalgalerie, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/05_Oberflreinig.jpg</image:loc>
			<image:caption><![CDATA[während der Oberflächenreinigung. Foto: Kerstin Krainer, Alte Nationalgalerie, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/06_Firnisbuersten.jpg</image:loc>
			<image:caption><![CDATA[nach dem Spritzauftrag des neuen Überzugs wurde der Firnis mit der Ziegenhaarbürste verdichtet. Foto: Iris Masson]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/07_Firnisabn.jpg</image:loc>
			<image:caption><![CDATA[Zustand während der Firnisabnahme. Foto: Kerstin Krainer, Alte Nationalgalerie, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/08_Haelfte_Firnisabn.jpg</image:loc>
			<image:caption><![CDATA[Auf der rechten Hälfte des Gemäldes wurde der stark vergilbte Überzug bereits abgenommen. Foto: Kerstin Krainer, Alte Nationalgalerie, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/09_Reste_Flicken.jpg</image:loc>
			<image:caption><![CDATA[Die Klebereste des Flickens wurden mit dem Ultraschallskalpell entfernt, es blieben jedoch noch immer Rückstände, die die Verklebung später beeinträchtigten. Foto: Kerstin Krainer, Alte Nationalgalerie, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/10_TdR.jpg</image:loc>
			<image:caption><![CDATA[Die umfangreiche Restaurierung wurde u.a. am Tag der Restaurierung dem interessierten Publikum vorgestellt. Die Kopie ist noch bis Oktober 2025 zu sehen. Foto: Anika Büssemeier]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/12/11_GA_Kopie_EZ_VS_MR.jpg</image:loc>
			<image:caption><![CDATA[Zustand nach Abschluss der Arbeiten: Foto: Jens Ziehe]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ich-blicke-mit-grosser-dankbarkeit-zurueck-zum-abschied-von-ralph-gleis/</loc>
		<lastmod>2026-06-03T09:15:46+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/VB_9834.jpg</image:loc>
			<image:title><![CDATA[Foto: David von Becker]]></image:title>
			<image:caption><![CDATA[Ralph Gleis, Leiter der Alten Nationalgalerie © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/01_Ralph_Gleis.jpg</image:loc>
			<image:caption><![CDATA[Ralph Gleis, Leiter der Alten Nationalgalerie ab Mai 2017 © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Friedrich_CD-Moench_NG9-85_002nR.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, 1808-1810; Staatliche Museen zu Berlin, Nationalgalerie / Fotograf: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-belgischer-symbolismus-knopff-2.jpg</image:loc>
			<image:caption><![CDATA[Ein zentraler Protagonist der Symbolismus-Ausstellung war der Künstler Fernand Khnopff. Neben Schlüsselwerken aus belgischen Museen und Privatsammlungen zeigte die Ausstellung auch diese Leihgabe der Bayerischen Staatsgemäldesammlungen, das Gemälde I lock my door upon myself.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/blog-friedrichswerdersche-kirche-2.jpg</image:loc>
			<image:caption><![CDATA[In der hier gezeigten Ausstellung „Ideal und Form. Skulpturen des 19. Jahrhunderts aus der Sammlung der Nationalgalerie“ avancierte er schnell zum neuen Publikumsliebling: Der Winter von Emil Wolff.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/11_ANG_DvB.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-uns-die-muenzen-erzaehlen/</loc>
		<lastmod>2026-06-03T09:15:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/241114_TSPK_PHT30.jpg</image:loc>
			<image:title><![CDATA[Direktor Muenzkabinett]]></image:title>
			<image:caption><![CDATA[Bernhard Weisser, Direktor des Muenzkabinetts © SPK / Photothek, Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/241114_TSPK_PHT20.jpg</image:loc>
			<image:caption><![CDATA[Bernhard Weisser und die Autorin Irene Bazinger im Münzkabinett © SPK / Photothek, Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/241114_TSPK_PHT09.jpg</image:loc>
			<image:caption><![CDATA[Bernhard Weisser und die Autorin Irene Bazinger im Münzkabinett © SPK / Photothek, Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/241114_TSPK_PHT33-scaled.jpg</image:loc>
			<image:caption><![CDATA[Exponate im Münzkabinett © SPK / Photothek, Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/241114_TSPK_PHT35.jpg</image:loc>
			<image:caption><![CDATA[Exponate im Münzkabinett © SPK / Photothek, Thomas Trutschel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/11/241114_TSPK_PHT30.jpg</image:loc>
			<image:caption><![CDATA[Bernhard Weisser, Direktor des Muenzkabinetts © SPK / Photothek, Thomas Trutschel]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ich-moechte-raus-aus-dem-buero-und-ins-museum-interview-mit-antje-scherner/</loc>
		<lastmod>2026-06-03T09:16:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/240821_RSPK_PHT_-2kl.jpg</image:loc>
			<image:title><![CDATA[Interview Antje Scherner]]></image:title>
			<image:caption><![CDATA[Antje Scherner, neue Direktorin der Skulpturensammlung und Museum für Byzantinische Kunst im Bode-Museum; Foto: SPK / Photothek, Sebastian Rau]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/240821_RSPK_PHT_-7kl.jpg</image:loc>
			<image:caption><![CDATA[Antje Scherner, neue Direktorin der Skulpturensammlung und Museum für Byzantinische Kunst im Bode-Museum; Foto: SPK / Photothek, Sebastian Rau]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/240821_RSPK_PHT_0774kl.jpg</image:loc>
			<image:caption><![CDATA[Antje Scherner, neue Direktorin der Skulpturensammlung und Museum für Byzantinische Kunst im Bode-Museum; Foto: SPK / Photothek, Sebastian Rau]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/240821_RSPK_PHT_1267kl.jpg</image:loc>
			<image:caption><![CDATA[Antje Scherner, neue Direktorin der Skulpturensammlung und Museum für Byzantinische Kunst im Bode-Museum; Foto: SPK / Photothek, Sebastian Rau]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/die-mschatta-fassade-vom-prachtpalast-zum-publikumsmagnet/</loc>
		<lastmod>2026-06-03T09:16:17+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Bild-9_BGW0140.jpg</image:loc>
			<image:title><![CDATA[Bild 9_BGW0140]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/2010-06_ISL-MshattaFassade_kramer-02.jpg</image:loc>
			<image:caption><![CDATA[Die Mschatta-Fassade des Museums für Islamische Kunst im Pergamonmuseum. © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Johannes Kramer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/2010-06_ISL-MshattaFassade_06.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/02/img124a.jpg</image:loc>
			<image:caption><![CDATA[Die Mschatta-Fassade während des Abbaus vor Ort in Jordanien, 1903 © Staatliche Museen zu Berlin, Museum für Islamische Kunst]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/faq-pergamonmuseum-alles-ueber-die-grosse-sanierung-des-beruehmten-museums/</loc>
		<lastmod>2026-06-03T09:16:25+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4074.jpg</image:loc>
			<image:title><![CDATA[IMG_4074]]></image:title>
			<image:caption><![CDATA[Blick auf das Ischtar-Tor im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4079.jpg</image:loc>
			<image:caption><![CDATA[Abmontiertes Relief im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4074.jpg</image:loc>
			<image:caption><![CDATA[Blick auf das Ischtar-Tor im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/1-2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/181213_06_BBR_JSG_Bjoern-Schumann_02.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/HQ_DokuRestauro_20200513_0001b.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/6.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/eigenwillige-chronisten-der-grossstadt-flaneure-in-der-kolonnaden-bar/</loc>
		<lastmod>2026-06-03T09:16:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/Kolonnadenbar_Schmidt_2.jpg</image:loc>
			<image:title><![CDATA[Kolonnadenbar_Schmidt_2]]></image:title>
			<image:caption><![CDATA[Die Kolonnaden Bar auf der Museumsinsel. Foto: Valerie Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/Kolonnadenbar_Glahn_1-scaled.jpg</image:loc>
			<image:caption><![CDATA[Die Kolonnaden Bar auf der Museumsinsel. Foto: Markus Glahn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/Kolonnadenbar_Glahn_2.jpg</image:loc>
			<image:caption><![CDATA[Die Kolonnaden Bar auf der Museumsinsel. Foto: Markus Glahn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/Kolonnadenbar_Schmidt_3-scaled.jpg</image:loc>
			<image:caption><![CDATA[Die Kolonnaden Bar auf der Museumsinsel. Foto: Valerie Schmidt]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/gruenderzeitliche-kolonnaden-bar-die-historische-trinkhalle-auf-der-museumsinsel/</loc>
		<lastmod>2026-06-03T09:16:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Postkarte-Trinkhalle-NG.jpg</image:loc>
			<image:title><![CDATA[Postkarte-Trinkhalle NG]]></image:title>
			<image:caption><![CDATA[Postkarte mit Blick auf die Kolonnaden und die Trinkhalle (links im Bild)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/trinkhalle_museumsinsel_03.jpg</image:loc>
			<image:caption><![CDATA[Emil Hoffmann (1845-1901) Trinkhalle vor der Alten Nationalgalerie, Berlin Perspektivische Ansicht. Kleine Grundriss- und Ansichtsskizzen Tusche auf Transparent 61,4 x 47,8 cm]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/trinkhalle_museumsinsel_02.jpg</image:loc>
			<image:caption><![CDATA[Paul Engel (geb. 1850) Trinkhalle vor der Alten Nationalgalerie, Berlin Lageplan, perspektivische Ansicht; Maßstabsleiste Tusche aquarelliert auf Karton 50,4 x 63,2 cm]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/IMG_0299.jpg</image:loc>
			<image:caption><![CDATA[Blick auf die Nord-Ost-Seite der Kolonnaden mit dem Kiosk im Hintergrund]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/trinkhalle_museumsinsel_01-scaled.jpg</image:loc>
			<image:caption><![CDATA[Martin Gropius (1824-1880) Berliner Trinkhalle für Selters- und Sodawasser Grundrisse, Perspektivische Ansicht (aus: Architektonisches Skizzenbuch, H. 51/3, 1861) Lithographie auf Papier 34,8 x 25,2 cm]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/07/Postkarte-Trinkhalle-NG.jpg</image:loc>
			<image:caption><![CDATA[Postkarte mit Blick auf die Kolonnaden und die Trinkhalle (links im Bild)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/faq-pergamonmuseum-all-you-need-to-know-about-the-refurbishment-of-the-iconic-museum/</loc>
		<lastmod>2026-06-03T09:17:38+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4074.jpg</image:loc>
			<image:title><![CDATA[IMG_4074]]></image:title>
			<image:caption><![CDATA[Blick auf das Ischtar-Tor im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4079.jpg</image:loc>
			<image:caption><![CDATA[Abmontiertes Relief im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4074.jpg</image:loc>
			<image:caption><![CDATA[Blick auf das Ischtar-Tor im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/181213_06_BBR_JSG_Bjoern-Schumann_02.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/HQ_DokuRestauro_20200513_0001b.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/6.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/eine-kunst-fuer-auge-herz-und-verstand/</loc>
		<lastmod>2026-06-03T09:17:47+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/CDF_Eismeer_HK.jpg</image:loc>
			<image:title><![CDATA[CDF_Eismeer_HK]]></image:title>
			<image:caption><![CDATA[Caspar David Friedrich, Das Eismeer, 1823/24; Hamburger Kunsthalle / bpk Foto: Elke Walford]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/1_5_Bardua_Friedrich_1810_AI1127_001.jpg</image:loc>
			<image:caption><![CDATA[Caroline Bardua, Bildnis des Malers Caspar David Friedrich, 1810; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/1_4_CDF_Selbstbildnis_um_1810_h_00010551.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Selbstbildnis, um 1810; Foto: Staatliche Museen zu Berlin, Kupferstichkabinett / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Friedrich_CD-Einsamer_Baum_WS52_001.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Der einsame Baum, 1822; Staatliche Museen zu Berlin, Nationalgalerie / Fotograf: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/CDF_Eismeer_HK.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Das Eismeer, 1823/24; Hamburger Kunsthalle / bpk Foto: Elke Walford]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Friedrich_CD-Abtei_NG8-85-002-A3.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Abtei im Eichwald, 1809/10; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/04/Friedrich_CD-Moench_NG9-85_002nR.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, 1808-1810; Staatliche Museen zu Berlin, Nationalgalerie / Fotograf: Andres Kilger]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alles-neu-schliessung-und-sanierung-des-pergamonmuseums/</loc>
		<lastmod>2026-06-03T09:17:55+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Bild-2_MG_7911.jpg</image:loc>
			<image:title><![CDATA[Bild 2_MG_7911]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Bild-9_BGW0140.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Bild-2_MG_7911.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/6.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/Abb_Altar_Besucher_kl.jpg</image:loc>
			<image:caption><![CDATA[Der Pergamonaltar vor Beginn der Bauarbeiten. Foto: Peter Thieme]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/-000//1/181213_06_BBR_JSG_Bjoern-Schumann_02.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/01/Abb.-4_-Aleppo-Zimmer-Tulpenmarie_1.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-hand-zu-hand/</loc>
		<lastmod>2026-06-03T09:18:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/IMG_3228-scaled.jpg</image:loc>
			<image:title><![CDATA[IMG_3228]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/IMG_1818-scaled.jpg</image:loc>
			<image:caption><![CDATA[Transport des CulturalxCollabs Projektteppichs von der Ausstellung im Pergmonmusuem zum Neuen Hof für die Veranstaltung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/IMG_3264-scaled.jpg</image:loc>
			<image:caption><![CDATA[Der Besitzer des ersten Teppichteils zerschneidet den Teppich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/IMG_2210-scaled.jpg</image:loc>
			<image:caption><![CDATA[Das Team des Museum für islamische Kunst versammelt sich für ein Gruppenfoto auf dem Doppelgänger-Teppich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/IMG_4289-scaled.jpg</image:loc>
			<image:caption><![CDATA[Dr. Henrike Haug vom Kunsthistorischen Institut der Universität Köln präsentiert stolz ihr Fragment. Sie wird damit in ihrem von der DFG geförderten Forschungsnetzwerk "Zeitfugen" arbeiten.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/persische-kostbarkeiten-auf-der-insel/</loc>
		<lastmod>2026-06-03T09:18:11+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/cassirer-teppich-ausschnitt.jpg</image:loc>
			<image:title><![CDATA[cassirer-teppich ausschnitt]]></image:title>
			<image:caption><![CDATA[Kostbarer Teppich aus der Sammlung von Alfred Cassirer (Kaschan, Iran, 16. Jh.) © Rippon Boswell Wiesbaden]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/Medallion_Tapestry_RB-scaled.jpg</image:loc>
			<image:caption><![CDATA[Kostbarer Teppich aus der Sammlung von Alfred Cassirer (Kaschan, Iran, 16. Jh.) © Rippon Boswell Wiesbaden]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/1938807_5238567.jpg</image:loc>
			<image:caption><![CDATA[Teppich mit Padischah-Wirkerei (Detail), Ende 16. Jahrhundert, Kaschan (Iran) Credit: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Johannes Kramer CC BY-SA 4.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/09/1938807_5238526.jpg</image:loc>
			<image:caption><![CDATA[Teppich mit Padischah-Wirkerei (Detail), Ende 16. Jahrhundert, Kaschan (Iran) Credit: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Johannes Kramer CC BY-SA 4.0]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ausgraeber-und-sammler-antikenhandel-im-osmanischen-reich/</loc>
		<lastmod>2026-06-03T09:18:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/SMB_VAM_Blick-in-die-Grabung-von-Samal_Zincirli_Tuerkei.jpg</image:loc>
			<image:title><![CDATA[SMB_VAM_Blick in die Grabung von Samal_Zincirli_Türkei]]></image:title>
			<image:caption><![CDATA[Blick in die Grabung von Sam’al/Zincirli (Türkei) © Staatliche Museen zu Berlin, Vorderasiatisches Museum, Expeditionsfoto: Felix von Luschan]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/1.png</image:loc>
			<image:caption><![CDATA[Terrakotta-Gliederpuppe in Gestalt einer Amazone aus der Sammlung „Spiegelthal“ mit überlieferter Herkunftsangabe „Kleinasien“ © Staatliche Museen zu Berlin, Antikensammlung / Foto: Horst Getter.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/2.png</image:loc>
			<image:caption><![CDATA[Terrakotta, schwebende Nike, von „Lawson“ gekauft mit überliefertem Fundort Myrina, © Staatliche Museen zu Berlin, Antikensammlung / Foto: Ingrid Geske.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/3.png</image:loc>
			<image:caption><![CDATA[Terrakotta, Eros und Psyche von „van Lennep“ gekauft mit überliefertem Fundort Kyme (Äolis, Türkei) © Staatliche Museen zu Berlin, Antikensammlung / Foto: Bernd Zimmermann.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ius-in-nummis-die-zwei-seiten-der-medaille/</loc>
		<lastmod>2026-06-03T09:18:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Abb._8_18304292_r.jpg</image:loc>
			<image:title><![CDATA[Abb._8_18304292_r]]></image:title>
			<image:caption><![CDATA[Christian Rösner, Recht des Stärkeren“, RS, aus der Edition 2023 „Ius in nummis“ des Berliner Medailleurkreises, © Staatliche Museen zu Berlin, Münzkabinett / Franziska Vu]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Dietz_B.jpg</image:loc>
			<image:caption><![CDATA[Marianne Dietz, Sammlungsstifter Professor Dr. Thomas Würtenberger, Kunstmedaille, RS, 2022, Gips, © Staatliche Museen zu Berlin, Münzkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Dietz_A.jpg</image:loc>
			<image:caption><![CDATA[Marianne Dietz, Sammlungsstifter Professor Dr. Thomas Würtenberger, Kunstmedaille, VS, 2022, Gips, © Staatliche Museen zu Berlin, Münzkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Abb._8_18304292_a.jpg</image:loc>
			<image:caption><![CDATA[Christian Rösner, Recht des Stärkeren“, VS, aus der Edition 2023 „Ius in nummis“ des Berliner Medailleurkreises, © Staatliche Museen zu Berlin, Münzkabinett / Franziska Vu]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Abb._8_18304292_r.jpg</image:loc>
			<image:caption><![CDATA[Christian Rösner, Recht des Stärkeren“, RS, aus der Edition 2023 „Ius in nummis“ des Berliner Medailleurkreises, © Staatliche Museen zu Berlin, Münzkabinett / Franziska Vu]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Abb._7_18304291_a.jpg</image:loc>
			<image:caption><![CDATA[Marianne Dietz, Klimakleber, VS, aus der Edition 2023 „Ius in nummis“ des Berliner Medailleurkreises, © Staatliche Museen zu Berlin, Münzkabinett / Franziska Vu]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Abb._7_18304291_r.jpg</image:loc>
			<image:caption><![CDATA[Marianne Dietz, Klimakleber, RS, aus der Edition 2023 „Ius in nummis“ des Berliner Medailleurkreises, © Staatliche Museen zu Berlin, Münzkabinett / Franziska Vu]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Abramson_B.jpg</image:loc>
			<image:caption><![CDATA[Abraham Abramson, Medaille auf den Frieden von Amiens, RS, 1802, Silber, ex Slg. Thomas Würtenberger, © Staatliche Museen zu Berlin, Münzkabinett]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Abramson_A.jpg</image:loc>
			<image:caption><![CDATA[Abraham Abramson, Medaille auf den Frieden von Amiens, VS, 1802, Silber, ex Slg. Thomas Würtenberger, © Staatliche Museen zu Berlin, Münzkabinett]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alle-hatten-nur-einen-wunsch-avantgarde-zu-sein-ralph-gleis-ueber-die-secessionen/</loc>
		<lastmod>2026-06-03T09:18:36+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/442_Heine_3_Ausstellung_Berliner__Secession_KuBi_PL_04692.jpg</image:loc>
			<image:title><![CDATA[442_Heine_3_Ausstellung_Berliner__Secession_KuBi_PL_04692]]></image:title>
			<image:caption><![CDATA[Thomas Theodor Heine, Plakat für die 3. Ausstellung der Berliner Secession, 1901, Lithografie, 65,5 × 90 cm, © Staatliche Museen zu Berlin, Kunstbibliothek, Foto: Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Slavona_Haeuser_ANG_AII657-A2-scaled.jpg</image:loc>
			<image:caption><![CDATA[Maria Slavona, Häuser am Montmartre, 1898, Öl auf Leinwand, 116,5 x 81 cm, © Staatliche Museen zu Berlin, Nationalgalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/465_Liebermann_In_den_Zelten_HamburgerKunsthalle.jpg</image:loc>
			<image:caption><![CDATA[Max Liebermann, In den Zelten (Restaurationsgarten – Biergarten in Leiden), 1900, Öl auf Leinwand, 51 × 76 cm, © bpk / Hamburger Kunsthalle / Elke Walford]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/VB_9834.jpg</image:loc>
			<image:caption><![CDATA[Ralph Gleis, Leiter der Alten Nationalgalerie © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/stuck_die_suende_ang_300dpi.jpg</image:loc>
			<image:caption><![CDATA[Franz von Stuck, Die Sünde, um 1912, Öl auf Leinwand, 88 x 52,5 cm, © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Klimt_Judith_Belvedere_4737.jpg</image:loc>
			<image:caption><![CDATA[Gustav Klimt, Judith, 1901, Öl auf Leinwand, 84 x 42 cm © Belvedere, Wien, Foto: Johannes Stoll]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/442_Heine_3_Ausstellung_Berliner__Secession_KuBi_PL_04692.jpg</image:loc>
			<image:caption><![CDATA[Thomas Theodor Heine, Plakat für die 3. Ausstellung der Berliner Secession, 1901, Lithografie, 65,5 × 90 cm, © Staatliche Museen zu Berlin, Kunstbibliothek, Foto: Dietmar Katz]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/historische-samos-grabung-ein-erster-schritt-der-aufarbeitung/</loc>
		<lastmod>2026-06-03T09:18:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/samos.jpg</image:loc>
			<image:title><![CDATA[samos]]></image:title>
			<image:caption><![CDATA[Karte der Region um den Grabungsort Samos Anfang des 20. Jahrhunderts © Staatliche Museen zu Berlin, Antikensammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/samos.jpg</image:loc>
			<image:caption><![CDATA[Karte der Region um den Grabungsort Samos Anfang des 20. Jahrhunderts © Staatliche Museen zu Berlin, Antikensammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/Andreas_Kopasis_Prince_of_Samos.jpg</image:loc>
			<image:caption><![CDATA[Andreas Kopasis, Prinz von Samos (1907-1912) © unbekannter Autor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/h_20039392-scaled.jpg</image:loc>
			<image:caption><![CDATA[Theodor Wiegand (1864 - 1936), Direktor der Antikensammlung © Staatliche Museen zu Berlin, Kunstbibliothek, Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/5_-Loewe_31639.jpg</image:loc>
			<image:caption><![CDATA[Bronze-Gefäßgriff in Form eines Löwen © Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/7_Hirschkuh_31640.jpg</image:loc>
			<image:caption><![CDATA[Bronze-Gefäßgriff in Form einer Hirschkuh © Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/4_Krieger_Sk-1752-scaled.jpg</image:loc>
			<image:caption><![CDATA[Archaischer Kriegertorso © Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/1_Hera_Sk-1725-scaled.jpg</image:loc>
			<image:caption><![CDATA[Statue der sogenannten Hera aus der Fundteilung 1912 © Staatliche Museen zu Berlin, Antikensammlung / Ingrid Geske]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/2_Kore_Sk-1750-scaled.jpg</image:loc>
			<image:caption><![CDATA[Archaische Frauenstatue (Kore), geweiht von Cheramyes © Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/6_Bronze-Kuros_30_Sa-12-Br.jpg</image:loc>
			<image:caption><![CDATA[Archaische Bronzestatuette eines Kuros © Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/06/3_Ornithe_Sk-1739-scaled.jpg</image:loc>
			<image:caption><![CDATA[Statue der Ornithe aus der Geneleos-Gruppe© Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/es-wird-nicht-vor-den-gruendervaetern-halt-gemacht/</loc>
		<lastmod>2026-06-03T09:18:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/2_01.06.23_ANT.jpg</image:loc>
			<image:title><![CDATA[2_01.06.23_ANT]]></image:title>
			<image:caption><![CDATA[Das Markttor von Milet aus der Antikensammlung © Staatliche Museen zu Berlin, Antikensammlung / Johannes Laurentius]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/3_06.07.23_VAM.jpg</image:loc>
			<image:caption><![CDATA[Ziegel der Prozessionsstraße von Babylon im Pergamonmuseum © Staatliche Museen zu Berlin - Vorderasiatisches Museum, Foto: Olaf M. Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/SMB-ZA-I-ANT-Didy-47-Bd-2-Aufnahme-mit-langer-Rampe.jpg</image:loc>
			<image:caption><![CDATA[Aufnahme vom Grabungsort Didyma (heute Didim in der West-Türkei); Grabungsareal am Apollontempel mit langer Transportrampe (1907–1909) © Staatliche Museen zu Berlin, Antikensammlung / Fotograf unbekannt; Scan: Dorothee Rieckmann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/05/VAM_Cholidis_VA-Ass-1835__019b_komp.jpg</image:loc>
			<image:caption><![CDATA[Archäologisches Objekt im Vorderasiatischen Museum © Staatliche Museen zu Berlin - Vorderasiatisches Museum, Foto: Olaf M. Teßmer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/alexander-der-grosse-hat-auch-in-usbekistan-spuren-hinterlassen/</loc>
		<lastmod>2026-06-03T09:19:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Presse_Z4A9029-scaled.jpg</image:loc>
			<image:title><![CDATA[Presse_Z4A9029]]></image:title>
			<image:caption><![CDATA[Von Alexander dem Großen bis zum Reich der Kuschan. Archäologische Schätze aus Usbekistan (AT), April – Oktober 2023, Neues Museum + James-Simon-Galerie: Terrakottafigur eines „Prinzen“ mit spitz zulaufendem Hut aus einer Tempelanlage aus Dalverzintepa, 1.-2. Jhrd. n. Chr, © Foto: Hans Jakobi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/h_00097045.jpg</image:loc>
			<image:caption><![CDATA[Kopf des Alexander III. mit Diadem und Ammonshorn auf einer griechischen Goldmünze, ca. 297 v.Chr. (c) bpk / Münzkabinett, SMB / Lutz-Jürgen Lübke ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/22A3673-1-scaled.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Presse_Z4A9029-scaled.jpg</image:loc>
			<image:caption><![CDATA[Von Alexander dem Großen bis zum Reich der Kuschan. Archäologische Schätze aus Usbekistan (AT), April – Oktober 2023, Neues Museum + James-Simon-Galerie: Terrakottafigur eines „Prinzen“ mit spitz zulaufendem Hut aus einer Tempelanlage aus Dalverzintepa, 1.-2. Jhrd. n. Chr, © Foto: Hans Jakobi]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/rettung-aus-den-truemmern-gertrud-dorka-und-das-museum-fuer-vor-und-fruehgeschichte/</loc>
		<lastmod>2026-06-03T09:19:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/03/Abb-02.jpg</image:loc>
			<image:title><![CDATA[Abb 02]]></image:title>
			<image:caption><![CDATA[Gertrud Dorka an ihrem Schreibtisch im Souterrain der Ruine des ehemaligen Völkerkundemuseums© Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/03/DP_013480_S.jpg</image:loc>
			<image:caption><![CDATA[Portrait von Gertrud Dorka © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/03/F_5028.jpg</image:loc>
			<image:caption><![CDATA[Gertrud Dorka und ein Mitarbeiter im unbeheizten Magazin mit der vorgeschichtlichen Sammlung des Märkischen Museums © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte, Foto: Foto – Wauer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/03/DP_009641_S_F_5001.jpg</image:loc>
			<image:caption><![CDATA[Der Martin-Gropius-Bau nach den Zerstörungen des Krieges von außen © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/03/Abb-03.jpg</image:loc>
			<image:caption><![CDATA[Gertrud Dorka und Hilfsrestaurator Karl Instinsky bei der Bergung von Funden im Martin-Gropius-Bau © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/03/DP_012176_S.jpg</image:loc>
			<image:caption><![CDATA[Gertrud Dorka an ihrem Schreibtisch im Souterrain der Ruine des ehemaligen Völkerkundemuseums© Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/fertig-restauriert-das-gipsoriginal-der-prinzessinnengruppe/</loc>
		<lastmod>2026-06-03T09:19:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/titelbild_schadow.jpg</image:loc>
			<image:title><![CDATA[titelbild_schadow]]></image:title>
			<image:caption><![CDATA[Johann Gottfried Schadow, Prinzessinnengruppe (Gipsoriginal), nach der Restaurierung © Staatliche Museen zu Berlin, Alte Nationalgalerie, Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/2-scaled.jpg</image:loc>
			<image:caption><![CDATA[Johann Gottfried Schadow, Prinzessinnengruppe (Gipsoriginal), Gesicht von Luise nach der Übermalungsabnahme © Staatliche Museen zu Berlin, Alte Nationalgalerie, Friederike Labahn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/3-scaled.jpg</image:loc>
			<image:caption><![CDATA[Johann Gottfried Schadow, Prinzessinnengruppe (Gipsoriginal), Überspieltuch vor der Kittung und Ergänzung © Staatliche Museen zu Berlin, Alte Nationalgalerie, Theresa Bräunig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/4-scaled.jpg</image:loc>
			<image:caption><![CDATA[Johann Gottfried Schadow, Prinzessinnengruppe (Gipsoriginal), Überspieltuch nach der Kittung und Ergänzung © Staatliche Museen zu Berlin, Alte Nationalgalerie, Theresa Bräunig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/5-scaled.jpg</image:loc>
			<image:caption><![CDATA[Johann Gottfried Schadow, Prinzessinnengruppe (Gipsoriginal), Gesicht von Luise nach der Retusche © Staatliche Museen zu Berlin, Alte Nationalgalerie, Theresa Bräunig]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/6.jpg</image:loc>
			<image:caption><![CDATA[Installation der Prinzessinnengruppe (Gipsoriginal) während des Ausstellungsaufbaus © Staatliche Museen zu Berlin, Alte Nationalgalerie, Sophie Gurjanov]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/02/7.jpg</image:loc>
			<image:caption><![CDATA[Restauratorin Theresa Bräunig mit der Prinzessinnengruppe (Gipsoriginal) von Johann Gottfried Schadow © Theresa Bräunig]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lebendige-archaeologie-rekonstruktion-einer-prunkausstattung/</loc>
		<lastmod>2026-06-03T09:19:24+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/DSCN9629.jpg</image:loc>
			<image:title><![CDATA[DSCN9629]]></image:title>
			<image:caption><![CDATA[Details der Rekonstruktionen von Frank Georgi ©Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / David F. Hölscher]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/DSCN9631.jpg</image:loc>
			<image:caption><![CDATA[Details der Rekonstruktionen von Frank Georgi ©Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / David F. Hölscher]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/Goldgriffspatha.jpg</image:loc>
			<image:caption><![CDATA[Das Schwert mit dem goldenen Griff, silbernem, vergoldetem Mundblech und Schwertgurtbeschlägen sowie der Schwertperle aus Bergkristall © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / Claudia Plamp, Public Domain Mark 1.0.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/DSCN9643.jpg</image:loc>
			<image:caption><![CDATA[Frank Georgi in völkerwanderungszeitlicher Ausstattung im Neuen Museum © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / David F. Hölscher]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/DSCN9657.jpg</image:loc>
			<image:caption><![CDATA[Frank Georgi in völkerwanderungszeitlicher Ausstattung im Neuen Museum © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / David F. Hölscher]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/Guertelbeschlag.jpg</image:loc>
			<image:caption><![CDATA[Die verzierte Beschlagplatte aus dem Grab gehörte zu einem breiten Militärgürtel © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / Claudia Plamp, Public Domain Mark 1.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/Schildbuckel_hellerHintergrund.jpg</image:loc>
			<image:caption><![CDATA[Der eiserne Schildbuckel mit Überzug aus vergoldetem Silberblech © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / Claudia Plamp, Public Domain Mark 1.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2023/01/DSCN9629.jpg</image:loc>
			<image:caption><![CDATA[Details der Rekonstruktionen von Frank Georgi ©Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / David F. Hölscher]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-fette-hammel-vom-nil/</loc>
		<lastmod>2026-06-03T09:19:32+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Widder5.jpg</image:loc>
			<image:title><![CDATA[Widder5]]></image:title>
			<image:caption><![CDATA[Abb. 5: Der Ägyptische Hof in seiner ursprünglichen Gestaltung, mit dem hinter Säulen versteckten Widder auf der linken Seite und dem Gipsabguss, rechts gegenüber angedeutet. (Kolorierte Lithografie nach F. E. Gärtner, um 1850). Aus: F. A. Stüler, Das Neue Museum in Berlin (Potsdam 1862), Taf. [7]. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Widder1.jpg</image:loc>
			<image:caption><![CDATA[Abb. 1: Zeichnung des Widdertransports von Otto Georgi. BBAW–AÄWB Z.197]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Widder2.jpg</image:loc>
			<image:caption><![CDATA[Abb. 2: Ansicht des Amun-Widders. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung, Michael Jörns / Frank Winzer.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Widder3.jpg</image:loc>
			<image:caption><![CDATA[Abb. 3: Die „Gedächtnisstele“ für Richard Lepsius zum Geburtstag, Zeichnung von Otto Georgi mit einer Randverzierung von Georg Erbkam. © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Widder4.jpg</image:loc>
			<image:caption><![CDATA[Abb. 4: Der fette Hammel auf dem Schiff am Ufer des Nils (Gedächtnis-Stele, Otto Georgi, Dezember 1844). © Staatliche Museen zu Berlin, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/Widder5.jpg</image:loc>
			<image:caption><![CDATA[Abb. 5: Der Ägyptische Hof in seiner ursprünglichen Gestaltung, mit dem hinter Säulen versteckten Widder auf der linken Seite und dem Gipsabguss, rechts gegenüber angedeutet. (Kolorierte Lithografie nach F. E. Gärtner, um 1850). Aus: F. A. Stüler, Das Neue Museum in Berlin (Potsdam 1862), Taf. [7]. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-gang-durch-schliemanns-welten/</loc>
		<lastmod>2026-06-03T09:19:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/03_MVF_Schliemann_DvB.jpg</image:loc>
			<image:title><![CDATA[Figurengruppe „Begräbniszugmodell“, Quing (Mandschu)-Dynastie, vor 1878, © Staatliche Museen zu Berlin, Ethnologisches Museum / David von Becker]]></image:title>
			<image:caption><![CDATA[Figurengruppe „Begräbniszugmodell“, Quing (Mandschu)-Dynastie, vor 1878, © Staatliche Museen zu Berlin, Ethnologisches Museum / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/MVF_20_Schliemann_Portrait_1860.jpg</image:loc>
			<image:caption><![CDATA[schliemann zHeinrich Schliemann, 1860 als Großkaufmann in St. Petersburg, © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichteylinder]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/02_MVF_Schliemann_DvB.jpg</image:loc>
			<image:caption><![CDATA[Schliemanns Welten. Sein Leben. Seine Entdeckungen. Sein Mythos, Ausstellungsansicht, James-Simon-Galerie 2022, © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/05_MVF_Schliemann_DvB-scaled.jpg</image:loc>
			<image:caption><![CDATA[Schliemanns Welten. Sein Leben. Seine Entdeckungen. Sein Mythos, Ausstellungsansicht, Neues Museum 2022, © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/03_MVF_Schliemann_DvB.jpg</image:loc>
			<image:caption><![CDATA[Figurengruppe „Begräbniszugmodell“, Quing (Mandschu)-Dynastie, vor 1878, © Staatliche Museen zu Berlin, Ethnologisches Museum / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/18_Aufstellung_der_Trojanischen_Altertuemer-scaled.jpg</image:loc>
			<image:caption><![CDATA[„Die Aufstellung der trojanischen Altertümer in Berlin durch Heinrich Schliemann und dessen Gemahlin“, Daheim, Jg. 18, 1882, Nr. 21, Beilage 2, © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/mit-augenmass-vermessen-und-zeichnen-waehrend-einer-historischen-aegypten-expedition/</loc>
		<lastmod>2026-06-03T09:19:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_1.jpg</image:loc>
			<image:title><![CDATA[vermessen_1]]></image:title>
			<image:caption><![CDATA[Abb. 1: Aufsicht der Pyramiden von Giza, vermessen und gezeichnet von Georg Erbkam. Aus: Lepsius, Denkmäler I, Bl. 14.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_1.jpg</image:loc>
			<image:caption><![CDATA[Abb. 1: Aufsicht der Pyramiden von Giza, vermessen und gezeichnet von Georg Erbkam. Aus: Lepsius, Denkmäler I, Bl. 14.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_2.jpg</image:loc>
			<image:caption><![CDATA[Abb. 2: Die „Gedächtnisstele“, Zeichnung von Otto Georgi mit einer Randverzierung von Georg Erbkam. © SMB, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_3.jpg</image:loc>
			<image:caption><![CDATA[Abb. 3: Heinrich Abeken mit Fraunhofer Teleskop. © SMB, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_4.jpg</image:loc>
			<image:caption><![CDATA[Abb. 4: Georg Erbkam mit Messstab. © SMB, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_5.jpg</image:loc>
			<image:caption><![CDATA[Abb. 5: Kippregel, Modell 1875 der preußischen Landesaufnahme. Aus: Bohn, Conrad. 1886. Die Landvermessung. Ein Lehr- und Handbuch. Springer, 391]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_6.jpg</image:loc>
			<image:caption><![CDATA[Abb. 6: Visierlinien vom Standpunkt des Messtisches in Memphis zu allen Pyramiden. © BBAW Archiv Ägyptisches Wörterbuch.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_7.jpg</image:loc>
			<image:caption><![CDATA[Abb. 7: Skizze von Erbkam mit Maßen der abgeschrittenen Strecken zwischen Landschaftspunkten. © SMB, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_8.jpg</image:loc>
			<image:caption><![CDATA[Abb. 8: Camera Lucida. © Privatsammlung, Foto: Sandra Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vermessen_9.png</image:loc>
			<image:caption><![CDATA[Abb. 9: Zeichenprozess mit einer Camera Lucida. Aus: Fiorentini, Erna. 2004. Subjective Objective. The Camera Lucida and Protomodern Observers. De Gruyter, 65]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/dort-kaempfen-junge-menschen-um-ihre-zukunft-stefan-weber-ueber-kultur-und-menschen-irans/</loc>
		<lastmod>2026-06-03T09:19:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/iran-ausst.2022.jpg</image:loc>
			<image:title><![CDATA[iran-ausst.2022]]></image:title>
			<image:caption><![CDATA[Iran. Kunst und Kultur aus fünf Jahrtausenden, Ausstellungsansicht, James-Simon-Galerie, 2021 © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Stefan_Weber_klein.jpg</image:loc>
			<image:caption><![CDATA[Prof. Dr. Stefan Weber, Direktor Museum für Islamische Kunst, Foto: Issam Hajjar]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/Uprising_in_Tehran_Keshavarz_Boulvard_September_2022_3.jpg</image:loc>
			<image:caption><![CDATA[Proteste in Teheran, Iran, im September 2022. (c) CC BY-SA 4.0]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/11/VB_0292.jpg</image:loc>
			<image:caption><![CDATA[Iran. Kunst und Kultur aus fünf Jahrtausenden, Ausstellungsansicht, James-Simon-Galerie, 2021 © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/vegetation-in-aegyptischer-landschaft-und-architektur/</loc>
		<lastmod>2026-06-03T09:20:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_4.jpg</image:loc>
			<image:title><![CDATA[vegetation_4]]></image:title>
			<image:caption><![CDATA[Abb 4: Zeltlager zwischen Palmen in Korosko. © SMB, Kunstbibliothek, OZ 262, fol. 27.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_1.jpg</image:loc>
			<image:caption><![CDATA[Abb. 1: "Ansicht von Sakkara aus dem Palmenwäldchen". © SMB, Kunstbibliothek, OZ 262, fol. 10b.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_2.jpg</image:loc>
			<image:caption><![CDATA[Abb. 2: "Schimbab. Beim Dorfe unweit Memphis". © SMB, Kunstbibliothek, OZ 262, fol. 12a.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_3.jpg</image:loc>
			<image:caption><![CDATA[Abb. 3: "Sayale Baum, gezeichnet am Brunnen Om Sayale". © SMB, Ägyptisches Museum und Papyrussammlung.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_4.jpg</image:loc>
			<image:caption><![CDATA[Abb 4: Zeltlager zwischen Palmen in Korosko. © SMB, Kunstbibliothek, OZ 262, fol. 27.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_5.jpg</image:loc>
			<image:caption><![CDATA[Abb 5: Die „Gedächtnisstele“ für Richard Lepsius zum Geburtstag, Zeichnung von Otto Georgi mit einer Randverzierung von Georg Erbkam. © SMB, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_6.png</image:loc>
			<image:caption><![CDATA[Abb. 6: Säulenkapitelle als architektonischer Rahmen der „Gedächtnisstele“. © SMB, Kupferstichkabinett, Foto: Dietmar Katz.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_7.jpg</image:loc>
			<image:caption><![CDATA[Abb. 7: Verschiedene Typen von Säulenkapitellen auf Philae nach Georg Erbkam. Aus: Lepsius, Denkmäler I, Bl. 108.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_8.jpg</image:loc>
			<image:caption><![CDATA[Abb. 8: Geöffnete vs. geschlossene Papyrusdolde als Säulenkapitell. Aus: Lepisus, Denkmäler I, Bl. 81.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_10.jpg</image:loc>
			<image:caption><![CDATA[Abb. 10: Mann riecht an Lotusblüte in einem Relief (Scheintür des Senenmut). © SMB, Ägyptisches Museum und Papyrussammlung, Foto: Sandra Steiß.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_11.png</image:loc>
			<image:caption><![CDATA[Abb. 11: Detail der Berliner Säule aus der Westkolonnade des Isis-Tempels von Philae. Aus: Lepisus, Denkmäler I, Bl. 108.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2022/08/vegetation_12.png</image:loc>
			<image:caption><![CDATA[Abb. 12: Säulen der Westkolonnade im Isis-Tempel von Philae mit dem Berliner Exemplar in der Mitte. Aus: Lepsius, Denkmäler I, Bl. 107.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/schadow-hautnah-restaurierung-des-gipsoriginals-der-prinzessinnengruppe/</loc>
		<lastmod>2026-06-03T09:20:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/schadow_3.jpg</image:loc>
			<image:title><![CDATA[schadow_3]]></image:title>
			<image:caption><![CDATA[Die Restauratorinnen Friederike Labahn und Alexandra Czarnecki bei der Abnahme von Übermalungsschichten an der "Prinzessinnengruppe" von J. G. Schadow © Annette Riedl]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/schadow_2.jpg</image:loc>
			<image:caption><![CDATA[Die Restauratorinnen Friederike Labahn und Alexandra Czarnecki vor dem Gipsmodell von Johann Gottfried Schadows „Prinzessinnengruppe“ © Annette Riedl]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/schadow_3.jpg</image:loc>
			<image:caption><![CDATA[Die Restauratorinnen Friederike Labahn und Alexandra Czarnecki bei der Abnahme von Übermalungsschichten an der "Prinzessinnengruppe" von J. G. Schadow © Annette Riedl]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/schadow_7.jpg</image:loc>
			<image:caption><![CDATA[Prinzessin Luise während der Abnahme von Übermalungen: Rechts noch übermalt, links bereits freigelegt © Staatliche Museen zu Berlin, Alte Nationalgalerie / Friederike Labahn ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/schadow_8.jpg</image:loc>
			<image:caption><![CDATA[Mit einem kleinen Schwämmchen nimmt die Restauratorin  vorsichtig Übermalungsschichten ab © Staatliche Museen zu Berlin, Alte Nationalgalerie / Friederike Labahn]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/schadow_9.jpg</image:loc>
			<image:caption><![CDATA[Das Überspieltuch vor der Restaurierung © Staatliche Museen zu Berlin, Alte Nationalgalerie / Alexandra Czarnecki ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Prinzessinnengruppe.jpg</image:loc>
			<image:caption><![CDATA[Das gipserne Originalmodell der "Prinzessinnengruppe" in der Friedrichswerderschen Kirche © Anna von Graevenitz, Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Prinzessinnengruppe_Marmor.jpg</image:loc>
			<image:caption><![CDATA[Die marmorne "Prinzessinnengruppe" von J. G. Schadow in der Skulpturenhalle der Alten Nationalgalerie © Staatliche Museen zu Berlin, Alte Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/schliemanns-gold-aus-sacramento/</loc>
		<lastmod>2026-06-03T09:20:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/titelbild_schliemann.jpg</image:loc>
			<image:title><![CDATA[titelbild_schliemann]]></image:title>
			<image:caption><![CDATA[Schliemanns Welten, 13.5.-6.11.22, James-Simon-Galerie + Neues Museum: Der Großkaufmann Heinrich Schliemann in St. Petersburg, 1860, © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Schliemann-im-Wintermantel-1860_Bpk-Bild-Nr.-10005707.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Holzschnitt_japanische-Hafenszene_cAKU-SMB.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Sophia_schliemann.gif</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/12/Lion_Gate_Mykene_with_Wilhelm_Doerpfeld_and_Heinrich_Schliemann.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/the-first-scientific-texts-were-written-in-cuneiform/</loc>
		<lastmod>2026-06-03T09:20:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/Fig.7.jpg</image:loc>
			<image:title><![CDATA[Fig.7]]></image:title>
			<image:caption><![CDATA[Fig. 7: Assyriologist Juliane Eule and IT technician Jan Krumnow oversee the 3D scanning of a cuneiform tablet. © Pinar Durgun]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/Fig.2.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/Fig.3_VAT-16773.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/Fig.4_VAT-07621.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/Fig.5_VAT-13647-VAT-13687.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/Fig.6_VA-08490.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/08/Fig.7.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/u-bahn-fahren-mit-berlins-mona-lisa/</loc>
		<lastmod>2026-06-03T09:20:57+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/Mozart_magic_flute.jpg</image:loc>
			<image:title><![CDATA[Mozart_magic_flute]]></image:title>
			<image:caption><![CDATA[K. F. Schinkel: Wolfgang Amadeus Mozart »Die Zauberflöte«, Entwurf zur Sternenhalle im Palast der Königin der Nacht, 1815 © Foto: Kupferstichkabinett der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz, Fotograf/in: Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/bahnsteigbereich-museumsinsel-oktober-2020.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/07/IMG_05142.jpeg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/von-der-keramikwerkstatt-auf-den-roten-teppich-dreharbeiten-im-pergamonmuseum/</loc>
		<lastmod>2026-06-03T09:21:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/C5A9287.jpg</image:loc>
			<image:title><![CDATA[_C5A9287]]></image:title>
			<image:caption><![CDATA[© LETTERBOX FILMPRODUKTION GMBH]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/IMG-3027.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/IMG-3023.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/06/IBDM_Still_709g22_4096x2048_5.6.1.T-scaled.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wer-war-nofretete-die-schoene-koenigsgattin-im-neuen-museum/</loc>
		<lastmod>2026-06-03T09:21:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_00096002.jpg</image:loc>
			<image:title><![CDATA[Büste der Königin Nofretete]]></image:title>
			<image:caption><![CDATA[Büste der Nofretete (c) bpk / Ägyptisches Museum und Papyrussammlung, SMB / Jürgen Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/h_70108771.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/20160610_SMB_Gipsformerei_C_Daniel_Hofer_263_Voransicht_unbearbeitet_V2.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/la-tene-wie-eine-kleine-schweizer-gemeinde-zum-namensgeber-einer-ganzen-epoche-wurde/</loc>
		<lastmod>2026-06-03T09:21:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Zwischenablage01.jpg</image:loc>
			<image:title><![CDATA[Zwischenablage01]]></image:title>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/1-1.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/2-1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/3-1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/4-1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/5.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/raeucherbowling-damit-im-bett-nichts-anbrennt/</loc>
		<lastmod>2026-06-03T09:21:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Raeucherstaebchen_heute_Pixabay.jpg</image:loc>
			<image:title><![CDATA[Raeucherstaebchen_heute_Pixabay]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Raeucherkugel_Syr_Johannes_Kramer_eMuseumPlus.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/Raeucherkugel_Syr_Johannes_Kramer_Seitenansicht.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/03/I_8_71_P006_S.jpg</image:loc>
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	</url>
	<url>
		<loc>https://blog.smb.museum/kuenstlerische-grenzueberschreitungen-queere-identitaeten-im-bode-museum/</loc>
		<lastmod>2026-06-03T09:21:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/csm_BM_Der-Zweite-Blick_The-Second-Glance_xl_96a8cb0d14.jpg</image:loc>
			<image:title><![CDATA[csm_BM_Der-Zweite-Blick_The-Second-Glance_xl_96a8cb0d14]]></image:title>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/csm_BM_Der-Zweite-Blick_The-Second-Glance_xl_96a8cb0d14.jpg</image:loc>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/7727-Voigt-2009-21.jpg</image:loc>
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	</url>
	<url>
		<loc>https://blog.smb.museum/bizarr-schraeg-und-unangepasst-belgischer-symbolismus-in-der-alten-nationalgalerie/</loc>
		<lastmod>2026-06-03T09:21:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/06_ANG_BS_Ensor_MalendesSkelett.jpg</image:loc>
			<image:title><![CDATA[06_ANG_BS_Ensor_MalendesSkelett]]></image:title>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/BS_Presse_Rops_Pornocrates.jpg</image:loc>
		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2021/02/01_ANG_BS_Khnopff_DesCaresses-1.jpg</image:loc>
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		<image:image>
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		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/11/1300-bode-afrika-paare.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/anne-sklebitz-volontaerin-im-museum-fuer-vor-und-fruehgeschichte/</loc>
		<lastmod>2026-06-03T09:24:04+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/anne_sklebitz_NM.jpg</image:loc>
			<image:title><![CDATA[Anne Sklebitz im Neuen Museum.Foto: David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/image-4.gif</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kampf-um-sichtbarkeit-kuenstlerinnen-der-alten-nationalgalerie/</loc>
		<lastmod>2026-06-03T09:24:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/lepsius.jpg</image:loc>
			<image:title><![CDATA[lepsius]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/gleisdeseyve_ang.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2020/10/therbusch_ang.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/instawalk-in-der-james-simon-galerie/</loc>
		<lastmod>2026-06-03T09:24:21+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/444_10_UZ_190319_N10.jpg</image:loc>
			<image:title><![CDATA[james-simon-galerie_fuer_instawalk]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/james-simon-kabinett-eine-berliner-geschichte-des-20-jahrhunderts/</loc>
		<lastmod>2026-06-03T09:24:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/22A1779.jpg</image:loc>
			<image:title><![CDATA[Das James-Simon-Kabinett im Bode Museum.Foto: David von Becker]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/20190715_095830.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/h_00087990.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-maezen-james-simon-ein-geschenk-fuer-die-museen/</loc>
		<lastmod>2026-06-03T09:24:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/titelbild_james_simon-scaled.jpg</image:loc>
			<image:title><![CDATA[titelbild_james_simon]]></image:title>
		</image:image>
		<image:image>
			<image:loc>http://blog.smb.museum/wp-content/uploads/2019/06/Bild_1_JSG.jpg</image:loc>
			<image:caption><![CDATA[Die James-Simon-Galerie am Kupfergraben, Museumsinsel Berlin © Ute Zscharnt für David Chipperfield Architects]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>http://blog.smb.museum/wp-content/uploads/2019/06/h_70108771.jpg</image:loc>
			<image:caption><![CDATA[Büste der Königin Nofretete © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / Sandra Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>http://blog.smb.museum/wp-content/uploads/2019/06/h_10022103.jpg</image:loc>
			<image:caption><![CDATA[James Simon um 1880 © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>http://blog.smb.museum/wp-content/uploads/2019/06/h_00087990.jpg</image:loc>
			<image:caption><![CDATA[Blick in das James-Simon-Kabinett im Kaiser-Friedrich-Museum, 1904 © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kulturgut-ist-verhandlungssache-stefan-weber-und-die-syrian-heritage-initiative/</loc>
		<lastmod>2026-06-03T09:24:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/01_ISL_KulturlandschaftSyrien_Aleppo_Kitaz-637x408.jpg</image:loc>
			<image:title><![CDATA[Eingang zur Zitadelle von Aleppo Im Zuge des Krieges wurden kunsthistorisch bedeutende Moscheen und ein spätosmanisches Hospital weitgehend zerstört. © Sultan Kitaz, 2014]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/hilfe-fuer-den-tempel-der-aegyptologie/</loc>
		<lastmod>2026-06-03T09:24:51+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/1920px-Facade_of_the_Egyptian_Museum_Tahrir_Square_Cairo_Egypt1.jpg</image:loc>
			<image:title><![CDATA[Fassade des Ägyptischen Nationalmuseums am Tahir Platz in Kairo. (c) CC BY-SA 3.0]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Seyfried_Thumb_gr.jpg</image:loc>
			<image:caption><![CDATA[Firederike Seyfried, Direktorin des Ägyptischen Museums und Papyrussammlung auf der Museumsinsel. (c) Staatliche Museen zu Berlin /Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/02/1920px-Facade_of_the_Egyptian_Museum_Tahrir_Square_Cairo_Egypt1.jpg</image:loc>
			<image:caption><![CDATA[Fassade des Ägyptischen Nationalmuseums am Tahir Platz in Kairo. (c) CC BY-SA 3.0]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/bitte-motor-abstellen-bus-chaos-auf-der-museumsinsel/</loc>
		<lastmod>2026-06-03T09:24:58+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/P1380718-637x478.jpg</image:loc>
			<image:title><![CDATA[Bus-Chaos auf der Museumsinsel. Foto: Anke Weber]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Seyfried_Thumb_gr.jpg</image:loc>
			<image:caption><![CDATA[Firederike Seyfried, Direktorin des Ägyptischen Museums und Papyrussammlung auf der Museumsinsel. (c) Staatliche Museen zu Berlin /Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/afrika-im-bode-museum-dem-richter-ins-auge-blicken/</loc>
		<lastmod>2026-06-03T09:25:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/III-C-6000-A-528x637.jpg</image:loc>
			<image:title><![CDATA[Ngil-Maske aus Zentralafrika. (c) Staatliche Museen zu Berlin, Ethnologisches Museum / Martin Franken]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/rahmen-rekonstruktion-im-bode-museum-mehr-als-blosses-beiwerk/</loc>
		<lastmod>2026-06-03T09:25:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/IMG_8718.jpg</image:loc>
			<image:title><![CDATA[IMG_8718]]></image:title>
			<image:caption><![CDATA[Chefrestaurator Paul Hofmann, Kurator Neville Rowley (v.l.) und ihr Team im Bode-Museum. (c) Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/IMG_8681.jpg</image:loc>
			<image:caption><![CDATA[Chefrestaurator Paul Hofmann  und sein Team im Bode-Museum besprechen die Rekonstruktion des Rahmens von Rahmen für Antonio Rosselinos Relief „Madonna mit Kind“  (c) Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/IMG_8753.jpg</image:loc>
			<image:caption><![CDATA[Rekonstruktion des Rahmens von Antonio Rosselinos Relief „Madonna mit Kind“  (c) Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/IMG_8718.jpg</image:loc>
			<image:caption><![CDATA[Chefrestaurator Paul Hofmann, Kurator Neville Rowley (v.l.) und ihr Team im Bode-Museum. (c) Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-ein-friedliebender-prinz-eisenherz-in-antiker-tradition/</loc>
		<lastmod>2026-06-03T09:25:20+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/titelbild_gramzow_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_gramzow_gr]]></image:title>
			<image:caption><![CDATA[Carl Heinrich Gramzow, Genius des Friedens, 1848, Marmor, Inv. Nr. B I 10, Alte Nationalgalerie © Nationalgalerie der Staatlichen Museen zu Berlin / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Abb.-1-7-B-I-10-Vorderansicht.jpg</image:loc>
			<image:caption><![CDATA[Carl Heinrich Gramzow, Genius des Friedens, 1848, Marmor, Inv. Nr. B I 10, Alte Nationalgalerie © Nationalgalerie der Staatlichen Museen zu Berlin / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Abb.-4-B-I-10-Detailaufnahme-der-Signatur.jpg</image:loc>
			<image:caption><![CDATA[Detailaufnahme Künstlersignatur Carl Heinrich Gramzow © Nationalgalerie der Staatlichen Museen zu Berlin / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Abb.-8-11-G-221_1-Apoll-von-Belvedere.jpg</image:loc>
			<image:caption><![CDATA[Apoll von Belvedere, 350-325 v. Chr., Gips, Abguss-Sammlung des Archäologischen Seminars der Philipps-Universität Marburg / Martina Klein]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/10/Abb.-10-W-S-239-Detailaufnahme-der-S%C3%B6hne-Edourds-IV.jpg</image:loc>
			<image:caption><![CDATA[Detailaufnahme, Hermann Stilke, Raub der Söhne Edouards IV., 1850, Öl auf Leinwand, (Inv. Nr. W.S. 239), © Nationalgalerie der Staatlichen Museen zu Berlin / Andres Kilger ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/afrika-im-bode-museum-kunst-und-vorurteil/</loc>
		<lastmod>2026-06-03T09:25:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/titelbild_afrika_kunst-und-vorurteril_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_afrika_kunst-und-vorurteril_gr]]></image:title>
			<image:caption><![CDATA[Weibliche Figur, Königreich Benin, 17. oder 18. Jh., Messing, Staatliche Museen zu Berlin, Ethnologisches Museum, © SMB, Ethnologisches Museum, Martin Franken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/06-3b_2653_Anders_2006_2.jpg</image:loc>
			<image:caption><![CDATA[Putto mit Tamburin, Donatello, 1429, Bronze mit Resten von Vergoldung, Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, © SMB, Skulpturensammlung und Museum für Byzantinische Kunst, Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/05-3a_III_C_10864.jpg</image:loc>
			<image:caption><![CDATA[Weibliche Figur, Königreich Benin, 17. oder 18. Jh., Messing, Staatliche Museen zu Berlin, Ethnologisches Museum, © SMB, Ethnologisches Museum, Martin Franken]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wer-waren-wir-und-wenn-ja-wie-viele-bewegte-zeiten-in-der-archaeologie/</loc>
		<lastmod>2026-06-03T09:25:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/22A3673-1-scaled.jpg</image:loc>
			<image:title><![CDATA[_22A3673]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/07_MVF_SMB_Goldhut.jpg</image:loc>
			<image:caption><![CDATA[Goldhut, 1000 v. Chr. © Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte / Claudia Plamp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/11_NS_Gessel_Detail.jpg</image:loc>
			<image:caption><![CDATA[Hortfund von Gessel: Armberge aus dem Hortfund von Gessel Detail, Gold, 1300 v. Chr.© Niedersächsisches Landesamt für Denkmalpflege, Foto: Volker Minkus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/09/09_Koeln_Hafen_Spundwand.jpg</image:loc>
			<image:caption><![CDATA[Kölner Hafen: Spundwand aus Eichenpfählen, 1. Jh. n. Chr. © Römisch-Germanisches Museum der Stadt Köln; Foto: Axel Thünker, DGPh]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/archaeologie-das-aelteste-boot-brandenburgs-im-neuen-museum-2/</loc>
		<lastmod>2026-06-03T09:25:44+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/07/indianer_einbaum.jpg</image:loc>
			<image:title><![CDATA[indianer_einbaum]]></image:title>
			<image:caption><![CDATA[Ureinwohner Floridas nutzen in dieser Darstellung von Theodor de Bry (1591) einen Einbaum, um Vorräte zu einem Lagerhaus zu bringen. © Staatliche Museen zu Berlin, Kunstbibliothek / Knud Petersen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/IB_2-e1533215835476.jpeg</image:loc>
			<image:caption><![CDATA[Restauratoren koordinieren den Einzug des Einbaums ins Neue Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/Einbaum_01_Cl-Klein.jpg</image:loc>
			<image:caption><![CDATA[Der Brandenburger Einbaum im Neuen Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/08/VIII-E-2673.jpg</image:loc>
			<image:caption><![CDATA[Ein Mann des indigenen Volksstammes Brasiliens, Guató, im Einbaum am Caracara-Fluss © Max Schmidt ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wanderlust-in-der-alten-nationalgalerie-die-neuentdeckung-der-natur/</loc>
		<lastmod>2026-06-03T09:26:01+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/02_Biermann_Wetterhorn.jpg</image:loc>
			<image:title><![CDATA[02_Biermann_Wetterhorn]]></image:title>
			<image:caption><![CDATA[Karl Eduard BiermannDas Wetterhorn, 1830Öl auf Leinwand, 116 x 139 cmStaatliche Museen zu Berlin, Nationalgalerie© Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/06_ANG_Wanderlust_Friedrich_Wanderer.jpg</image:loc>
			<image:caption><![CDATA[Caspar David FriedrichWanderer über dem Nebelmeer, um 1817Öl auf Leinwand, 94,8 x 74,8 cmHamburger Kunsthalle© SHK / Hamburger Kunsthalle / bpk / Elke Walford]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/22_Wanderlust_Ausstellungsansicht.jpg</image:loc>
			<image:caption><![CDATA[Wanderlust. Von Caspar David Friedrich bis Auguste RenoirAusstellungsansicht© Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/13_Kramskoi_Schischkin.jpg</image:loc>
			<image:caption><![CDATA[Iwan Nikolajewitsch KramskoiPortrait Iwan Schischkin, 1873Öl auf Leinwand, 112 x 80 cmStaatliche Tretjakow-Galerie, Moskau© Staatliche Tretjakow-Galerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/gleis_portrait_smb.jpg</image:loc>
			<image:caption><![CDATA[Ralph Gleis, Leiter der Alten Nationalgalerie. (c) Staatliche Museen zu Berlin ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zeichen-des-friedens-alwaleed-stiftung-foerdert-das-museum-fuer-islamische-kunst/</loc>
		<lastmod>2026-06-03T09:27:25+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/20180621_115351.jpg</image:loc>
			<image:title><![CDATA[20180621_115351]]></image:title>
			<image:caption><![CDATA[HRH Prinzessin Lamia Bint Majed Saud AlSaud mit (v.l.n.r.) Michael Eissenhauer, Generaldirektor der Staatlichen Museen zu Berlin, Hermann Parzinger, Präsident der Stiftung Preußischer Kulturbesitz, und Stefan Weber, Direktor des Museums für Islamische Kunst im Pergamonmuseum. (c) Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/20180621_105925.jpg</image:loc>
			<image:caption><![CDATA[Hermann Parzinger, Präsident der Stiftung Preußischer Kulturbesitz, und Stefan Weber, Direktor des Museums für Islamische Kunst im Pergamonmuseum, führen HRH Prinzessin Lamia Bint Majed Saud AlSaud durch die Sammlung des Museums für Islamische Kunst. (c) Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/06/20180621_111119.jpg</image:loc>
			<image:caption><![CDATA[Podiumsgespräch mit Hermann Parzinger, Präsident der Stiftung Preußischer Kulturbesitz, HRH Prinzessin Lamia Bint Majed Saud AlSaud, Michael Eissenhauer, Generaldirektor der Staatlichen Museen zu Berlin, und Stefan Weber, Direktor des Museums für Islamische Kunst im Pergamonmuseum. (c) Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/pergamon-auf-der-museumsinsel-das-neue-panorama-von-yadegar-asisi/</loc>
		<lastmod>2026-06-03T09:27:35+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/20171019_PERGAMON_Berlin_FotoShooting_MakingOf_TS_0053_web.jpg</image:loc>
			<image:title><![CDATA[Yadegar Asisi während der Dreharbeiten. Foto: Tom Schulze © asisi]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/20171019_PERGAMON_Berlin_FotoShooting_MakingOf_TS_0063_web.jpg</image:loc>
			<image:caption><![CDATA[Storyboard für das neue Panorama. Foto: Tom Schulze © asisi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/makingof.jpg</image:loc>
			<image:caption><![CDATA[Voller Einsatz von Yadegar Asisi. Foto: Tom Schulze © asisi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/Asisi_637x311.jpg</image:loc>
			<image:caption><![CDATA[Foto: Tom Schulze © asisi]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/archaeologische-spurensuche-die-wege-der-prussia-sammlung/</loc>
		<lastmod>2026-06-03T09:27:43+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/prussia_1.jpg</image:loc>
			<image:title><![CDATA[prussia_1]]></image:title>
			<image:caption><![CDATA[Die Projektmitarbeiter Izabela Szter und Christoph Jahn zusammen mit dem russischen Kollegen Kirill Makhotka (links) bei der Sichtung der Prussia-Sammlung im Museum für Geschichte und Kunst Kaliningrad.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/prussia_1.jpg</image:loc>
			<image:caption><![CDATA[Die Projektmitarbeiter Izabela Szter und Christoph Jahn zusammen mit dem russischen Kollegen Kirill Makhotka (links) bei der Sichtung der Prussia-Sammlung im Museum für Geschichte und Kunst Kaliningrad.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/Prussia_2.jpg</image:loc>
			<image:caption><![CDATA[Funde aus dem Gräberfeld von Fürstenwalde-Neidtkeim, Ldkr. Königsberg (heute Poddubnoe, Oblast Kaliningrad, Russland) im Museum für Vor- und Frühgeschichte Berlin (Foto: C. Plamp).]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/herlinde-koelbl-im-neuen-museum-beim-ersten-sonnenstrahl-nach-margiana/</loc>
		<lastmod>2026-06-03T09:27:52+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/Herlinde-IMG_3551w0.jpg</image:loc>
			<image:title><![CDATA[Herlinde-IMG_3551w0]]></image:title>
			<image:caption><![CDATA[Die Fotografin Herlinde Koelbl in Turkmenistan. Foto: Herlinde Koelbl]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/L1010151_K1.jpg</image:loc>
			<image:caption><![CDATA[Porträt eines Turkmenen. Foto: Herlinde Koelbl]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/L1030181_K.jpg</image:loc>
			<image:caption><![CDATA[Blick auf die Grabungsstätte Gonur Depe, dem bronzezeitlichen Margiana. Foto: Herlinde Koelbl]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/04/Herlinde-IMG_3551w0.jpg</image:loc>
			<image:caption><![CDATA[Die Fotografin Herlinde Koelbl in Turkmenistan. Foto: privat]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-paul-hofmann-leitender-restaurator-im-bode-museum/</loc>
		<lastmod>2026-06-03T09:28:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/22A1521.jpg</image:loc>
			<image:title><![CDATA[_22A1521]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/03/22A1521.jpg</image:loc>
			<image:caption><![CDATA[Paul Hofmann, Chefrestaurator von Skulpturensammlung und Museum für Byzantinische Kunst im Bode-Museum, in seiner Werkstatt. © Foto: David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-mixed-signals-in-der-alten-nationalgalerie/</loc>
		<lastmod>2026-06-03T09:28:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Koenig_L-Fruehstueckstisch_AII495_001.jpg</image:loc>
			<image:title><![CDATA[Koenig_L-Fruehstueckstisch_AII495_001]]></image:title>
			<image:caption><![CDATA[Leo von König: Am Frühstückstisch, 1907 © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/k%C3%B6nig_detail_1.jpg</image:loc>
			<image:caption><![CDATA[Leo von König: Am Frühstückstisch, 1907 (Detail) © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/k%C3%B6nig_detail_2.jpg</image:loc>
			<image:caption><![CDATA[Leo von König: Am Frühstückstisch, 1907 (Detail) © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Koenig_L-Fruehstueckstisch_AII495_001.jpg</image:loc>
			<image:caption><![CDATA[Leo von König: Am Frühstückstisch, 1907 © Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_70144470.jpg</image:loc>
			<image:caption><![CDATA[Willy Römer: Der Maler Leo von König in seinem Atelier bei der Arbeit (1931) © Staatliche Museen zu Berlin / Photothek Willy Römer / Willy Römer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/caspar-david-friedrichs-watzmann-grosse-durchleuchtung-in-der-alten-nationalgalerie/</loc>
		<lastmod>2026-06-03T09:28:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Bild9.jpg</image:loc>
			<image:title><![CDATA[Bild9]]></image:title>
			<image:caption><![CDATA[Caspar David Friedrich, Der Watzmann, 1824/25; Leihgabe der DekaBank Die leitende Restauratorin Kristina Mösl während der Infrarotaufnahme des Gemäldes © Staatliche Museen zu Berlin / Nationalgalerie / Fotograf: Katharina Hünerfauth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Bild11.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Der Watzmann, 1824/25; Leihgabe der DekaBank, Das Gemälde wird  in der Alten Nationalgalerie zum Röntgen vorbereitet © Staatliche Museen zu Berlin  / Nationalgalerie / Fotograf: Katharina Hünerfauth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Bild5.jpg</image:loc>
			<image:caption><![CDATA[Die Röntgen-Anlage  der BAM im Casa-Bartholdy-Saal  der Alten Nationalgalerie. © Staatliche Museen zu Berlin / Nationalgalerie / Fotograf: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Bild6.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Nationalgalerie / Fotograf: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/Bild7.jpg</image:loc>
			<image:caption><![CDATA[© Staatliche Museen zu Berlin / Nationalgalerie / Fotograf: Katharina Hünerfauth]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/mythische-figuren-jesus-christus-und-der-chibinda-ilunga-im-bode-museum/</loc>
		<lastmod>2026-06-03T09:28:23+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/christus-ilunga_gr.jpg</image:loc>
			<image:title><![CDATA[christus+ilunga_gr]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/12-6b_8347_Voigt_2009_1.jpg</image:loc>
			<image:caption><![CDATA[Christus im Elend, Hans Leinberger, ca. 1525, Lindenholz, alte Fassung, Skulpturensammlung und Museum für Byzantinische Kunst, © SMB, Skulpturensammlung und Museum für Byzantinische Kunst, Antje Voigt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/11-6a_III_C_1255_-Rio.jpg</image:loc>
			<image:caption><![CDATA[Chibinda Ilunga, Angola Chokwe, 19. Jh., Holz, Baumwollgewebe, Haare, Pflanzenfasern, Glasperle, Staatliche Muse]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/weibliche-macht-starke-frauenbilder-aus-afrika-und-europa-im-bode-museum/</loc>
		<lastmod>2026-06-03T09:28:31+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/01/afrika-im-bm_frauen.jpg</image:loc>
			<image:title><![CDATA[afrika-im-bm_frauen]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00041561.jpg</image:loc>
			<image:caption><![CDATA[Gedenkkopf einer Königinmutter, Benin, 17. Jh. (c) Staatliche Museen zu Berlin, Ethnologisches Museum / Jürgen Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2018/02/h_00079781.jpg</image:loc>
			<image:caption><![CDATA[Desiderio da Settignano: Büste der Marietta Strozzi (1460 - 1464); (c) Staatliche Museen zu Berlin, Skulpturensammlung / Antje Voigt]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/behind-the-scenes-besuch-auf-der-baustelle-der-james-simon-galerie/</loc>
		<lastmod>2026-06-03T09:28:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/titelbild_bts_JSG_kl.jpg</image:loc>
			<image:title><![CDATA[titelbild_bts_JSG_kl]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lab-bode-das-museum-ist-kein-sandkasten-fuer-kuratoren/</loc>
		<lastmod>2026-06-03T09:28:48+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/VS-BM-260117-0310.jpg</image:loc>
			<image:title><![CDATA[© lab.Bode – Initiative zur Stärkung der Vermittlungsarbeit in Museen / Staatliche Museen zu Berlin / Valerie Schmidt, 2017]]></image:title>
			<image:caption><![CDATA[© lab.Bode – Initiative zur Stärkung der Vermittlungsarbeit in Museen / Staatliche Museen zu Berlin / Valerie Schmidt, 2017]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/LR-lab-workshop-athene-170712-18_neu.jpg</image:loc>
			<image:caption><![CDATA[© lab.Bode – Initiative zur Stärkung der Vermittlungsarbeit in Museen / Staatliche Museen zu Berlin / Lina Ruske, 2017 ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/LR-lab.Bode-Workshop-170713-06.jpg</image:loc>
			<image:caption><![CDATA[© lab.Bode – Initiative zur Stärkung der Vermittlungsarbeit in Museen / Staatliche Museen zu Berlin / Lina Ruske, 2017]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/NH-2017-09-28-lab-bode-mobiliar-21.jpg</image:loc>
			<image:caption><![CDATA[© lab.Bode – Initiative zur Stärkung der Vermittlungsarbeit in Museen / Staatliche Museen zu Berlin / Nina Hansch, 2017]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/11/LR-lab-workshop-sound-170713-13_neu.jpg</image:loc>
			<image:caption><![CDATA[© lab.Bode – Initiative zur Stärkung der Vermittlungsarbeit in Museen / Staatliche Museen zu Berlin / Lina Ruske, 2017 ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/auf-augenhoehe-afrikanische-skulpturen-zu-gast-im-bode-museum/</loc>
		<lastmod>2026-06-03T09:28:58+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/1300-bode-afrika-ahnefigur-hemba.jpg</image:loc>
			<image:title><![CDATA[1300-bode-afrika-ahnefigur-hemba]]></image:title>
			<image:caption><![CDATA[Unvergleichlich: Kunst aus Afrika im Bode-Museum. Männliche Ahnenfigur, Hemba (Demokratische Republik Kongo), 19. Jh.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/1300-bode-afrika-urbino.jpg</image:loc>
			<image:caption><![CDATA[Unvergleichlich: Kunst aus Afrika im Bode-Museum. Sogenannte Prinzessin von Urbino, Italien, zweite Hälfte 19. Jh.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-mangaaka-geht-auf-reisen-afrikanische-kunst-im-bode-museum/</loc>
		<lastmod>2026-06-03T09:29:15+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/07-4a_III_C_17114.jpg</image:loc>
			<image:title><![CDATA[195.tif]]></image:title>
			<image:caption><![CDATA[Mangaaka, Kongo, Yombe, 19. Jh, Holz, Eisen, Porzellan, Farbpigmente, Staatliche Museen zu Berlin, Ethnologisches Museum, © SMB, Ethnologisches Museum, Claudia Obrocki]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/07-4a_III_C_17114.jpg</image:loc>
			<image:caption><![CDATA[Mangaaka, Kongo, Yombe, 19. Jh, Holz, Eisen, Porzellan, Farbpigmente, Staatliche Museen zu Berlin, Ethnologisches Museum, © SMB, Ethnologisches Museum, Claudia Obrocki]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/08-4b_421_Voigt_2015_1.jpg</image:loc>
			<image:caption><![CDATA[Maria mit dem Schutzmantel, Michel Erhart, ca. 1480, Lindenholz mit ursprünglicher Fassung, Skulpturensammlung und Museum für Byzantinische Kunst, © SMB, Skulpturensammlung und Museum für Byzantinische Kunst, Antje Voigt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/09-5a_III_C_10514.jpg</image:loc>
			<image:caption><![CDATA[Gedenkfigur des Königs Fosia, Ateu Atsa, Kamerun, Bangwa, 19. Jh., Holz, Staatliche Museen zu Berlin, Ethnologisches Museum, © SMB, Ethnologisches Museum, Claudia Obrocki]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/10-5b_M_296_2_Voigt_2005.jpg</image:loc>
			<image:caption><![CDATA[Jeanne de Navarre, Königin von Frankreich, Paris, ca. 1300, Kalkstein, Staatliche Museen zu Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Eigentum des Kaiser Friedrich Museumsverein, © SMB, Skulpturensammlung und Museum für Byzantinische Kunst, Antje Voigt]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/traum-von-der-insel-jan-kelch-und-die-gemaeldegalerie/</loc>
		<lastmod>2026-06-03T09:29:23+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/csm_wv_kelch_in-text_ds2_dea9a7cd41.jpg</image:loc>
			<image:title><![CDATA[csm_wv_kelch_in-text_ds2_dea9a7cd41]]></image:title>
			<image:caption><![CDATA[Jan Kelch © SPK / Werner Amann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/10/csm_wv_kelch_in-text_ds2_dea9a7cd41.jpg</image:loc>
			<image:caption><![CDATA[Jan Kelch © SPK / Werner Amann]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-auf-dem-weg-zum-humboldt-forum/</loc>
		<lastmod>2026-06-03T09:29:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/09/titelbild_adwzhf_gr1.jpg</image:loc>
			<image:title><![CDATA[titelbild_adwzhf_gr]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/china-und-aegypten-im-neuen-museum-so-fern-und-doch-so-nah/</loc>
		<lastmod>2026-06-03T09:29:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/14_AEMP.jpg</image:loc>
			<image:title><![CDATA[14_AEMP]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/16_AEMP.jpg</image:loc>
			<image:caption><![CDATA[© Ägyptisches Museum und Papyrussammlung - Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/14_AEMP.jpg</image:loc>
			<image:caption><![CDATA[© Ägyptisches Museum und Papyrussammlung - Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/05_Paar3_Jadegewand.jpg</image:loc>
			<image:caption><![CDATA[Jadegewand mit silbernen Fäden, Jade, Westliche Han-Dynastie, 206 v. Chr. – 8 n. Chr., © Xuzhou Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/07/06_Paar3_Mumienkartonnage.jpg</image:loc>
			<image:caption><![CDATA[Mumienhülle der Nes-Chons-pa-cheret, Kartonage, grundiert und bemalt, Dritte Zwischenzeit, 23. Dynastie, 756–722 v. Chr., © Ägyptisches Museum und Papyrussammlung, Staatliche Museen zu Berlin, Sandra Steiß]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/adlerschlange-trifft-pharao-ethnologische-sammlungen-auf-dem-weg-zum-humboldt-forum/</loc>
		<lastmod>2026-06-03T09:29:45+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_9107.jpg</image:loc>
			<image:title><![CDATA[_VB_9107]]></image:title>
			<image:caption><![CDATA[Adlerschlange Cuauhcoatl trifft König Amenemhet im Neuen Museum, Ausstellungsansicht, © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/DSC00080.jpg</image:loc>
			<image:caption><![CDATA[Diplom-Restaurator Sebastian Röhl in seiner Werkstatt. Foto: Charlotte Jansen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_1919.jpg</image:loc>
			<image:caption><![CDATA[Die Adlerschlange Cuauhcoatl wird auf der Museumsinsel in Stellung gebracht. © Staatliche Museen zu Berlin, David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_9177.jpg</image:loc>
			<image:caption><![CDATA[Abbau der Südseeboote im Ethnologischen Museum. © Staatliche Museen zu Berlin, David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_9159.jpg</image:loc>
			<image:caption><![CDATA[Begegnung der Kulturen: Eine Maya-Figur zu Gast im Ägyptischen Museum. © Staatliche Museen zu Berlin, David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/06/VB_9107.jpg</image:loc>
			<image:caption><![CDATA[Adlerschlange Cuauhcoatl trifft König Amenemhet im Neuen Museum, Ausstellungsansicht, © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-jan-moje-wissenschaftler-am-aegyptischen-museum-und-papyrussammlung/</loc>
		<lastmod>2026-06-03T09:30:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/VB_9952.jpg</image:loc>
			<image:title><![CDATA[© Foto: David von Becker]]></image:title>
			<image:caption><![CDATA[Jan Moje, Ägyptisches Museum und Papyrussammlung © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/kein-raum-fuer-mich-allein-kuenstlerinnen-in-der-alten-nationalgalerie/</loc>
		<lastmod>2026-06-03T09:30:34+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/h_00049621.jpg</image:loc>
			<image:title><![CDATA[h_00049621]]></image:title>
			<image:caption><![CDATA[Charlotte Berend-Corinth: Selbstbildnis mit Modell (1931) © bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/Malweiber_Simplicissimus-1901-Jg-6-Heft-15-Seite-117.jpg</image:loc>
			<image:caption><![CDATA[Malweiber_Simplicissimus 1901 Jg 6 Heft 15 Seite 117]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/h_00049621.jpg</image:loc>
			<image:caption><![CDATA[Charlotte Berend-Corinth: Selbstbildnis mit Modell (1931) © bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/h_00076903.jpg</image:loc>
			<image:caption><![CDATA[Julius Friedrich Anton Schrader: Bildnis des Bankiers Joachim Heinrich Wilhelm Wagener (1856) © bpk / Nationalgalerie, SMB / Karin März]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/h_00086829.jpg</image:loc>
			<image:caption><![CDATA[Titelblatt der Monatsschrift "Der Sturm", herausgegeben von Herwarth Walden, vom Januar 1923 ©  bpk / Kunstbibliothek, SMB / Dietmar Katz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/h_00018181.jpg</image:loc>
			<image:caption><![CDATA[Lovis Corinth: Mutterliebe (1911) © bpk / Nationalgalerie, SMB / Klaus Göken]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/h_00043690.jpg</image:loc>
			<image:caption><![CDATA[Caroline Bardua: Bildnis des Malers Caspar David Friedrich (1810) © bpk / Nationalgalerie, SMB / Reinhard Saczewski]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/2012Naked.jpg</image:loc>
			<image:caption><![CDATA[© Guerrilla Girls, Courtesy www.guerrillagirls.com]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-der-schaedel-von-le-moustier/</loc>
		<lastmod>2026-06-03T09:30:40+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/05/titelbild_lemoustier.jpg</image:loc>
			<image:title><![CDATA[titelbild_lemoustier]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/neue-ideen-im-gepaeck-ralph-gleis-wird-leiter-der-alten-nationalgalerie/</loc>
		<lastmod>2026-06-03T09:30:50+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/01_Ralph_Gleis.jpg</image:loc>
			<image:title><![CDATA[01_Ralph_Gleis]]></image:title>
			<image:caption><![CDATA[Ralph Gleis, Leiter der Alten Nationalgalerie ab Mai 2017 © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/04/01_Ralph_Gleis.jpg</image:loc>
			<image:caption><![CDATA[Ralph Gleis, Leiter der Alten Nationalgalerie ab Mai 2017 © Staatliche Museen zu Berlin / David von Becker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/giuseppe-passalacqua-vom-pferdehaendler-zum-aegyptenforscher/</loc>
		<lastmod>2026-06-03T09:30:59+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/AEM_00009_Z008.jpg</image:loc>
			<image:title><![CDATA[AEM_00009_Z008]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/AEM_00009_Z003.jpg</image:loc>
			<image:caption><![CDATA[Funde im Grab des Mentuhotep in Theben. Im Jahr 1823 entdeckt und ausgegraben durch Passalacqua. Kolorierte Originalzeichnung von G. Passalacqua © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung Berlin, Dokumentenarchiv ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/AEM_00012_001.jpg</image:loc>
			<image:caption><![CDATA[Bootsmodell aus dem Grab des Mentuhotep (Mittleres Reich, 2119 v. Chr. bis 1794 v. Chr., Theben-West © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / M. Büsing ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/AEM_00009_Z008.jpg</image:loc>
			<image:caption><![CDATA[Die drei Särge des Mentuhotep. Kolorierte Originalzeichnung von G. Passalacqua  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung Berlin, Dokumentenarchiv  ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/AEM_02038_001.jpg</image:loc>
			<image:caption><![CDATA[Kästchen mit Verzierungen (Neues Reich, 18.–19. Dynastie, 1550 v. Chr. bis 1186 v. Chr., Theben-West © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/AEM_00010_001_Sarg-Mentuhotep.jpg</image:loc>
			<image:caption><![CDATA[Mittlerer Sarg des Mentuhotep (Mittleres Reich, 2119 v. Chr. bis 1794 v. Chr., Theben-West © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/AEM_04650_001_Statuette-Mentuhotep.jpg</image:loc>
			<image:caption><![CDATA[Statuette des Mentuhotep (Mittleres Reich, 2119 v. Chr. bis 1794 v. Chr., Theben-West© Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/Entwurf_Passalacqua.jpg</image:loc>
			<image:caption><![CDATA[Passalacquas Entwurfszeichnung für die Innenausstattung des Neuen Museums von 1841 © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung Berlin, Dokumentenarchiv]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wilhelm-von-bode-kunsthistoriker-und-sammler-aus-leidenschaft/</loc>
		<lastmod>2026-06-03T09:31:07+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/h_00001398.jpg</image:loc>
			<image:title><![CDATA[h_00001398]]></image:title>
			<image:caption><![CDATA[Max Liebermann: Wilhelm Bode (1904). Copyright: bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_00079765.jpg</image:loc>
			<image:caption><![CDATA[Wilhelm Bode in seinem Wohnhaus (1884). Copyright: bpk / Kunstbibliothek, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_10006837.jpg</image:loc>
			<image:caption><![CDATA[Wilhelm Bode (sitzend) mit Alois Hauser (links) und Max Friedländer in der Galerie im Kaiser-Friedrich-Museum (um 1900). Copyright: bpk / Zentralarchiv, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/h_40012140.jpg</image:loc>
			<image:caption><![CDATA[Kaiser-Friedrich-Museum, Saal 34 - Italienische Bildwerke in Ton und Stuck (um 1920). Copyright: bpk / Zentralarchiv, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/01/h_00001398.jpg</image:loc>
			<image:caption><![CDATA[Max Liebermann: Wilhelm Bode (1904). Copyright: bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-kristina-moesl-restauratorin-in-der-alten-nationalgalerie/</loc>
		<lastmod>2026-06-03T09:31:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2017/02/SMB_CDF-7078.jpg</image:loc>
			<image:title><![CDATA[SMB_CDF-7078]]></image:title>
			<image:caption><![CDATA[Restauratorin Kristina Mösl in der Alten Nationalgalerie während der dreijährigen Restaurierung von Caspar David Friedrichs Gemälden „Mönch am Meer“ und „Abtei im Eichwald“. Foto: Staatliche Museen zu Berlin, Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-die-abenteuer-des-freiherrn-von-minutoli/</loc>
		<lastmod>2026-06-03T09:31:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/titelbild_minutoli_gr.jpg</image:loc>
			<image:title><![CDATA[titelbild_minutoli_gr]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zu-besuch-bei-canova/</loc>
		<lastmod>2026-06-03T09:31:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0008_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:title><![CDATA[Christoph Neumann, www.christoph-neumann.com]]></image:title>
			<image:caption><![CDATA[Canovas Berliner Tänzerin ist ein Star - damals wie heute. Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0002_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0003_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Nachts im Museum ... Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0004_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Magische Wirkung: Canovas Tänzerinnen bei Kerzenlicht. Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0005_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Im flackernden Kerzenschein bekamen die Gäste eine Ahnung, wie die Skulpturen vor 200 Jahren die Betrachter beeindruckt haben müssen. Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0006_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Experimente mit Licht. Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0007_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Kerzen und Handydisplays leuchten um die Wette. Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0008_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Canovas Berliner Tänzerin ist ein Star - damals wie heute. Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0009_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Bei Licht erläutern die Fachleute des Bode-Museums Spannendes zu den Skulpturen. Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0010_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Bei Licht erläutern die Fachleute des Bode-Museums Spannendes zu den Skulpturen. Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0012_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Ein Highlight des Abends war der Tanz der "echten" Tänzerin Alicia Ruben vom Staatsballett Berlin. Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0013_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Alle wollten ein Bild von Alicia Ruben. Den Sound der Blitze muss man im digitalen Zeitalter erahnen ... Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0014_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Alicia Ruben, Tänzerin beim Staatsballett Berlin, vor Antonio Canovas "Tänzerin". Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0015_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Das Kerzenlicht eröffnet neue Perspektiven auf den Marmor. Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/12/0016_Christoph_Neumann_Bode_Museum_Blogger_Event_Canova.jpg</image:loc>
			<image:caption><![CDATA[Foto: Christoph Neumann, www.christoph-neumann.com]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-verena-lepper-kuratorin-am-aegyptischen-museum-und-papyrussammlung/</loc>
		<lastmod>2026-06-03T09:31:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/MG_1104.jpg</image:loc>
			<image:title><![CDATA[_MG_1104]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/canova-im-bode-museum-marmor-trifft-auf-tanz/</loc>
		<lastmod>2026-06-03T09:31:50+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/20160913_SMB_Zeitung_Cover_Tanz_265_workfile_final_nicht_beschnitten_final_bearbeitet_V3.jpg</image:loc>
			<image:title><![CDATA[20160913_SMB_Zeitung_Cover_Tanz_265_workfile_final_nicht_beschnitten_final_bearbeitet_V3]]></image:title>
			<image:caption><![CDATA[Die Tänzerin Alicia Rubens des Staatsballett Berlin vor Canovas Tänzerin im Bode-Museum. Foto: Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/160907_SVEN_CANOVA_HIRES_011.jpg</image:loc>
			<image:caption><![CDATA[Antonio Canovas Tänzerin. Foto: Jörg Brüggemann, Ostkreuz Agentur]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/160907_SVEN_CANOVA_HIRES_004.jpg</image:loc>
			<image:caption><![CDATA[Volker Krahn ist der Kurator der Ausstellung "Canova und der Tanz". Foto: Jörg Brüggemann, Ostkreuz Agentur]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/160907_SVEN_CANOVA_HIRES_014.jpg</image:loc>
			<image:caption><![CDATA[Volker Krahn erläutert den Raumplan zur Canova-Ausstellung. Foto: Jörg Brüggemann, Ostkreuz Agentur]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/160907_SVEN_CANOVA_HIRES_016.jpg</image:loc>
			<image:caption><![CDATA[Foto: Jörg Brüggemann, Ostkreuz Agentur]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/20160913_SMB_Zeitung_Cover_Tanz_265_workfile_final_nicht_beschnitten_final_bearbeitet_V3.jpg</image:loc>
			<image:caption><![CDATA[Die Tänzerin Alicia Rubens des Staatsballett Berlin vor Canovas Tänzerin im Bode-Museum. Foto: Daniel Hofer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/160907_SVEN_CANOVA_HIRES_023.jpg</image:loc>
			<image:caption><![CDATA[Foto: Jörg Brüggemann, Ostkreuz Agentur]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ludwig-borchardt-der-bauforscher-unter-den-aegyptologen/</loc>
		<lastmod>2026-06-03T09:32:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/2.jpg</image:loc>
			<image:title><![CDATA[2]]></image:title>
			<image:caption><![CDATA[Georg Möller, Friedrich Zucker oder Prinz Oskar von Preußen, Ludwig Borchardt und Graf Soden (Begleiter des Prinzen) oder Walter Honroth (von links nach rechts) bei den Ausgrabungen in Abusir (1907/08) © Staatliche Museen zu Berlin, Stiftung Preußischer Kulturbesitz, Ägyptisches Museum und Papyrussammlung, Ph. 8013]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/2.jpg</image:loc>
			<image:caption><![CDATA[Georg Möller, Friedrich Zucker oder Prinz Oskar von Preußen, Ludwig Borchardt und Graf Soden (Begleiter des Prinzen) oder Walter Honroth (von links nach rechts) bei den Ausgrabungen in Abusir (1907/08) © Staatliche Museen zu Berlin, Stiftung Preußischer Kulturbesitz, Ägyptisches Museum und Papyrussammlung, Ph. 8013]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/3.jpg</image:loc>
			<image:caption><![CDATA[Schnitt durch die Pyramide des Sahure aus: L. Borchardt, Das Grabdenkmal des Königs Sahure. Band I: Der Bau, Wissenschaftliche Veröffentlichungen der Deutschen Orient-Gesellschaft 14 (Leipzig 1910), Bl. 7.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/4.jpg</image:loc>
			<image:caption><![CDATA[Relieffragment aus dem Totentempel des Sahure in Abusir: Syrische Bären und Gefäße, Kalkstein, bemalt (ÄM 21828) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/5.jpg</image:loc>
			<image:caption><![CDATA[Standfigur der Nofretete aus den Grabungen Ludwig Borchardts in Tell el-Amarna, Schenkung James Simon 1920, Kalkstein, bemalt (ÄM 21263) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/10/1.jpg</image:loc>
			<image:caption><![CDATA[Büste Ludwig Borchardts aus Bronze, Hubertus von Pilgrim, Guss aus dem Jahr 2012 © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Jancziak]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-gesellschaft-unerwuenscht/</loc>
		<lastmod>2026-06-03T09:32:26+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Auf-dem-Kanapee.jpg</image:loc>
			<image:title><![CDATA[Auf dem Kanapee]]></image:title>
			<image:caption><![CDATA[Wilhelm Trübner: Auf dem Kanapee (1872) (c) bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Auf-dem-Kanapee.jpg</image:loc>
			<image:caption><![CDATA[Wilhelm Trübner: Auf dem Kanapee (1872) (c) bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Auf-dem-Kanapee-Blumen.jpg</image:loc>
			<image:caption><![CDATA[Detailansicht von Wilhelm Trübner: Auf dem Kanapee (1872) (c) bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Auf-dem-Kanapee-Nahansicht.jpg</image:loc>
			<image:caption><![CDATA[Detailansicht von Wilhelm Trübner: Auf dem Kanapee (1872) (c) bpk / Nationalgalerie, SMB / Jörg P. Anders]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/35-mal-goettlicher-schutz-ein-alt-aegyptisches-jochgehaenge/</loc>
		<lastmod>2026-06-03T09:32:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_3882_Hanus.jpg</image:loc>
			<image:title><![CDATA[IMG_3882_Hanus]]></image:title>
			<image:caption><![CDATA[Detail des Jochgehänges: Perlen mit Udjat-Augen sowie Anch-Zeichen und Was-Zeptern (ÄM 21944/03, Neues Reich, 18. Dynastie, Amenophis IV. / Echnaton, 1351–1334 v. Chr., Fayence, bemalt, Tell el-Amarna, Gehöft N 51.03, Stall) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / C. Hanus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/AEM_21944-003_001_kompr..jpg</image:loc>
			<image:caption><![CDATA[Jochgehänge aus Perlen mit aufgemalten Udjat-Augen (ÄM 21944/03, Neues Reich, 18. Dynastie, Amenophis IV. / Echnaton, 1351–1334 v. Chr., Fayence, bemalt, Tell el-Amarna, Gehöft N 51.03, Stall) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_3882_Hanus.jpg</image:loc>
			<image:caption><![CDATA[Detail des Jochgehänges: Perlen mit Udjat-Augen sowie Anch-Zeichen und Was-Zeptern (ÄM 21944/03, Neues Reich, 18. Dynastie, Amenophis IV. / Echnaton, 1351–1334 v. Chr., Fayence, bemalt, Tell el-Amarna, Gehöft N 51.03, Stall) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / C. Hanus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/IMG_4040_Hanus.jpg</image:loc>
			<image:caption><![CDATA[Vitrine mit Funden aus Tell el-Amarna im Mythologischen Saal des Neuen Museums: Jochgehänge aus Perlen mit aufgemalten Udjat-Augen (ÄM 21944/03, Neues Reich, 18. Dynastie, Amenophis IV. / Echnaton, 1351–1334 v. Chr., Fayence, bemalt, Tell el-Amarna, Gehöft N 51.03, Stall) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / C. Hanus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Haus-N-51.3_Borchardt_Wohnh%C3%A4user_neu.jpg</image:loc>
			<image:caption><![CDATA[Haus N 51.3, mit rot markierten Ställen (Abbildungs-Quelle: L. Borchardt; H. Ricke: Die Wohnhäuser in Tell el-Amarna, Wissenschaftliche Veröffentlichung der Deutschen Orient-Gesellschaft 91, Berlin 1980, Plan 110)]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/09/Davies_Rock-Tombs-1905_III_Pl.32_Neu.jpg</image:loc>
			<image:caption><![CDATA[Amenophis IV. und Nofretete auf dem Streitwagen: das am Geschirr des Pferedes befestigete Jochgehänge ist rot markiert. (Abbildungs-Quelle: N. Davies, The Rock Tombs of El Amarna. Part III. The Tombs of Huya and AHmes (Archaeological Survey of Egypt. Fifteenth Memoir), London 1905, Pl. 32A.)]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/donald-duck-auf-der-museumsinsel-schlaues-buch-trifft-nofretete/</loc>
		<lastmod>2026-06-03T09:32:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/duck_1.jpg</image:loc>
			<image:title><![CDATA[duck_1]]></image:title>
			<image:caption><![CDATA[Gastauftritt der Nofretete im Micky-Maus-Heft: „Bei Donald Duck ist sie in guten Händen.“ (c) Disney / Egmont Ehapa]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/MMM_Nofretete.jpg</image:loc>
			<image:caption><![CDATA[Gastauftritt der Nofretete im Micky-Maus-Heft: "Bei Donald Duck ist sie in guten Händen."  (c) Disney / Egmont Ehapa]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/verloren-oder-nicht-ideale-erinnerungen-und-neue-chancen-im-bode-museum/</loc>
		<lastmod>2026-06-03T09:33:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/bode-museum-herkules-311.jpg</image:loc>
			<image:title><![CDATA[Blick über die Schultern von Giambolognas Herkules (um 1600) im Bode-Museum. Im Hintergrund ist der Abguss der Bronze Johannes des Täufers zu sehen]]></image:title>
			<image:caption><![CDATA[Blick über die Schultern von Giambolognas Herkules (um 1600) im Bode-Museum. Im Hintergrund ist der Abguss der Bronze Johannes des Täufers zu sehen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Abb2.jpg</image:loc>
			<image:caption><![CDATA[Lage mit Spreeblick. Das Bode-Museum © Staatliche Museen zu Berlin / Bernd Weingart]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Abb31.jpg</image:loc>
			<image:caption><![CDATA[Sah damals schon so aus wie heute: der Grundriss des Bode-Museums, entworfen von dem Architekten Ernst von Ihne, in der fünften Auflage des Beschreibenden Verzeichnisses der Gemälde im Kaiser Friedrich-Museum von 1904]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Abb41.jpg</image:loc>
			<image:caption><![CDATA[Schon kurz nach Bodes Tod (1929) wollte man mehr Wandfläche für die Objekte gewinnen: die historische Aufnahme von 1933 zeigt die Aufstellung der Skulpturensammlung im Kaiser-Friedrich-Museum, Raum 19 © Zentralarchiv, Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Abb5.jpg</image:loc>
			<image:caption><![CDATA[Die zusätzliche Wandfläche; Reproduktionen hängen auf den Schattenseiten zwischen den Fenstern. Es ist nicht ganz einfach, hier Originalwerke zu zeigen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Abb7.jpg</image:loc>
			<image:caption><![CDATA[Antonio Rossellino, Madonna mit Kind, um 1460 in der Ausstellung Das verschwundene Museum im Frühjahr/Sommer 2015. Von links nach rechts: Reproduktion eines Madonnenreliefs aus dem Metropolitan Museum of Art in New York, Malmodell von 1902, im Zentrum das Original nach der Restaurierung von 2012, Reproduktion des Zustands von 1958, neuer Gipsabguss. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Abb6.jpg</image:loc>
			<image:caption><![CDATA[Antonio Rossellino, Madonna mit Kind, um 1460 © Foto: Skulpturensammlung und Museum für Byzantinische Kunst der Staatlichen Museen zu Berlin - Preußischer Kulturbesitz Fotograf/in: Antje Voigt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Abb8.jpg</image:loc>
			<image:caption><![CDATA[Donatello-Wand: historische Aufnahme und moderner Gipsabguss der Geißelung Christi (l.); Gipsabguss der Bronzefigur Johannes des Täufers]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/Abb9.jpg</image:loc>
			<image:caption><![CDATA[Im Streiflicht: das Detail des Gipses der Donatello-Bronze Johannes des Täufers zeigt, wie gut die Schatten die plastischen Qualitäten des getönten Abgusses hervorheben]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/bode-museum-herkules.jpg</image:loc>
			<image:caption><![CDATA[Blick über die Schultern von Giambolognas Herkules (um 1600) im Bode-Museum. Im Hintergrund ist der Abguss der Bronze Johannes des Täufers zu sehen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/bitte-beruehren-tastfuehrungen-im-aegyptischen-museum/</loc>
		<lastmod>2026-06-03T09:33:47+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/7.jpg</image:loc>
			<image:title><![CDATA[7]]></image:title>
			<image:caption><![CDATA[Blindenführungen im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/1.jpg</image:loc>
			<image:caption><![CDATA[Blindenführungen im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/2.jpg</image:loc>
			<image:caption><![CDATA[Blindenführungen im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/7.jpg</image:loc>
			<image:caption><![CDATA[Blindenführungen im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/6.jpg</image:loc>
			<image:caption><![CDATA[Blindenführungen im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/5.jpg</image:loc>
			<image:caption><![CDATA[Blindenführungen im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/4.jpg</image:loc>
			<image:caption><![CDATA[Blindenführungen im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/3.jpg</image:loc>
			<image:caption><![CDATA[Blindenführungen im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/08/8.jpg</image:loc>
			<image:caption><![CDATA[Blindenführungen im Ägyptischen Museum und Papyrussammlung. © Staatliche Museen zu Berlin]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-zusammenbringer-geht-zum-abschied-von-bernd-lindemann/</loc>
		<lastmod>2026-06-03T09:33:54+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/20160615_SMB_Eissenhauer_Lindemann_146_Vorschau_unbearbeitet.jpg</image:loc>
			<image:caption><![CDATA[Bernd Lindemann. Foto: Staatliche Museen zu Berlin, Daniel Hofer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/forschungsalltag-vor-80-jahren-historische-fotos-aus-dem-rathgen-forschungslabor/</loc>
		<lastmod>2026-06-03T09:34:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/932-8.jpg</image:loc>
			<image:title><![CDATA[932-8]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/932-1.jpg</image:loc>
			<image:caption><![CDATA["Hat sich etwas verändert? Der Restaurateur kontrolliert die kostbaren assyrischen Alabasterreliefs und die kleinste Veränderung wird dem Leiter des Laboratoriums gemeldet." (c) Staatliche Museen zu Berlin, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/932-2.jpg</image:loc>
			<image:caption><![CDATA["Prof. Dr. Brittner bei der Untersuchung eines goldplatierten Anhängers aus der Wikingerzeit." (c) Staatliche Museen zu Berlin, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/932-6.jpg</image:loc>
			<image:caption><![CDATA["Bevor die restaurierten Ausstellungsstücke in das Museum zurückkommen, werden sie nocheinmal einer genauen Prüfung unterzogen." (c) Staatliche Museen zu Berlin, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/932-8.jpg</image:loc>
			<image:caption><![CDATA[Sachbearbeiter bei der Kontrolle der restaurierten Funde."  (c) Staatliche Museen zu Berlin, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/932-9.jpg</image:loc>
			<image:caption><![CDATA["Uralte Tonkrüge werden bei der Restaurierung sauber gewaschen."  (c) Staatliche Museen zu Berlin, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/932-11.jpg</image:loc>
			<image:caption><![CDATA["Ein germanisches Wagenrad aus grauer Vorzeit wird mit chemischen Mitteln der Neuzeit getränkt, um es vor dem Verfall zu bewahren."  (c) Staatliche Museen zu Berlin, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/932-13.jpg</image:loc>
			<image:caption><![CDATA["Genaues Arbeiten ist erforderlich! Der Leiter des Laboratoriums kann nicht überall sein, aber er kann sich auf seine Mitarbeiter verlassen."  (c) Staatliche Museen zu Berlin, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/IMG_3133.jpg</image:loc>
			<image:caption><![CDATA[ (c) Staatliche Museen zu Berlin, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/IMG_5051.jpg</image:loc>
			<image:caption><![CDATA[ (c) Staatliche Museen zu Berlin, Rathgen-Forschungslabor]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/sammlungsarchitekturen-der-mythologische-saal-im-neuen-museum/</loc>
		<lastmod>2026-06-03T09:34:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.-11_Fremdenbuch-001.jpg</image:loc>
			<image:title><![CDATA[Abb. 11_Fremdenbuch (001)]]></image:title>
			<image:caption><![CDATA[Gästebuch von C. R. Lepsius, 1844–1973. Das Titelbild zeigt die beiden Memnonskolosse, umrahmt von einer Inschrift in korrektem Mittelägyptisch, in der Lepsius den preußischen König und den ägyptischen Khediven in pharaonischem Stil lobpreist. (Inv.Nr. ÄM 36103) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.-1_Kleuker_MythSaal.jpg</image:loc>
			<image:caption><![CDATA[Neues Museum, Blick in den Mythologischen Saal  © Staatliche Museen zu Berlin / A. Kleuker]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.-2_Mythologischer-Saal-2.jpg</image:loc>
			<image:caption><![CDATA[Entwurfszeichnung der Szenenfolge für die Westseite des Mythologischen Saals nach C. R. Lepsius Aus: Lepsius, C. R., Koenigliche Museen, Abtheilung der aegyptischen Alterthümer. Die Wandgemaelde der verschiedenen Raeume, Berlin 1870. ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.-3_IMG_3409_Hanus.jpg</image:loc>
			<image:caption><![CDATA[Fries eines der beiden Durchgangsportale des Mythologischen Saals mit einem Ausschnitt der Deckentapete © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / C. Hanus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.-4_Zodiakus_Steiss.jpg</image:loc>
			<image:caption><![CDATA[Neues Museum, Mythologischer Saal, Zodiak der Deckentapete © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.-9_IMG_4033.jpg</image:loc>
			<image:caption><![CDATA[Anfänge der Forschungsgeschichte: Blick in den Mythologischen Saal des Neuen Museums. Im Vordergrund Vitrinen mit frühen wissenschaftlichen Publikationen der vergangenen Jahrhunderte.  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / C. Hanus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.-10_IMG_3890.jpg</image:loc>
			<image:caption><![CDATA[Die Forschungsgeschichte geht weiter: Eine Vitrine veranschaulicht anhand von unterschiedlichen Schriftträgern aus der Papyrussammlung wie viel es noch zu erschließen, erforschen und dokumentieren gibt. Das bei uns beheimatete European Research Council -Projekt „Lokalisierung von 4000 Jahren Kulturgeschichte. Texte und Schriften der Insel Elephantine in Ägypten“ widmet sich derzeit dieser Herausforderung.  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / C. Hanus]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/07/Abb.-11_Fremdenbuch-001.jpg</image:loc>
			<image:caption><![CDATA[Gästebuch von C. R. Lepsius, 1844–1973. Das Titelbild zeigt die beiden Memnonskolosse, umrahmt von einer Inschrift in korrektem Mittelägyptisch, in der Lepsius den  preußischen König und den ägyptischen Khediven in pharaonischem Stil lobpreist.  (Inv.Nr. ÄM 36103) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ueber-den-daechern-von-berlin-tag-der-offenen-baustelle-im-humboldt-forum/</loc>
		<lastmod>2026-06-03T09:34:15+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-5.jpg</image:loc>
			<image:title><![CDATA[Gipsmodell für einen Adler an der Fassade]]></image:title>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Gipsmodell für einen Adler an der Fassade]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-1.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Blick von der Schlossbrücke zum Humboldt Forum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-2.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Schlossfassade am Lustgarten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-3.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Eingangsportal]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-4.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Eingangshalle]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-5.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Gipsmodell für einen Adler an der Fassade]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-12.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Schlüterhof ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-6.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Eingangshalle]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-7.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Raum im ersten Obergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-8.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Raum im ersten Obergeschoss]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-9.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Schlossforum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-10.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Blick über das Schlossforum zum Alten Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-11.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Blick vom ersten Obergeschoss auf das Alte Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-14.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Kuppel des Schlosses]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-15.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Blick von der Dachterrasse zum Französischen Dom und zur Friedrichswerderschen Kirche]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-13.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Blick von der Dachterrasse auf das Deutsche Historische Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/berliner-schloss-baustelle-16.jpg</image:loc>
			<image:caption><![CDATA[Tag der offenen Baustelle im Berliner Schloss 2016: Blick von der Dachterrasse zum Alten Museum und zum Berliner Dom]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/umgang-mit-denkmaelern-das-berliner-buero-von-david-chipperfield-architects/</loc>
		<lastmod>2026-06-03T09:34:29+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/DSCF2741.jpg</image:loc>
			<image:title><![CDATA[DSCF2741]]></image:title>
			<image:caption><![CDATA[Das Projektteam für die Neue Nationalgalerie im Büro von David Chipperfield Architects. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/5000_Portrait_DC_IVK_N3.jpg</image:loc>
			<image:caption><![CDATA[Der Londoner Architekt David Chipperfield © Ingrid von Kruse]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/346_10_JvB_090216_N6.jpg</image:loc>
			<image:caption><![CDATA[Die Treppenhalle im Neuen Museum  © SPK / David Chipperfield Architects, Foto Jörg von Bruchhausen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/696_10_SM_131031.jpg</image:loc>
			<image:caption><![CDATA[Die Kantine des Büros von David Chipperfield Architects in Berlin ist nicht nur bei Architekten sehr beliebt © Simon Menges ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/346_10_UZ_101207_N15.jpg</image:loc>
			<image:caption><![CDATA[Blick ins Neue Museum  © SMB / David Chipperfield Architects, Foto Ute Zscharnt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/444_08_D_IA_Design2_V2_N3.jpg</image:loc>
			<image:caption><![CDATA[Rendering der James Simon Galerie auf der Museumsinsel in Berlin, Entwurf David Chipperfield Architects © Stiftung Preußischer Kulturbesitz / Imaging Atelier]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/DSCF2741.jpg</image:loc>
			<image:caption><![CDATA[Das Projektteam für die Neue Nationalgalerie im Büro von David Chipperfield Architects. Foto: schmedding.vonmarlin.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/geschichte-in-scherben-die-grabvasen-der-antikensammlung/</loc>
		<lastmod>2026-06-03T09:34:39+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/F3264_314593T1V1.jpg</image:loc>
			<image:title><![CDATA[F3264_314593T1V1]]></image:title>
			<image:caption><![CDATA[Bildunterschrift: Die schlanke Loutrophoros F 3264 sieht auf den ersten Blick fast intakt aus. Nur die Fehlstelle am Deckel weist darauf hin, dass hier Restaurierungen notwendig waren. Unter UV-Licht wird jedoch klar, dass große Teile des Gefäßkörpers phantasievolle Ergänzungen oder Übermalungen des 19. Jh. sind, v.a. der Reiter in der unteren Reihe. (C) Courtesy J. Paul Getty Museum; photos: Tahnee Cracchiola’]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/K%C3%A4stner_THE4474_joh.jpg</image:loc>
			<image:caption><![CDATA[Ursula Kästner © SPK / Werner Amann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/F3264_314593T1V1.jpg</image:loc>
			<image:caption><![CDATA[Die schlanke Loutrophoros F 3264 sieht auf den ersten Blick fast intakt aus. Nur die Fehlstelle am Deckel weist darauf hin, dass hier Restaurierungen notwendig waren. Unter UV-Licht wird jedoch klar, dass große Teile des Gefäßkörpers phantasievolle Ergänzungen oder Übermalungen des 19. Jh. sind, v.a. der Reiter in der unteren Reihe. © Courtesy J. Paul Getty Museum; photos: Tahnee Cracchiola’]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/F3264_314593T5V1.jpg</image:loc>
			<image:caption><![CDATA[Bildunterschrift: Die schlanke Loutrophoros F 3264 sieht auf den ersten Blick fast intakt aus. Nur die Fehlstelle am Deckel weist darauf hin, dass hier Restaurierungen notwendig waren. Unter UV-Licht wird jedoch klar, dass große Teile des Gefäßkörpers phantasievolle Ergänzungen oder Übermalungen des 19. Jh. sind, v.a. der Reiter in der unteren Reihe. © Courtesy J. Paul Getty Museum; photos: Tahnee Cracchiola’]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/06/F3264_gm_31269801.jpg</image:loc>
			<image:caption><![CDATA[Die schlanke Loutrophoros F 3264 sieht auf den ersten Blick fast intakt aus. Nur die Fehlstelle am Deckel weist darauf hin, dass hier Restaurierungen notwendig waren. Unter UV-Licht wird jedoch klar, dass große Teile des Gefäßkörpers phantasievolle Ergänzungen oder Übermalungen des 19. Jh. sind, v.a. der Reiter in der unteren Reihe. © Courtesy J. Paul Getty Museum; photos: Tahnee Cracchiola’]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/der-elch-vom-hansaplatz-im-neuen-museum/</loc>
		<lastmod>2026-06-03T09:34:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/Abbhirsch_neu.jpg</image:loc>
			<image:title><![CDATA[Abbhirsch_neu]]></image:title>
			<image:caption><![CDATA[So wird der Elch vom Hansaplatz heute im Neuen Museum präsentiert. (c) Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/Abb.6.jpg</image:loc>
			<image:caption><![CDATA[Der Elch in einer älteren Präsentation des Museums für Vor- und Frühgeschichte. (c) bpk / Museum für Vor- und Frühgeschichte, SMB / Claudia Plamp]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/Abbhirsch_neu.jpg</image:loc>
			<image:caption><![CDATA[So wird der Elch vom Hansaplatz heute im Neuen Museum präsentiert. (c) Staatliche Museen zu Berlin, Museum für Vor- und Frühgeschichte]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/h_00006336.jpg</image:loc>
			<image:caption><![CDATA[Nachbildung einer Höhlenmalerei mit Rentieren aus der Höhle von Font le Gaume, Les Eyzies, Dordogne, Frankreich; um 12 000 - 11 000 v. Chr., mittleres Magdalénien (c) bpk / Museum für Vor- und Frühgeschichte, SMB / Jürgen Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/h_00006337.jpg</image:loc>
			<image:caption><![CDATA[Nachbildung einer Gravierung eines Bären nach einem Original aus der Höhle von Les Combarelles, Les Eyzies, Dordogne, Frankreich, um 12 000 v. Chr., Mittleres Magdalénien (c) bpk / Museum für Vor- und Frühgeschichte, SMB / Jürgen Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/h_00008806.jpg</image:loc>
			<image:caption><![CDATA[Ein Diorama zeigt die Rekonstruktion eines Mammutjägerlagers, nach Grabungsbefunden in Dolni-Vestonice/Unterwisternitz, Mähren, wo eine Jagdstation des Gravettien (ca. 31.000-25.000 v. Chr.) aufgedeckt wurde. So ähnlich könnten auch die Lager der Jäger ausgesehen haben, die in der Mitteleuropäischen Tundra unterwegs waren. (c) bpk / Museum für Vor- und Frühgeschichte, SMB / Jürgen Liepe]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/zedikum-auf-der-museumsinsel-ein-streifenlichtscanner-holt-die-antike-ins-digitale-zeitalter/</loc>
		<lastmod>2026-06-03T09:35:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/160519_ZEDIKUM_PHT_01.jpg</image:loc>
			<image:title><![CDATA[Zentrum für Digitale Kulturgueter in Museen - ZEDIKUM]]></image:title>
			<image:caption><![CDATA[Eine Mitarbeiterin des Deutschen Zentrum für Digitale Kulturgüter in Museen (ZEDIKUM) digitalisiert eine Tontafel mithilfe eines Streifenlichtscanners. ZEDIKUM entwickelt Verfahren und Methoden für die digitale Sicherung und Dokumentation von archäologischen Sammlungsobjekten, um neue Grundlagen für die Erforschung, den Kulturgutschutz, aber auch für webbasierte Vermittlungsmethoden zu schaffen. © SPK / photothek.net / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/160519_ZEDIKUM_PHT_01.jpg</image:loc>
			<image:caption><![CDATA[Eine Mitarbeiterin des Deutschen Zentrum für Digitale Kulturgüter in Museen (ZEDIKUM) digitalisiert eine Tontafel mithilfe eines Streifenlichtscanners. ZEDIKUM entwickelt Verfahren und Methoden für die digitale Sicherung und Dokumentation von archäologischen Sammlungsobjekten, um neue Grundlagen für die Erforschung, den Kulturgutschutz, aber auch für webbasierte Vermittlungsmethoden zu schaffen. © SPK / photothek.net / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/160519_ZEDIKUM_PHT_02.jpg</image:loc>
			<image:caption><![CDATA[ZEDIKUM ermöglicht die Nachnutzung digitaler Daten für neuartige Vermittlungsformate im Museum. Augmented reality-Anwendung etwa holen Informationen zum Kontext eines Objekts auf das Smartphone des Besuchers. © SPK / photothek.net / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/160519_ZEDIKUM_PHT_03.jpg</image:loc>
			<image:caption><![CDATA[Das Projekt entwickelt auch Technologien, die ein mobiles, kostengünstiges 3D-Scannen ermöglichen sollen und in Krisengebieten zum Einsatz kommen können. © SPK / photothek.net / Thomas Imo]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/Aicon_Streifenlichtscanner.jpg</image:loc>
			<image:caption><![CDATA[Der Streifenlichtscanner von ZEDIKUM im Einsatz. (c) Staatliche Museen zu Berlin, Vorderasiatisches Museum]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/freiherr-von-minutoli-aegtyptenforscher-der-ersten-stunde/</loc>
		<lastmod>2026-06-03T09:35:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/A_4_IMG_0843.jpg</image:loc>
			<image:title><![CDATA[A_4_IMG_0843]]></image:title>
			<image:caption><![CDATA[Bildausschnitt aus dem Gemälde "Generalleutnant Minutoli in der Oase Siwah" (Minutoli, in dunkelrotem Gewand, sitzt rechts im Zelt). Öl auf Leinwand, 100 x 128 cm, um 1823. Das Gemälde basiert auf einer Zeichnung von Minutoli und wurde 1987 durch den Verein zur Förderung des Ägyptischen Museums Berlin e.V. erworben. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/A_3_IMG_0840.jpg</image:loc>
			<image:caption><![CDATA[“Generalleutnant Minutoli in der Oase Siwah” (Minutoli, in dunkelrotem Gewand, sitzt rechts im Zelt). Öl auf Leinwand, 100 x 128 cm, um 1823. Das Gemälde basiert auf einer Zeichnung von Minutoli und gehörte durch die Heirat von Minutolis Enkelin mit einem der Grafen von Pfeil und Klein-Ellguth bis 1945 zur Kunstsammlung von Schloss Friedersdorf/Queis. Es tauchte 1987 auf dem Münchner Kunstmarkt auf und wurde vom Verein zur Förderung des Ägyptischen Museums Berlin e.V. erworben. Der letzte Eigentümer verzichtete zu Gunsten des Vereins auf seine Rechte. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/B_2_AEM_04360_001.jpg</image:loc>
			<image:caption><![CDATA[Uschebtikasten mit Deckel in Form eines Pfostensarges (ÄM 4360, Spätzeit, 664–332 v. Chr., grundiertes, bemaltes Holz, 21 x 27 x 15 cm) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/B_5_AEM_00333_A001.jpg</image:loc>
			<image:caption><![CDATA[Uschebti der Iset-Nofret, Gemahlin Ramses' II. (ÄM 333, Neues Reich, 19. Dynastie, 1279–1213 v. Chr., Fayence, 10,1 x 3,5 x 2,4 cm) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/A_4_IMG_0843.jpg</image:loc>
			<image:caption><![CDATA[Bildausschnitt aus dem Gemälde “Generalleutnant Minutoli in der Oase Siwah” (Minutoli, in dunkelrotem Gewand, sitzt rechts im Zelt). Öl auf Leinwand, 100 x 128 cm, um 1823. Das Gemälde basiert auf einer Zeichnung von Minutoli und gehörte durch die Heirat von Minutolis Enkelin mit einem der Grafen von Pfeil und Klein-Ellguth bis 1945 zur Kunstsammlung von Schloss Friedersdorf/Queis. Es tauchte 1987 auf dem Münchner Kunstmarkt auf und wurde vom Verein zur Förderung des Ägyptischen Museums Berlin e.V. erworben. Der letzte Eigentümer verzichtete zu Gunsten des Vereins auf seine Rechte.   © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/B_1_AEM_00003-001_001.jpg</image:loc>
			<image:caption><![CDATA[Deckel des äußeren, anthropomorphen Sargs der Tare-kap (ÄM 3, 25.-26. Dynastie, aus Theben, 208 x 78 x 91 cm, Holz, grundiert und bemalt) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/B_3_AEM_02309_002.jpg</image:loc>
			<image:caption><![CDATA[Standfigur einer Priesterin. (ÄM 2309, Dritte Zwischenzeit, 746–655 v. Chr., Bronze, 57,5 x 13,5 x 12 cm)  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/B_4_AEM_00937_001.jpg</image:loc>
			<image:caption><![CDATA[Uschebti des Priesters Wah-ib-Re-m-Achet (ÄM 937, Spätzeit, 664–332 v. Chr., Fayence, 20,5 x 6 x 4,5 cm, aus Saqqara) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/B_6_16581-p.jpg</image:loc>
			<image:caption><![CDATA[Stelophor des Sa-Iset (ÄM 2314, Neues Reich, 18. Dynastie, 1550–1292 v. Chr., aus Theben-West, 30 x 14,5 x 17,5 cm, bemalter Kalkstein) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/05/C_1_P_03001-Pl-A-B_R_001.jpg</image:loc>
			<image:caption><![CDATA[Amduat des Priesters Hor-em-chemmis (P 3001, Dritte Zwischenzeit, 21. Dynastie, 1070–946 v. Chr., aus Theben, Papyrus, 34 x 770 cm) © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / S. Steiß]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/unesco-kampagne-zum-kulturgueterschutz-es-gibt-noch-viel-zu-tun/</loc>
		<lastmod>2026-06-03T09:35:18+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/01_Markus-Hilgert.jpg</image:loc>
			<image:title><![CDATA[01_Markus Hilgert]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/01_Markus-Hilgert.jpg</image:loc>
			<image:caption><![CDATA[Prof. Dr. Markus Hilgert © Friederike Elias]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/schliesstag-auf-der-museumsinsel-was-passiert-im-neuen-museum/</loc>
		<lastmod>2026-06-03T09:35:25+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/A_10_IMG_0570-Kopie.jpg</image:loc>
			<image:title><![CDATA[A_10_IMG_0570 - Kopie]]></image:title>
			<image:caption><![CDATA[Arbeitsfotos für die Datenbank werden von allen Objekten angefertigt. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/GH_1_IMG_0588_Kopie.jpg</image:loc>
			<image:caption><![CDATA[Die Reinigung des Griechischen Hofes ist eine spektakuläre Aktion und erfordert absolute Schwindelfreiheit… © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/EE_3_IMG_0894-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Für die im Museum entnommenen Objekte werden Ersatzaufsteller in die Vitrinen eingebracht. Wenn größere Objekte entnommen wurden, können zusätzlich zu den informativen Ersatzaufstellern Faksimiles der Originale aufgestellt werden.  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/N_1_Schlie%C3%9Ftage_NM_Wartung_01.jpg</image:loc>
			<image:caption><![CDATA[Der Niobidensaal wartet mit geöffneten Vitrinen darauf, dass die Wartungsarbeiten beginnen.  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/N_4_.jpg</image:loc>
			<image:caption><![CDATA[Mit einem Sauger werden kleinste Staubpartikel entfernt.  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/N_7_Schlie%C3%9Ftage_NM_Vitrine-2-Religion_lang_Lage-1_ge%C3%B6ffnet_01.jpg</image:loc>
			<image:caption><![CDATA[Die Restauratorinnen und die Depotverwalterin nutzen die Wartungsarbeiten auch, um Arbeitsfotos der Tablare für die Datenbank anzufertigen.  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/A_4_IMG_0721-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Die Fotografin bei der Arbeit… © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/A_4_IMG_0733-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Die Aufnahmen werden am Laptop kontrolliert. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/A_5_IMG_0727-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Die Ergebnisse der Aufnahmen sehen bereits gut aus. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/A_9_IMG_0564-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Weiteres Equipment für die Revision. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/A_10_IMG_0570-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Arbeitsfotos für die Datenbank werden von allen Objekten angefertigt.  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/A_11_IMG_0566-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Die bisherigen Maßangaben der Objekte  werden überprüft und wenn nötig später in der Datenbank aktualisiert.  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/04/A_12_MG_0740-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Nach und nach werden alle Artefakte aufgenommen: hier Uschebti-Kästen und Uschebti.  © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung ]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/papyri-von-elephantine-wie-aegyptologen-die-antike-decodieren/</loc>
		<lastmod>2026-06-03T09:35:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/MG_1177.jpg</image:loc>
			<image:title><![CDATA[_MG_1177]]></image:title>
			<image:caption><![CDATA[In solchen Kisten kamen die Papyri von der Nilinsel Elephantine zwischen 1906 und 1908 nach Berlin. (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/MG_1104.jpg</image:loc>
			<image:caption><![CDATA[Die Ägyptologin und Orientalistin Verena Lepper. (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/MG_1186.jpg</image:loc>
			<image:caption><![CDATA[In solchen Kisten kamen die Papyri von der Nilinsel Elephantine zwischen 1906 und 1908 nach Berlin. (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/MG_1177.jpg</image:loc>
			<image:caption><![CDATA[In solchen Kisten kamen die Papyri von der Nilinsel Elephantine zwischen 1906 und 1908 nach Berlin. (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/MG_1116.jpg</image:loc>
			<image:caption><![CDATA[In Glas gefasster Papyrus von der Nilinsel Elephantine, im Depot des Archäologischen Zentrums (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/MG_1118.jpg</image:loc>
			<image:caption><![CDATA[In Glas gefasster Papyrus von der Nilinsel Elephantine, im Depot des Archäologischen Zentrums (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/MG_1217.jpg</image:loc>
			<image:caption><![CDATA[Aramäisch ist nur eine der zahlreichen antiken Sprachen, die den Ägyptologen auf der Nilinsel Elephantine begegnen. (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/03/MG_1162.jpg</image:loc>
			<image:caption><![CDATA[Verena Lepper zeigt einen in Glas gefassten Papyrus von der Nilinsel Elephantine, im Depot des Archäologischen Zentrums (c) Staatliche Museen zu Berlin / Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-elke-bannicke-kuratorin-im-muenzkabinett/</loc>
		<lastmod>2026-06-03T09:35:42+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/02/DSC0759.jpg</image:loc>
			<image:title><![CDATA[_DSC0759]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/caspar-david-friedrich-alte-nationalgalerie/</loc>
		<lastmod>2026-06-03T09:35:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.8_K15_7259_1.jpg</image:loc>
			<image:title><![CDATA[Abb.8_K15_7259_1]]></image:title>
			<image:caption><![CDATA[Casa Bartholdy-Saal in der Alten Nationalgalerie während der Retuschearbeiten Staatliche Museen zu Berlin, Nationalgalerie / Foto: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.4_MOE_1063wb_scharf.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, Vorzustand vor Restaurierung Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.5_ABT_0444wb_scharf.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Abtei im Eichwald, Vorzustand vor Restaurierung Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.13_P2_200_DF_R_MD_MMbearbwb2.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, Querschliff P2 aus Himmelsbereich; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.11_M-%C3%82nch_IR_Gesamt_final_proof.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, Infrarotaufnahme; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.14_MOE_4600wb_scharf.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, Zwischenzustand während Firnisabnahme; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.15_MOE_6594wb_scharf.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, Zwischenzustand nach Abnahme der Altkittungen und –retuschen; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.20_ABT_2577wb_scharf.jpg.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Abtei im Eichwald, Zwischenzustand während Firnisabnahme; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.21_ABT_3629wb_scharf.jpg.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Abtei im Eichwald, Zwischenzustand nach Abnahme der Altkittungen und –retuschen; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.12_M-%C3%82nch_IR_Gesamt_final_proof_schiffe.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, Infrarotaufnahme; Detail Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.19_Abtei_IR_Schmidt_2014_DetRuinebearb.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Abtei im Eichwald, Infrarotaufnahme; Detail Staatliche Museen zu Berlin, Gemäldegalerie / Infrarotaufnahme: Christoph Schmidt]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.2_MOE_7338wb_scharf.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Mönch am Meer, Endzustand nach Restaurierung Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.3_ABT_7188wb_scharf.jpg</image:loc>
			<image:caption><![CDATA[Caspar David Friedrich, Abtei im Eichwald, Endzustand nach Restaurierung Staatliche Museen zu Berlin, Nationalgalerie / Foto: Kristina Mösl, Francesca Schneider]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.6_K15_7483.jpg.jpg</image:loc>
			<image:caption><![CDATA[Casa Bartholdy-Saal in der Alten Nationalgalerie mit Mönch am Meer im Endzustand  (links) und Fototafel des Vorzustandes; Staatliche Museen zu Berlin, Nationalgalerie / Foto: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.7_K15_7486.jpg.jpg</image:loc>
			<image:caption><![CDATA[Casa Bartholdy-Saal in der Alten Nationalgalerie mit Abtei im Eichwald im Endzustand (links) und Fototafel des Vorzustandes Staatliche Museen zu Berlin, Nationalgalerie / Foto: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.8_K15_7259_1.jpg</image:loc>
			<image:caption><![CDATA[Casa Bartholdy-Saal in der Alten Nationalgalerie während der Retuschearbeiten Staatliche Museen zu Berlin, Nationalgalerie / Foto: Andres Kilger]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Abb.9_DSCF0164.jpg</image:loc>
			<image:caption><![CDATA[Restaurierungsatelier in der Alten Nationalgalerie während der Firnisabnahme Staatliche Museen zu Berlin, Nationalgalerie / Foto: Ramona Roth]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/im-spk-magazin-zur-einheit-besuch-bei-alten-bekannten/</loc>
		<lastmod>2026-06-03T09:36:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Bertram_THE6973_joh.jpg</image:loc>
			<image:title><![CDATA[Bertram_THE6973_joh]]></image:title>
			<image:caption><![CDATA[Marion Bertram © SPK / Werner Amann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Bertram_THE6973_joh.jpg</image:loc>
			<image:caption><![CDATA[Marion Bertram © SPK / Werner Amann]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/heinrich-schliemann-in-gedanken-immer-bei-homer/</loc>
		<lastmod>2026-06-03T09:36:09+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/schliemann_Titel_gr.jpg</image:loc>
			<image:title><![CDATA[schliemann_Titel_gr]]></image:title>
			<image:caption><![CDATA[Joana Schliemann Foto: Martin Walz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/schliemann0150.jpg</image:loc>
			<image:caption><![CDATA[Joana Schliemann vor einer Statue von Homer. Foto: Martin Walz]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/Cover_VNT-Saba-Joana-Schliemanns-Copy.jpg</image:loc>
			<image:caption><![CDATA[Das Kinderbuch "Verrückt nach Troja" von Joana Schliemann. Das Buch ist im Buchhandel und im Neuen Museum erhältlich.]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/holbeins-madonna-ein-wunder-im-bode-museum/</loc>
		<lastmod>2026-06-03T09:36:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/01-Holbein-in-Berlin_kl1.jpg</image:loc>
			<image:title><![CDATA[01 Holbein in Berlin_kl]]></image:title>
			<image:caption><![CDATA[Hans Holbein d. J.: Die Madonna des Bürgermeisters Jakob Meyer zum Hasen, 1526/28 © Archiv Würth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/01-Holbein-in-Berlin_kl.jpg</image:loc>
			<image:caption><![CDATA[Hans Holbein d. J.: Die Madonna des Bürgermeisters Jakob Meyer zum Hasen, 1526/28 © Archiv Würth]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/02-Holbein-in-Berlin_kl.jpg</image:loc>
			<image:caption><![CDATA[Hans Holbein d. J.: Der Kaufmann Georg Gisze, 1532 © Staatliche Museen zu Berlin, Gemäldegalerie / Jörg P. Anders]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2016/01/DSC8042.jpg</image:loc>
			<image:caption><![CDATA[Michael Eissenhauer, Generaldirektor der Staatlichen Museen zu Berlin, in der Gemäldegalerie. Foto: Achim Kleuker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-die-alhambra-kuppel/</loc>
		<lastmod>2026-06-03T09:36:23+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/11/Titelbild-Alhambra.jpg</image:loc>
			<image:title><![CDATA[Titelbild Alhambra]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/archaeologie-trifft-architektur-im-aegyptischen-museum-und-papyrussammlung/</loc>
		<lastmod>2026-06-03T09:36:30+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/009.jpg</image:loc>
			<image:title><![CDATA[009]]></image:title>
			<image:caption><![CDATA[Der Canopus in der Villa Adriana, Tivoli © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Jancziak]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/002.jpg</image:loc>
			<image:caption><![CDATA[Einführende Vorträge am ersten Tag, u. a. von unserer Direktorin Friederike Seyfried © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Jancziak]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/003.jpg</image:loc>
			<image:caption><![CDATA[Diskussion zwischen Studenten und Tutoren im Griechischen Hof des Neuen Museums über die zu konzipierende Ausstellung © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Jancziak]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/005.jpg</image:loc>
			<image:caption><![CDATA[Abschlusspräsentation der Entwürfe der Studenten im Gobelin-Saal des Bode-Museums © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / C. Gentilini]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/008.jpg</image:loc>
			<image:caption><![CDATA[Casa dell’Architettura, Rom © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Jancziak]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/010.jpg</image:loc>
			<image:caption><![CDATA[Sonnenuntergang in der Villa Adriana, Tivoli © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Jancziak]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/009.jpg</image:loc>
			<image:caption><![CDATA[Der Canopus in der Villa Adriana, Tivoli © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung / J. Jancziak]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/emptybodemuseum-instawalk-auf-der-museumsinsel/</loc>
		<lastmod>2026-06-03T09:36:36+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/bode-museum.jpg</image:loc>
			<image:title><![CDATA[bode-museum]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/studentisches-vermittlungsprojekt-wir-wollen-das-auge-schulen/</loc>
		<lastmod>2026-06-03T09:36:45+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_4712.jpg</image:loc>
			<image:title><![CDATA[_MG_4712]]></image:title>
			<image:caption><![CDATA[Die Studierenden im Interview, v.l.n.r.: Leonie Cujé, Jennifer Heidtke, Beatrice Miersch, Katharina Steegmans. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_4718.jpg</image:loc>
			<image:caption><![CDATA[Jennifer Heidtke und Beatrice Miersch im Interview. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_4751.jpg</image:loc>
			<image:caption><![CDATA[Beatrice Miersch und Katharina Steegmans im Interview. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_4753.jpg</image:loc>
			<image:caption><![CDATA[Leonie Cujé im Interview. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_4788.jpg</image:loc>
			<image:caption><![CDATA[Auf Tuchfühlung mit der Sammlung beim Projekt "Über kurz, mittel oder lang" im Bode-Museum. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_4791.jpg</image:loc>
			<image:caption><![CDATA[Auf Tuchfühlung mit der Sammlung beim Projekt "Über kurz, mittel oder lang" im Bode-Museum. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_4795.jpg</image:loc>
			<image:caption><![CDATA[Auf Tuchfühlung mit der Sammlung beim Projekt "Über kurz, mittel oder lang" im Bode-Museum. Foto: Juliane Eirich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/MG_4803.jpg</image:loc>
			<image:caption><![CDATA[Auf Tuchfühlung mit der Sammlung beim Projekt "Über kurz, mittel oder lang" im Bode-Museum. Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/instagram-im-bode-museum-fotografie-veraendert-sich/</loc>
		<lastmod>2026-06-03T09:36:53+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/bode-museum.jpg</image:loc>
			<image:title><![CDATA[bode-museum]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/foto-1.jpg</image:loc>
			<image:caption><![CDATA[Jan Kickinger. Foto: mobilephotography.de]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/10/moritz.jpg</image:loc>
			<image:caption><![CDATA[Moritz Möller. Foto: mobilephotography.de]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-bernhard-s-heeb-wissensch-angestellter-am-museum-fuer-vor-und-fruehgeschichte/</loc>
		<lastmod>2026-06-03T09:37:00+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/P1010851_thumb.jpg</image:loc>
			<image:title><![CDATA[P1010851_thumb]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/james-simon-philanthrop-maezen-und-weltbuerger/</loc>
		<lastmod>2026-06-03T09:37:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2019/07/titelbild_james_simon-scaled.jpg</image:loc>
			<image:title><![CDATA[titelbild_james_simon]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/Abb.1_James-Simon_klein_1022103.jpg</image:loc>
			<image:caption><![CDATA[Porträt James Simon © Staatliche Museen zu Berlin, Zentralarchiv]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-friederike-seyfried-direktorin-im-aegyptischen-museum-und-papyrussammlung/</loc>
		<lastmod>2026-06-03T09:37:15+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/Gott_MG_8207_klein.jpg</image:loc>
			<image:title><![CDATA[Gott_MG_8207_klein]]></image:title>
			<image:caption><![CDATA[Foto: Juliane Eirich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/es-kocht-schon-etwas-joep-van-lieshout-auf-der-museumsinsel/</loc>
		<lastmod>2026-06-03T09:37:23+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/Joep-van-Lieshout_kl.jpg</image:loc>
			<image:title><![CDATA[Joep van Lieshout_kl]]></image:title>
			<image:caption><![CDATA[Der Künstler Joep van Lieshout in seinem Atelier in Rotterdam. Foto: Atelier Van Lieshout]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/ang_The-Monument_ATelier-Van-Lieshout_hoch_kl.jpg</image:loc>
			<image:caption><![CDATA[Atelier Van Lieshout: The Monument © Atelier Van Lieshout, Kolonnadenhof, Nationalgalerie – Staatliche Museen zu Berlin / Thomas Bruns]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-karsten-dahmen-kurator-im-muenzkabinett/</loc>
		<lastmod>2026-06-03T09:37:33+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/Dahmen_Thumb_gro%C3%9F.jpg</image:loc>
			<image:title><![CDATA[Dahmen_Thumb_groß]]></image:title>
			<image:caption><![CDATA[Karsten Dahmen, Münzkabinett. Foto: Achim Kleuker]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/impressionen-von-der-langen-nacht-der-museen/</loc>
		<lastmod>2026-06-03T09:37:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0395.jpg</image:loc>
			<image:title><![CDATA[IMG_0395]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0402.jpg</image:loc>
			<image:caption><![CDATA[IMG_0402]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0405.jpg</image:loc>
			<image:caption><![CDATA[IMG_0405]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0407.jpg</image:loc>
			<image:caption><![CDATA[IMG_0407]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/Zwischenablage01.jpg</image:loc>
			<image:caption><![CDATA[Zwischenablage01]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0409.jpg</image:loc>
			<image:caption><![CDATA[IMG_0409]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0410.jpg</image:loc>
			<image:caption><![CDATA[IMG_0410]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0420.jpg</image:loc>
			<image:caption><![CDATA[IMG_0420]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0421.jpg</image:loc>
			<image:caption><![CDATA[IMG_0421]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0427.jpg</image:loc>
			<image:caption><![CDATA[IMG_0427]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0428.jpg</image:loc>
			<image:caption><![CDATA[IMG_0428]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/09/IMG_0429.jpg</image:loc>
			<image:caption><![CDATA[IMG_0429]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-antike-dame-mit-stil/</loc>
		<lastmod>2026-06-03T09:37:57+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.4_Vitrinensituation-im-NMU.jpg</image:loc>
			<image:title><![CDATA[Abb.4_Vitrinensituation im NMU]]></image:title>
			<image:caption><![CDATA[Vorherige Vitrinensituation im Neuen Museum während der Ausstellung „Alltag – Luxus – Schutz – Schmuck im Alten Ägypten“ © Foto: A. Winkler]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.1_%C3%84MP_10974.jpg</image:loc>
			<image:caption><![CDATA[Mumienporträt einer Frau aus der römischen Kaiserzeit, um 70 n. Chr. © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung /Foto: Stefan Büchner]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.2_%C3%84MP_12699.jpg</image:loc>
			<image:caption><![CDATA[Mondsichel-Anhänger (Lunula) mit Uräusschlange und Weintrauben, Römische Kaiserzeit, Mitte 2. Jh. – 3. Jh. n. Chr., Ägypten, genaue Provenienz unbekannt © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung /Foto: Sandra Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.3_%C3%84MP_10974_Detail.jpg</image:loc>
			<image:caption><![CDATA[Detail des Mumienporträts © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/Abb.7_Vitrinensituation-im-SBM.jpg</image:loc>
			<image:caption><![CDATA[Vitrinensituation im Bode-Museum während des Aufbaus und während der Ausstellung "EIN GOT - Abrahams Erben am Nil". © Staatliche Museen zu Berlin, Ägyptisches Museum und Papyrussammlung]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/lieblingsstuecke-amor-mit-kopfschuss/</loc>
		<lastmod>2026-06-03T09:38:05+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/amor-3.jpg</image:loc>
			<image:title><![CDATA[amor-3]]></image:title>
			<image:caption><![CDATA[François Duquesnoy, Bogenschnitzender Amor, vor 1629. Aufstellung in der Ausstellung „Das verschwundene Museum“. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/amor-1-A-B.jpg</image:loc>
			<image:caption><![CDATA[François Duquesnoy, Bogenschnitzender Amor, vor 1629. Aufnahmen im Großen Marmorsaal des Bode-Museums von 2006 und 2010. Fotos: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/amor-2-Folder.jpg</image:loc>
			<image:caption><![CDATA[Außenseite des Folders zur Ausstellung „Das verschwundene Museum“]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/amor-3.jpg</image:loc>
			<image:caption><![CDATA[François Duquesnoy, Bogenschnitzender Amor, vor 1629. Aufstellung in der Ausstellung „Das verschwundene Museum“. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/amor-4.jpg</image:loc>
			<image:caption><![CDATA[François Duquesnoy, Bogenschnitzender Amor, vor 1629. Aufstellung in der Ausstellung „Das verschwundene Museum“. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/amor-5-abguss.jpg</image:loc>
			<image:caption><![CDATA[François Duquesnoy, Bogenschnitzender Amor, Gipsabguss, vor 1945. Aufstellung in der Ausstellung „Das verschwundene Museum“. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/amor-6-abguss.jpg</image:loc>
			<image:caption><![CDATA[François Duquesnoy, Bogenschnitzender Amor, Gipsabguss, vor 1945. Aufstellung in der Ausstellung „Das verschwundene Museum“. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/amor-7-historisches-foto.jpg</image:loc>
			<image:caption><![CDATA[François Duquesnoy, Bogenschnitzender Amor, vor 1629. Zustand nach 1945 und vor der Rückkehr der Skulptur aus der Sowjetunion 1958. Foto: Archiv Skulpturensammlung]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/08/amor-8.jpg</image:loc>
			<image:caption><![CDATA[François Duquesnoy, Bogenschnitzender Amor, vor 1629, Original und Abguss. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/studierende-erobern-die-museuminsel/</loc>
		<lastmod>2026-06-03T09:38:12+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/Vorbereitungen-fu%C2%A6%C3%AAr-den-PARCOURS_Foto_Lilli-Christoph-Homberg.jpg</image:loc>
			<image:title><![CDATA[Vorbereitungen fu¦êr den PARCOURS_Foto_Lilli Christoph-Homberg]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wo-ist-der-pergamonaltar/</loc>
		<lastmod>2026-06-03T09:38:20+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/Abb_Altar_Besucher_kl.jpg</image:loc>
			<image:title><![CDATA[Pergamon_00]]></image:title>
			<image:caption><![CDATA[Der Pergamonaltar vor Beginn der Bauarbeiten. Foto: Peter Thieme]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-julien-chapuis-leiter-skulpturensammlung/</loc>
		<lastmod>2026-06-03T09:38:27+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/chapuis.jpg</image:loc>
			<image:title><![CDATA[chapuis]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/backstories-folge-2-die-schimpansin-missie/</loc>
		<lastmod>2026-06-03T09:38:34+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/Titel-Missie.jpg</image:loc>
			<image:title><![CDATA[Titel Missie]]></image:title>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/ein-sommertag-auf-der-museumsinsel/</loc>
		<lastmod>2026-06-03T09:38:41+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-8.jpg</image:loc>
			<image:title><![CDATA[museumsinselsommer-8]]></image:title>
			<image:caption><![CDATA[Blick auf die Museumsinsel Berlin und die Spree]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-1.jpg</image:loc>
			<image:caption><![CDATA[Altes Museum Sommer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-2.jpg</image:loc>
			<image:caption><![CDATA[Lustgarten vor dem Alten Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-3.jpg</image:loc>
			<image:caption><![CDATA[Detail Altes Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-4.jpg</image:loc>
			<image:caption><![CDATA[Der Kolonnadenhof im Sommer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-6.jpg</image:loc>
			<image:caption><![CDATA[Skulptur eines Löwen auf der Museumsinsel Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-5.jpg</image:loc>
			<image:caption><![CDATA[Der Säulengang auf der Museumsinsel Berlin.]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-7.jpg</image:loc>
			<image:caption><![CDATA[das Banner weht vor dem neuen Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-8.jpg</image:loc>
			<image:caption><![CDATA[Blick auf die Museumsinsel Berlin und die Spree]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-9.jpg</image:loc>
			<image:caption><![CDATA[Blick vom Dom auf die Alte Nationalgalerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-10.jpg</image:loc>
			<image:caption><![CDATA[Blick vom Dom auf den Lustgarten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-11.jpg</image:loc>
			<image:caption><![CDATA[Blick vom Dom auf das Humboldt-Forum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-12.jpg</image:loc>
			<image:caption><![CDATA[Blich vom Dom auf den Fernsehturm]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-13.jpg</image:loc>
			<image:caption><![CDATA[Der Lustgarten in der Sommersonne]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-14.jpg</image:loc>
			<image:caption><![CDATA[Brunnen im Lustgarten]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-15.jpg</image:loc>
			<image:caption><![CDATA[Rotunde im Alten Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-16.jpg</image:loc>
			<image:caption><![CDATA[Der Griechische Hof im Neuen Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-17.jpg</image:loc>
			<image:caption><![CDATA["Ein Gott" Ausstellung im Bode-Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-18.jpg</image:loc>
			<image:caption><![CDATA[Besucher vor dem Eingang zum Bode-Museum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-19.jpg</image:loc>
			<image:caption><![CDATA[Bauarbeiten vor dem Pergamonmuseum]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-20.jpg</image:loc>
			<image:caption><![CDATA[Bauarbeiten an der James-Simon-Galerie]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-21.jpg</image:loc>
			<image:caption><![CDATA[Besucherin auf der Museumsinsel Berlin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/07/museumsinselsommer-22.jpg</image:loc>
			<image:caption><![CDATA[Besucher im Liegestuhl im Kolonnadenhof]]></image:caption>
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	</url>
	<url>
		<loc>https://blog.smb.museum/richtfest-am-berliner-schloss/</loc>
		<lastmod>2026-06-03T09:38:49+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/06/humboldt-forum-richtfest-9.jpg</image:loc>
			<image:title><![CDATA[humboldt-forum-richtfest-9]]></image:title>
			<image:caption><![CDATA[Selfie. Foto: Fabian Fröhlich]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wunden-im-marmor/</loc>
		<lastmod>2026-06-03T09:38:58+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-6.jpg</image:loc>
			<image:title><![CDATA[das-verschwundene-museum-6]]></image:title>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-1.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-1]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-2.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-2]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-3.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-3]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-4.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-4]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-5.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-5]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-6.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-6]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-7.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-7]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-8.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-8]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-9.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-9]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-10.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-10]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-11.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-11]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-12.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-12]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-13.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-13]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-14.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-14]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-15.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-15]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-16.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-16]]></image:caption>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-17.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-17]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-18.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-18]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-19.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-19]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-20.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-20]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-21.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-21]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-22.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-22]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-23.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-23]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-24.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-24]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/das-verschwundene-museum-25.jpg</image:loc>
			<image:caption><![CDATA[das-verschwundene-museum-25]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/rechnung-von-botticelli/</loc>
		<lastmod>2026-06-03T09:39:16+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/03/Titelbild-Florenus.jpg</image:loc>
			<image:title><![CDATA[Titelbild Florenus]]></image:title>
			<image:caption><![CDATA[Ein Gulden (Floren) aus Florenz, 1507. (Vorderseite) Aus der Sammlung Benoni Friedländer, erworben 1861. Münzkabinett, Staatliche Museen zu Berlin, Objektnummer 18242834. Foto: Reinhard Saczewski]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/Florenus2gro%C3%9F.jpg</image:loc>
			<image:caption><![CDATA[Ein Gulden (Floren) aus Florenz, 1507. (Rückseite) Aus der Sammlung Benoni Friedländer, erworben 1861. Münzkabinett, Staatliche Museen zu Berlin, Objektnummer 18242834. Foto: Reinhard Saczewski]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2015/04/Florenus1gro%C3%9F.jpg</image:loc>
			<image:caption><![CDATA[Ein Gulden (Floren) aus Florenz, 1507. (Vorderseite) Aus der Sammlung Benoni Friedländer, erworben 1861. Münzkabinett, Staatliche Museen zu Berlin, Objektnummer 18242834. Foto: Reinhard Saczewski]]></image:caption>
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	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-ruth-reisenauer-sammlungsverwalterin-am-vorderasiatischen-museum/</loc>
		<lastmod>2026-06-09T12:56:19+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/Doku_Ruth-Reisenauer_20240814_016b.jpg</image:loc>
			<image:title><![CDATA[Doku_Ruth Reisenauer_20240814_016b]]></image:title>
			<image:caption><![CDATA[Ruth Reisenauer, Sammlungsverwalterin im Vorderasiatischen Museum © Staatliche Museen zu Berlin, Vorderasiatisches Museum / Olaf Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/Doku_Ruth-Reisenauer_20240814_023b.jpg</image:loc>
			<image:caption><![CDATA[Ruth Reisenauer, Sammlungsverwalterin im Vorderasiatischen Museum © Staatliche Museen zu Berlin, Vorderasiatisches Museum / Olaf Teßmer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-juliane-eule-kuratorin-der-keilschriftsammlung-am-vorderasiatischen-museum/</loc>
		<lastmod>2026-06-09T12:56:28+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/Doku_Juliane-Eule_20240814_154b_kl.jpg</image:loc>
			<image:title><![CDATA[Doku_Juliane Eule_20240814_154b_kl]]></image:title>
			<image:caption><![CDATA[Juliane Eule, Kuratorin im Vorderasiatischen Museum © Staatliche Museen zu Berlin, Vorderasiatisches Museum / Olaf Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/08/Doku_Juliane-Eule_20240814_254b.jpg</image:loc>
		</image:image>
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	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-sara-biever-provenienzforscherin/</loc>
		<lastmod>2026-06-09T13:00:08+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/04/20260325_120048.jpg</image:loc>
			<image:title><![CDATA[20260325_120048]]></image:title>
			<image:caption><![CDATA[Sara Sophie Biever im Zentralarchiv © Staatliche Museen zu Berlin, Lisa Hackmann]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/04/20260325_115510.jpg</image:loc>
			<image:caption><![CDATA[Sara Sophie Biever im Zentralarchiv © Staatliche Museen zu Berlin, Lisa Hackmann]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/restaurierung-ist-nie-nur-eine-technische-angelegenheit-das-bait-wakil-projekt-des-museums-fuer-islamische-kunst/</loc>
		<lastmod>2026-06-09T13:10:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/ISL_Restaurierungsprojekt_Bait_Wakil_9.jpg</image:loc>
			<image:title><![CDATA[ISL_Restaurierungsprojekt_Bait_Wakil_9]]></image:title>
			<image:caption><![CDATA[Fertigstellung der Steindekorationen im Bait Wakil © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anwar Daye]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/ISL_Restaurierungsprojekt_Bait_Wakil_13.jpg</image:loc>
			<image:caption><![CDATA[Wiederaufbau der Westfassade im Bait Wakil © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Fares Badawi]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/10/Foto_Aleppo_CWeber.jpg</image:loc>
			<image:caption><![CDATA[Zerstörte Gebäude und Souk in der Altstadt von Aleppo, Syrien, Foto: Cornelia Weber]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/Foto-17.10.25-17-25-07.jpg</image:loc>
			<image:caption><![CDATA[Außenansicht Kuppel der Qaʿa („Halle“) / Empfangsraum im Bait Wakil © Museum für Islamische Kunst, Staatliche Museen zu Berlin, Foto: Stefan Weber]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/10/Teamfoto_Event_17.10.25_1.jpg</image:loc>
			<image:caption><![CDATA[Das Restaurierungsteam aus Aleppo und Berlin zusammen im Bait Wakil am 17.10.2025 © Museum für Islamische Kunst, Foto: Warsha production house]]></image:caption>
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		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/10/Foto_Aleppo_CWeber_2.jpg</image:loc>
			<image:caption><![CDATA[Zerstörte Gebäude und Souk in der Altstadt von Aleppo, Syrien, Foto: Cornelia Weber]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/ISL_Restaurierungsprojekt_Bait_Wakil_9.jpg</image:loc>
			<image:caption><![CDATA[Fertigstellung der Steindekorationen im Bait Wakil © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anwar Daye]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/ISL_Restaurierungsprojekt_Bait_Wakil_1.jpg</image:loc>
			<image:caption><![CDATA[Ausbildung der Steinmetze im Bait Wakil © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Samir Samman]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/ISL_Restaurierungsprojekt_Bait_Wakil_5.jpg</image:loc>
			<image:caption><![CDATA[Restaurierungsarbeiten an der Westfassade des Bait Wakil © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Alaaeddin Haddad]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/11/ISL_Restaurierungsprojekt_Bait_Wakil_8.jpg</image:loc>
			<image:caption><![CDATA[Gruppenfoto des Ausbildungsteams nach Abschluss der Kurse und Verleihung der Zertifikate im Bait Wakil © Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anwar Daye]]></image:caption>
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	</url>
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		<loc>https://blog.smb.museum/das-taufbecken-von-siena-die-restaurierung-in-fotos/</loc>
		<lastmod>2026-06-09T13:11:12+00:00</lastmod>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/blog-taufbecken-probeaufbau-17b.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/blog-taufbecken-vorzustand-4-1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/blog-taufbecken-vorzustand-1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/blog-taufbecken-vorzustand-10.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-vorzustand-14.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/blog-taufbecken-vorzustand-11.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/blog-taufbecken-vorzustand-13.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/blog-taufbecken-vorzustand-6.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-restaurierung-20b.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-restaurierung-7.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-restaurieren-1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-restaurieren-12.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-ergaenzen-1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-gipsformerei-taufbecken-ergaenzen-2.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-ergaenzen-13b-1.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-probeaufbau-3.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-probeaufbau-9.jpg</image:loc>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-probeaufbau-23.jpg</image:loc>
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		</image:image>
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			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-aufbaubode-2.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-aufbaubode-3.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-museum-taufbecken-aubode-6.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-aufbaubode-7-1.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-aufbaubode-5.jpg</image:loc>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2025/04/blog-taufbecken-aufbaubode-8.jpg</image:loc>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/was-macht-eigentlich-stefan-geismeier-steinrestaurator-am-vorderasiatischen-museum/</loc>
		<lastmod>2026-06-09T13:13:13+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Doku_Stefan-Geismeier_20240806_016_kl.jpg</image:loc>
			<image:title><![CDATA[Doku_Stefan Geismeier_20240806_016_kl]]></image:title>
			<image:caption><![CDATA[Stefan Geismeier, Steinrestaurator im Vorderasiatischen Museum © Staatliche Museen zu Berlin, Vorderasiatisches Museum / Olaf Teßmer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/10/Doku_Stefan-Geismeier_20240806_016_kl.jpg</image:loc>
			<image:caption><![CDATA[Stefan Geismeier, Steinrestaurator im Vorderasiatischen Museum © Staatliche Museen zu Berlin, Vorderasiatisches Museum / Olaf Teßmer]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/biografien-der-objekte-die-reise-einer-persischen-seidenwirkerei-aus-der-sammlung-cassirer/</loc>
		<lastmod>2026-06-09T13:15:03+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/05_Pl_1914_Anfang-1933_Raum-14-Blick-auf-li-Wand-scaled.jpg</image:loc>
			<image:title><![CDATA[05_Pl_1914_Anfang 1933_Raum 14-Blick auf li Wand]]></image:title>
			<image:caption><![CDATA[Raum 14 im Museum für Islamische Kunst Anfang 1933. Liegend ein Teppich aus der Sammlung Cassirer (heute I. 7/56); Foto: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Archiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/01_Thierry-Mieg-ref.18888cpe-photo-Rippon-Boswell-after-conservation-500-dpi-scaled.jpg</image:loc>
			<image:caption><![CDATA[Seiden-Wirkerei, Kaschan, Zentraliran, ca. 1575-85, I. 10466, 141 x 222 cm, Seide, mit Silber umwickelte Seidenfäden; Foto: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Stefan Osterritter]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/04_I_10466_Detail-1-scaled.jpg</image:loc>
			<image:caption><![CDATA[Mit Silber umwickelte weiße Seidenfäden, Detail Seiden-Wirkerei, I. 10466; Foto: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anna Beselin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/03_Met_DP-14132-001-scaled.jpg</image:loc>
			<image:caption><![CDATA[Seiden-Wirkerei, vermutl. Kaschan, Zentraliran, spätes 16. Jh. - frühes 17. Jh., 139,7 x 231,1 cm, Metropolitan Museum of Art, New York, Inv.Nr.: 51.197, Seide, teilweise mit Metall umwickelt; Foto: Metropolitan Museum of Art, New York]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/02_I_2577-P002-M-scaled.jpg</image:loc>
			<image:caption><![CDATA[Padischah-Wirkerei, Kaschan, Zentraliran, Ende 16. Jh., 136 x 226 cm, I. 2577, Seide, mit Silber umwickelte Seidenfäden; Foto: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Johannes Kramer]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/09_37a-Cassirers.jpg</image:loc>
			<image:caption><![CDATA[Eva und Alfred Cassirer um 1924; Foto: privat]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/05_Pl_1914_Anfang-1933_Raum-14-Blick-auf-li-Wand-scaled.jpg</image:loc>
			<image:caption><![CDATA[Raum 14 im Museum für Islamische Kunst Anfang 1933. Liegend ein Teppich aus der Sammlung Cassirer (heute I. 7/56); Foto: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Archiv]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/06_PKT.7-a.53.jpg</image:loc>
			<image:caption><![CDATA[Notizen von Kurt Erdmann; Foto: Staatliche Museen zu Berlin, Museum für Islamische Kunst und Zentralarchiv, Erdmann-Archiv, PKT.7-a.53]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/07_Album-Maciet-323-scaled.jpg</image:loc>
			<image:caption><![CDATA[Teilabbildung der Wirkerei im sog. Album Maciet, ‘Tapis Persans’, vol. 323 im Archiv des Musée des Arts Décoratifs, als eine Reproduktion aus Les Arts Décoratifs, Imprimerie Lemercier &amp; Cie, Paris, [n.d. - vor 1877], pl. LX.; Foto: Michael Franses]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/08_Graupe_Einlieferung-scaled.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung der Eva Cassirer Teppiche 2002 im Mschatta-Saal des Museums; Foto: Archiv, Museum für Islamische Kunst]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/10_2002_CassirerAusstellung_ISL-1.jpg</image:loc>
			<image:caption><![CDATA[Ausstellung der Eva Cassirer Teppiche 2002 im Mschatta-Saal des Museums; Foto: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Anna Beselin]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/06/12_20230912_1834320_resized.jpg</image:loc>
			<image:caption><![CDATA[Enthüllung der Seiden-Wirkerei am 12. August 2023 im Safawiden-Saal (Raum 14) des Museums. Rechts ebenfalls ein Teppich der Cassirer Sammlung (I. 7/56); Foto: Staatliche Museen zu Berlin, Museum für Islamische Kunst / Claudia Pörschmann]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/schwergewichte-und-lichtgestaltung-beraeumung-des-pergamonmuseums/</loc>
		<lastmod>2026-06-09T13:15:46+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4074.jpg</image:loc>
			<image:title><![CDATA[IMG_4074]]></image:title>
			<image:caption><![CDATA[Blick auf das Ischtar-Tor im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4044.jpg</image:loc>
			<image:caption><![CDATA[Blick in den Miletsaal im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/ANT-1.7_-Mos72_Ausbau-Bild-J.Pomm_001.jpg</image:loc>
			<image:caption><![CDATA[Ausbau des Orpheusmosaiks im Miletsaal des Pergamonmuseums; Foto: J. Pomm, 2024]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4068.jpg</image:loc>
			<image:caption><![CDATA[Blick auf die Leerstelle des Orpheusmosaiks im Miletsaal im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4049-scaled.jpg</image:loc>
			<image:caption><![CDATA[Blick in den Miletsaal im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4070-scaled.jpg</image:loc>
			<image:caption><![CDATA[Verpackte Objekte in der Prozessionsstraße im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4079.jpg</image:loc>
			<image:caption><![CDATA[Abmontiertes Relief im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4089-scaled.jpg</image:loc>
			<image:caption><![CDATA[Leerstellen an der Wand im Pergamonmuseum im Mai 2024; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2024/05/IMG_4108.jpg</image:loc>
			<image:caption><![CDATA[Helen Gries und Moritz Taschner im Pergamonmuseum; Foto: SMB / Sven Stienen]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/nubian-heritage-and-the-living-memory-of-sudan/</loc>
		<lastmod>2026-07-07T12:36:56+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-4_C87A0179-Kopie.jpg</image:loc>
			<image:title><![CDATA[Fig. 4_C87A0179 Kopie]]></image:title>
			<image:caption><![CDATA[Workshop in the Pottery Store, 16-05-2026. Photo: Silke Briel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-1_Khadiga-in-wokshops.jpg</image:loc>
			<image:caption><![CDATA[Khadiga Mustafa in one of the workshops, 14-05-2026. Photo: Ilona Regulski]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-2_Shepenupet-AeM-7972.jpg</image:loc>
			<image:caption><![CDATA[Sphinx of Shepenupet II, God’s wife of Amun. Staatliche Museen zu Berlin - Ägyptisches Museum und Papyrussammlung, Inv. No. ÄM 7972, Photo: Jürgen Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-3_Meroitic-pottery-AEM_S_00222.jpg</image:loc>
			<image:caption><![CDATA[Meroitic pottery from the Staatliche Museen zu Berlin - Ägyptisches Museum und Papyrussammlung, Inv. No. ÄM 7972, Photo: Sandra Steiß]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-4_C87A0179-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Workshop in the Pottery Store, 16-05-2026. Photo: Silke Briel]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/nubisches-kulturerbe-und-die-lebendige-erinnerung-des-sudan/</loc>
		<lastmod>2026-07-07T12:37:37+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-4_C87A0179-Kopie.jpg</image:loc>
			<image:title><![CDATA[Fig. 4_C87A0179 Kopie]]></image:title>
			<image:caption><![CDATA[Workshop in the Pottery Store, 16-05-2026. Photo: Silke Briel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-1_Khadiga-in-wokshops.jpg</image:loc>
			<image:caption><![CDATA[Khadiga Mustafa in one of the workshops, 14-05-2026. Photo: Ilona Regulski]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-2_Shepenupet-AeM-7972.jpg</image:loc>
			<image:caption><![CDATA[Sphinx of Shepenupet II, God’s wife of Amun. Staatliche Museen zu Berlin - Ägyptisches Museum und Papyrussammlung, Inv. No. ÄM 7972, Photo: Jürgen Liepe]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-4_C87A0179-Kopie.jpg</image:loc>
			<image:caption><![CDATA[Workshop in the Pottery Store, 16-05-2026. Photo: Silke Briel]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/Fig.-3_Meroitic-pottery-AEM_S_00222.jpg</image:loc>
			<image:caption><![CDATA[Meroitic pottery from the Staatliche Museen zu Berlin - Ägyptisches Museum und Papyrussammlung, Inv. No. ÄM 7972, Photo: Sandra Steiß]]></image:caption>
		</image:image>
	</url>
	<url>
		<loc>https://blog.smb.museum/wo-die-steppe-geschichte-schreibt-eine-reise-zu-den-urspruengen-des-mongolischen-weltreichs/</loc>
		<lastmod>2026-07-27T08:52:02+00:00</lastmod>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/PXL_20260610_030801180.jpg</image:loc>
			<image:title><![CDATA[PXL_20260610_030801180]]></image:title>
			<image:caption><![CDATA[Unterwegs auf dem Areal der ehemaligen Hauptstadt des mongolischen Weltreichs, Karakorum, zitiert Matthias Wemhoff aus dem Reisebericht Wilhelm von Rubruks © Staatliche Museen zu Berlin, Timo Weißberg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/PXL_20260608_041221000.jpg</image:loc>
			<image:caption><![CDATA[Die mehrere Meter hohe goldene Statue Dschings Khans im 9. Stock des Chinggis Khaan National Museum, Ulaanbaatar © Staatliche Museen zu Berlin, Timo Weißberg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/PXL_20260609_104209789.jpg</image:loc>
			<image:caption><![CDATA[Diese von der Türkei finanzierte Straße führt durch die scheinbar endlose mongolische Steppe zum Khöshöö Tsaidam-Memorialkomplex, auch bekannt als Bilge-Khan-Denkmal © Staatliche Museen zu Berlin, Tim]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/PXL_20260610_041936985.jpg</image:loc>
			<image:caption><![CDATA[Matthias Wemhoff im Interview vor der Granitskulptur einer Schildkröte auf dem ehemaligen Stadtareal von Karakorum © Staatliche Museen zu Berlin, Timo Weißberg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/PXL_20260610_030801180.jpg</image:loc>
			<image:caption><![CDATA[Unterwegs auf dem Areal der ehemaligen Hauptstadt des mongolischen Weltreichs, Karakorum, zitiert Matthias Wemhoff aus dem Reisebericht Wilhelm von Rubruks © Staatliche Museen zu Berlin, Timo Weißberg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/DJI_0142_ergebnis-scaled-e1731503905376.webp</image:loc>
			<image:caption><![CDATA[Luftaufnahme der Tempel- und Palaststadt von Karabalgasun © M.Riemer / DAI]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/PXL_20260610_1230248262.jpg</image:loc>
			<image:caption><![CDATA[Sonnenuntergang über dem oberen Orchontal, wo der Fluss einen tiefen Canyon in die Landschaft gefressen hat © Staatliche Museen zu Berlin, Timo Weißberg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/PXL_20260611_040752910.jpg</image:loc>
			<image:caption><![CDATA[Zu Besuch bei Nomaden: Zubereitung traditioneller Teigtaschen in der Jurte © Staatliche Museen zu Berlin, Timo Weißberg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/PXL_20260608_035115907.jpg</image:loc>
			<image:caption><![CDATA[Matthias Wemhoff (Vierter von links) und Chuluun Sampildondov, Direktor des Chinggis Khaan National Museum (ganz rechts), erläutern ein Stadtmodell von Karakorum © Staatliche Museen zu Berlin, Timo Weißberg]]></image:caption>
		</image:image>
		<image:image>
			<image:loc>https://blog.smb.museum/wp-content/uploads/2026/07/PXL_20260613_095631395.jpg</image:loc>
			<image:caption><![CDATA[Bühnenshow „Land of the Sky“ im National Academic Drama Theatre in Ulaanbaatar © Staatliche Museen zu Berlin, Timo Weißberg]]></image:caption>
		</image:image>
	</url>
</urlset>
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